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Articles 18571 - 18600 of 57970
Full-Text Articles in Creative Writing
Wait, Mr. Rogers Wasn't A Pedophile??, Joshua Matthews
Ebenezer, Howard Schaap
On Being An Activist: Silence, Technology And Feminist Solidarity In South Asia, Nosheen Ali
On Being An Activist: Silence, Technology And Feminist Solidarity In South Asia, Nosheen Ali
Institute for Educational Development, Karachi
No abstract provided.
Take Me Down, Daniel Cleary
Take Me Down, Daniel Cleary
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
No One Else Will Watch, Marshall Farren
No One Else Will Watch, Marshall Farren
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Mother's Linen Garden, Trinity Rairdon
Mother's Linen Garden, Trinity Rairdon
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Fala Com Ela, Alexis Uribe
Fala Com Ela, Alexis Uribe
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Nacimiento, Alexis Uribe
Nacimiento, Alexis Uribe
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Month Of Me, Emma Rees
Month Of Me, Emma Rees
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
A Sliver Of Light, Melissa Browning
A Sliver Of Light, Melissa Browning
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Other Lives, Shawna J. Kennedy
Other Lives, Shawna J. Kennedy
Theses and Dissertations
This work is one of fiction, dealing with characters and concepts of ‘otherness’ and social displacement. This work is further sub-categorized as a work of fantasy or urban fantasy fiction where the standard rules of reality do not apply.
The Muck Sisters, Danielle Gonzalez
100 Miles Per Hour, Misty Yarnall
In Defense Of Body Hair, Meg Fellows
Searching For Eurydice, Colin Sharp-O'Connor
Searching For Eurydice, Colin Sharp-O'Connor
Gandy Dancer Archives
No abstract provided.
To My Father, Sarah Delena
Blood Runs Cold, Alaina Maggio
Reciprocal Hurt, Parker Reid
Poem Without Drugs // The Professor, Emily Hargitai
Poem Without Drugs // The Professor, Emily Hargitai
Gandy Dancer Archives
No abstract provided.
On Waking At 3 A.M. // First Visit, During The County Fair, Grace Gilbert
On Waking At 3 A.M. // First Visit, During The County Fair, Grace Gilbert
Gandy Dancer Archives
No abstract provided.
I Grow Taller In The Summer Months, Julia Merante
I Grow Taller In The Summer Months, Julia Merante
Gandy Dancer Archives
No abstract provided.
See A Daisy, Pick It Up // The Goats Grow Bigger Every Spring, Sydney Shaffer
See A Daisy, Pick It Up // The Goats Grow Bigger Every Spring, Sydney Shaffer
Gandy Dancer Archives
No abstract provided.
Carnivores // A Girl's Name // Sonnet For A Cowboy // Pre-Operative, Mitchell Angelo
Carnivores // A Girl's Name // Sonnet For A Cowboy // Pre-Operative, Mitchell Angelo
Gandy Dancer Archives
No abstract provided.
Intervals // Cardinal, Caroline Beltz-Hosek
Intervals // Cardinal, Caroline Beltz-Hosek
Gandy Dancer Archives
No abstract provided.
The Letter, Mary Dengler
The Old Professor Discovers The Sweet Egg Of Discontent, David Schelhaas
The Old Professor Discovers The Sweet Egg Of Discontent, David Schelhaas
Pro Rege
No abstract provided.
Ents, Bob De Smith
Can'ts And Don'ts, Bill Elgersma
New Hope At Christmas, James C. Schaap
The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore
The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore
Master's Theses
This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …