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Articles 10201 - 10230 of 57941
Full-Text Articles in Creative Writing
Earth Stories: A Narrative Understanding Of Farmlife In Pokhara, Nepal, Grace Holmes
Earth Stories: A Narrative Understanding Of Farmlife In Pokhara, Nepal, Grace Holmes
Independent Study Project (ISP) Collection
Humans love to tell stories. The purpose of this Creative ISP is to collect stories, of the plants and of the earth, render them through quotations and summary, and then discuss and reflect on how these stories could describe the relationship between people and the land. I hope a narrative understanding of our dependence on agriculture can bridge the gap in modern society that separates us so fundamentally from the earth that we live on.
The Flowerings Project: A Library In Transformation, Jody Condit Fagan, Joanne V. Gabbin, Bethany Nowviskie, Lauren K. Alleyne, Aaron Noland
The Flowerings Project: A Library In Transformation, Jody Condit Fagan, Joanne V. Gabbin, Bethany Nowviskie, Lauren K. Alleyne, Aaron Noland
Libraries
This final report from the JMU Libraries and Furious Flower Poetry Center to the Mellon Foundation describes in detail the activities undertaken as part of a 2020-2021 planning grant, “Furious Flowerings: Developing a Partnership Model for Digital Library Support of a Living Center for Black Poetry,” funded by the Mellon Foundation. The grant explored and developed a partnership model for integrated library support of a living, academic center for the arts with archival, scholarly, digital, educational, and performance components. Nine key areas were addressed, including three overarching areas: development of cultural competencies, exploring how an exemplar project can be used …
Synesthesia, Rachel Blood
Lunchtime, Kim Tran
The Kind Of Fear That Can Scare You To Death, Madeline Aafedt
The Kind Of Fear That Can Scare You To Death, Madeline Aafedt
Healy Poetry Prize
No abstract provided.
Revolutionary Reenactment: Militant Futures Past In Rania And Raed Rafei’S “74 (The Reconstitution Of A Struggle)”, Judith Naeff
Revolutionary Reenactment: Militant Futures Past In Rania And Raed Rafei’S “74 (The Reconstitution Of A Struggle)”, Judith Naeff
Regards
This article analyses how innovative narrative techniques operate in the movie 74 (The Reconstitution of a Struggle) by Rania and Raed Rafei (2012). The film is a reenactment of an historical event: the student occupation of the American University of Beirut one year before the start of the Lebanese civil war. The use of improvised reenactment, testimonials and the voiceover all strengthen the film’s approach to the event as an embodied transformative experience, even as it descends into its defeat. While a cynical spectator might argue that the focus on “revolutionary becoming” reduces collective action to individual experience, the article …
Le Cinéma Politique Et Engagé Turc, Mehmet Ozturk
Le Cinéma Politique Et Engagé Turc, Mehmet Ozturk
Regards
This article is about Turkish political cinema. The cinema, which began with the authorization of the state during the fall of the Ottoman Empire, did not have an important political role during the construction of the Kemalist Republic. In the 1950s, it entered its golden age in pro-American Turkey. At the end of the 1960s, especially in the lead years (1970), political cinema was used on several occasions as part of the ideology of the far right and the revolutionary left. After the violence of the military coup of 1980, it remained rather cynical and disengaged. Political interpretations represented the …
Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz
Introduction – Le Cinéma Militant Dans Le Monde Arabe (Des Années 1960 À Nos Jours), Joseph Korkmaz
Regards
Le cinéma militant dans le monde arabe, des années soixante du siècle dernier à maintenant, est tributaire d’un contexte historique marqué par le conflit israélo-palestinien et, par induction, israélo-arabe. Ce contexte s’inscrit à son tour dans la Guerre froide et le bras de fer entre le bloc communiste, mené par l’URSS, et le bloc occidental, parrainé par les États-Unis...
Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince
Usages Du Ciné-Tract Dans Le Film « Demande À Ton Ombre », Camille Leprince
Regards
Lamine Ammar-Khodja's first feature film, produced in 2012, Demande à ton ombre (Ask your shadow) is part of the so-called "creation" documentary. A diary and political chronicle, this film which runs from January to March 2011 plunges us into the news of the Arab uprisings seen from Algeria. While distinguishing itself in several respects from a militant cinema, Demande à ton ombre does not deny certain processes of the tradition of cine-tracts. In order to measure this distant, even distanced, proximity to the resources of militant and engaged cinema, it is proposed here to analyze their function and …
From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp
From Classroom To Gallery Floor: A Processual Exploration Of Rene Saheb’S (Meta)Physical Engagements With Clay, Kasper Tromp
Regards
This article presents a case study detailing the creative process of Iranian artist Rene Saheb. It analyzes the various stages, developments, and challenges Saheb went through while she explored the medium of clay, which was new to her artistic repertoire. Rather than focusing on outward properties of ceramics such as style or technique, the artist’s inward experiences of her medium and creative process are foregrounded by means of interviews.
As Saheb frequently turns to Islamic mysticism and poetry as conceptual anchorage throughout her creative process, her engagements with the ceramic medium will be discussed in light of relevant Islamic discourses …
Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat
Liberating “Khatt” From Calligraphy: Samir Sayegh On Art, Religion And Spiritualit, Kristen Scheid, Hala Shoucair, Saleh Barakat
Regards
The eminent Samir Sayegh has contributed substantially to Arab modernism as a critic, historian, and artist himself.¹ His writings in Arabic are well known, through numerous journal articles, interviews, and most notably his 1988 book, Islamic Art: A Speculative Reading of Its Philosophy and Aesthetic Particularities.²
Further, his thinking impacted scores of students and colleagues in architecture or graphic design from the American University of Beirut, where he lectured from 2003 to 2007.
However, his voice has not been heard loudly in English. This transcript amalgamates multiple sittings with Sayegh, between 2009 and 2022. He kindly allowed us to …
History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi
History Or Project? The Double Life Of Islamic Art Since The 1970s, Hamed Yousefi
Regards
This article argues that since the 1970s a duality divides the concept of Islamic Art. On the one hand, we have Islamic Art as the subject matter of a modern mode of historical inquiry, invented and developed in the colonial period in Europe but then taken up by scholars from around the world, including Muslim academics. This is the Islamic Art of Islamic Art History as a field of secular scholarship.
But then, in the decolonization period, and more pronouncedly since the 1970s, we witness the birth of another concept of Islamic Art that is not focused on the past. …
The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier
The Nonidentical Identical; Or, Notes On Violence And Escape In Basel Abbas And Ruanne Abou-Rahme’S "Oh Shining Star Testify", Ruslana Lichtzier
Regards
A review of Basel Abbas and Ruanne Abou-Rahme’s installation Oh shining star testify at the 12th Berlin Biennale (2022), where the artists present Palestinian lives and deaths by disrupting the progressive chronologies of Palestine’s ongoing obliteration.
The essay considers the representation of racist epistemologies through recourse to the work of Saidiya Hartman and Fred Moten, while also situating the installation within a lineage of cultural productions that respond to the histories of genocide.
"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn
"All Is Not Glitter" Review Of “Beirut And The Golden Sixties: A Manifesto Of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022, Nadia Von Maltzahn
Regards
The exhibition Beirut and the Golden Sixties: A Manifesto of Fragility highlights what the curators argue is the fragility of the narrative surrounding Beirut’s “Golden Age” – the period leading up to Lebanon’s civil war.
This review traces the genesis of the exhibition and presents its displays at Berlin’s Gropius Bau and the MAC Lyon. Several works are showcased to demonstrate how the curators constructed the exhibition’s five sections, which focus on place, body, form, politics, and the Civil War.
The review offers contextualization for an exhibition rich in diverse artworks and archival materials that contain a multitude of narratives.
Challenging Conventional Approaches To Teaching Creative Writing In Italy, Elena Traina
Challenging Conventional Approaches To Teaching Creative Writing In Italy, Elena Traina
Journal of Creative Writing Studies
This is an overview of how creative writing is currently taught in Italy and of the reasons why this discipline is struggling to establish itself in public universities. After investigating the relationship between Italian academia and creative arts, I will look at the private nature of these courses in relation to issues of inclusion and diversity; and will highlight some of the pedagogical concerns deriving from having imported the anglophone model. Looking at the wider cultural sector, I will present some reflections on the Italian book industry as a system which prioritises personal connections over literary value, a process often …
Pulpa, Guido A. Setton
Pulpa, Guido A. Setton
Toyon: Multilingual Literary Magazine
JUST WROTE THIS TEXT TWO WEEKS AGO. NOT PUBLISHED ANYWHERE.
The Queen Of My Heart, Walid Abdallah
Darnella, Patricia K. Mccutcheon Ms.
Darnella, Patricia K. Mccutcheon Ms.
Toyon: Multilingual Literary Magazine
None of these poems have been previously published
Pompeiian Pottery, Richard S. Spilman
A Father's Son, Sandeep Kumar Mishra
A Father's Son, Sandeep Kumar Mishra
Toyon: Multilingual Literary Magazine
UNPUBLISHED
None Of The Above / Ninguna De Las Anteriores, Alison Silver
None Of The Above / Ninguna De Las Anteriores, Alison Silver
Toyon: Multilingual Literary Magazine
No abstract provided.
The Fate Of The Earth, Dobby Morse
The Fate Of The Earth, Dobby Morse
Toyon: Multilingual Literary Magazine
No abstract provided.
Snowbound, Q. Noah Veil
The Sound Of Grief, Ashlee M. Murrieta
Mandala Deity, Ian Haight
Chaparrita, Cyerra Colomba Guzman
Primer Sorbo De Zumo De Naranja / First Sip Of Orange Juice, Angela M. Acosta
Primer Sorbo De Zumo De Naranja / First Sip Of Orange Juice, Angela M. Acosta
Toyon: Multilingual Literary Magazine
None of these pieces have been previously published and they are not under consideration elsewhere.
Examination Of Self, Robert T. Pegel
Strong, The Wind/E Forte Il Vento, Toti O'Brien
Strong, The Wind/E Forte Il Vento, Toti O'Brien
Toyon: Multilingual Literary Magazine
No abstract provided.
Hope On The Horizon, Andrew Graber
Hope On The Horizon, Andrew Graber
Toyon: Multilingual Literary Magazine
No abstract provided.