Creative Writing Commons^™

Displaced, Charlene Browne

I2

No abstract provided.

Cempasuchitl, Jennifer Lopez

I2

No abstract provided.

The Anti-Yellow Agenda, Karen Zheng

I2

No abstract provided.

Geography Lesson, Jasmine Collins

I2

No abstract provided.

Writer As Activist, Activist As Writer, Marybeth Holleman

The Goose

This brief essay describes the quandry and found guidelines of balancing art and activism, specifically as a writer. Examples come from the author's own work.

Untitled Screenplay, Lora A. Herman

University Honors Theses

The following document is a working copy of an untitled fictional screenplay in which the story and characters are the original work of Lora A. Herman.

In 2082 North America, the United States no longer exists as a governing entity. The vast majority of the landscape that once comprised the USA is unlivable due to irreparable advances in climate change -- flood, fire, freeze, and drought.

The remaining society has restructured itself to focus less on controlling its population and their free will, and to instead focus on maintaining the integrity of and resources for the man-made contained communities that …

Disney Buyout, Kevin Clifford

Student Publications

Disney Buyout

A man listens to the radio to find out that the White House has been bought out by Disney.
*Edited/adapted for the performance by Tim Brown and Thomas Edwards

Creative Writer's Festival 2019 Submisson Ad, Providence College

Playbill and Promotion

No abstract provided.

Creative Writer's Festival 2019 Poster, Providence College

Playbill and Promotion

The Dept. of Theatre, Dance & Film presents the 6th Annual

Creative Writers Festival 2019

Eavesdropping

May 23 & 24, 2019

Sat. at 7:30pm Sun. at 2:00pm

House Managers: Emily Clark & Ailish Egan
Poster Design: Emily Clark
Archive Photography: Ashley DiCaro

THEATRE, DANCE & FILM FESTIVAL STAFF
Creative Writers Festival Curator: Dave Rabinow
Managing Director: Jimmy Calitri
Department Chair: Dr. Wendy Oliver
Technical Director: George Marks
Assistant Technical Director: Trevor Elliott
Costume Shop Supervisor: Maxine Wheelock
Academic Administrative Coordinator: Ali Boyd
Production Administrative Coordinator: Talia Triangolo

The Gulf Between, Christine Baniewicz

LSU New Orleans Theses and Dissertations

Great swaths of Southeastern Louisiana are drowning, land giving way to water at an alarming rate. Since the 1920s, Louisiana has lost more than 1,800 square miles of wetlands to open water, an area about the size of the state of Delaware. In the same amount of time it takes to watch an episode of Breaking Bad, our state loses the equivalent of a football field’s-worth of solid ground to the rising seas. My thesis is the first part of an accessible creative nonfiction book that tells the story of what’s happening in my home state. To what extent is …

Sixth Form, Adrienne Barton

LSU New Orleans Theses and Dissertations

The ten stories in this short story collection explore the liminal spaces created by certain physical spaces as well as times in the characters’ lives. The stories are largely related to a school environment, and the relationships and experiences that are unique to the players living and moving within that context. How much are the relationships and actions of the characters influenced by the setting. What weight do institutional forces and tradition carry in the characters’ lives, and how do they exploit it for their own will or conform?

Crossroads And Crow Feathers, Travis E. Bowman

LSU New Orleans Theses and Dissertations

This thesis uses the short story form to examine the influence of myth, magick, and the supernatural on the interstitial areas of the United States. The power of words as a force for change figures prominently in these stories. This thesis looks at the monstrous as it moves in the darkness and in the minds of humans, but also at the tremendous depths of compassion and courage we find in ourselves when faced with monstrous situations.

Summer Troubles And Other Poems, Jeremy Thomas Burke

LSU New Orleans Theses and Dissertations

Following the example of Gary Snyder's "Axe Handles," I introduce my poetics and poems in the preface. Other influences, including Lucille Clifton, John Ashbery, and Anne Carson, are also explored. The original poetry that follows the preface attempts to enact the language of philosophical exploration, relationships, memory, conversation, and meditation while paying close attention to the musicality of everyday speech and avoiding clear and specific conclusions.

Sugarcane Crossroads, Sean Carrero

LSU New Orleans Theses and Dissertations

The following manuscript is a collection of lyric poetry that touches on themes of family history, love, and labor in the service industry. It is divided into three sections. The speaker in the work dwells in mostly private spaces and deals with private symbols such as, water, to represent the father figure in the poems.

Road Closed To Thru Traffic, Jordan C. Crook

LSU New Orleans Theses and Dissertations

This collection of nine fiction stories explores the journeys of men and women who find themselves unable to continue on the path they've set for themselves. So often, the roads we follow are dictated by social conditioning. This collection considers how are paths are predetermined by social norms and follows the characters as they react to unexpected obstacles encountered in common scenarios. Will they forge new paths? Turn back? Or will they take a detour and return to their original road?

Her Sweetest Comeback, Kelly Gangeness Le

LSU New Orleans Theses and Dissertations

Kelly Gangeness Le’s poetry manuscript focuses on paradoxical values concerning horror and humor paired with family and isolation. With the aesthetic approach that poetry ought to resemble the emotional intensity of music, Le strives for animated language. Her influences come from coarse, post-hardcore music and Lucie Brock-Broido’s scholarly yet brutal poetry. Thus she negotiates between lowbrow and literary dynamics. Family; Horror; Humor; Dissonance

The First Rule Of Improv, John M. Gilder

LSU New Orleans Theses and Dissertations

The First Rule of Improv is a collection of fictional short stories concerned with loss, life’s unfairness, the weight of the past, and how people succeed or fail in coping. Each story explores these notions through its characters, who vary wildly in terms of both dramatic severity and success in the face of adversity, with the first rule of improv—to accept and build—being suggested by the author as the healthiest manner of approach, if not necessarily the easiest.

Undertow, Adam Karlin

LSU New Orleans Theses and Dissertations

A short story collection that explores themes of culture, history, race, movement, stagnancy, and freedom. All stories are connected by elements of water, swimming, rivers, or wetlands. All contain characters seeking to escape their circumstances, with varying degrees of success. For some characters, the arc of their development lays in their movement; for others, it lays in their learning to live with a lack of movement.

Dark Smoke Rising, Matthew Knutson

LSU New Orleans Theses and Dissertations

A collection of short fiction set in and around Southern California.

Escape Artist, Justin Lamb

LSU New Orleans Theses and Dissertations

This poetry manuscript explores themes of family and addiction, education and New Orleans, and fear and escape in the span of three parts. Its preface examines the poet’s background and influences, his relationship with performance and humor, and the levity he hopes to create in his work.

“To Be Men, Not Destroyers”: Developing Dabrowskian Personalities In Ezra Pound’S The Cantos And Neil Gaiman’S American Gods, Michelle A. Nicholson

LSU New Orleans Theses and Dissertations

Kazimierz Dabrowski’s psychological theory of positive disintegration is a lesser known theory of personality development that offers an alternative critical perspective of literature. It provides a framework for the characterization of postmodern protagonists who move beyond heroic indoctrination to construct their own self-organized, autonomous identities. Ezra Pound’s The Cantos captures the speaker-poet’s extensive process of inner conflict, providing a unique opportunity to track the progress of the hero’s transformation into a personality, or a man. American Gods is a more fully realized portrayal of a character who undergoes the complete paradigmatic collapse of positive disintegration and deliberate self-derived self-revision …

How We Live Today And Other Stories, Gregory W. Rohloff

LSU New Orleans Theses and Dissertations

How We Live Today is a collection of stories about family connections and the process of making amends to keep a family whole. The families are not just traditional families, but also arrangements constructed out of necessity, circumstance, or convenience. The title story tells how a man ends a lengthy divide with a stepmother for the sake of her, his son, and ultimately himself. We see adolescents do the right thing in their circumstances at the risk of losing peer standing or to avert future social damage. An older golfer encourages a younger golfer, easing guilt but realizing that respect …

Nest Morale, Nora Seilheimer

LSU New Orleans Theses and Dissertations

Nest Morale is a collection of personal essays that explores race through the lenses of education, marriage, homeownership, and parenthood.

The Half-Lives We Were Living, Chelsey K. Shannon

LSU New Orleans Theses and Dissertations

This short story collection deals with themes of race, kinship, desire, subjectivity, and appearance vs. reality.

Philadelphia Stories, Leigh A. Stuart

LSU New Orleans Theses and Dissertations

These stories provide a look at a Philadelphia family over decades.

Lx: A Life In Light, Glennis Waterman

LSU New Orleans Theses and Dissertations

The author looks back over a long career working as a stage lighting technician in the American theatre, sharing personal experiences, and providing an insider’s view of the art, history, and culture of theatrical lighting.

Work Break, Vera Ekhator

The Mercury

No abstract provided.

Open Up, May Lonergan

The Mercury

No abstract provided.

Fashion Forward, Vera Ekhator

The Mercury

No abstract provided.

Creation Of A Good Boy, Natalie M. Orga

The Mercury

No abstract provided.