Translation Studies Commons^™

Wide Screen With Critical Essay "Translating A Poetry Of Cinema"., James L. Richie Iv

Electronic Theses and Dissertations

This dissertation combines the creative task of translating Víctor Cabrera’s poetry collection WIDE SCREEN (2009) from Spanish into English with a critical study that analyzes the volume to highlight the uniqueness of his writing, the importance of translating such a work for an Anglophone audience, and the challenges that occur in translating this complex collection. Moreover, Cabrera’s writing engages with a variety of cultural works in ways that challenge preconceived notions of language, culture, and medium. The poetry in WIDE SCREEN draws inspiration from the films of American filmmaker Jim Jarmusch, while frequently putting these films into dialogue with works …

Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic

Publications and Research

Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …

Rewriting And Retranslation In Fernando Arrabal’S Exiled Cinematic Memory, John D. Sanderson

Living in Languages

The rejection suffered in Spain by Fernando Arrabal’s cinematography, specifically by his films dealing with the Spanish Civil War, Viva la muerte (1971) and L’arbre de Guernica (1975), stands in contrast with the international appraisal received in France or the United States. The Spanish playwright and filmmaker, exiled in France since 1955, confronted with his cinematic memory the established historical master narrative in Spain both during Franco’s dictatorship and the newly born democracy, and experienced accordingly a fierce national critical backlash.

The fact that Arrabal wrote both film scripts in Spanish, based on his previous literary and theatrical work, had …

Lingua Di Carta, Lingua Di Carne: A Translated Interview With Amara Lakhous, Amara Lakhous, Simone Puleo, Fabiana Viglione

The Quiet Corner Interdisciplinary Journal

Novelist and professor Amara Lakhous lives in the United States, where he has begun his third life—a new phase after his Algerian beginnings and subsequent Italian “adoption,” as he says. After having completed a degree in philosophy from the University of Algiers, Lakhous immigrated to Italy as a political refugee. In Italy, Lakhous would earn a doctorate in anthropology from La Sapienza, Rome. These days, Amara Lakhous lives in New York City and has been a visiting professor at the University of Connecticut. He is often invited by prestigious universities in the United States to discuss social and political …

"The Effort To Translate": Fan Film Culture And The Works Of J.R.R. Tolkien, Maria Alberto

Journal of Tolkien Research

In his 1940 preface “On Translating Beowulf,” J.R.R. Tolkien contends that “The effort to translate, or to improve a translation, is valuable, not so much for the version it produces, as for the understanding of the original which it awakes” (53). Though made with a specific literary tradition in mind, Tolkien’s assertion about the value of translation bears re-visitation in light of circumstances where the terminology has shifted. Specifically, Tolkien’s own work has since become the myth undergoing translation, and in popular parlance, translation itself has changed from simply describing the transference of a text between languages to now include …