Translation Studies Commons^™

What Are You, Really?/Afar, Gazing At The Holy Mountain By Du Fu, Michael Zhai

Transference

A translation and commentary of Du Fu's poem "Afar, Gazing on the Holy Mountain," with a worksheet for readers to produce their own translations of the poem.

ترجمة الأدب العربي في الصين في السياق التاريخي والثقافي في العصر الحديث والمعاصر, Ma Tao

Al Jinan الجنان

قد شهدت قضية ترجمة الأدب العربي في الصين تطورًا مندجمًا في تغيرات اجتماعية في العصر االحديث والمعاصر، خصوصًا منذ حركة الأدب االحديث التي نشأت في بداية القرن العشرين. وكذلك شهدت تحول دوافع المترجمين لترجمة الأدب العربي، من الخدمة لتنوير الشعب وإنقاذ الوطن، إدخال وضع للإيديولوجية والتخطيط السياسي، ثم السعي إلى الجمالية الفنية والتبادل الثقافي. ولم يؤثر الأدب المترجم من اللغة العربية في بيئة الأدب الصيني فحسب، بل قد راح يؤدي وظائف إيديولوجية وشعرية لم يكن يتحلى بها الأدب الإبداعي الصيني في حقبة معينة؛ فهو قد شارك، ّ إلى حد ما، في بناء الثقافة الصينية الأساسية في العصر الحديث والمعاصر.

Japanese-English Translation: Kitaōji Rosanjin—Character (1953), Christopher Southward

Comparative Literature Faculty and Student Scholarship

日英翻訳書：「個性」、北大路魯山人著、サウスワード・クリストファー（南方）訳

A Story To Tell… How To Integrate The Three Modes Of Communication Through A Story Time Program In French, Frederique Grim

The Coastal Review

Bilingual story time programs found in local community libraries not only benefit children, they can also serve a need for L2 college students: the development of their communicative skills in an authentic environment. In addition to linguistic benefits, experiential learning has proven to prepare students for real-world skills, such as networking, mock professional experience and a sense of community engagement. This paper recounts how a world language story time program supports L2 learners’ three modes of communication, as articulated by ACTFL, and necessary for language development. Based on students’ perceptions, this study highlights their increase in motivation and confidence in …

Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward

Comparative Literature Faculty and Student Scholarship

Translation of 「陶芸家を志す者のために：芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html

An Adventure Concerning Identity: The Use Of Folklore And The Folkloresque In Murakami’S Hitsuji Wo Meguru Bōken (A Wild Sheep Chase) To Construct A Post-Colonial Identity, Jessica Alice Krawec

Masters Theses & Specialist Projects

This thesis examines the use of folklore and the folkloresque in Haruki Murakami’s novel Hitsuji wo meguru bōken, or, as it is translated by Alfred Birnbaum, A Wild Sheep Chase. Murakami blends together Japanese and Western folklore to present a Japan that has been colonized by a post-national, global capitalistic force. At the same time, Murakami presents a strategy to resist this colonizing force by placing agency onto the individual and suggesting that it is still possible to craft a meaningful identity within the Japanese/Western blended, globalized society in which these individuals now exist.

Alongside examining the use of folklore …

China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts

CLCWeb: Comparative Literature and Culture

In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …

Notes On Contributors

Transference

No abstract provided.

An Autumn Torso, A Fish In Adolescence, A Night Canal, And A Small Civilization By Shiro Murano, Goro Takano

Transference

Translated from Japanese by Goro Takano

Staying Again At Youqi Temple By Yao Nai And The Peaks Along The River Are Green By Zhang Dai, Andrew Gudgel

Transference

Translated from Chinese by Andrew Gudgel

Ferns By Kaneko Mitsuharu, Douglas Slaymaker

Transference

Translated from Japanese by Doug Slaymaker

Five Rings By Chen Li, Elaine Wong

Transference

Translated from Chinese by Elaine Wong

White Egret By Li Bai, Hyacinthus Meredith

Transference

Translated from Chinese by Hyacinthus Meredith

Foreword, David Kutzko

Transference

No abstract provided.

Transference Vol. 4, Fall 2016

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No abstract provided.

The Universe In Perspective, Commentator, And The Birth Of A Masterpiece By Yu Kwang-Chung, Hsinmei Lin

Transference

Translated from the Chinese by Hsinmei Lin.

Ennui By Abe Kōbō, Darcy L. Gauthier

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Translated from the Japanese by Darcy L. Gauthier.

Anime And Identity: The Reception Of Sailor Moon By Adolescent American Fans, Darrah M. Hewlett

East Asian Studies Summer Fellows

This project looks at the way fans think, talk, and feel about the anime they watch and the manga they read. Specifically, it looks at fans of Sailor Moon, a series of Japanese anime and manga made in the 1990s that have been dubbed and translated into English and have been met with an enthusiastic reception among girls and young women in the United States. Sailor Moon is considered one of the first mass cultural productions to present images of girl power and gender equality and has generated a large and enthusiastic online community of fans. Most of its …

The Fascination Of Manga: Cross-Dressing And Gender Performativity In Japanese Media, Sheena Marie Woods

Graduate Theses and Dissertations

The performativity of gender through cross-dressing has been a staple in Japanese media throughout the centuries. This thesis engages with the pervasiveness of cross-dressing in popular Japanese media, from the modern shōjo gender-bender genre of manga and anime to the traditional Japanese theatre. Drawing on theories from gender-studies and performance aesthetics to delineate the female gender in traditional Japanese theatre, I follow the roles of, representation of, and media for women, concentrating on (1) manga, a form of sequential art featuring illustrations with corresponding text, (2) anime, animated productions (where the word anime is the abbreviated pronunciation of “animation” in …

Cinderella: The Study Of Cross-Cultural Encounters In Pre-Modern Societies, Jae Ho Kim

Senior Honors Projects, 2010-2019

The vast number of Cinderella variants across the world is staggering and almost unfathomable. Hundreds of versions exist all across the world including Africa, Europe, and Asia. Most people are familiar with the modern Cinderella version written by a French author in the 17^th century. But unbeknownst to a majority of the population, this story dates back centuries ago from earlier time periods. One of the earliest written accounts of the Cinderella story was found in China about 850-860 A.D and the name of the protagonist was Yeh-hsien, instead of Cinderella. By means of comparative textual analysis, three versions …

Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao

CLCWeb: Comparative Literature and Culture

In his article "Variation Theory and Reception of Chinese Literature in the English-Speaking World" Shunqing Cao introduces "variation theory" he developed and suggests that the framework can be applied in studying the dissemination and reception of Chinese literature in the English-speaking world. Cao argues that cultural and literary differences produce variations in literary exchanges among different cultures and variation theory concentrates on these variations. With unique perspectives on variation in translation, cultural misreading, and domestication, variation theory is a useful theoretical framework and methodology for the study of the reception of Chinese literature in the English-speaking world.

Commentary On Translating Tao Yuanming And Li Shangyin, Andrew Gudgel

Transference

Notes by Andrew Gudgel on the translation of three Chinese poems into English.

Frost Moon And Autumn Arrives By Li Shangyin, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Cloudy Skies By Tao Yuanming, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Ryōan Temple Rock Garden By Murō Saisei, Michael Tangeman

Transference

Translated from the Japanese with commentary by Michael Stone Tangeman.

Selections From Man’Yōshū By Various Authors, John G. Peters

Transference

Translated from the Japanese with commentary by John Peters.

Gray Toad And Color Of The Season By Ōte Takuji, Dean A. Brink

Transference

Translated from the Japanese with commentary by Dean A. Brink.

Mona Lisa, A Deer, That Man, And The Night Of An Artificial Satellite By Murano Shirō, Goro Takano

Transference

Translated from the Japanese with commentary by Goro Takano.

The Banyan Tree, Untitled, To --, A Dried Flower--For Someone, Palace-Cave Mountain, And Nanmu Forest By Cai Qijiao, Edward A. Morin

Transference

Translated from the Chinese with commentary by Edward Morin, Dennis Ding, and Fang Dai.

Ribbons Of May, Fading, Green, And Angels Of The Sea By Sagawa Chika, Rina Kikuchi, Carol Hayes

Transference

Translated from the Japanese with commentary by Rina Kikuchi and Carol Hayes.