Comparative Literature Commons^™

Obituary: Ann Robson- Curator Of Nuneaton Museum And Art Gallery, Ann Robson

The George Eliot Review Online, ISSN: 2831-5375

Ann Robson had just passed her 32nd birthday when she died a few days before Christmas 1990. She was born in South Shields in October 1958. She learned to play the piano and was particularly fond of the Christmas carol' Away in a Manager'. The singing of this carol at her memorial service at the end of December was, therefore, particularly poignant. She had a passion for horses, as did so many girls of her generation, and this interest remained with her into her adult life. She was educated at Doncaster Grammar School and in 1977 went to Durham University …

Review Of George Eliot's Selected Essays, Poems And Other Writings, Graham Handley, A.S. Byatt

The George Eliot Review Online, ISSN: 2831-5375

In 1963 Thomas Pinney published his edition of The Essays of George Eliot, a meticulous, scholarly and conservative selection. It was a major contribution to George Eliot studies, coming as it did in the wake of her rediscovery, more properly re-evaluation, through F.R. Leavis, Joan Bennett, Barbara Hardy, W.J. Harvey and others. Gordon Haight had discovered her for himself in the 1930' s, and devoted the rest of his life to editing her letters, writing her biography, encouraging scholars and critics and initiating the Clarendon edition of her works. Pinney is in the immediate Haight tradition, clear, concise, admirably relevant: …

George Eliot And Greek Tragedy, P.E. Easterling

The George Eliot Review Online, ISSN: 2831-5375

A quotation from Romola in S. H. Butcher's essay on Sophoc1es (1891) first led me to George Eliot as a reader of Greek tragedy:

Our deeds are like children that are born to us; they live and act apart from our will: nay, children may be strangled, but deeds never; they have an indestructible life both in and out of our consciousness. (Ch. 16)

The intensity of the language used here matches that of the Aeschylean contexts that must have been Eliot's ultimate model;2 it implies a close imaginative contact which can perhaps help to enrich our own reading of …

Annual Report, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

An uneventful Annual General Meeting in March began our year and was followed by a much more stimulating AGM of the Alliance of Literary Societies in Birmingham on April 20th, when a party from the Fellowship attended and had the pleasure of meeting members of other literary societies with whom we could exchange ideas. The Alliance President, Gabriel Woolf, addressed the meeting and spoke with feeling about the need to educate our young people in the literature of the past - a sentiment echoed a few days later by the Prince of Wales.

On April 26th we attended the official …

Review Of George Eliot's Midlands: Passion In Exile, Graham Handley

The George Eliot Review Online, ISSN: 2831-5375

Various biographies and critical studies argue that Mary Ann or Marian Evans's formative years in the Midlands influenced George Eliot's art. They do so by explaining that memories of Robert Evans contributed to George Eliot's conceptions of Adam Bede and Caleb Garth, that Cheverel Manor is Arbury Hall, that Amos Barton is largely based on the Rev. John Gwyther, the curate of Chilvers Coton whom Mary Ann knew as a child, that a good deal of autobiographical material went into the creation of Maggie Tulliver, and so on.

Is there a need, then, for Graham Handley's George Eliot's Midlands when …

Review Of G.H. Lewes: A Life, Beryl Gray, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

For a very long time, George Henry Lewes's reputation has centred on the fact that, for the last 25 years of his life, he was George Eliot's partner. Not a vast number of people have cared to know very much about him beyond an idea, perhaps, that he was a rather freewheeling journalist who produced a Life of Goethe, and that he was free-thinking and - at least until he took up with George Eliot - somewhat free-living. It is gratifying, therefore, that this highly intelligent, quick and versatile, immensely fair-minded man who loved science as much as he loved …

Audio Cassette Review, Ruth Harris, Gabriel Woolf

The George Eliot Review Online, ISSN: 2831-5375

Gabriel WooIf' s second cassette of readings from George Eliot begins and ends with her poetry. However we assess the value of her poems, there can be no doubt that they raise issues that were fundamental to her. Nor can there be any doubt that the poetry is illuminated for us by the voice of the reader. His tenderly nostalgic interpretation of the Brother and Sister sequence is enlivened by glints of humour as George Eliot describes her devoted dependence on her "little man / Of forty inches", or reveals her excitement when she catches the' 'silver perch" - her …

Review Of George Eliot (Marian Evans): A Literary Life, Kerry Mcsweeney

The George Eliot Review Online, ISSN: 2831-5375

Many publishers run series of 'introductions' to English literature - handy roll-calls of the canon, beginning with Chaucer and ending with Virginia Woolf or thereabouts - and inevitably George Eliot has to be there. One is, of course, glad for the small army of academics for whom gainful employment is thus provided, but the question naturally arises whether so many books covering the same ground serve any useful purpose.

In Professor McSweeney's case the answer is yes. His book is rewarding because he is sufficiently master of his subject to make it his own. He forms his own judgements, chooses …

Review Of The Mill On The Floss, Michelene Wandor

The George Eliot Review Online, ISSN: 2831-5375

In the radio dramatization of a novel, it is left to the actors to persuade us that they are the individuals whose roles they undertake, but it remains the responsibility of the scriptwriter to select and organize those roles with respect for the overall vision of the originating artist. How well, then, did Radio Four's recent five-episode dramatization of The Mill on the Floss serve George Eliot?

It is axiomatic that, without Maggie Tulliver, there would be no Mill on the Floss; but, in this most autobiographical of George Eliot's novels, it is not Maggie who is omnipresent, but the …

Annual Report 1990

The George Eliot Review Online, ISSN: 2831-5375

The year opened, as it always does, with the least exciting event - the Annual General Meeting. All four officers were re-elected and we also re-elected for a further three year term our supportive and generous President Jonathan Ouvry.

The next event was much more exciting. In April Gabriel Woolf made his 21st annual visit to Warwickshire to present the ever popular programme of Readings from the novels. 'Enter the Aunts' proved to be one of the most popular he has ever done, and his own sense of humour and sensitivity of selection made the most of those wonderful aunts, …

Review Of Meriden: Its People And Houses Part 1, Doreen M.K. Agutter

The George Eliot Review Online, ISSN: 2831-5375

This publication, said to be 'the first book ever written about Meriden', has come to our attention because of 'The George Eliot Connection' and because it was researched and written by a member of the George Eliot Fellowship. The historical research, dating back to the Middle Ages, is very thorough, and there are numerous photographs, plans and maps. The prose is somewhat breathless, as if copious notes have been written up with great rapidity, and this impairs its clarity. There are some errors in proof: the Clarkes, not the Evanses, must have been living at The Cottage in 1850. The …

Sonnet For George Eliot, Ralph E. Avery

The George Eliot Review Online, ISSN: 2831-5375

Great George, when she was youthful Mary Ann,

Strove faithfully to read the mind of God.

At length she sought Him in the soul of Man,

As Trinity’s sweet garden path she trod.

And so with strong, diffusive, voice she sings

The need for each to love his fellow man.

To us her caring soul great comfort brings,

And urges us to do the best we can

To buoy the sinking heart, assuage the wound.

Her passionate art transcends the written word;

True, lasting immortality she’s found;

Sweet echoes of her love can still be heard.

So has she joined …

George Eliot Birthday Lucheon: The Toast To The Immortal Memory, Ted Veasey

The George Eliot Review Online, ISSN: 2831-5375

As a local historian I have been thinking to what extent did George Eliot portray Nuneaton - more especially in her most local book Scenes o/Clerical Life - and how good a historian was she in this work.

Essential dates, first of all. George Eliot was born in 1819 and wrote Scenes in 1857- 58. She sets the events of Amos Barton and J and s Repentance some 25 years before the date of writing; that is roughly 1830 when she was a young girl of some eleven years of age. Mr. Gilfil' s Love Story starts in 1820 but …

Westminster Abbey Wreath-Laying

The George Eliot Review Online, ISSN: 2831-5375

June 1990 marked the tenth anniversary of the unveiling of the memorial stone to George Eliot in Poets' Corner. The anniversary service was held as closely in content as possible to the one ten years earlier and our Guest of Honour was the Revd. Dr. EDW ARD CARPENTER K.C. V.O. who, as Dean of Westminster in 1980, conducted our service on that important day and had also been very much a part of our negotiations with the Abbey long before the project came to fruition. We have affectionate memories of our association with him during that time and it was …

Wreath-Laying In The George Eliot Memorial Gardens, Nuneaton On June 17th 1990, Hilda Gunn

The George Eliot Review Online, ISSN: 2831-5375

I count it a great honour to be here to pay tribute to George Eliot and especially as it is shortly to be the Diamond Jubilee of the Fellowship, founded by the late Francis Cross in 1930.

I cannot claim to be the oldest member, either in years or in length of membership, but my first introduction to George Eliot the novelist goes back even more than sixty years. As a jubilee is not only a time of rejoicing but of looking back, I would like to share with you some of my recollections.

In October 1927 I began to …

George Eliot Fellowship Annual General Meeting- Treasurer's Report

The George Eliot Review Online, ISSN: 2831-5375

This being my first report to you as Treasurer I would like to begin by thanking my predecessor, Brenda Evans, for her initial instruction into the nature of the job, for her continuing help throughout the year and for her patience in forwarding mail for the time it took to get addresses sorted out. I would also like to thank your Council and especially your Secretary, Kathleen, for their help and understanding towards a "new boy".

Turning now to the accounts, you will see that I have made some changes to the presentation. In particular, at the left hand side …

A Letter From George, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

BBC CWR is a new local radio station launched at the beginning of the year to cover Coventry and Warwickshire. It became clear very early on that the station wished to show an interest in and pay tribute to George Eliot. A Letter from George was their first attempt and from the success of this I feel we can look forward to a long period of co-operation between the Fellowship and the BBC in Warwickshire in relation to George Eliot.

In choosing eight episodes of about ten minutes each it was inevitable that the life of the novelist would be …

Review Of Emily Davies And The Liberation Of Women, Kathleen Adams, Daphne Bennett

The George Eliot Review Online, ISSN: 2831-5375

Daphne Bennett has rewritten, in this book on Emily Davies, the history of the feminist movement. She seethes when she hears people talk about the movement as though it began with the suffragettes, for her heroine had been working for the emancipation of women for 50 years before the suffragettes were making themselves noticed in no uncertain manner.

Emily Davies was one of the great pioneers in the cause of women but little is, or has been, really known about her. She has often been confused with Emily Davison who threw herself under the feet of the King's horse, but …

Going, Going, Gone.......... But Where? A Slightly Sad Look At A House Sale, Kathleen Adams

The George Eliot Review Online, ISSN: 2831-5375

During the last decade Antique and Collectors' Fairs have flourished in Britain and are a very popular way for many of the population to spend a pleasant afternoon browsing amongst the items for sale. Forty years ago, when I began collecting - in a very modest way - antique shops were way out of my bracket and it was in junk shops that I picked up what I now regard as bargains. In those days few people seemed to be collecting pretty pieces of china or old pieces of brass and the prices were low. Junk shops, particularly in the …

Westminster Abbey Wreath Laying: George Eliot And The Working-Day Business Of The World, Rosemary Ashton

The George Eliot Review Online, ISSN: 2831-5375

One of the Shakespeare quotations most frequently used by George Eliot in her writings is an otherwise little-known phrase from As You Like It, Act 1 scene iii, where Rosalind, about to leave the court for the Forest of Arden, says, '0, how full of briars is this working-day world!' In George Eliot' s work the phrase is illustrative of her theory of realism in fiction, the theory most famously expressed in Adam Bede, where the author praises the truthfulness of Dutch paintings, describing the sympathy which is aroused in her by 'these faithful pictures of a monotonous homely existence', …

Annual Report 1989

The George Eliot Review Online, ISSN: 2831-5375

1989 has been another full, rewarding and successful year for the Fellowship. The work involved in running the Fellow Ship on a day to day basis has much increased over the years and this in itself must be a measure of our growth and success for, surely, success breeds more work - and that is as it should be.

At the Annual General Meeting in March, which began our year, three of the four officers were re-elected. John Bunn succeeded Brenda Evans as treasurer - Brenda had been bowed down by school work during her period of office, but the …

Review Of Annotated Critical Bibliography Of George Eliot, Graham Handley, George Levine

The George Eliot Review Online, ISSN: 2831-5375

No complete bibliography of George Eliot's works and the biography, scholarship and criticism on her exists. This compilation, which is heavily selective and inconsistent, is a great disappointment. Editions of George Eliot's writings are not included, and the selection contains a number of gaps. For example, Valentine Cunningham's Everywhere Spoken Against (1975) is not included. I find it hard to justify the publication of this book: 128 pages, with 3 -6 entries per page bringing us to a grand total of 3 82 - a fraction of what is worth recording - means that by any standards this is very …

George Eliot And The Linnet's Life, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

In the last year of her life, George Eliot gave John Walter Cross her copy of The Linnet's Life, which was published in 1822. At an earlier time, she had inscribed on the recto of the frontispiece:

"This little book is the first present I ever remember having

received from my father. Let anyone who thinks of me with

some tenderness after I am dead, take care of this book for my

sake. It made me very happy when I held it in my little hands,

and read it over and over again; and thought the pictures

beautiful, especially the …

Review Of Adam Bede At The Orange Tree Theatre, Richmond, Surrey, Rosalind Holt

The George Eliot Review Online, ISSN: 2831-5375

Gaps in appreciation.

The rash boast of many an English teacher - that Middlemarch is the greatest novel in our language - is enough to put most people off literature for life.

City Limits

Dinah Morris ... played ... has a warm humanity which is a distinct improvement on the preachifying original.

The Staines Informer

Some of our best stories are buried in thick tomes, accessible only to literature students who often fail to appreciate their beauty, or to academics.

Surrey Comet

.... thankless task ... as Seth Bede, the least satisfactory character in the novel

Financial Times

I remember …

Enter The Aunts: The 1990 George Eliot Reading By Gabriel Woolf, Gabriel Woolf

The George Eliot Review Online, ISSN: 2831-5375

I believe it was Henry James who wrote that any artistic performance requires 'the perfect presence of mind, unconfused, unhurried by emotion.' The quality of Gabriel Woolf' s performance in ENTER THE AUNTS fulfilled the requirements of Henry James as well as the expectations of the audience, and the artistry touched the heights.

A mind had certainly been present in choosing the programme, which provided a perfect blend of George Eliot and The Others. The bickering aunts from The Mill on the Floss seem to be everyone's favourites. George Eliot no doubt drew on her memories of her own maternal …

Review Of George Eliot: A Reference Guide, 1972-87, Karen L. Pangallo

The George Eliot Review Online, ISSN: 2831-5375

Karen L. Pangallo attempts to fill a gap in reference works on Eliot with this guide. Entries are arranged by years and then alphabetized by author. There are an Index of Authors, an Index of Secondary Titles, and an Index of Subjects (which would be helped by more detail).

In the preface Pangallo states that she has" attempted to compile a complete bibliography of references to George Eliot," and she cites Dissertations Abstracts International, the MLA International Bibliography of Books and Articles on the Modem Languages and Literatures, and a variety of other sources. The volume does seem to include …

The Kapellmeister, Bill Adams

The George Eliot Review Online, ISSN: 2831-5375

"Rosamond played admirably. Her master at Mrs. Lemon's school (close to a county town with a memorable history that had its relics in church and castle) was one of those excellent musicians here and there to be found in our provinces, worthy to compare with many a noted Kapellmeister in a country which offers more plentiful conditions of musical celebrity. Rosamond, with the executant's instinct, had seized his manner of playing, and gave forth his large rendering of noble music with the precision of an echo. It was almost startling, heard for the first time. A hidden soul seemed to …

Review Of Middlemarch: A Student's Companion To The Novel, Bert G. Hornback

The George Eliot Review Online, ISSN: 2831-5375

Advanced undergraduate or graduate students, as well as general readers who are quite familiar with Middlemarch, should find Homback's book interesting reading. It is well documented with frequent references to the Norton Critical Edition of Middlemarch, which Hornback edited, and to other sources.

This volume follows the standard format of the Masterwork series, including a chronology, a discussion of the historical context, a review of the critical reception, a discussion of key themes and ideas, and a bibliography and an index.

Thematic discussions take place under such chapter titles as "Seeing," "Feeling and Knowledge," "Being Heroic and Constructive," and "Reform." …

Message Of Greeting From The Fellowship President, Jonathan G. Ouvry

The George Eliot Review Online, ISSN: 2831-5375

It hardly seems possible that ten years have passed since the memorial stone was laid in Westminster Abbey. For the George Eliot Fellowship the stone-laying was an end, the accomplishment of something worked for for many years. For me it was a beginning, as it marked my introduction to the Fellowship, a happy meeting which I have had much cause to be pleased about ever since. For me the Fellowship has provided new and lasting friendships, much information about and insights into George Eliot and her work, the same in respect to George Henry Lewes, the opportunity to listen to …

George Eliot's "The Spanish Gypsy", A Neglected Work, Jocelyn West-Burnham

The George Eliot Review Online, ISSN: 2831-5375

"Undoubtedly much the greatest poem of any wide scope and on a plan of any magnitude, which has ever proceeded from a woman"(1) This was the critical acclaim that George Eliot's "The Spanish Gypsy" received on its publication in 1868. It was a surprise to the writer herself, who had been prepared for criticism. This is evident in a letter to a friend following the completion of the poem (2). She notes in this her belief that many people would despise her for writing a work which would bring her little in the way of financial remuneration when she could …