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Articles 61 - 90 of 199
Full-Text Articles in Art Practice
An Open Bag, Matilde Benmayor
An Open Bag, Matilde Benmayor
Theses and Dissertations
What do we take with us? How much space should we leave in the bag for what we might find? This paper is a journey from under the rug and onto the pavement. Sowing spiderweb maps I try to make a new city my own.
...A Placebo, An Embryo, A Mosquito, My Libido, Andy Ralph
...A Placebo, An Embryo, A Mosquito, My Libido, Andy Ralph
Theses and Dissertations
This blood-sucking song and dance is a trivial example of an absurd imbalance. In my universe, though, trivial and momentous are equally unranked qualities.
Indigenous Woman., Annabelle R. Broeffle
Indigenous Woman., Annabelle R. Broeffle
Senior Art Portfolios
Abstract three-piece series created by Annabelle Broeffle in the fall of 2019. It includes sculpture and installation art. The series is focused on indigenous social issues.
Memory Bread, Nisiqi
Memory Bread, Nisiqi
Art + Design Masters Theses
Memory Bread, constituting a daily performance ritual and the post-action objects, seeks to address the generational decline of mother language use in Inner Mongolia Autonomous Region, a post-colonized province of China. I chose to eat sliced white bread in the performance and later casted concrete sculptures as the extension of the action for both substances’ capitalistic nature. Being an invasive material that took over the traditional architectural lifestyle, the use of concrete mirrors the pervasive cultural and ethnic assimilation in China. Meanwhile, the materiality of concrete being a mixture of various substances also metaphors the mixed culture that Chinese-Mongolians …
Art Mummy, Christie Gaskill
Reflected Dispositions, Taylor Hedum
Reflected Dispositions, Taylor Hedum
MFA Thesis Exhibit Catalogs
My MFA Thesis Exhibition, Reflected Dispositions, features an installation of sculptural objects and light projections in an unconventionally dark gallery setting. Spotlights shine onto the reflective sculptures, and the light is cast onto the surrounding environment. Motors or water deform the sculptures to create dynamic motion in the projections, with the cyclical changes and tempo meant to evoke a state of reflection in the audience. The percepts magnify the nuances of the material; to reveal the previously unseen.
My interest to control light stems from experiments with materials and the unexpected reflections that they produce. Since then, I have learned …
Jameson, Jennifer Michelle, B. 1987 (Fa 1288), Manuscripts & Folklife Archives
Jameson, Jennifer Michelle, B. 1987 (Fa 1288), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1288. Student paper titled “Finding the Folkways of a Forensic Anthropomorphologist: The Kentucky Yard Art Of Cecil and Bet Ison” in which Jennifer Jameson explores the creative endeavors and identities of two folk artists in Rowan County, Kentucky. Jameson, who conducted her fieldwork over a period of two weeks, examines flower sculptures, upholstered trees, bottle cap murals, beadwork, and other vernacular expressions pieced together by the Isons in their built environment. The paper also discusses the relationships between the Isons and their community, personal aesthetics, educational backgrounds, and connections to broader cultural issues. …
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg
Theses and Dissertations
Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.
Between And Beyond, Noah F. Heil
Between And Beyond, Noah F. Heil
Art and Art History Honors Projects
Between and Beyond is a series of handbuilt and wheel-thrown ceramic objects which explore intimate queer relationships through the human figure. I assemble slabs of clay to create openings and negative spaces within the sculptures, implying the ways in which the human form also acts as a vessel. The sculptures as well as the figures themselves remain open and vulnerable, literally and metaphorically. The body is depicted through fragmented sections, alluding to the ways in which society and culture break up gender and sexuality into limiting binaries. These intimate, private moments are meant to conjure an imagined future free of …
This Is Just To Say, Iren Tete
This Is Just To Say, Iren Tete
School of Art, Art History, and Design: Theses and Student Creative Work
My memories are marked by the desire to evade logic. At a young age I became a proficient player of the “What If” game.
What if I could hold light in my hands?
What if shadows had form that could be touched?
What if I could see through structures?
These mental exercises affected my relationship with reason and validity. Aware of the threat of the ordinary, I embraced the inherent magic in the notion of possibility. I understand possibility as the limitless potential of object, thought, or scenario. This potential extends beyond the apparent and prompts more questions than it …
Entangled, Katherine Cox
Entangled, Katherine Cox
School of Art, Art History, and Design: Theses and Student Creative Work
I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.
Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …
North American Data, Joseph A. Burwell
North American Data, Joseph A. Burwell
Theses and Dissertations
North American Data fractures and reconfigures pre-existing narratives into new, unauthorized forms of storytelling. Core samples extracted from various narrative sources are reassigned new roles according to their proximity to each other. This paper functions as an introduction to the essential actors and their dramatic inclinations within fluctuating scenarios.
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen
Behind Closet Doors: Horror And Dislocation In The Queer Closet, Corey C. Allen
Theses and Dissertations
“Behind Closet Doors: Horror and Dislocation in the Queer Closet,” is composed of a collection of sculptures, videos, and sound works that are directly associated with themes of horror and anxiety derived from the precarious space of the queer closet as detailed in this thesis of the same name.
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli
Theses and Dissertations
The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal …
Pass Away, Jessica Li
Pass Away, Jessica Li
Theses and Dissertations
This project is about a familial history and takes the form of a sculptural installation. How do you pack to go to a place you know nothing about? Bags enable mobility by providing a sense of home in unfamiliar terrain. What is carried on a trip to the grocery store? To California? To the other side of the world? To the moon? Into the afterlife? What choices are made out of necessity versus what is carried out of desire or fear?
Dress Up, Ye'ela B. Wilschanski
Dress Up, Ye'ela B. Wilschanski
Theses and Dissertations
Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.
The Alchemical Vessel, River Soma
The Alchemical Vessel, River Soma
MFA Statements
My work comes from a place of deep feeling on a bodily level. Amidst the decorative play, there is a sense of the primitive and primordial, and also a certain humanity and clumsiness through struggle. Through the hermetic tradition I relate the alchemical vessel and its symbolic process of interior development to my artistic practice. Focusing in mixed media sculpture, I discovered a concentrated accumulation of symbolism specific to my practice, but also the full recognition of my practice as a ritualized psychological undertaking.
Greetings From..., Casey Mae Schachner
Greetings From..., Casey Mae Schachner
Graduate Student Theses, Dissertations, & Professional Papers
Greetings from... is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted. Growing up in southern tourist destinations, I was confronted daily with the extreme contrasts of living in paradise. In my artwork, I am translating the cacophony of Florida through the lens of materiality. By re-configuring commodified objects of the tourism industry, the sculptural works in this show exhibit my consideration for the paradoxical relationships that exist between materials and place. Much like the avant-garde Surrealist object, or the assemblage of found materials in provocative combinations that …
462, James Anthony Martin
462, James Anthony Martin
MFA Thesis Exhibit Catalogs
As far as significance of 462, it has two meanings in this context. First, it represents me. 462 was my motorcycle racing number. Secondly, it is the theoretical idea of the next stage of human evolution. Right now, humans are composed off 44 and 2 chromosomes. Adding 2 more would make us 46 and 2, also known as, "Christ Consciousness". it is obviously not science, but I like the idea of humans obtaining a higher consciousness.
Lotion In Your Lungs, Raul H. De Lara
Lotion In Your Lungs, Raul H. De Lara
Theses and Dissertations
This is a document explaining in detail my artistic practice from childhood to the day I graduated VCU. It will perhaps only be understood by those who have themselves already felt such ways, or similar ways – words and ghosts are mostly invisible.
A Spectacle And Nothing Strange, Taylor Z. King
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …
The A.H. Kotz Unnatural History Exhibit, Marian R. Trainor
The A.H. Kotz Unnatural History Exhibit, Marian R. Trainor
Honors College Theses
An exploration in two parts into the development of a narrative through manufactured evidence designed specifically to encourage the suspense of disbelief. The physical work exists within a faux anthropological museum exhibition focused around a human whose history and existence is entirely fabricated. The structural work is the layers of historical and practical research used to develop the suggestion of reality. The exhibit contains samples of the research, artifacts, and specimens collected by the deceased naturalist August Hermann Kotz, along with his falsified history. The second part consists of an overview of the research process and techniques needed to successfully …
Art B0051 Studio Critique, Thomas A. Thayer Mr
Art B0051 Studio Critique, Thomas A. Thayer Mr
Open Educational Resources
No abstract provided.
Soheila Azadi Interview, Jillian Bridgeman
Soheila Azadi Interview, Jillian Bridgeman
Asian American Art Oral History Project
Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …
Layered Histories, Interpretive Desires, Rachelle Dang
Layered Histories, Interpretive Desires, Rachelle Dang
Theses and Dissertations
I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.
Profanation, Tsahi Zac H. Hacmon
Profanation, Tsahi Zac H. Hacmon
Theses and Dissertations
This paper attempts to provoke an Israeli American dialogue that comes through profanity of conventional architecture. I am creating this dialogue by displaying two main subjects in proximity to each other: border architecture from Israel and institutional architecture or non-places in New York.
Zooairyland- Xinjie Yin Mfa Thesis Show, Xinjie Yin
Zooairyland- Xinjie Yin Mfa Thesis Show, Xinjie Yin
CGU MFA Theses
During the process of discovering myself in my art world, I have determined to use cuteness as a way to express my worldview, values, and experiences. Cuteness is my own philosophy and language in the interpersonal communication. I intend to make cuteness meaningful to me as well as to the rest of the world. I believe cuteness contains a power to bring people back to their original simplicity regardless of their age, it is the idea of innocence. Cuteness is like a shield for me to protect myself from the tough, scary and crazy reality; and it is a positive …
In Visible Grounds, Jennifer Simms
In Visible Grounds, Jennifer Simms
CGU MFA Theses
Jenni Simms - In Visible Grounds - Show Description
I am interested in finding ways to make visual art that positions the viewer between advocation and negation, or possession and estrangement with the natural world and human presence. As an artist I am most satisfied when I can include all of these ideas together: a sense of time, edges of some kind, a sense of mystery alongside just enough of the known and signs of human presence and the natural world.
For In Visible Grounds I began my focus with color, or the visible light spectrum.is includes all of the …
Irrational Aggregates, Courtney N. Ryan
Irrational Aggregates, Courtney N. Ryan
College of Graduate Studies: Theses & Dissertations
This thesis paper examines the work included in my Master of Fine Arts thesis exhibition entitled Irrational Aggregates. The goal of this work is to facilitate a dialogue between our natural environment and the excessive consumer-based environments in which we live. Combining a variety of ceramic techniques including hand building, wheel throwing, and casting these sculptures appear to be grown from, and even taken over by nature itself.
Often drawing inspiration from my personal narrative, that of consistent upheaval, relocation, and adjustment to new places, my work can appear both grounded and in a state of motion. I believe …