Art Practice Commons^™

Paintings, Stephen Smalley

Bridgewater Review

No abstract provided.

Barbara Grossman: A Survey, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit held at the Wright State Art gallery featuring the artworks of Barbara Grossman. Wanting to depict the nature of everyday life, her subjects deal with people interacting with their environments. Grossman is acclaimed for her use of space, color, patterns, and expression that invoke "emotional resonance" with the viewer. The exhibit was held at Wright State University Art Gallery September 12th through October 17th. It was also shown at: Lafayette College, Washington and Lee University, and New York Studio School of Drawing and Painting.

Rosemarie Beck: Paintings 1965-2001, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features the work of painter Rosemarie Beck, and includes an essay about Beck's work by Martica Sawin. The exhibit was held at the University Art Galleries, Wright State University, from September 18 through October 20, 2002.

Especially Good Aboriginal Art, Vivian Johnson

Aboriginal Policy Research Consortium International (APRCi)

No abstract provided.

Drawing From Words, Hannah E. Smith

Senior Scholar Papers

The following report is an account of my growth and exploration as a painter. The project that was the springboard for this exploration was to create a series of paintings inspired by the fiction that I had previously written as a creative writing minor. I felt that writing could be used as a stimulus to create great paintings, and that painting and writing were perhaps more connected than I knew. I wished to pursue this connection through painting because I believed that it might be possible to capture many of the elements of a story on canvas. I looked to …

The Renewal Of Insight: Exhibition Of Painting And Calligraphy, Chu Chen-Nan

Theses

The thesis, The Renewal of Insight: Exhibition of Painting and Calligraphy by Chu Chen-Nan, explores the intimate relationship between Chinese painting and calligraphy, emphasizing their shared origins and intertwined development. Chu Chen-Nan reflects on how Chinese calligraphy, with its expressive use of brush and ink, plays a crucial role in both artistic creation and the appreciation of visual arts. Drawing inspiration from traditional Chinese masters, Chu aligns his work with the idea that both painting and calligraphy emphasize qualities like structure, speed, and dignity, rather than solely focusing on representational accuracy.

Throughout the thesis, Chu explores the contrast and …

Drifters Lament, Mercedes Nuñez

Bridgewater Review

No abstract provided.

Painting Meditation On The Human Form, Hillary Ellen Kane

Senior Scholar Papers

The arching limb of a tree defined a periphery of space from which the gentle curve of a sleeping figure arose in my mind, barely emerging from the surrounding atmosphere (fig. 1). This painting, painted in the fall of 1995, marked my initial interest in the human figure as a subject of formidable intrigue, challenge and inspiration. The human form, by its immediate relationship to a human audience, posed a source of emotive expression and psychological introspection that I felt could strike a resonant cord -in the sensitivity of the viewers. Admiringly poring over the works of Kathe Kollowitz, Gustav …

Spirits Rising: Heritage And Contemporaneity In Figurative African-American Art, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog for the exhibition Spirits Rising featured works by African American artists Jon Onye Lockard, Valerie Maynard, and Pheoris West. The exhibition was held at the Wright State University Art Galleries from February 18 through March 23, 1997.

Paint The City, Paint The Life, Ya-Ling Huang

Theses

Unavailable.

The City Influence, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

The gallery guide discusses the exhibition The City Influence shown at Wright State University from January 26 through February 21, 1992. The exhibition focused on abstract painting.

Words & #S, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

The gallery guide discusses the exhibition Words and Numbers shown at Wright State University from April 7 through May 10, 1991. The exhibition focused on the combination of art and text.

An Exploration Of Some Aspects Of Mystery, Terry Foster Thompson

Dissertations and Theses

This thesis project consists of twenty-four paintings, drawings and lithographs dealing with three sub-themes of the larger subject of mystery: the mystery of existence; the mystery of religion; the mystery of the unknown. These themes are explored through manipulations of light, color, compositional arrangement and painting and drawing techniques.

Joan Nelson Gary Stephan: Landscapes, Wright State University Art Galleries

Exhibition and Program Catalogs

A catalog of landscape paintings for a show held at The University Art Galleries at Wright State University from January 7 - February 2, 1990. The show featured works by landscape painters Joan Nelson and Gary Stephan. The catalog also includes an interview by the director of the gallery Barry A. Rosenberg.

Snake River : A Personal Search, Eva Havas Slinker

Dissertations and Theses

This thesis includes twenty landscape paintings, primarily oil on canvas, inspired by a trip to the Hell's Canyon Country of the Snake River.

The search for a personal idiom necessitated introspection, and the visual interpretation of the recalled experience required that formal issues of painting be synthesized to communicate the essential response to the landscape. The images progress from the depiction of deep space to compositions of the component parts of the landscape: trees, water, and rock.

Enhanced Realism In The Development Of My Painting, Zifen Qian

Dissertations and Theses

It is a basic truth that the artist must have independent experience and personality in order to create art from life. Combining a traditional realistic style with some elements of abstract composition fits my personality. My paintings represent a pursuit of this idea that is the enhanced realism in the development of my painting.

Things Seen And Remembered, Charlien Dee Fitzpatrick

Dissertations and Theses

This thesis project consists of twenty oil paintings and watercolors. It is a series of visual problems based on work from direct observation as opposed to work from imagination. The concern is to show how the works from observed nature affect the imaginary pieces and how the imaginary works lend unexpected elements to the observed works. With a particular interest in color, visual energy, and painterly form, the project shows how these two avenues of exploration start out separately and eventually blend.

My Thesis, Kandice L. Kelley

Theses

Unavailable.

Prints From Presses, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog features a selection of works from an exhibition that featured Willem de Kooning, Wayne Thiebaud, Mark Lere, Chuck Close, and more. The exhibition was held at University Art Galleries, Wright State University, from September 21 through October 25, 1987.

Image Development Through Process, Jean Handwerk Lee

Dissertations and Theses

No abstract provided.

Toward Improvisation, Sandra Janeen Howe

Dissertations and Theses

A thesis report submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Painting.

John Baldessari, The New Museum, New York, Wright State University Art Galleries

Exhibition and Program Catalogs

The wit, intelligence, irreverence, and breadth of knowledge manifest in John Baldessari's work have made it important to many others, artists and public alike. This is the first museum exhibition, however, to show in depth the work Baldessari has done over the past fifteen years.

When The New Museum learned that an exhibition of Baldessari's photographic works was being planned at the University Art Galleries at Wright State University, the two organizations decided to join forces. While the scope and nature of our respective exhibitions differed, we felt that by jointly sponsoring the catalog, more information about Baldessari's work could …

Alternative Spaces, Wright State University Art Galleries

Exhibition and Program Catalogs

Alternative Spaces was a collaborative exhibit of 4 artists on a variety of subjects that acted much like workshops for the graduate students of the respective colleges that hosted them between the years of 1979-1980. The artist that were included in this workshop exhibit were: Dennis Adams, Michael Brewster, Steve Davis, Joan Jonas. With a focus on storytelling, these artist sought to tell stories and ideas through the mediums of sculpture, painting, film, and so on sought to teach expression in a metaphorical method. The colleges that hosted these artist were: Creative Arts Center, Wright University, California State University, Long …

Regional Fellowship Recipients, Fine Arts Gallery Inc., Wright State University

Exhibition and Program Catalogs

This catalog features work from an exhibition of artists that were beneficiaries of a regional fellowship program funded by a grant from the National Endowment for the Arts and administered by the Art Department at Wright State University. Artists from Ohio, Indiana, Illinois, Michigan and Minnesota were invited to submit recent work to apply for the fellowship. The exhibition was held at Wright State University Art Galleries in May of 1979.

Art Of The 60s: A View From The 70s, Wright State University Art Galleries

Exhibition and Program Catalogs

Held in October through November 1978, this is a flyer for an art exhibit ran by the Wright State University Art Galleries on the subject of art from the 1960s. It featured the works from three artists: Jae Ie Ferrara, Richard Fleischner, and Doug Hollis. Its purpose was to demonstrate the meaning of art of the 1960s in relation to trends of the 1970s. Two other speakers, Stewart Goldman and Laslo Vespremi, spoke and gave lectures alongside the exhibit.

16 Projects / 4 Artists, Wright State University Art Galleries

Exhibition and Program Catalogs

During the spring and summer of 1975 Wright State University organized a cooperative workshop/exhibitions program with three other schools and, in 1976, received the support of the National Endowment for the Arts. The program consisted of sending four prominent contemporary artists to the four colleges and universities during the 1976-1977 academic year. The artists selected to participate in the program were Siah Armajani of Minneapolis, Larry Bell of Taos, Lloyd Hamrol of Santa Monica, and Pat Steir of New York, each of whom works in diverse media and materials, and all of whom represent a range of artistic and aesthetic …

Environmental Sculpture Symposium, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit centered on environmental sculpture. This is a flyer that advertised the exhibit featuring the works of five artists: Rosalind E. Krauss, Michael Hall, Robert Irwin, Robert Doty, and Stephen Doty. It was held October 10th, 1974 at Wright State University Art Gallery.

Mural Painting, Martha C.T. Wetmore

Senior Scholar Papers

For my freshman Jan Plan at Colby I painted a mural in Runnals Union illustrating a William Blake poem. This effort began a four year painting project which I pursued my sophomore and junior years by finishing the Hall of the Machines in Runnals and by commencing the Paper Wall in Roberts. As a Senior Scholar, I've continued my undertaking by painting eleven more panels. Eight of these are in the Paper Wall and the other three are in the Spa in Miller Library. In my wallpainting up until this year my major interest has been in a strong two-dimentional …

Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken

All Master's Theses

Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.

Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.