Art Practice Commons^™

A Matter Of Taste., Charles E. Haskins

Electronic Theses and Dissertations

This thesis paper supports the Master of Fine Arts exhibition at the Slocumb Galleries, East Tennessee State University, from March 14th through March 18th, 2011. The exhibit is composed of nine oil paintings depicting an invented story about two characters who create a soup for a cooking competition. The show A Matter of Taste chronicles an allegory concerning the evaluation of creative works. Through Gaudie and Baudie's "odd" recipe this work illustrates the ways in artists and art audiences interact and determine artistic value. The work is inspired by techniques in distortion and narrative painting. The following expands on the …

Confabulation: Photographs, Memory, And Painting, Erin Cunningham

Boise State University Theses and Dissertations

This thesis is in regards to paintings created by Erin Cunningham for the completion of her MFA in Visual Arts at Boise State University in the spring of 2011. She primarily discusses the tenuous connection between photography and memory. Examining ideas developed by Roland Barthes, she set out to prove that while there is a distinct difference between the factual language of photography and the fictive language of memory, that the two have a type of symbiotic relationship. Particularly in regards to familial photography, the paintings she has developed from this concept examine the construction of memoir using images that …

Andy Chan Interview, David Escobedo

Asian American Art Oral History Project

Bio: [by David Escobedo] Andy Chan is a Chinese immigrant that does a new style of Chinese traditional painting. His art career began in Hong Kong where he attended the Lingnan School and learned the Lingnan style of Chinese painting. Andy Chan is a well-known and established artist in his community in Chinatown Chicago. His art is beautifully done in composition and rendering. Andy is currently facing struggles with his health, which imposes on his ability to create large works and plans to make large art shows.

Claudia Carballada Mfa Thesis Statement, Claudia Carballada

CGU MFA Theses

Please see Download button in top right corner for the full statement.

A Meditative Art, Lori White

All Student Theses and Dissertations

My artwork symbolizes the idea of meditation through the true and organic forms. I paint a space where my mind is at ease. A place where all the chaos of the world around me stops and become beauty. In my artwork, the organic forms that I produce reflect the meditative power of natural forms. My mind sees the environment in a simple abstract appearance that mirrors a sense of peace and harmony. By painting with smooth, organic, and soft lines my artwork helps me get to a point of relaxation. Through the process of letting go of the world that …

Erin Payne Mfa Thesis Statement, Erin B. Payne

CGU MFA Theses

Please see Download button in top right corner for the full statement.

Copy Of A Sculpture, Dinesh Manandhar

The Mercury

No abstract provided.

Taft, Anne Celine (Fa 15), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 15. Interviews conducted by Anne Celine Taft with Zeleme (Brashear) Cottrell, about her weaving. Cottrell discusses the weaving process in depth and how it has affected her life.

Peregrinations, Sallie Clinton Poet

Theses and Dissertations

This project report explains my MFA show of landscapes presented at the Woodbury Museum in Orem, Utah. Referencing source material from my 2008 trip to the Middle East, Bible narratives and contemporary scholars, I created mixed media paintings around the themes of traveling and migrations (peregrinations) and some significant stopping places in Syria, Jordan and Israel. More importantly, this report also speaks to my personal peregrinations as an artist and relates my painting methods to my subject matter.

The Nature Of Making Sense, Allison Alford

CGU MFA Theses

My interest is to breed the mystical with the mundane, producing informational systems that coalesce knowledge, ambiguity, logic and fantasy. The species that populate my imagery are totems that could function as heroines, monsters or shapes that elude and inform us. The work functions as a stage upon which, pixels, paint and mystical figures coexist. Each panel acts as a composite of multiple frames of a video: figures combine with paintings, drawings, symbols, and landscape. Though ultimately singular in image, the pictures imply multiplicity. The lineage of the work can be traced to influences such as François Dufrêne, Max Ernst’s …

The Observer Effect, Azadeh Tajpour

CGU MFA Theses

My work explores the gray area and the shifting border between "us" and "other." It investigates the helplessness and the submissiveness on both sides of this spectrum and one's passivity that makes the "pain of others" inevitable. Moreover, it examines the individual and collective experiences of guilt and complicity in relation to world events. I am interested in the selective and repressed memories of individuals and nations, the reluctance to look and the ability to forget.

Gamespace, Kevin M. Scianni

CGU MFA Theses

My work uses gameplay, the experience of interacting with a gaming system, as a strategy to generate paintings. I interact with a set of rules, challenges and goals loosely derived from the structure of early videogames as a method to compose a painting. I am interested in how game strategies can address formal aspects of painting. I am also interested in how gameplay as an indicator of game quality or the desire to continually be challenged will continually advance the paintings.

Li Lin Lee Interview, Barry Au

Asian American Art Oral History Project

@font-face { font-family: "Calibri"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; line-height: 115%; font-size: 11pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }

Artist Biography
Li Lin Lee is a self-taught painter who over the years has attended many exhibitions. Many of his earlier exhibitions had his group panel paintings while later ones displayed solo works. Born in Jakarta, Indonesia, he studied biochemistry at the University of Pittsburgh in Pennsylvania. He has traveled many places in Southeast Asia. Among his solo exhibitions: Symbiology and Urban Archaeology was displayed at Walsh Gallery in Chicago in 2001 and 2008 respectively.

The City With Rolling Hills, Andrew Ballstaedt

CGU MFA Theses

I use painting as a form of ritual and meditation where I often spend lots of time painting and repeating simple marks over and over again. On occasion, I am able to make quick paintings that are successful but most of the time I am compelled to spend repetitive hours making marks in order to reach my state of personal mediation through the ritual of painting. Please see Download button in top right corner for the full statement.

Élan Vital, Sharon Mealey

CGU MFA Theses

My art explores the inner qualities of life, focusing on adaptability and resiliency. I am interested in the mysterious vital force philosophers call élan vital that animates human beings. I investigate the transitory nature of life where it intersects with élan vital. My paintings accommodate the ephemeral and the perpetual. Please see Download button in top right corner for the full statement.

Making Connections, Evan P. Petrack

The Mercury

No abstract provided.

Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey

CMC Senior Theses

This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott.

Paintings And Explorations, Scott Ender

Art and Design

My senior project consisted of a large series of paintings on canvas. I created seven large scale paintings (36” x 48” size) which involved minimalism, typography, a “painterly” process, and abstraction. It was a series of explorations in working with my own two (physical) hands, rather than working on a computer as is the standard method of working for graphic designers. These paintings were done in hopes that the series would help me further define my artistic style, accumulate a larger body of work, and possibly discover a new form of painting.

Cannibalism: A Failure To Be Satisfied., Richard Brandon Pruett

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition at the Tipton Gallery, East Tennessee State University, from March 23^rd through April 3^rd, 2009. To comment on the title of my thesis, it describes an invented process created to re-contextualize failed paintings into works that critically comment on the discipline of painting itself. The paper describes and analyzes the conceptual moves created by a refusal to be satisfied with predictable outcomes in my work. At the end of this tumultuous quest to explore what painting is to me, the most rewarding works were a product of a …

Light Shade And Emotions, Anukul Gurung

The Mercury

No abstract provided.

Inside, Outside, In-Between., Aurora Maria Pope

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Inside, Outside, In-Between, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.

These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist's materials.

Ideas discussed include materiality, process, composition, …

Representaciones De Figuras Feministas En La Muestra Despierta!, Kathryn Lane

Pitzer Senior Theses

Elizabeth Waltenburg es una artista contemporánea argentina. En su muestra, despierta!, las obras en óleo sobre tela representan a mujeres, niños y animales en fondos extraños y deprimidos. Ella utilize simbolismo de animales y figuras femeninas para discutir el feminismo actual. Ella trabaja en un tiempo complicado por el feminismo, el postfeminismo, la critica de ambos, y un sistema de comunicación global. Su trabajo marca una tendencia hecho por la confusión de todos estos movimientos. Esta tesis discute su trabajo en el contexto de la historia de representaciones de mujeres, de niños y de animales para llegar a una mejor …

Mural, Painting And Art Education Project With African Refugees And The African Community Center Of West Michigan, Carrie Schoenborn, Jill Eggers

Student Summer Scholars Manuscripts

In starting the project at the African Community Center, we spent time getting to know the center, the people who use it and how it is used. We began by simply being at the center and helping with whatever needed to be done. We answered phones, met people who came and cleaned the donation closet. Yaka, the director, brought us to visit many of the families that use the center and we talked to both the refugees and Yaka about the experiences these individuals had coming to the United States; the difficulties they faced in Africa, on their journey to …

And This, Our Measure: Figurative Realism And Workaday Culture., Perry Walter Johnson

Electronic Theses and Dissertations

Man has created vast and powerful systems. These systems and their associated protocols, dogmas, and conventions tend to limit rather than liberate. Evaluation based on homogeneity threatens the devaluation of our humanity. This paper and the artwork it supports examine contemporary culture and its failings in the stewardship of the humanist ideal.

My paintings referenced herein are satirical narratives. The story told is one of alienation and evisceration. The visual subject matter is the human figure and environments dominated by architectural geometry. The male figures are conspicuously turned from view, a visual cue to their estrangement. Parallel and subordinate thoughts …

Norman Turner: A Survey, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog discusses and showcases the works of Norman Turner in The Survey Exhibit that was shown at the Wright State University Art Galleries from November 4, 2007- January 6, 2008, the For Center For The Fine Arts, Knox College from January 11, 2008-February 8, 2008, the Cantor Fitzgerald Gallery, Haverford College from February 29-March 30, 2008, and the New York Studio School from April 10-May 24, 2008.

Present Access., Garry D. Renfro

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibition, Present Access, hosted by The Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from April 2 through April 25, 2007. This exhibit contains works that span his four-year tenure in the graduate program and represent several iterations of the artist's exploration of the landscape as metaphor and discovery.

Subjects discussed explicate the development of thought and process leading to the pieces presented in this exhibition. Topics explored include the importance of form, material, media, research, personal history, experience, and memory. Also considered are the …

Zelotti's Epic Frescoes At Cataio: The Obizzi Saga, Irma Jaffe

Art & Visual Culture

A prominent writer, a master painter, and a treasure of art that for centuries had been largely neglected are brought brilliantly to life in this first important study of one of the great legacies of Renaissance art. The immense castle at Cataio, about thirty-five miles from Venice, was built between 1570 and 1573. An extraordinary series of frescoes, painted in 1573, covers the walls of six of its palatial halls. Programmed by Giuseppe Betussi, the forty frescoes depict momentous events in the history of the Obizzi family from 1004 to 1422. Executed by Giambattista Zelotti and assistants, the frescoes, plus …

Abstract Painting, Allison Nix

The Mercury

No abstract provided.

Six Squares, Geoffrey D. Gaenslen

The Mercury

No abstract provided.

David Johnson: Prints, Drawings, Books, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit featuring the works of David Johnson. His prints and works were held at the Wright State University Art Gallery from November 6th, 2005 through January 8th, 2006. His works include an arrangement of drawings and prints. Johnson is known for the specific qualities that invoke the feelings of strength, drama, intensity while featured around environments captured in his style.