Art Practice Commons^™

Fervor, Tam C. Stockton

Masters Theses

As with the light that spills from the excitement of a flame, the ideas explored within the writings of Fervor emerged as the luminous flickering of those energies which arise in spaces of worship and belief, and their image. These writings shift and contort, suggesting the necessity for a constant renegotiation of sight, casting shadows of uncertainty that seem to move of their own volition. Rather than attempt to suggest a definitive understanding of the image and its relations, this work has embraced the fragmentary nature of the photographs from which it emerges. Taking the form of an artist's dictionary, …

The Blue Below Still Breathes, Yiyi Wang

Masters Theses

The Blue Below Still Breathes explores disappearance transformation rather than loss—a shift in visibility that reveals the pressures, absences, and structures shaping perception. Across interactive installations and print works, I examine how power operates through omission, fragility, and formal control. At the heart of this practice is printmaking, reimagined as a responsive, impermanent medium that challenges its historical association with fixedness.

The thesis installation features a 5x5 grid of thermochromic screenprints of a concrete wall, where viewer proximity activates a randomized sequence of heating panels. As heat raises the temperature of the surface, a field of blue gradually emerges, breaking …

Field Journal: The Excluded Middle, Carrie E. Kouts

Masters Theses

What does it look like to engage with organisms and landscapes at the periphery of anthropocentric value structures? How does one break the internalized myth that the “built” environment is excluded from the natural world? When does a hyper-mobile and hyper-commodified society confront the exponential crisis of animal death? Within this series of journal entries, field notes, collection observations, weird prose, and sensory musings, one will find questions on the nature of being human and the complex narratives of care we encounter in a world shared with more-than-humans. Each handwritten vignette and photograph from daily life weaves a non-linear and …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …

The Dialectic Of Airless Space, Ophelia Arc

Masters Theses

The Dialectic of Airless Space is a cumulative, cross-disciplinary research project that explores ‘airless space’ as a somatic and psychological condition shaped by institutional environments. Unfolding over time through five interrelated books, the project weaves together writing, ephemera, textile sculpture, and drawing to archive the invisible architectures of bodily and mental experience.

To Stain The Soul, Shaoqing Chen

Masters Theses

The process of art-making is a BDSM activity. Painting doesn’t start from the brain. It starts from the hands. Most of the time, painters move through muscle memory, not thought. So, who is in control? I believe there is a higher being—the God of Art. Not a person, not a legend, but something beyond exciting. It loves to see the artist sacrificed, suffering, twisted. It wants something beautiful and painful.

My art practice in the studio is like a BDSM moment in a dungeon. I am the submissive. The god is the one who gives orders. The more I suffer—both …

A Personal Manual Of Escapism, Qing Wen

Masters Theses

In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?

It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …

Rooted In Embodied Making: A Notebook On Process, Vija Lietuvninkas

Masters Theses

This thesis takes the form of a wooden box containing an archive of fragments – scanned notebooks, sketches, photographs, emails, journal entries, and other materials – that trace a year of embodied, process-based inquiry. Rather than presenting a linear argument or a polished final product, the work reflects a nonlinear, exploratory methodology grounded in making, wandering, and self-reflection.

Born within the context of the 2025 Sustainability Design Lab, an interdisciplinary initiative at RISD examining the material culture of wood across design fields, this project documents the artist’s evolving engagement with green wood as both material and metaphor. Through practices such …

Pressing Into Absence, Linda Sok

Masters Theses

Pressing into Absence traces the materials, processes, and works I have engaged with between March 2023 and May 2025, positioning historical and contemporary narratives in dialogue with one another. This book interweaves colonial-era source materials (from 1864- 1928) - writings, etchings, and paintings of Cambodia produced by persons from the United States of America and France - with personal anecdotes from my travels to Cambodia in 2024. These accounts are layered alongside speculative reflections in the form of text, sketches, mind maps, and material explorations. These archival remnants and personal experiences are folded together and positioned as equally reliable sources. …

Exploring Al Balad, Danah Alqunfuzi

Masters Theses

Al Balad is a well-known destination for Jeddah’s visitors. With its inclusion in UNESCO World Heritage, the site has been transforming to fit the standards and become a more tourist destination. The reason the site is included in UNESCO is due to its diversity and unique architecture and sense of place. Preservation of this type is problematic because it threatens to suppress the dynamics that gave rise to Al Balad, freezing it in time. This thesis asks: How can landscape representation capture agents of change, the present moment, and the past so that the forces that breathe life in historically …

Enduring Words: Resistance Through Sculptural Libraries, Alex C. Jacobs

LSU Master's Theses

Enduring Words: Resistance Through Sculptural Libraries is a thesis exhibition that challenges book censorship by transforming reading into a public and defiant act. Through direct sculptural interventions, the exhibition confronts cultural erasure, questions who controls the literature we consume, and highlights the role of art in safeguarding contested knowledge. This thesis focuses on a current body of exhibited sculptural works that embody the tension between access and erasure. These installations engage with the viewer by using a lighthouse built of books and a speech-bubble-shaped library embedded with censored texts. They do not quietly mourn the suppression of knowledge; they confront …

Automatonophobia, Adrian Bruch

Staff Scholarship - Australia & Dubai

These artworks were created as a direct result of my teaching the ANI216 Animation Studio. In the process of devising ways to incorporate photographic imagery into an animation, I developed a multi-plane system where I could create layers in Adobe Photoshop and combine them with original cartoon characters in After Effects and then animate them.

These artworks for an exhibition at the Garden Gallery (Royal Botanic Gardens, Sydney) are imaginary stills inspired by the actual animation. All three were sold.

7 Gateways In The Milky Way, Reina Alvarez

CGU MFA Theses

In a world saturated with digital distractions, 7 Gateways in the Milky Way offers an invitation to slow down, step inside a moment, and contemplate the unseen. This body of work reframes time and perception through a series of conceptual cosmic creations—immersive installations meant to be occupied, not just observed.

The series incorporates geometric abstraction, conceptual sculpture, and contemplative environments composed of textiles, wood, sand, sound, light, redefined found objects, and ram’s horns. Inspired by the mysticism of the number seven—often symbolizing completion or cycle—each piece acts as a portal, shifting the viewer’s sense of space and time.

These site-responsive …

Not Just Another 2000 Word Written Mfa Thesis, Taylor Cleveland

Art Theses and Dissertations

This thesis challenges the standardized academic expectations placed upon studio-based MFA programs, using the process of writing itself as a site of institutional critique. Emerging from a 27,000-word working draft titled Aesthetics of Real, this final text adopts the permitted format of an “extended artist statement” to expose contradictions within institutional frameworks. It resists the assumption that professionalism and compliance equate to intellectual rigor, arguing that true artistic inquiry demands risk, failure, and confrontation with systemic norms. Through works like 3MUSTANGS, Facades of Dallas (Hall), SuperPOD0043: An American Painting, and Babel’n On, this thesis reveals …

The Art Of Building Belonging Through Student Voice And Choice: Liberating Learning And Creating Community In Catholic Schools, Rich Hill

Doctoral Dissertations

This is a study of students’ voices, choices, and experiences. Its purpose is to examine the barriers and opportunities for building belonging in Catholic schools. The research is a contribution to the positive work of diversity, equity, inclusion, and belonging currently taking place in various Catholic school contexts. It is also a response to specific issues that continue to permeate students’ curricular experience, such as the silencing of voice, the lack of choice, untapped educational agency, and the exclusion of their authentic identities. The study is designed to learn directly from students’ own lived experiences, their testimonies, and their artwork. …

Sub Terra, Daniel J. Forest

MFA Thesis Exhibit Catalogs

Abstract

Sub Terra is an immersive exhibition that renders intangible states of mind through sculptural installation. These constructions speak to internalized angst and complexity, mirroring what is seldom looked at, witnessed, or acknowledged. Many symbolic elements are suspended from either the walls and ceiling or within constructed frames, evoking entanglement. My work is an attempt to express the emotion turmoil inherent to living in an increasingly bureaucratic society and its effect on someone with an anxiety disorder.

The fabrication entails several broad skill sets, requiring familiarity with psychology, physiology, fine woodworking, ceramics, felting, and drafting. Preliminary sketches guided construction and …

Grief As Slip: (How Little I Show) An Exploration In Clay, When Words Are Not Enough, Michelle A. Smith

Masters Theses, 2020-current

Grief as Slip (how little I show) implies that even as we acknowledge our mortality and the fleeting nature of life, we still only reveal a fraction of our true selves or our deeper realities. The ceramic artwork in this exhibition carries and conveys a journey through the present and remembered emotions of the artists’ personal narrative. By juxtaposing the tactile nature of clay with the ethereal quality of human experience, Smith contemplates the profound interplay between material transformation and emotional resilience. The exhibition’s intent is to translate the essence of complex emotional states into abstracted forms so they can …

Sacral Glitch, Kareena Naresh Solanki

Masters Theses, 2020-current

Growing up in a multifaith environment in Mumbai, I witnessed many religious sites and people with diverse beliefs. My parents always remained open-minded to other faiths, and my house remained replete with idols of deities of different religions. I studied Nichiren Buddhism, particularly the Lotus Sutra, as my mother began practising it along with her faith in Hinduism. Philosophical studies became a part of my life at the age of nine. Catholic prayers turned into rituals in my convent school days, and Islamic prayers resonated from afar. I often reflect on the influence of multiple religions in shaping my approach …

The Art Of Dreaming: A Surrealist Approach To Dream Analysis, Shelby Wright

Honors Thesis

Over the past two years, I created a series of paintings to explore the meaning of my nightmares. This study analyzes the themes and symbols in these dreams through the psychological frameworks of Sigmund Freud and Carl Jung. Freud’s causal approach focuses on repressed desires, while Jung’s method relies on mythological symbols and archetypes in the collective unconscious. Drawing on the ideas of André Breton and the Surrealist movement, I examine how art can bridge dreams and waking life. By painting my dreams, I aim to better understand my unconscious and invite viewers to question their perception of reality. This …

Art In Itself: The Vision Of Three Female Mississippi Artists, Jane E. Thomas

Honors Theses

This thesis is a collection of longform, narrative-style journalistic profiles on artists in Northeast Mississippi. These artists include Carol Roark from Enid and Hannah McCormick and Coulter Fussell from Water Valley. Each profile highlights an individual artist’s work, from her background, inspirations, process and distinctiveness as a creator. These profiles required studio visits and extensive interviews, as well as secondary interviews with clients, gallery owners and art curators. An overarching theme between the three artists is their ability to recognize artistic potential in their immediate surroundings; Roark paints landscapes from her own backyard, McCormick paints scenes from everyday life and …

Imaginary Friends: Engaging The Unconscious Mind Through Picture Books, Cleonique Hilsaca

MFA in Illustration & Visual Culture

“Imaginary Friends” investigates the potential of the ‘imaginary friend’ as a narrative device in picture book storytelling. By combining the research of Marjorie Taylor on ‘imaginary companions’ and Lois Rostow Kuznets on ‘toy animals’ in literature, I seek to give form to the concept of the imaginary friend, to then explore the phenomenon further by delving into the intellectual heritage of the imaginary and the unconscious mind. To explain how the imaginary friend works as a visual metaphor in illustrated narratives, I borrow principles of image-making and their effect on children, as discussed by Martin Salisbury, Morag Styles, and Molly …

The Liminal Space Of Dreams: Narration Of Dreams In Graphic Novel And Comics, Muyang Li

MFA in Illustration & Visual Culture

This essay explores the dream as a narrative in graphic novels and comics, examining its character as a subconscious experience depicted by means of visual storytelling. Focusing on psychological, symbolic, and aesthetic functions of dream narrative, I demonstrate that dream narration offers an allegory by means of which both creator and reader can explore issues of identity, desire and trauma in an intimate and healing way. In analyzing these functions of dream narration, I draw upon ideas from theorists such as C.J Jung, Freud and other scholars who have engaged their work on the psychological perspective of the experience of …

Fan Art, Jacob Lay

Theses and Dissertations

This thesis examines the work of artists like Vincent van Gogh, Donald Baechelor, and Cezanne in their relationship to my work and contemporary painting. Drawing from personal letters, interviews, and essays on these artists, the paper places painting and drawing from the thesis exhibition in a history as well as relates them to current pop culture relics. The paper also includes a process-based analyses of how each painting is made and with what materials.

Realistik Heaven, Alexa H. Senan

Theses and Dissertations

“Realistik Heaven” processes the traumas, forced transformations and the cannibalization of womanhood and culture as a result of colonization. Inspired by Oswald de Andrade’s Cannibalist Manifesto, Senan writes to evoke the literal meaning of Andrade’s description of the cannibalization of culture and having to become someone new cannibalizing themselves while still longing for the remains of the past.

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Clod & Pebble, Ian Myers

Theses and Dissertations

What does Painting— its act, like a search; or material— have to do with truth? Probably nothing. Or what does it matter, or why ask? To Paint is to dig— deep! wide! to excavate! but in a busy park, and— now, look! you’ve ruined the softball game. Using the material conventions of early Christian icon painting— rabbit-skin gesso, viscous egg medium suspending ground pigments— the layers of my paintings accumulate like sediment. The surface is dredged, scraped back, leaving striations like stone and refined in search of light; space; revelation! or, piled high again, over and over.

Ontological Exhaustion And Metabolic Affect, Katelyn Reece Farstad

Theses and Dissertations

Ontological Exhaustion and Metabolic Affect explores the artistic practice of Katelyn Reece Farstad through the logic, physiology, and spiritual symbolism of the housefly. This body of work draws from personal experience with neurological trauma, mapping how perception fractures, reorients, and reforms in the wake of psychic rupture. The housefly—erratic, hyper-attuned, maligned—becomes both method and metaphor. Its larval state mirrors the latency of neuroplastic healing; its compound vision reflects perceptual multiplicity; its obsessive return to sites of decay parallels the recursive nature of memory and loss.

Working across sculpture and painting, I metabolize found objects and sensory residues into forms that …

Stitch Theory, Brittany Adeline Adama King

Theses and Dissertations

This paper weaves personal history together using “stitched” citational text, supporting the concept that an archive can function as support, as worn; as garment.

Familiarity And Distance, Marc Ferraro

Theses and Dissertations

This paper places a space of ideas in conversation with a tactile reality. I propose archetypes of modernism as formal outlines and points of familiarity to a general audience. My work seeks to refigure these common formats in painting and sculpture by subjecting them to an unpredictable process of tactile manipulation. Questions of legibility are raised by asking how repeat encounters with forms of visual language shape expectations and understanding.