Art Practice Commons^™

Meet Me Under The Bubblegum Tree, Bel Dimeo

Allusions

No abstract provided.

Who Are The Cozy, Bel Dimeo

Allusions

No abstract provided.

Glowing Freely In Space, Bel Dimeo

Allusions

No abstract provided.

Little Hoverfly, Bel Dimeo

Allusions

No abstract provided.

The Current, Jess Bell

Allusions

No abstract provided.

Salvation, Jess Bell

Allusions

No abstract provided.

Death And Life, Elly Holland

Allusions

No abstract provided.

Grasp, Sarah Bragg

Allusions

No abstract provided.

Excerpt From Among The Piles, Grant Tetmeyer

Allusions

No abstract provided.

Stage Lights No. 2 In D-Flat Major, Hannah Freeman

Allusions

No abstract provided.

Stage Two, Hannah Freeman

Allusions

No abstract provided.

Inner Child, Bailey Mcgill

Allusions

No abstract provided.

The Stitching Of My Body, Savannah Boulware

Allusions

No abstract provided.

Winter Cycles, Savannah Boulware

Allusions

No abstract provided.

Shelter, Kerrigan Hargis

Allusions

No abstract provided.

Nightmares And Dreams, Abbey Shoffner

Allusions

No abstract provided.

Take My Breath, Abbey Shoffner

Allusions

No abstract provided.

On The Shore Of The Indiana Dunes 7/26/24, 10:22 Pm, Brenna Sobecki

Allusions

No abstract provided.

The Sycamore Tree, Brenna Sobecki

Allusions

No abstract provided.

False Awakenings, Stevie Knauss

Theses and Dissertations

This paper discusses the boundary between dreams and reality, and offers some unconventional techniques for discerning the difference. It describes Knauss’s various performance rituals developed around a case study that traces the genealogy of a ringtone. This study attempts (and fails) to use cultish thinking as a means of deprogramming and poisonous distraction as a cure for attentional assault.

Orchestrating Brilliance In The Recording Studio: Mixing Music To Record Music, Adrian D. Carroll

Staff Scholarship - Australia & Dubai

This paper is a report on a heuristic inquiry into music recording practice and workflow to arrive at the essence of experience. Through professional reflection on a music recording, we investigated the recording process and student experience; this was used to identify, explore and expose tacit professional practice. The central theme that unfolded revealed benefits in mixing music during a recording session. Other themes of workflow efficiency, and emotional expression, also emerged from the data collection. The research culminated in a creative synthesis in the form of a research question: Can live studio recordings be a viable option for artists, …

Glitched Humanity: A Digital Media Arts Advocacy Project, Shelly Maloney

Teaching Resource Archive

This lesson includes an original sample project and website that directs students towards learning how to utilize digital glitch art to create advocacy or raise awareness for the social, cultural, environmental, or political issue of their choice. It is designed to engage students in critical thinking skills, cross-curricular connections, reflective writing, digital art making, group discussion, and peer review.

Artists can use video and other media sources to explore the self-destructive tendencies of human nature (i.e. violence/war, consumption, and/or carelessness/environmental neglect) or other social, cultural, or political issues using digital manipulation, layered imagery, sound, and video.

Paris: One Hundred Years Later, Olympia Rizzo Buaron

MA Projects

From April through October of 1925, the heart of Paris hosted the (the 1925 Paris Exposition), a monumental event that transformed the city into a showcase of artistic and industrial innovation.1 The year 2025 marks the one hundredth anniversary of this historic exposition. The French government initiated and funded the project during the interwar period, a time characterized by dynamic cultural shifts, a spirit of liberation, and a widespread embrace of modernity. Commonly referred to as the Roaring Twenties, this era was defined by a blend of hedonism, artistic innovation, and social upheaval, deeply shaped by the aftermath of World …

Women In Orientalist Paintings: The Different Symbols Women Represented In Orientalist Paintings In The Late Nineteenth And Early Twentieth Century, Malak Ahmed

The Undergraduate Research Journal

Art is one tool that indirectly affects people’s thoughts and perceptions. Orientalist painting is a type of art that reflects some of the mistaken stereotypes the West has about Oriental societies, such as inferiority, hypersexuality, and objectification of women. Understanding the artistic symbols and elements of representation defining women’s roles in Oriental societies in such paintings is one way to take further steps towards eradicating stereotypes about Oriental women. Research to date has mainly focused on the sexual representations of women in Orientalist paintings, and no due care has been given to the different symbols that the paintings include. This …

In Praise Of Dust, Hasler Gomez-Perez

Theses and Dissertations

A desire path is a physical manifestation of where a system has failed, but also where it has been refused, where a new path has been made. The wake exists in the post, it is not a singular, untethered event, but a subtle double entendre that lives in the post-death, but also in the pre-life—not a liminal limbo, but a superposition of dying and waking.

This collection was assembled and composed over the course of two years as I navigated my practice, myself, and others. Present here are my thoughts, my experiences, and in many ways my beliefs. IN PRAISE …

How To Remain A Stranger / Encountering, In A Basement, Hannah Rotwein

Theses and Dissertations

How to Remain a Stranger / Encountering, in a Basement consists of two parallel essays. On the lefthand side of the page, How to Remain a Stranger explores the ways that the legend of the Wandering Jew, the Tradescantia genus of plants, peddlers, and exile relate to my practice of collecting, sorting, and combining found objects. On the righthand side, Encountering, in a Basement describes my thesis exhibition at the Institute for Contemporary Art at Virginia Commonwealth University. Focusing on the idea of the encounter, I detail the materials, considerations, and processes behind four of the ten sculptures in the …

The Paradox Of Value, David Enrique Guarnizo

Theses and Dissertations

The present thesis project examines how, in the United States, and especially in the state of Virginia, archetypes of "wealth," "value," and "identity" have been constructed in relation to land and territory. This analysis explores the tension between the inherent value of life on the land and the economic value that can be derived from it. This tension is exemplified by a theory known as the "paradox of value", also referred to as the "paradox of water and diamonds", which was developed by the renowned Scottish economist and philosopher, Adam Smith. This theoretical framework serves as a fundamental axis for …

Identifying Intangible And Biocultural Heritage Elements Toward Environmental Understanding: Engaging Stakeholders Through Art, Martha B. Lerski

Publications and Research

Grounded in a case study in Barbuda in the Caribbean, this research examines sustainability from the perspective of what arts and heritage can contribute to community engagement and local and broader understandings about the environment. This article documents a growing body of literature recognizing the role of arts and culture, including local knowledge and traditional ecological knowledge (TEK), in climate change endeavors. Art and TEK present expansive world views. Contextual information situates research done on the island of Barbuda pre- and post-Hurricane Irma. Visual arts workshops engaged community members in mixed methods research. Results documented cultural elements, particularly intangible and …

Hauntings Of Transnational Art Learning And Teaching: A Duo-Ethnography Of Two Asian Art Educators’ Transformative Experiences, Hayon Park, Sohee Koo

Journal of Social Theory in Art Education

Reflecting on lived experiences as art learners in South Korea and professional practices in the United States as art educators, the authors draw from Derrida’s (1994) “hauntology” and present how their transnational experiences continue to conjure up and affect the everyday lives of Asian women junior faculty today in the US through duoethnographic approaches. Posing the question “how might personal lived experiences of an educator foster art pedagogy and research?” and interviewing each other on aesthetics, education, and identity, this article seeks to: 1) inform others about how Korean art educators navigate matters of transnational education experience and colonization and …

Fuel To The Fire: Experimenting With Care Ethics In Museum Education, Jenna S. Green

Journal of Social Theory in Art Education

This article suggests museum theory and practice needs to shift its ideological foundation from storage, preservation, restoration, exhibition making, and learning, to one of radical care. Responding to the questions posed by the Journal of Social Theory in Art Education and drawing focus around the theme of (re)activating theory to envision an alternative educational model, I engage with Dana Carlisle Kletchka’s (2023) introduction of care ethics to art museum education. I suggest that care ethics, as a growing theory in museums, is interdisciplinary and should include contemplative scholarship and practices to embody its guiding tenants. I then take up Kletchka’s …