Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

Blanket Statements, Issue 154, Summer 2022

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 154, Summer 2022

Fossils On The Floor Mosaics In The Rotunda Of The Nebraska State Capitol Second Edition, Robert F. Diffendal Jr.

Robert F. Diffendal, Jr., Publications

The idea for this project arose during a field trip to the Nebraska State Capitol led by my long-time friend and colleague, Joe Hannibal, of the Cleveland Museum of Natural History, during the Geological Society of America’s North-Central Section Meeting in Lincoln, Nebraska, on Saturday, April 26, 2014. One of Joe’s interests is historical buildings and their building stones. He put together a very useful guidebook to the building and its decorative stones (Hannibal, 2014) that we used on our tour.

One of the many places that we visited was the State Capitol Archives, located in the basement, where the …

Confronting Contemporary Mythmaking: On Artists’ Engagements With Popular Culture, Jonathan Case

MFA in Visual Arts Theses

This paper begins by outlining an understanding of how the culture industry operates in American culture and explores ways to counter the transmission of modern mythmaking through art. As described in Roland Bathes’s Mythologies, mythmaking in the contemporary context serves to sever current systems of power and coercion from the historic processes of their creation; to naturalize the current neoliberal order and make it seem like the only way things could ever be. This sort of mythmaking is transmitted through popular culture, and many artists have responded to it through their practices. Herein I describe several different artists’ approaches, including …

Lovesick: An Original Comic Book, Sims C. Vincent

University Honors Theses

Lovesick is a creative thesis in the form an original comic book. Belonging to the genre of action comedy, this 30-page comic is entirely drawn traditionally in black and white ink. The story follows a 20-year-old artist named Dax whose unhealthy mental state prevents him from producing artwork. Feeling desperate, Dax makes a deal with a mysterious salesman named Middleman. In exchange for gaining the ability to effortlessly make all the artwork he wants; Dax will be forced into employment with an evil corporation that is hellbent on enslaving humanity. This paper explains how the story was constructed, and what …

My First Embrace Of The Sea & The Fish Swimming In My Head: A Collection Of Poems, Photographs, And Cultural Artifacts Inspired By My Father And Ocean Vuong's On Earth We're Briefly Gorgeous, Maya Sutriasa

University Honors Theses

This creative thesis reflects the artistic process and influences of Maya Sutriasa's BFA project. This work aims to understand the duality of her biracial and bicultural identity as a second-generation Indonesian-American. This exploration begins with memory, employs time travel, recounts metaphors pertaining to water, and bears witness to her family's cultural hybridity. This paper, and the artwork done for this project, was a means of understanding parts of myself. The artwork shown in this paper mostly takes the form of introspective poetry, journal entries, and textile art.

Ode-Cean: California, Danny-Olivia F. Hanson

University Honors Theses

As a 2D artist from San Jose, California, the overarching themes in this work have been self love, self expression, and interconnectedness. For this thesis project, the author chose to focus specifically on depicting Californian wildlife as a way for them to feel more connected to their home. The hope is for audiences viewing the work to think about the way that they are connected to sea creatures and their ecological impact. Motivations behind the work and process of creation are discussed.

Shaping The Witch: A Visual Art Thesis, Amanda Cobb

University Honors Theses

This thesis is an exploration of the complex and interconnected nature of folklore, personal mythology, and re-enchantment as expressed through the lens of puppetry. I have drawn inspiration from the works of deeply reflective works concerning the psychological nature of mythologies of Joseph Campbell and Carl Jung, as well as the magical and beautiful work of artists Jim Henson, Brian and Wendy Froud, and Mercer Meyer. Through working in the medium of puppets, I have given consideration to the possibilities and limitations of these forms in expressing the complexity of narrative, personal mythology, the anxiety of disenchantment, lost and reclaimed …

The Needle And The Pen: A Retrospective On Eighteenth Century Life, Consumerism, And Dress In Relation To Modern Garment Production, Madeleine F. Beer

University Honors Theses

Within the realm of feminist scholarship of history, it has been said that "human stories can be told as effectively with the needle as with the pen" -Serena Dyer

Throughout history, craft deemed "women's work" has been undervalued on all levels but aesthetic. Gendered creative practices have been the focus of dress and craft historians; and such works have begun to reverse the emphasis of women as simply consumers and instead push forward the narrative of women as creator and producer.

I strive to make work that is both aesthetically pleasing and informative. Textiles reflect the human experience, weaving linear …

Visibility, Jamie Valdez

Electronic Theses, Projects, and Dissertations

I am a woman, activist, artist, mother, and wife. My art practice questions the role of

institutions in disseminating outdated traditions and unfair rituals in relation to women. Bringing

visibility to what is ignored, I create works that are critical to the unfair expectations that society

fosters, expectations which ultimately oppress women vis- -vis the (art) institution. Through

different conceptual strategies, my work questions what society has taught us about gender

roles and explores the pedagogies that our institutionalized education has systematically

perpetuated for women and girls from early educational experiences.

The Ephemerality Of The Living And The Persistence Of The Inanimate, Erin Johnston

MFA in Visual Art

I create fragile, sculptural works with paper. Either cast from pre-existing objects or constructed forms, my three-dimensional works ultimately become pure paper objects. I use the visual language of absence, memory, ruin and ephemerality to present modern artifacts and address the now. I am interested in how the manufactured crumbs we leave behind as a species reveal our collective desires, and our relationship to the body and mortality. I am fascinated with, and even enchanted by, the proliferation of material objects and their tendency to surpass the lifespan of any single human. Perhaps this behavior of producing lasting creations is …

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Paths Of My Development In The Cct Program, Russell Suereth

Critical and Creative Thinking Capstones Collection

This paper shows the development of a view of personal transformation and social transformation, and the creation of art that depicts that view through courses in the Critical and Creative Thinking program at the University of Massachusetts, Boston. The paper is a focus on the courses and their impact on the view and the associated art, rather than an analysis of the view and art. Since the program is centered around critical and creative thinking, the paper also describes how thinking in critical and creative ways benefits a project of vision and art. Self-reflection is also an important component of …

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Toward Holistic Mental Wellness: A Literature Review Of Mindfulness-Based And Focusing-Oriented Art Therapies, Lesley Vernon

Expressive Therapies Capstone Theses

Modern day living, for all its benefits, is synonymous with record levels of stress. The mental health clinician’s role is to assist clients in accessing the skills and tools necessary to reduce and alleviate the symptoms of stress-induced anxiety. Mindfulness is emerging as a potent and effective tool to restore one’s state of well-being. Likewise, engaging in art therapy has been shown to reduce stress and foster resilience. Grounded in humanistic and existential theories, this literature review aimed to assess the impact and effectiveness of two intermodal holistic therapies, specifically mindfulness-based art therapy (MBAT) and focusing-oriented art therapy (FOAT). A …

Spirituality & Wellness In The Black Lgbtqia+ Experience: A Literature Review, Black Pruitt

Expressive Therapies Capstone Theses

This literature review explores the intersections of race, sexuality, spirituality, and wellness. The findings highlight the complex trauma caused by both racialized and religious violence and how they have historically impacted the lives of Black LGBTQIA+ people today. The research offers evidence for the benefit and efficacy of implementing traditional Afrodiasporic spirituality into expressive arts therapeutic treatment, particularly for Black LGBTQIA+ people and communities. This research also suggests the necessity for actively and effectively dismantling Western psychological frameworks and approaches that have been historically harmful towards Black and LGBTQIA+ people in order to pave pathways towards collective healing and liberation.

A Perfect Escape: Fantasy, Place And Narrative In Adolescence, Cydney Cherepak

MFA in Illustration & Visual Culture

This essay explores the realms of special places, the literary genre of fantasy, narrative, and comics. These topics are traversed alongside subjects of adolescence and the creation of stories for middle-grade readers. Framed with personal stories, as well as peaks into my process, I investigate these subjects through the lens of my own life and work, specifically my thesis project, a comic for middle-grade readers titled Beyond the Castle Walls. Beginning with adolescence in association with special places, I consider the work of developmental psychologists David Sobel and Edith Cobb as they pin-point the role of secret forts, nature, …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Emotion And The Visual Arts, Hailey Bayne

Undergraduate Theses and Capstone Projects

The emotional aspect of the visual arts has been researched and reviewed for decades, and many artists have completed work with the purpose to instill an emotional response in the viewer. How are emotions communicated and perceived through the visual arts? Utilizing knowledge from centuries of art theory, other emotion-focused artists, and the science behind the core emotions, I completed five multimedia pieces in complete isolation whilst triggering only one singular core emotion per piece. I used my understanding of myself and my emotional responses to center each piece around a different schedule, diet, look, and routine complimentary to the …

Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia

Art Theses and Dissertations

The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …

Isocrates's Place In Postmodern Advertising, Christopher Barkley

Electronic Theses and Dissertations

This study in communication and rhetoric seeks to ascertain constructive applications for distinct advertising practices by examining Isocrates’s work and place in postmodern advertising. The focus uses 5 principles known to Isocrates which are: 1) commonwealths of households, 2) integration of reputation, elegance, substance and style, 3) education and public discourse, 4) phronesis and praxis, and 5) truth and verisimilitude. These 5 principles can form a constructive and practical advertising approach. This study is important. It examines Isocrates through the lens of advertising and extends the research done about him by leading Isocrates scholars who have looked primarily at his …

More Than Just Food, Haden King

Masters Theses, 2020-current

Our relationship with the natural world--as it relates to our production of food--is complex. Drawing inspiration from principles of regenerative agriculture, my paintings explore the dynamics and perceptions surrounding food, health, and a sustainable future. I deliberately use idealized images--some of which comes from corporate marketing campaigns--to examine the tension between what is real and what is fake.

Sharing Walks As A Witnessing Practice: Exploring Movement-Based Pedagogies, Catalina Hernandez-Cabal

Feminist Pedagogy

How we walk—or our inability to do so—is telling of who we have been. I propose this simple movement practice as a pedagogical engagement with the concept of faithful witnessing, which refers to attending to modes of power unbalance that might go unnoticed, and to people's creative and resistant possibilities (Lugones, 2003; Figueroa-Vásquez, 2015). This activity is suggested to provoke reflections about how we understand and experience social difference and power unbalances. The work introduces a simple score (a creative prompt) to explore walking-with others, creating instructions to teach others our movement, learning others', and delving into conversations concerning the …

Nest, Camillia Elci

Masters Theses, 2020-current

The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.

Spinning Plates, Anikó K.L. Sáfrán

Masters Theses, 2020-current

Spinning Plates is an intermedia exhibition based on multitasking, at times to an absurd level, to address the gendered division of care labor in a typical, heteronormative household. One hundred years into the pursuit of passing an Equal Rights Amendment, women are still taking on the majority of duties related to managing and caretaking the household and its children, even though most women have also joined the income-generating labor force. At the core of the exhibit are performance-based videos of the mother-artist multitasking, completing household chores, exercising, and creating art. Some of the artworks are action paintings, others are drawings …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

Buzz Buzz, Sarah Heinemann

Theses and Dissertations

Taking the form of a series of notes and notations, this document serves as an account of color in my painting practice as it intersects through personal memory, research, and my studio and professional practices.

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

New Animals, Alina Iakirevitch

Theses and Dissertations

To transfer the rhythms of the body into the earth, in Lippard’s language, one has to engage in a non verbal, illogical action. Art is the sphere of this action. Staying engaged with the unpredictable in us, the random, the primal, is the core of art making and encountering art.