Open Access. Powered by Scholars. Published by Universities.®

Art Practice Commons™

Open Access. Powered by Scholars. Published by Universities.®

Virginia Commonwealth University

Discipline
Keyword
Publication Year
Publication
Publication Type

Articles 241 - 270 of 279

Full-Text Articles in Art Practice

Fragmented Places, Saulat Ajmal Jan 2016

Fragmented Places, Saulat Ajmal

Theses and Dissertations

My work is about an inner struggle, which stems from the shifting nature of my own identity being constantly displaced and re-imagined. My paintings and performances are propositions for a utopic world. They offer a place for identity to rest and are defined through ritualistic movements, which are inescapably mine. While I work in several mediums including paintings, performance, installation and sculpture, this thesis paper is an exploration of the work I have produced specifically over the last six months


Gee, He Has No Brushstroke: Gender Performance In Andy Warhol’S Oxidation Paintings, Anthony J. Morris Jan 2016

Gee, He Has No Brushstroke: Gender Performance In Andy Warhol’S Oxidation Paintings, Anthony J. Morris

Art Inquiries

No abstract provided.


“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams Jan 2016

“In The Middle Of Nowhere”: Robert Irwin’S Experiments With The Art And Technology Program At The Los Angeles County Museum Of Art, 1968-1970, Amanda Dalla Villa Adams

Art Inquiries

No abstract provided.


Francis Alÿs: A Story Of Negotiation, Kerr Houston Jan 2016

Francis Alÿs: A Story Of Negotiation, Kerr Houston

Art Inquiries

No abstract provided.


From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber Jan 2016

From Audubon To Warhol: The Art Of American Still Life, Stephanie Huber

Art Inquiries

No abstract provided.


Front Matter Jan 2016

Front Matter

Art Inquiries

No abstract provided.


Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington Jan 2016

Memory Traces: Analyzing Sacred Space At Five Mesoamerican Sites, Yumi Park Huntington

Art Inquiries

Book review of Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites, edited by Cynthia Kristan-Graham and Laura M. Amrhein.


Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride Jan 2016

Looking Through The Parisian Window: Caillebotte, Zola, And The Post-Haussmann Interior, Jennifer S. Pride

Art Inquiries

No abstract provided.


Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk Jan 2016

Gustave Caillebotte: The Painter’S Eye, Peter L. Schmunk

Art Inquiries

No abstract provided.


God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri Jan 2016

God As Cult Initiate: Dionysos And The Eleusinian Mysteries In Greek Vase-Painting, Anthony F. Mangieri

Art Inquiries

No abstract provided.


Gunther Gerzso: A Mexican Master, Carlos A. Colón Jan 2016

Gunther Gerzso: A Mexican Master, Carlos A. Colón

Art Inquiries

No abstract provided.


The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards Jan 2016

The Plains Indians: Artists Of Earth And Sky, Mary D. Edwards

Art Inquiries

No abstract provided.


Art Inquiries, Xvii:1, Full Issue Jan 2016

Art Inquiries, Xvii:1, Full Issue

Art Inquiries

No abstract provided.


Back Matter Jan 2016

Back Matter

Art Inquiries

No abstract provided.


The Urbanism Of Frank Lloyd Wright, Michael Lewis Jan 2016

The Urbanism Of Frank Lloyd Wright, Michael Lewis

Art Inquiries

Book review of The Urbanism of Frank Lloyd Wright, by Neil Levine.


Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger Jan 2016

Picture Titles: How And Why Western Paintings Acquired Their Names, Colleen Truax Yarger

Art Inquiries

Book review of Picture Titles: How and Why Western Paintings Acquired Their Names, by Ruth Bernard Yeazell.


The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner Jan 2016

The Last Laugh: Selections From Michael Aurbach’S Secrecy Series, Dorothy Joiner

Art Inquiries

No abstract provided.


Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton Jan 2016

Mass Effect: Art And The Internet In The Twenty-First Century, Elizabeth Sutton

Art Inquiries

Book review of Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter.


David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker Jan 2016

David Maisel/Black Maps: American Landscape And The Apocalyptic Sublime, Kelly Wacker

Art Inquiries

No abstract provided.


Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe Jan 2016

Drawing In Silver And Gold: Leonardo To Jasper Johns, Sophia Quach Mccabe

Art Inquiries

No abstract provided.


Interview With Duane Paxson, Dorothy Joiner Jan 2016

Interview With Duane Paxson, Dorothy Joiner

Art Inquiries

No abstract provided.


Everywhere And Nowhere: Public Art Interventions In Qatar, Barbara Charrue Jan 2016

Everywhere And Nowhere: Public Art Interventions In Qatar, Barbara Charrue

Theses and Dissertations

Qatar is rapidly becoming an internationally renowned art hub not only through the construction of numerous museums and galleries, but also through the development of public art projects.

I strongly believe that Qatar can be more than a place to work; it can be a space where art is part of public spaces. But how can we fully and effectively integrate art into public space in Qatar? How can Qatar be more than a place where we work, eat, sleep, and go to the mall from time to time? How can public art involve / benefit the community and local …


So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.


Practice, Morgan T. Babic Jan 2016

Practice, Morgan T. Babic

Theses and Dissertations

Past training as an athlete has driven me to reach for the unattainable goal of flawlessness. This mentality, which I apply to jewelry making, has led me to recreate the intricate angles of the athletic body and the beauty of its movements. I use gymnastics imagery within my work as a tool to communicate how we learn and understand through practice and repetition. With shifted lines, skewed shapes and geometric wirework, the jewelry tumbles over the architecture of the wearer’s body. The repetitive metal forms come together to simulate movement and enhance the physical language that a body in motion …


Perspectives, Beatrice Modisett Jan 2016

Perspectives, Beatrice Modisett

Theses and Dissertations

My paintings are linked to a thirst for exploring new landscapes and perspectives, my interest in the extremes and subtleties of geological phenomenon and a desire to create, chase after, and teeter on a brink. Here I will discuss these topics and work to unpack my interest in avoiding comfort, my relationship to control and the creation and function of my paintings. To extract myself from my tactile and visual world of process and paint and enter the world of written language presents very different challenges than the ones fostered in the studio. The goal in both is to reveal …


The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall Jan 2016

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …


Belt Melon Grass, Andrew M. Francis Jan 2015

Belt Melon Grass, Andrew M. Francis

Theses and Dissertations

This essay was written largely after the completion of my thesis exhibition which shares its title. An integral aspect of the work was the after-­hours maintenance it required. Below I describe the unforeseen personal significance that labor came to hold and the way in which it functioned as a healing ritual. Through this work, and those leading up to it, I have a reinvigorated awareness of the importance of therapy as an aspect of my art­making, of which this thesis is a testament.


Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor Jan 2015

Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor

Theses and Dissertations

The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …


Trying To Exit Here, Leigh C. Suggs Jan 2015

Trying To Exit Here, Leigh C. Suggs

Theses and Dissertations

There is an in-between space during the act of seeing. The in-between space lies on the spectrum of the reality in front of us and what our brain tells us. It is within this suspended moment an individual can experience an unaltered and unaffected vision. While this moment is fleeting, it defines the highest peak of personal experience. It is my belief no two people will ever experience the same vision during this suspended time. And after it passes, the sigh/vision can never be the same. We are constantly bearing witness to the inexpressive, and this fleeting moment is something …


Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun Jan 2015

Reviving Project:A Chinese-American Culture Exchange Project, Yushan Cassie Sun

UROP Posters

Through art exhibitions in Beijing, China and Richmond, Virginia, Reviving project 01 aims to help promote/ revive a craft technique in Qinghai, China that is disappearing due to the urbanized surroundings.

American artist were invited to collaborate with people from Qinghai to make new pieces incorporating original crafted pieces.