Sculpture Commons^™

A Different Perspective On Christmas, Jessika Hughes

Forces

No abstract provided.

Tiny Details, Jessika Hughes

Forces

No abstract provided.

Dissociation, Chaimae Oualid

be Still

"Dissociation," is a reflection of the world's struggle against the COVID-19 pandemic, and how it has affected us all in ways we never could have imagined.

Through this painting, I wanted to capture the gradual, yet drastic change in emotions, lifestyles, and perception of reality that we experienced during this time. The crowd of people depicted in the painting represents the collective struggle we faced, all facing towards the unknown and moving towards it. The different facial expressions convey the range of emotions we felt during this time, from fear and worry to resilience and hope.

For me, the pandemic …

Jogakpo Window (7 Feet X 4 Feet), Seo-Young J. Chu

Publications and Research

Materials: glass, sunlight, post-it notes. Image description: Photographs show a large window covered with a 조각보 patchwork of colorful post-it notes. Sunlight illuminates the paper.

A Part From You, Kenneth Rick Briggenhorst Jr.

Graduate Theses/Dissertations

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …

Above And Below, Kristen Brown

All Graduate Theses, Dissertations, and Other Capstone Projects

My recent graduate artwork uses abstraction of form to describe the intersection between humans and the environment while relating the landscape of our skin to the ever-changing qualities of the natural landscape surrounding us. The photographic material is stressed into three dimensional shapes, producing creasing and tears as it is being contorted by human impact. At the same time that I am creating something new, I am manipulating artifactual evidence of something that already exists in everyday life. This is akin to how our bodies are distorted by outer influence, as well as our own autonomy. Above and below the …

Kiss/Caress, Laurie Green

Ought: The Journal of Autistic Culture

Like many aspects of self, my sexuality remained under wraps for the first three decades of my life. I felt desexualised in my body, unaware of my autism but deeply aware of my alienation and social position. Unable to find a sexual reflection in popular culture and bombarded with tropes of toxic masculinity I turned my sexual desires inwards. Only with my closest confidant, my partner, did any semblance of sexuality emerge, mediated by images and symbols imbibed as a teenager. My deep desire for connection that extended into sexuality felt ossified and unaired—kept in an air-sealed wrapper, like a …

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

Monuments Are For The Living: The Confederate Mound Monument And The Falsehood Of Reconciliation Statues, Janelle O'Malley

Student Projects

In 2015 the Southern Poverty Law Center (SPLC) began tracking Confederate symbol usage in the United States, namely focusing on confederate flags and monuments. That same year a white supremacist fatally shot nine Black worshippers at the historic Emanuel African Methodist Episcopal Church in Charleston, S.C. The shooter in this case had confederate symbols all over their home. This sparked conversation nationally about confederate symbolism and its true purpose. In turn, the conversation led to highly contested debates on confederate monuments and statues. Between 2015 and 2020, 148 confederate statues were removed from the public eye. But the most shocking …

Glam Girl, Christina Vasquez

Forces

No abstract provided.

Solitaire, Lydia A. Pyla

Forces

No abstract provided.

Deception, Lydia A. Pyla

Forces

No abstract provided.

A Thinking Man, Gilbert Hu

Forces

No abstract provided.

Penny For Your Thoughts, Gilbert Hu

Forces

No abstract provided.

See Vo Blow Troubles Away, Gilbert Hu

Forces

No abstract provided.

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

The Art Of Heritage And Mortality, Barbara Johanna Mileto

LSU New Orleans Theses and Dissertations

Through my art I explore the formation of cultural and personal identity addressing the importance of heritage, ancestors, and religion in Latin-American culture, while I develop my unique deities and spiritual space, creating my own iconography. The pieces are strongly autobiographical, using my family members, and frequently lived experience as a subject. Furthermore, I am drawn to the circle of life and productive failures - beginnings, deaths, and transitions. - My work integrates two-dimensional and three-dimensional mediums, ranging from photography and printmaking to assemblage and textiles, video and digital.

In-Between Spaces, Trinity Kai

Graduate Theses and Dissertations

In-between Spaces is a paper based in personal narrative that uses Critical Race Theory and art to analyze the history of photography and systems of discrimination facilitated by hegemonic culture. Body is at the center as a symbol of the physical and psychological impacts systemic inequalities have on people that are classified as other and how one can be absent and present in institutional and public spaces.

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.

Fatal Softness, Mariah B. Jones

Theses and Dissertations

my work is about my teeth falling out, the fatal softness in the earth, a monster tattoo on leathered skin, the bliss of not-knowing, revelation, reveling, the ship and the shipwreck, a fire that knows the naming of you, its dark flame acquiring every part of you, smelling a bad candle at tj maxx, handing it to your mom to smell too, a darkness of that which is golden, a god-shaped hole, the petals of a monstrous flower,1 and frog spawn and at the middle of each jelly pearl is a little secret i don’t have to tell you.

An Escapist Utopia, Sara Eh Denney

Theses and Dissertations

As an active pursuit of avoiding excellence, my work acts as a space for failure, play, experimentation and imperfection. This document and final installation acts as a pause along a lifelong journey of object-making, creation, and spirituality. My work, specifically my working practice, rather than any one object or moment, is an escapist utopia for myself. My work is the process, the journey, not the ending or the completion of any one thing. The repetition, distortion, and production that I engage throughout my working practice acts as a spiritual exercise of meaning—making through creation. I fall deeply in love with …

Form Follows Culture, Nada Raafat Elkharashi

Theses and Dissertations

We all use everyday objects as part of our daily routines, but the way we use them varies from one culture to another. Using George Herbert Mead’s study of human conduct and Louis H. Sullivan’s credo, “Form follows function,” this thesis examines the cultural meanings and implications surrounding the fundamental act of drinking water. Using a methodology of iterative, exploratory making, a collection of glass vessels explores philosophical and physical manifestations of Islamic cultural principles derived from the Sunnah of Prophet Muhammad صلى الله عليه وسلم. With the goal of restoring cultural integrity to our daily activities, the work highlights …

I Hear You Now, I See You Then, Quinn Hunter

Art + Design Masters Theses

In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …

Baby Loved, Gilbert Hu

Forces

No abstract provided.

2020 Forces, Scott Yarbrough

Forces

No abstract provided.

Me And Shadow, Gilbert Hu

Forces

No abstract provided.

Baby Loved, Gilbert Hu

Forces

No abstract provided.

Untitled, Unknown

Morehead State University Art Collection

An untitled, undated sculpture of the Moon upon a metal post. The artist is unknown. The photo was taken facing east.

Untitled, Unknown

Morehead State University Art Collection

A large steel structure that sits outside of the Lloyd Cassity Building.

Untitled, Christine Barker

Morehead State University Art Collection

An untitled, undated painting of Daniel Boone leading his crew to an overlook with an impressive view. This was painted by Christine Barker.