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Articles 121 - 149 of 149
Full-Text Articles in Printmaking
Commonthought (2016 & 2017), Commonthought Staff
Commonthought (2016 & 2017), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Please Read, Joseph W. Anthony-Brown
Please Read, Joseph W. Anthony-Brown
Theses and Dissertations
This is a semi-fictional story told through a series of fake found documents. It describes my work and thoughts through metaphor. Machines have the potential to gain self-consciousness through accumulation of errors. Creativity can be confused with randomly generated variety. The acceptance of chaos and loss of control can provide a path to enlightenment.
Commonthought (2015), Commonthought Staff
Commonthought (2015), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Laboratory: Where Science Becomes Art, Amy Norton, Madeline Carpenter, Colton Weeks, Jae Lim
Laboratory: Where Science Becomes Art, Amy Norton, Madeline Carpenter, Colton Weeks, Jae Lim
P-12 Lesson Plans
This is group of lessons for K-12 art classroom is connected to the artists in the ZMA exhibition Laboratory, on view November 14, 2014 - February 21, 2015. The exhibition worked to demystify artistic practice by revealing parallels between art and scientific research and methodology. These associated lessons include scientific concepts and principles paired with art.
Art In Translation: A Cross-County Collaboration, Lili Un, Rana Rwaished
Art In Translation: A Cross-County Collaboration, Lili Un, Rana Rwaished
AUCTUS: The Journal of Undergraduate Research and Creative Scholarship
Lili Un, a Painting and Printmaking major at VCU’s Monroe Park Campus in Richmond, collaborated with Rana Rwaished, an Interior Design graduate from VCU in Qatar, to explore the translation of two-dimensional painting into three-dimensional interior design elements. Since they were physically separated, Un and Rwaished maintained a vigorous dialogue through Skype. Once one collaborator finished a project, she would send detailed images to the other, who would then create a new work based on those designs. The paintings were scanned into Adobe Illustrator, and the lines were extracted to form a separate file. Both the qualities of these lines …
Commonthought, (Fall 2009), Commonthought Staff
Commonthought, (Fall 2009), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland
Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Isabella d'Este's activities as an art collector and patron are richly documented and have received a correspondingly large amount of art historical attention in the modern era. Yet Isabella--and the studiolo she had created and decorated in the Mantuan Palazzo Ducale--have gotten mixed reviews in this scholarship; the former has historically emerged as difficult, irrational, and acquisitive rather than discerning, while the paintings done for the latter by Andrea Mantegna, Perugino, Lorenzo Costa, and Correggio between 1497 and 1530 are often treated as curiosities-stilted in style and didactic in subject-within the larger scope of the artists' careers. The paintings have …
Commonthought, Vol 20 (Spring 2009), Commonthought Staff
Commonthought, Vol 20 (Spring 2009), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Commonthought, Vol 17 (Spring 2006), Commonthought Staff
Commonthought, Vol 17 (Spring 2006), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Commonthought (Fall 2005), Commonthought Staff
Commonthought (Fall 2005), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Review Of William Blake, Antoni Pizà
Review Of William Blake, Antoni Pizà
Publications and Research
Although William Blake is the quintessential multidisciplinary artist – his achievements in literature and the visual arts are for the most part uncontested – as far as we know, he was never particularly interested in music. Indeed, neither his poetry nor his pictures describe or depict music directly. Yet, in the last 200 years or so, his work has made an astounding mark on composers and music. One sees Blake's influence primarily in the numberless musical settings of his poems, but also in more general, indefinite, and ineffable way – a very Blake-ian one, I am tempted to say. I …
Art Of The Scholar-Poets: Traditional Chinese Painting And Calligraphy, University Of Richmond Museums
Art Of The Scholar-Poets: Traditional Chinese Painting And Calligraphy, University Of Richmond Museums
Exhibition Brochures
Art of the Scholar-Poets: Traditional Chinese Painting and Calligraphy
April 01 to May 09, 1998
Marsh Art Gallery, University of Richmond Museums
Introduction
Chinese culture developed one of the world's most enduring artistic traditions, literati painting, based upon a unique idea about the purposes of art. The art of the scholar-poets is centered in calligraphy and poetry, which the literati learned at an early age as part of their basic education. Painting was done with the same tools as poetry and calligraphy - brush, ink, and paper - and it was an easy step to express poetic sensibilities in visual …
Untitled: Chris Lynn, Chris Lynn
Commonthought Vol.6 (1995), Commonthought Staff
Commonthought Vol.6 (1995), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Commonthought (Fall 1994), Lesley College
Commonthought (Fall 1994), Lesley College
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané
On Art: By Lydia Douce, 1990 [Dawn And David Latané], David E. Latane, Dawn E. Latané
English Publications
"On Art: by Lydia Douce" provides coverage of a year (1990) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Christopher Silliman and Javier Tapia; many notable fixtures of the Richmond scene (Wolfgang Jasper, Andras Bality, Diana Detamore, Davi Det Hompson); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.
On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané
On Art: By Lydia Douce, 1989 [Dawn And David Latané}, David E. Latane, Dawn E. Latané
English Publications
"On Art: by Lydia Douce" provides coverage of a year (1989) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as James Bradford, Reni Gower, Richard Carylon, and Richard Kevorkian; and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery, such as Clemens Weiss. The September issue features a discussion on the controversy around the National Endowment for the Arts (NEA) as it came under pressure from Senator Jesse Helms. Authorship was at the time anonymous.
On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané
On Art: By Lydia Douce, 1988 [Dawn And David Latané], David E. Latane, Dawn E. Latané
English Publications
"On Art: by Lydia Douce" provides coverage of a year (1988) in the life of the visual arts in Richmond, Virginia. Artists reviewed include VCU faculty such as Barbara Tisserat, Gerald Donato, James Bradford, Joe Seipel; many notable fixtures of the Richmond scene (Mary Holland, Joan Gaustad, Donald Crow); and national and international artists who exhibited in the Virginia Museum of Fine Arts and VCU's Anderson Gallery. Authorship was at the time anonymous.
Bronislaw M. Bak Papers, Zach S. Henderson Library Special Collections
Bronislaw M. Bak Papers, Zach S. Henderson Library Special Collections
Finding Aids
Spanning 1942-2010s, this collection consists of the professional papers and works of Georgia Southern College faculty member, Bronislaw Marion “Bruno” Bak. Materials include correspondence, teaching samples, class lecture notes, 2-D and 3-D studio technique posters, student papers, and original artworks. Of particular note are documents pertaining to Bak’s work on the window for St. John’s Abbey in Collegeville, Minnesota, and the 1980 biography written by his son, Clemens R. Bak.
Find this collection in the University Libraries' catalog.
The Photo-Image: Its Transformation And Reformation, John Lim
The Photo-Image: Its Transformation And Reformation, John Lim
Masters Theses
No abstract provided.
Bela Bartok, Jack Coughlin
Bela Bartok, Jack Coughlin
Morehead State University Art Collection
An undated print of Bela Bartok by printmaker Jack Coughlin.
November 15, Usm Special Collections
November 15, Usm Special Collections
Batchelder-Haley Letters
In this letter, dated to approximately 1916, Abbie writes to Mrs. Tibbets about several topics, including her teaching job, attending an exhibition, seeing the Emperor pass on the street, tea services, and describes in detail her accommodations. She says that she is very happy in Japan now that she is more used to the climate.
July 23, 1907, Usm Special Collections
July 23, 1907, Usm Special Collections
Batchelder-Haley Letters
Cora writes to Mrs. Tibbets about her vacation trip from where she was staying in Tokyo to several different places around Japan. She writes of her stay in a Japanese style hotel. She also writes about the scenery around her, and about how long it takes her by rail to get to her travel destinations. She also writes of a traveling companion named George, and how she has invited Abbie to come and visit her and meet George.
April 11, 1907, Usm Special Collections
April 11, 1907, Usm Special Collections
Batchelder-Haley Letters
In this letter, Cora writes to Mrs. Tibbets about life in Japan. She writes about the climate, and how she finds she cannot do as much due to the "enervating" nature of the climate there. She describes a "sword walking" ceremony, in which one climbs a ladder made of swords. She then writes of the beginnings of spring in Japan and how there is a fair coming to Japan, "the largest ever held in Japan."
January 18, 1907, Usm Special Collections
January 18, 1907, Usm Special Collections
Batchelder-Haley Letters
In this letter, Abbie writes to Mrs. Tibbets about the "glorious" scenery where she is staying. She writes of the mountains, streams, tall oak trees, and blossoms as the season changes from winter to spring.
December 26, 1906, Usm Special Collections
December 26, 1906, Usm Special Collections
Batchelder-Haley Letters
In this letter, Cora writes to Mrs. Tibbets to thank her for the Christmas gifts. She describes the table that they set for a traditional western-style Christmas. They invited a Japanese couple, who were described by Cora to be very fascinated with the Christmas decor. She also tells Mrs. Tibetts about her coming vacation with George to Oshima, as there is a volcano there that they are intending to climb.