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Full-Text Articles in Metal and Jewelry Arts
Encapsulating Scars, Ashley Smith
Encapsulating Scars, Ashley Smith
College of Graduate Studies: Theses & Dissertations
My work explores scars through encapsulation, a desire to enclose and express the emotional scars of memories or physical scars of the body. Life’s experiences impact the living, leaving behind scars that we feel the need to understand. Through the mediums of metal and mixed-media photography, I utilize found and created imagery, as well as a triality of text in order to preserve and remember these scars.
Moving Parts, Andrew Lowrie
Moving Parts, Andrew Lowrie
Theses and Dissertations
Material bodies, human and non-human, exist in a constant state of doing and undoing. As bodies change over time, so too do the objects they wear. In this way, a jewelry object is never finished and is constantly being made. In contemporary art practice, this is described as relational ontology by Amelia Jones, who reaches this terminology through the eco-political writings of Jane Bennett and Karen Barad. Through this framework we are able to understand the way artists like Gabriel Orozco and Helen Carnac resist the notion of a finished object or artwork. By engaging with the ways that process …
Safe Haven, Korey Burns
Safe Haven, Korey Burns
Electronic Theses and Dissertations
Safe Haven is a body of work that reflects my interest in different cultures that have similarities to my personal background. Recreating familiar symbols, colors, textures, and finishes, I create wearable sculptures that communicate memories based upon historic imagery from areas that have impacted my life. By being able to clasp a necklace or pin a brooch on, the viewer physically engages with the work. This interaction resembles my own experiences within the areas I traveled and artists that I have met. With the combination of different metalworking techniques and personal experiences, I am able to developed work that adorns …
Edgelands, Anne Bujold
Edgelands, Anne Bujold
Theses and Dissertations
Animal imagery has been part of the human effort to understand our place in the world since the beginning of recorded history. Through examining the role and use of animal imagery in the creation of cultural signals, I have developed a framework for my practice. Edgelands employs representations of feral animals as symbols for the “misfit” to emphasize the value of those who do not fit in. My experience as a woman in the field of metal work informs my material choice and process, subverting ironwork motifs and the purpose of gates and boundaries. Edgelands overlaps a series of material …
Understanding Post-Traumatic Stress Disorder Through Body Adornment, Linore Huss
Understanding Post-Traumatic Stress Disorder Through Body Adornment, Linore Huss
Honors Projects
I conducted a series of interviews with Post-Traumatic Stress Disorder survivors or their family members and completed an interactive body of work in body adornment and jewelry that reflects their stories. Last year I decided to focus on the people behind the trauma rather than the trauma itself, which I feel connects the survivor and the viewer more deeply than presenting a general image. Each piece draws from a survivor's personal story, the titles pulling from interview quotes, and the interaction with the viewer representative of each personal struggle.