Metal and Jewelry Arts Commons^™

The Use Of Cellular Structure As A Basic Design Motif For Creative Jewelry Making, Robert L. Neal

All Master's Theses

This study presents an examination of microscopic plant and animal structures for the purpose of using the unique forms, colors and textures revealed as a point of departure for artistic expression.

It also delves briefly into the nature of creativity and its manifestation as it relates to art and science.

A slide-script presentation was created to be used as a stimulation device for secondary students who may wish to work in media such as painting, jewelry, batik and printmaking.

A Record Of Work: A Study Of Object Art And Micro-Environmental Art In Jewelry, Catherine A. Sigler

All Master's Theses

This paper represents the study of Object Art and Environmental Art in Jewelry. By utilizing the media, the technology, the environmental objects of this culture, a series and study of Object Jewelry began.

This study was concerned with the non-functional aspects of Jewelry with emphasis on imagery, symbolism and technique.

Today, contemporary jewelry reflects ideas, moods, forms, and relationships of our cultural and technical environment. Movements in the field today are tending towards creating Object and Environmental Art, rather than pedestal art, which was predominant prior to 1960.

Small Objects As Art, Patrick Dybvig

All Master's Theses

This thesis presents a series of original jewelry and hand-held art objects which aesthetically relate to each other in a controlled gallery environment. The form of the objects is based on box-shapes, while the content comments on and pokes fun at our present society. The objects are made of various combinations of sterling silver, brass, copper, aluminum, plexiglass, fabric. and wood. Some of the objects use photographs from private and magazine sources. All of the objects are intended as Funk-art pieces.

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.

A Study Of Three-Dimensional Form Using Steel And Non-Ferrous Metals, Derell Roger Midles

All Master's Theses

A discussion and documentation of Midles' student art and sculpture studio exhibition.

Designing And Production Of Original Jewelry And Micro-Sculpture, Dick W. Chandlee

All Master's Theses

It was the intent of this study to create a series of original pieces of jewelry and micro-sculpture employing new ideas with traditional methods and techniques; (1) combining common gadgets of everyday use into unusual surroundings in order to create a piece of jewelry; and (2) applying new concepts in the manufacturing of jewelry by means of experimental castings.

The Figure And Environmental Forms In Jewelry, Sophie Sheppard

All Master's Theses

The purpose of this study was to make a series of jewelry, conceived as small sculpture, using the human figure in relation to environmental form. The review of literature pertinent to the study consisted of a presentation of the visual and philosophical content in the work of Rico Lebrun and Ernest Trova, and an analysis of the work of the candidate as influenced by these artists.

Cast Jewelry In A Selection Of Alloyed Metals, Mary Jo Baretich

All Master's Theses

It was the purpose of this study (1) to apply metals which are adaptive to the casting of jewelry pieces; (2) to use a variety of methods in casting these pieces, the choices of which are governed by the alloy or alloys employed, and the materials used; and (3) to modify the designs in accordance with the alloy employed, and the methods and materials used.

Lost-Wax Casting In Contemporary Jewelry, James Matthew Marta

Graduate Student Research Papers

This paper will attempt to give the art teacher, art student, or craftsman a reliable guide to the methods, techniques, processes, problems and possibilities involved in producing a piece of cast jewelry by the lost-wax, or cire-perdu., method. None of the available guides to lost-wax casting give sufficient depth of technique, methods, or use of tools for the craftsman or teacher who may wish to improvise a casting experience in the classroom by the gravity-steam method. This paper will also aid the individual who wishes to establish a permanent lost-wax casting technique as a standard method in making jewelry, in …

(An Analysis Of) Jewelry Making And Language, Lee Whitley

Graduate Student Research Papers

The purpose of this paper was to clarify the significance of jewelry by showing it to be like a language, both in past history and today. Jewelry is divided into two general divisions, that mass produced industrially at a relatively low cost and that individually-produced by craftsmen at considerable expense. It was not the intention of this paper to separate the two, merely to explore the language of jewelry through the medium of symbols.A