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Articles 61 - 68 of 68

Full-Text Articles in Illustration

Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland Jul 2009

Review Of The Cabinet Of Eros: Renaissance Mythological Painting And The Studiolo Of Isabella D'Este. By Stephen J. Campbell, Andrea Bolland

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Isabella d'Este's activities as an art collector and patron are richly documented and have received a correspondingly large amount of art historical attention in the modern era. Yet Isabella--and the studiolo she had created and decorated in the Mantuan Palazzo Ducale--have gotten mixed reviews in this scholarship; the former has historically emerged as difficult, irrational, and acquisitive rather than discerning, while the paintings done for the latter by Andrea Mantegna, Perugino, Lorenzo Costa, and Correggio between 1497 and 1530 are often treated as curiosities-stilted in style and didactic in subject-within the larger scope of the artists' careers. The paintings have …


Good Girl, Erika C. Navarrete Anderson Apr 2008

Good Girl, Erika C. Navarrete Anderson

School of Art, Art History, and Design: Theses and Student Creative Work

I have always had a narrative sensibility, drawing from memory, stories, and personal experience. Perhaps it was the abundance of story telling and gossip I absorbed growing up. The dominance of women in my family had a profound influence on how I created narratives in my earlier work. They remain core influences, and through them I have developed further, reaching out past linear narrative and specific story to focus on the psychology of internal and external experience.

When I began my MF A it was the first time in two years I was 'getting intensive feedback on my work. What …


Paintings And Drawings In Willa Cather's Prose: A Catalogue Raisonné, Polly P. Duryea May 1993

Paintings And Drawings In Willa Cather's Prose: A Catalogue Raisonné, Polly P. Duryea

Department of English: Dissertations, Theses, and Student Research

Paintings and Drawings in Willa Cather's Prose: A Catalogue Raisonné considers the specific artists and their visual art that greatly influenced Willa Cather's textual compositions. The Catalogue draws upon the author's research of Cather-related art from both American and European libraries and art museums. This art includes painting, drawing, illustration, and tapestry. A detailed and alphabetized list of selected artists and paintings that Cather preferred is provided. The artists are cross-referenced with Cather's own statements about their work or style. Included is biographical data for each artist, the named work of art, and often the date executed, the location then …


The Art Of Printmaking: Part 2. Master Prints From The Fifteenth Through The Eighteenth Centuries, Norman A. Geske Jan 1966

The Art Of Printmaking: Part 2. Master Prints From The Fifteenth Through The Eighteenth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

SCHONGAUER, MARTIN
ALDEGREVER, HEINRICH
ALTDORFER, ALBRECHT
BALDUNG-GRIEN, HANS
BEHAM, BARTHEL
CRANACH, LUCAS
DURER, ALBRECHT
DUVET, JEAN
HOLBEIN, HANS
LAUTENSACK, HANS SEBALD
VAN LEYDEN, LUCAS
MANTEGNA, ANDREA
BOSSE, ABRAHAM
CALLOT, JACQUES
CARRACCI, AGOSTINO
GELLEE, CLAUDE (called Lorrain)
GOLTZIUS, HENDRIK
NANTEUIL, ROBERT
VAN RIJN, REMBRANDT HARMENSZ
CANAL, ANTONIO (called Canaletto)
HOGARTH, WILLIAM
MOREAU, JEAN-MICHEL (known as Moreau Ie Jeune)
PIRANESI, GIOVANNI BATTISTA




The Art Of Printmaking: Part 3. Master Prints From The Nineteenth And Twentieth Centuries, Norman A. Geske Jan 1966

The Art Of Printmaking: Part 3. Master Prints From The Nineteenth And Twentieth Centuries, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

BONNARD, PIERRE
BOYS, THOMAS SHOTTER
CEZANNE, PAUL
DAUMIER, HONORE
DEGAS, EDGAR
DELACROIX, EUGENE
DORE, GUSTAVE
FANTIN~LATOUR, HENRI
GAUGUIN, PAUL
GOYA, FRANCISCO JOSE
GROS, BARON ANTOINE JEAN
ISABEY, EUGENE
MANET, EDOUARD
MILLET, JEAN-FRANCOIS
MERYON, CHARLES
PISSARRO, CAMILLE
REDON,ODILON
TOULOUSE-LAUTREC, HENRI DE
TURNER, JOSEPH MALLORD WILLIAM
BECKMANN, MAX
BRAQUE, GEORGES
KANDINSKY, WASSILI
KIRCHNER, ERNST LUDWIG
KOLLWITZ, KATHE
LIEBERMANN, MAX
MUNCH, EDVARD
MATISSE, HENRI
PECHSTEIN, MAX
PICASSO, PABLO RUIZ
ROUAULT, GEORGES


The Art Of Printmaking: Part 4. American Prints From The Eighteenth Century To The Present, Norman A. Geske Jan 1966

The Art Of Printmaking: Part 4. American Prints From The Eighteenth Century To The Present, Norman A. Geske

Sheldon Museum of Art: Catalogs and Publications

PEALE, CHARLES WILSON
PELHAM, PETER
SAVAGE, EDWARD
CASSATT, MARY
CATLIN, GEORGE
DUVENECK, FRANK
HOMER, WINSLOW
HUNT, WILLIAM MORRIS
WHISTLER, JAMES McNEIL
WEIR, J. ALDEN
BELLOWS, GEORGE W.
CORNELL, THOMAS
CRAWFORD, RALSTON
FEININGER, LYONEL
HASSAM, CHILDE
HOPPER, EDWARD
JONES, JOHN PAUL
KUNIYOSHI, YASUO
LANDECK, ARMIN
LASANSKY, MAURICIO
SISTER MARY CORITA, I.H.M.
McGARRELL, JAMES
OROZCO, JOSE CLEMENTE
PEARSON, HENRY
PETERDI, GABOR
PONCE DE LEON, MICHAEL
POSADA, JOSE GUADALUPE
SLOAN, JOHN
SUMMERS, CAROL
WALD, SYLVIA





The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske Jan 1966

The Art Of Printmaking: Part 1. The Tools And Techniques Of The Printmaker, Norman Geske

Sheldon Museum of Art: Catalogs and Publications

There are four major techniques for making original prints. A brief descriptlon of each of these -- relief processes, incised processes, planographic processes, and stencil processes -- is found in the following paragraphs.

Most art museums today seek the means of reaching a wider public than is actually counted through the turnstile and, as a result, art objects have come to be a commonplace in public places of all kinds, civic and commercial. Art has even taken to the road in circulating exhibitions, art-mobiles and the like. The present series of exhibitions has been organized as an effort in this …


History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Gallery In The Department Of War, At Washington. Volume Iii., Thomas L. M'Kenney, James Hall Dec 1843

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Gallery In The Department Of War, At Washington. Volume Iii., Thomas L. M'Kenney, James Hall

Electronic Texts in American Studies

CONTENTS OF VOL. III.

History of the Indian Tribes of North America [44 pp]

An Essay on the History of the North American Indians by James Hall, Parts I-IV

The Genuineness of the Portrait of Pocahontas, by D. M. Randolph

Localities of all the Indian Tribes of North America in 1833

Statement showing the number of each tribe of Indians, whether natives of, or emigrants to, the country west of the Mississippi, with items of emigration and subsistence. 1842 & 1843.

Present Localities of the Indian Tribes west of the Mississippi.

Signatures (of subscribers)

Plates:

Encampment of Piekann Indians near …