Graphic Design Commons^™

Volume 6, Issue 2

NEBO: A Literary Journal

Nebo, Volume 6, Issue 2 (Fall 1987), continues its dedication to showcasing a diverse array of literary voices through poetry, fiction, and critical reviews. Although this issue is labeled as Volume 6, Issue 1 within the journal itself, it is officially recognized as Volume 6, Issue 2 in the Nebo archive. Featuring contributions from writers such as John Gery, H.L. Hix, and Katharyn Machan Aal, this issue explores themes of war, memory, identity, and the craft of storytelling. Highlights include poetic reflections on personal and historical trauma, introspective explorations of human relationships, and critical essays on contemporary literary works. …

Volume 6, Issue 1

NEBO: A Literary Journal

Nebo, Volume 6, Issue 1 (Spring 1987), continues its tradition of showcasing a rich array of literary voices through poetry, fiction, and critical reviews. This issue presents a mix of evocative storytelling and thought-provoking verse, featuring works by authors such as Grace Cash, Jim Finley, and Paul Lake. The selections engage with themes of history, place, love, and existential reflection, capturing both the personal and the universal. With its roots in Arkansas Tech University, Nebo remains a vibrant platform for emerging and established writers, offering a compelling collection of creative expression.

Volume 5, Issue 1

NEBO: A Literary Journal

Nebo, Volume 5, Issue 1 (Spring 1986), showcases a diverse range of literary works, including poetry, fiction, and critical reviews. This issue features compelling short stories that explore themes of identity, memory, and transformation, while the poetry selections capture moments of personal and collective experience. Highlights include works by Jack Butler, Marian Motley-Carcache, and other contributors, as well as critical reviews of contemporary literary works. Published by Arkansas Tech University, Nebo continues its tradition of providing a platform for emerging and established writers.

Nebo: Volume 2, Issue 1

NEBO: A Literary Journal

Nebo, Arkansas Tech University’s literary journal, continues its tradition of showcasing innovative and thought-provoking creative writing in its Spring 1984 issue. This volume brings together poetry, fiction, and essays from a diverse range of voices, reflecting the evolving landscape of contemporary literature. Featuring work from both emerging and established writers, this issue delves into themes of memory, transformation, and the human condition. Readers will discover a collection rich with narrative depth, poetic experimentation, and critical literary discourse. As Nebo enters its second volume, it reaffirms its role as a space for artistic expression and literary excellence.

Nebo: Volume 1, Issue 1

NEBO: A Literary Journal

Nebo Literary Journal is a dynamic collection of contemporary fiction, poetry, and creative nonfiction that highlights emerging voices in literature. Curated by Arkansas Tech University, this issue features a diverse range of storytelling, lyrical expression, and thought-provoking essays that explore themes of identity, human connection, and the power of narrative. With contributions from talented writers across genres, Nebo serves as a creative space for literary exploration and artistic expression. Whether through evocative poetry or compelling short stories, this issue invites readers to immerse themselves in the richness of modern literature.

Outside Inside: Poems, Emma Jane Sullivan

Graduate Theses/Dissertations

This creative thesis includes thirty-four poems and thirteen illustrations that investigate the topic of self-exploration, creative freedom, and liberatory pleasure. My poems are souvenirs from a failed ethical standard, a trove of misogynic micro-aggressions, a spotlight on the backward- ness of gender norms, and a surprisingly strong thread that links women to the planet and to shared language, a thread humankind continuously tries to cut. The methods of research were largely a self- study and one that required consistent reflection. The results were a collection of writings that had to be revised and edited with the guidance of my thesis …

Come In, A Very Clever, Aaron Swerlein

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's narrative: The typeset I chose was in the families of Ten Oldstyle VF, designed by Robert Slimbach, and PestoFresco, by Giuseppe Salerno and Paco Gonzalez.

In letter 198, Paul Laurence Dunbar is sitting in his bed suffering from tuberculosis as he writes a letter to Dr. Fisher. Throughout this letter, Dunbar writes about how he isn’t able to do much because of the tuberculosis disease in his lungs. Dunbar wrote this letter the year before he died, letting Dr. Fisher know his whereabouts and …

The Act, Erin Doherty

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's narrative: Letter 121 explores the struggles Paul Laurence Dunbar faced with alcoholism and the scrutiny he received for his illness. As Dunbar writes an apology letter to Professor P.M. Pearson for his absence due to excessive drinking, his sincere apologies shine through. Dunbar explains how he is aware that his apology can’t erase showing up to a recital intoxicated, which led to his career being tarnished; however, he still asks for forgiveness. The imagery was created with an ink-water solution. This allowed for an …

Growing Pride, Elaina Doggett

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's narrative: Letter 166 unfolds Paul Laurence Dunbar’s reaction to a critique he had received by Booker T. Washington regarding "Tuskegee Song," which Washington commissioned Dunbar to write. In this song, Dunbar discusses the triumphs and tribulations of the past, present, and what would come in the future. The poster title “Growing Pride” represents both the South’s pride and Dunbar's. He was unapologetic in his response to Washington and stood firm in his beliefs that his original writing was most effective. The imagery is a …

The Elevator Only Goes Up, Jordan Mitchell

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's narrative: This letter takes Paul Laurence Dunbar back to when he was not proud of his work. In high school, he thought all of his writing was one big joke. He could not afford much, which led to him being forced to take a job as an elevator hopper. In the end, it was a situation that should be seen as a positive. When talking in the elevator with people, he was able to learn how they spoke and put it into his writing. …

The Gratitude I Really Feel, John Maloney

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Work displayed here as a diptych

Artist's narrative: In Letter 10, Paul Laurence Dunbar articulates his gratitude to a friend, Dr. James Newton Matthews, on the day before Thanksgiving. Matthews was a doctor and poet and one of the cofounders of the Western Association of Writers (WAW). When Dunbar read his poetry at the annual conference of the WAW, Matthews was so impressed that he wrote a newspaper article about him. The story was widely republished, bringing greater attention to Dunbar and his work. This …

The Uneventful Life, Hannah Schultz

Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar

Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides

Artist's narrative: Letter 85 provides Paul Laurence Dunbar’s negative viewpoint on his successes. Although we are unsure who he is writing to, he writes of his accomplishments from early childhood to the present and calls it all uneventful. He starts off by mentioning how he was only published at age 14 and quickly calls it positive trash. He continues to discuss how he was widely loved in high school and was the editor-in-chief of the school newspaper, but he wrote the paper a month late …

Form Follows Feeling Follows Form, Harshal Duddalwar

Masters Theses

In this thesis, I explore ways of expression at the intersection of form, feeling, and storytelling; through my lived experiences. I emphasize the act of documentation, encouraging introspection and reflection as a means of creating a body of personal work. I also talk about developing my visual vocabulary and language to express these narratives, along with strategies and plans for making personal work outwardly visible.

Making Time: Gentle Invitations For Radical Slowness, Lian Fumerton-Liu

Masters Theses

Year after year, we place more value on efficiency and productivity; underestimating smaller gestures of craft, care and wonder. This emphasis directly affects the tools and structures that determine how, and what, we make.

Making time is a practice that counters the urgency of now by unearthing approaches to break down, reimagine, and remake existing systems. Through personal reflection and experimental collaboration, it acts as a series of ever-evolving invitations—openings and pauses for others to begin to radically invert expectations; to wander; to grow artifacts; to write letters to the birds; to multiply oceans; to extend connections; to plant proposals; …

Women's Hall Of Fame, Brianna Kean

Williams Honors College, Honors Research Projects

No matter how you identify we can all take actions in support of gender equality. Women have come a long way in society since Sacagawea’s time, but that doesn’t mean we live in an equal world. I was inspired by these ten women, and I hope you are too. Take that inspiration and turn it into action, so that maybe one day people might honor you for supporting women’s rights. This project honors ten women throughout history that have made an impact on women's rights and societal values. I created a portrait, a bio, and a poem that aims at …

Episode.Txt: Poetry, Samuel D Stermer

Cardinal Compositions

This poem was created in Ayaat Ismail's English 101 course.

A Monster Known As Relapse: Poetry, Madison Bowles

Cardinal Compositions

This poem was created in Ayaat Ismail's English 102 class.

Creative Writing Poetry Assignment, Ayaat W Ismail

Cardinal Compositions

This assignment sheet was designed for English 102.

Creative Writing/Art Introduction, Lana Helm

Cardinal Compositions

No abstract provided.

Machine Girl, Yutong Liu

Theses and Dissertations

Machine girl is a character that mimics biology, labor, and humanity.

She relates to machine sympathy and machine learning; She is updating and processing of big data. During the interaction between me and the machine, I found you --- Machine girl.

Machine girl is a brilliant girl. She is an excellent translator and communicator, which is determined by her ability for machine learning. The cyber living space gives her a fundamental learning gift with a mathematical algorithm. She uses this gift to mimic everything from the human brain. She is not reasonable but sensitive. There are many different versions of …

Campfire Delights, Tarah Catalano

The Anthology

Artwork

Light Univers, Savannah Holder

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.

All Tied Up, Rhiannon Bode

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2014 Winthrop Anthology issue.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2015 Winthrop Anthology issue.

Full Issue, The Anthology

The Anthology

This is the entirety of the 2016 Winthrop Anthology issue.

Commonthought (2016 & 2017), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Loosely Bound, Alexander Martin

Theses and Dissertations

I take a poetic approach to graphic design practice. It is a subjectivist approach, which recognizes our human right to willful interpretation. Designers navigate form, culture, and history like poets through language. We are subjective, exploratory engines drawing formal inspiration from figural and analogical associations. Subjectivity in graphic design practice is complex, however. Subjectivity privileges the interaction between object and individual. When we designers interpret the literal world with the poet’s omni-directional sensitivity, we intentionally and intuitively create objects that accrete inexhaustible, extra-literal value for their audience.