Ceramic Arts Commons^™

Migdal, Ashqelon: The Ceramic Finds, Anna De Vincenz

Qadum: Journal of Excavation Reports from Israel

The ceramic material presented in this report was recovered from a salvage excavation conducted to the east of the mosque in Migdal, Ashqelon. Although most of the ceramic material was dated to the late Ottoman period, Late Roman–Byzantine ceramics, a few sherds from the Crusader period and a Mamluk-period assemblage were also uncovered. The Mamluk assemblage is characterized by imported glazed bowls and locally made, handmade geometric painted vessels. The Ottoman-period material is varied and comprises ceramics imported from Turkey, Greece and Italy. Black Gaza Ware characterizes the locally produced vessels. Smoking pipes and narghile were common at the site.

Raíces Salvadoreñas, Sueños Americanos (Salvadoran Roots, American Dreams), Katherine Y. Posada

Electronic Theses, Projects, and Dissertations

Raíces Salvadoreñas, Sueños Americanos (Salvadoran Roots, American Dreams) is an interdisciplinary body of work that navigates the common threads between identity, memory, and heritage through an intimate and layered approach. Rooted in personal experience, the work is deeply informed by my identity as the daughter of Salvadoran immigrants, shaped equally by the cultural richness of El Salvador and the complexities of growing up in the United States. Through ceramics, installation, found objects, and video, I translate familial stories and cultural practices into tangible forms objects and environments that embody both vulnerability and resilience.

This work is an homage to the …

Xxx, Samuel Tucker Claxton

Theses and Dissertations

In XXX Tucker correlates the rise in online hookup apps and the fall of queer nightlife spaces to show how the internet has affected gay cruising spaces. They relate their installation-based work to the ideas of liminal spaces and Jean Baudrillard's

hyperreal. Further, they contextualize their practice within the scope of Robert Grober's work.

Strange World, Brooklin Grantz

Theses and Dissertations

My thesis work explores the intersections of masculine and feminine labors as they relate to the structure of domestic space. I utilize materials and processes akin to craft, construction and architecture, and domicile upkeep, noting what is shared between gendered and polarized fields while exploring uses of the grid in various instances as a structure to adhere to and antagonize: a binary. Highlighting the queerness and fluidity of materials and the similarities between seemingly disparate processes, I relate to the objects I make and alter through my own gender fluidity. I do not see masculinity or femininity as autonomous: the …

Love Letter, Amy S. Duval Ms

Theses and Dissertations

I applied to graduate school to reconnect with and better understand my studio practice, acquire language, and to disrupt my known ways of making. Generally speaking, I see my practice as being about being seen, and unseen, and the pain and pleasure of being perceived. I’ve learned about my ways of being in the studio. I’ve come closer to speaking honestly about my relationship with my materials, processes, tools, how I value my own labor, and how this informs my work. I am grateful for the cascade of small epiphanies that came and left me while I worked in my …

Exploring Power Dynamics In Ghana Through Ceramic Sculpture, Collins Yaw Antwi

Graduate Theses/Dissertations

The works in this thesis explore the implications of power dynamics such as inequality, power struggle, and oppression within Ghana’s society. I abstract specific elements such as coins, and especially cowry shells which honors Ghana’s past through their use as a source of currency in the colonial era and further serves as a metaphor that represents power. Platters and bowls from different cultures serve as a container for these dynamic symbols of power. By incorporating these elements in my sculptures, I bring attention to the struggle and challenges Ghanaians have experienced over the years. In other ways, I find it …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Braiding Culture Through Ceramics & Mixed Media Sculpture, Joy M. Okokon

Graduate Theses/Dissertations

Stories are embedded in each strand of Nigerian hair, serving as a bridge across generations and embodying the legacy of cultural expression. Hair-making, a skill passed down through generations in my family, began as a personal practice and has evolved into a powerful means of exploring and showcasing the cultural significance of hair braiding through creative works. The sculptures included in this thesis, Braiding Culture Through Ceramics & Mixed Media Sculpture, feature hair sculpture, afro combs, stools, adire batik made from materials such as clay, wood, glaze and cotton fabric. These materials are carefully selected for their cultural relevance and …

Wavering Masculinities, Riley Rist

All Graduate Theses, Dissertations, and Other Capstone Projects

Wavering Masculinities is a compilation of anthropological research, exploration of self-identity/belonging, and deep dive into the cultural expectations of heterosexuality (as it relates to gender expression). The works convey a physical connection to my anthropological research to produce imagery about masculine behaviors and appearances, and the deviations of those appearances and behaviors. This exhibition looks at the line between masculine and feminine expression from the male-identifying perspective to inquire about the amount of feminine traits that can be possessed until sexuality is questioned/assumed (and why does being feminine have to be a bad thing?! )

Tenaciously Curious, Joe Mark Taylor

Graduate Student Theses, Dissertations, & Professional Papers

In this thesis paper, I will outline the journey I’ve taken throughout my graduate studies at the University of Montana and how it has culminated in my thesis exhibition, Tenaciously Curious. I’ll begin with an Introduction that speaks to the importance of finding ways to connect to nature, and the benefits we gain by recognizing our bodies as extensions of the organic world.

In the following section, Influences, Theory and Lineage, I’ll explore the themes that drive my research, highlight artists who have influenced my work, and discuss why this inquiry feels vital within our contemporary moment.

In the section …

Crafting Futures: Balancing Tradition And Technology In Craft Practices, Saga Elkabbash

Theses and Dissertations

Under pressure from mass production and the decline of artisan skills, craft traditions risk becoming relics of the past. Crafting Futures challenges this by treating machines as tools of creative expression, working alongside and in harmony with traditional hand techniques. By pairing an experienced potter with a creatively deployed 3D-printer to develop a series of artifacts, this research fosters a dynamic conversation between partners. Digital fabrication can engage with, rather than replace, traditional making practices, emphasizing the role of the maker’s imagination as the site of knowledge, intuition, and improvisation. The resulting series of hybrid clay vessels reinforce not only …