Art and Design Commons^™

2012 Forces, Scott Yarbrough

Forces

No abstract provided.

Face Value, Rebecca Moffett-Moore

All Student Theses and Dissertations

The human face is the most universally important focus of communication. It is a significant source of identity and the most expressive means of nonverbal communication. We use our faces to speak and express emotions. We use faces to recognize friends or foes; to spot family resemblances; and to consider attractiveness or unattractiveness. Gleaned from a number dictionaries, my interpretation of what is meant by taking something or someone at "face value" means to accept that idea, object, or person because of the way it first looks or seems, without thinking about what else it could mean, and to accept …

A Crack In Everything, Jeffrey Hoffman

Electronic Theses and Dissertations

Contained herein is a close examination of self-awareness and self-portraiture as it applies to the works of artist Jeffrey Hoffman. Water, frozen into various forms and combined with natural elements of wood, slowly melt over an indeterminable amount of time, each droplet documented as the process transforms the elements. Through this process, we see change. We see time. We see truth. This documentation of change and time through natural elements is where the artwork comes full circle. Working with new media to explore man's interconnectivity to life, energy, and the cosmos, he produces time based installations, photographs, videos, and sculptures …

The Bridge, Volume 9, 2012, Bridgewater State University

the bridge

Volume 9 Staff

Kate Camerlin, Editor-in-Chief
Catherine McFarland, Editor-in-Chief
Colleen Barber
Christopher Boudrow
Ryan DiPetta
Taylor Lynch
Kristen Lyons
Michael Malpiedi
Anthony Rotella
Amanda Rae Rouillard
Joshua Savory
Sarah Springer

Melanie Joy McNaughton, Faculty Advisor
John Mulrooney, Faculty Advisor

Adenine Uracil Guanine: An Exploration Of Certainty In Science, Alicia M. Hendrix

Scripps Senior Theses

Collaboration and communication between conventionally diverse fields can allow for deeper understanding and clearer analysis of the concepts within each. Two fields traditionally seen as dichotomous are those of art and science. Historically they approach problems in opposite ways. However, I would argue that they in fact investigate very similar questions, hoping to discover the ways that the world works. It makes sense, then, that historically these fields have sometimes been able to interact. Artists have engaged with science by creating work through scientific processes including crossbreeding flowers, genetically modifying organisms, and sequencing nucleotides. Others have referenced scientific ideas, like …

Enlaced (The Burning Bush), David Versluis

Pro Rege

Proposed concept for a Dordt College East Campus Sculpture

Fixing Belief: Artificial Preservatives, James Walker Tufts Iv

Masters Theses, 2010-2019

Research opened with inquiries into the state space of the self and various modalities of the construction of the self. Flawed research design led towards a loss of original focus, spaces opened accordingly. Early sculptural work looked towards a semantic flattening through flushing out and digitally manipulated photographic and video work investigated avenues of ocular-centric landscape construction. Photoshop CS5 and its Content Aware Fill tool were engaged as collaborator and animations ensued. Hesitant time-based sketches were developed to suggest work incomplete and instead took their place. Space-based sketches followed, using the multiple to thwart focus on parts and draw it …

2011 Forces, Scott Yarbrough

Forces

No abstract provided.

In And Out Of The Sculptural Body, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

The Bridge, Volume 8, 2011, Bridgewater State University

the bridge

Volume 8 Staff

Stephen Plummer, Editor-in-Chief
Josh Savory, Editor-in-Chief
Maggie Bouchard
Kate Camerlin
Liz Childs
Evan Dardano
Alexandrea Matthews
Kit McFarland
Alex Pawling
Matt Scott
Craig Sirois

Melanie McNaughton, Faculty Advisor
John Mulrooney, Faculty Advisor
Linda Hall, Alumni Consultant
Jillian Moore, Student Consultant
Courtney Parece, Student Consultant

Sub, Counter And Someothers, Tim Bearse

Theses and Dissertations

Textual accompaniment to the exhibition Blizzard Skitch. This thesis discusses parallels between body cognition in skateboarding and object cognition in sculpture and architecture.

Inside Front & Back Covers: Sculptures, Rob Lorenson

Bridgewater Review

No abstract provided.

Perspectives, Richard George Taylor

Student Theses and Dissertations

I chose to name my show "Perspectives" because so many of my sculptures rely on the laws of perspective to create their visual effects. The pieces that do not depend on visual perspective tend to reflect my political perspectives. Therefore, I felt the title would be representative.

Eighteen Hundred And Froze To Death, Cognets Nicholas Des

Theses and Dissertations

Essay to accompany MFA thesis exhibition for the Department of Sculpture and Extended Media.

Lost Channels, Joshua P. Johnson

School of Art, Art History, and Design: Theses and Student Creative Work

LOST CHANNELS Josh Johnson, M.F.A University of Nebraska, 2010 Adviser: Mo Neal My current body of work derives from notions of an inward nature. Things that are difficult to put your finger on for very long are my focus. Sensations as obscure as the lump in the pit of your stomach or the itch in the back of your mind that turns sleep into a game, conditions that both stifle and propel an individual. These hazy passengers churn within, coating themselves with the residue of memories, concerns, desires and other intangible features of the body; waiting to be released from …

The Feminine Ideal, Rosalena L. Miller

Scripps Senior Theses

While footwear was originally meant to protect the feet and enable the wearer to span larger distances and rough materials, today shoes are often seen as a fashion statement and a sex symbol for women. In his book, Of Cigarettes, High Heels, and Other Interesting Things, Marcel Danesi examines how high heels have moved away from the original purpose of shoes and now “seem to contravene this function. They are uncomfortable and yet millions of women wear them." They have moved from practicality to a sign of femininity, sexuality, and power.

2010 Forces, Scott Yarbrough

Forces

No abstract provided.

Vantage Point: The Representation Of Place And The Visual Experience, Jennifer A. Cohen

Scripps Senior Theses

We, as human beings, are unique creatures that have a need to form places. This obsession with claiming spaces and turning them into places starts at a young age. Maybe it is the first time a child goes to the park and claims a corner of the sand pit, because they think the sand is better on the right side. Perhaps it is a specific seat in the bleachers a person sits in at every home football game. Or maybe it is much more significant, like the spot on the path by the curved tree, next to the bike shed …

Black, White, Brown, Aisha S. Harrison

School of Art, Art History, and Design: Theses and Student Creative Work

BLACK, WHITE, BROWN Aisha Shani Harrison, M.F.A University of Nebraska, 2010

Adviser: Gail Kendall

I address emotions and perceptions that are complex and multifaceted. My goal is for the work to communicate these emotions in a way that makes them accessible to others. Most people have felt disconnected, longing, anticipation, relief, anger, frustration and have experienced internal conflict. While this work touches on these emotions, there is, because of who I am, a set of questions I am asking regarding racial identity.

This autobiographical work is a series of ceramic figures that are engaged with symbolic objects which together form …

Am I Here?, Carla M. Potter

School of Art, Art History, and Design: Theses and Student Creative Work

My interest in art and figuration has its roots in a childhood where ballet classes and performing were my first love. This work is about an accumulation of experience that relates to that rich formative time in my life, so I choose a format of presenting the figure that reflects that stage of my life. I make small-scale narrative sculptures that show me at various ages with objects that are emblematic of my experiences at those times. These items, ranging from a child’s car seat to the lacy veil from First Holy Communion, additionally represent those societal institutions intended to …

Divining The Divine: Pop Mythology And Its Worth, James Hall

Electronic Theses and Dissertations

My thesis compares classic mythology of cultures like ancient Greece to the mythology that has risen from the popular culture of contemporary western civilizations like America. While there are some differences, the two use the same archetypes that humanity has used for generations. In my work I use sculpture and photography to show their similarities and differences in form and story.

The Bridge, Volume 7, 2010, Bridgewater State College

the bridge

Volume 7 Staff

Nathan Clapp, Editor-in-Chief
Matthew Keogh, Editor-in-Chief
Liz Childs
Kyle J. Giacomozzi
Samantha Haapaoja
Lauren Hazirjian
Christina Hickman
Megan Hudson
Jing Liang
Justin Mantell
Jillian Moore
Stephen Plummer
Ryan Ribeiro
Shannon Rosenblat

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Heavy Metal Art, Lance Wadlow

Master's Theses or Doctor of Nursing Practice

The heavy metal music genre of the 1980s has been my inspiration since adolescence along with ancient Olmec figurines researched during undergraduate school.

The Adventures Of A Young Artist, And The Promise Of The Digital Culture In Art, Jonathan Marshall

Theses and Dissertations

An analysis and explanation of my reasons for working in video, painting and drawing, and sculpture, considering the technological developments of the past decade; the possibility to use the internet as a distribution tool for works of art, and to shift the decision-making balance of the art-world; the ways that this approach is a democratic format for output in the arts and within communities of artists; an explanation of my studio practice while a graduate student at Virginia Commonwealth University.

Dethroned, Josiah B. Adlon

The Mercury

No abstract provided.

Capricorn, Kristine M. Kopia

The Mercury

No abstract provided.

Everything Falls Apart, Preston G. Hartwick

The Mercury

No abstract provided.

Inside Front & Back Covers: Sculpture By David Englund, David Englund

Bridgewater Review

No abstract provided.

Quest For Spirituality, Teodoro Estrada

Theses and Dissertations - UTB/UTPA

Quest for Spirituality is a body of work that confronted and validated suppressed spiritual experiences. I credit Our Lady Virgin of Guadalupe for my resurrection from ignoring my creative gift and bringing me home.

Desire for limelight, stability, and fulfilling the gallery-going public’s desire overshadowed numerous invitations and opportunities to explore spirituality. A fruitful lifestyle suppressed the nuance of spirituality never expressed until the silence vanished. My mother’s passing, a spiritual epiphany unraveled memories giving expression to these experiences. The vicious cycle of gallery going public’s desire for my art crumbled the day I returned to my homeland. Time has …

Collapse, Mia Feuer

Theses and Dissertations

Through large sculptural works that are often caricatures of representational objects, my work explores the complicated moments and tangled histories of childhood Jewish schooling in Winnipeg and travels to Israel and Palestine as an adult. My thesis exhibition Collapse, as well as most of my graduate work, examines my investigation through manmade constructions that control and restrict or unite and connect the movement of others. Sculptures about a destroyed bridge’s imagined longing for exotic places, a giant onion serving as a resuscitation mechanism against tear gas or a construction crane to Armageddon are some examples of work that explore the …