Art and Design Commons^™

Go Cry About It!, Grace C. Ryder

MFA in Visual Art

I have always been a crier. I have always felt deeply and intensely. Goodbyes, heartbreak, joy, and empathy—I’m grateful to feel it all, even when it hurts. My artwork often investigates vulnerable topics through making the personal public using self archival and diaristic elements. Inspired by my familial and romantic relationships, I explore my connections to other people and how I memorialize and honor them. My painted works often depict ephemeral objects, establishing their value through the use of oil paints while my sculptures are often exaggerated, oversize forms, emphasizing the passage of time.

From January 1st to December 31st …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

My Head Is This Animal, Paula De Martino

Theses and Dissertations

De Martino’s paper explores the dynamics of control in human interaction by discussing her relationship with animals. The author's life experiences serve to construct a narrative, but she lies. She becomes an unreliable narrator who aims to blur the threshold between art and real life throughout the performative gesture of appropriating identities. She steals from the ancient myth of Medusa through her stone sculptures (her offspring), in an egoistic attempt to excuse her fear and longing for motherhood.

Body Of Light, Lucy C. Adams

Theses and Dissertations

Body of Light is a two channel video installation, incorporating a combination of archival material and present day footage to explore and speculate upon the traces of Audrey Munson’s life that remain, a ghostly presence creeping into our current world.

A Limit That Recedes, Chloe Wilcox

Theses and Dissertations

In "A Limit that Recedes", I discuss my art practice in terms of accumulation and techniques of reproduction, such as casting, printing, and repetitive actions. I contextualize my work among artists such as H.C. Westermann, Isa Genzken, and Paul Thek. The work featured in this thesis explores ideas of aspiration, longing, and failure, and explores themes of the fraught relationship of the human and nature.

Fugitive Colors, Natalie Rose Eddings

Theses and Dissertations

My objects are meditations on intertwining themes of labor, rest, and interiority and their shadow sides—power, subjugation and the gaze. I couple materials that have millenia-long histories such as metals, glass, paper and clay with found objects and plat materials to illustrate narratives and exhume memories. Drawn from nature and technologies of land, plant stewardship and the domestic realm, I imagine my sculptures as life supporting vessels or magical enclosures.

Through sculpture, photography and printmaking, I build structures that are space of quiet to be filled with thought, healing and development. Like incubators and seed pods, my work is protective …

Untitled: Study., Annabela Cockrell

Electronic Theses and Dissertations

Untitled: Study is an exploration into “The Work”, which is a constant evolution of the idea of the same piece. Every new work is an evolution of the one before. Previous works are often reworked and self-cannibalized into the next generation. The Work will never be presented the same way twice. There is a temporality in making and installing the work this way, what with the form, the space, the ness of it never being the same. All the while conflicting by being viewed as being the same in the same breath.

In The Thick Of It, Mark T. Leavens

LSU Master's Theses

In this exhibition, In The Thick Of It, my paintings and sculptures serve as a visual diary of my experience moving to and navigating life in Louisiana. Through art, I document this new landscape and atmosphere, capturing my evolving emotional state, shifting focus, and emerging ideas. As an outsider, the process of discovery introduces layers of tension, curiosity, and fragmentations in my paintings. The spaces within my paintings reflect a constant flux, mirroring the ongoing adjustments to Louisiana’s cultural cues, history, and environment. The complexity of this rich yet challenging place permeates my art, creating dynamic, layered compositions that echo …

It Is Not Her Fault She Didn’T Know Mary Had A Lamb, Samer Ridikkuluz

Theses and Dissertations

“It is not her fault she didn’t know Mary had a lamb” is not an Arab Queer conflict. It is the genocide of everything they told me art was and the decolonial clarity of what art can be. Whether it be bridging the gap between the East and the West, the straights and the gays, or me and the world—I investigate the human condition, the parts we play, and how identity evolves and hides.

How Eye See, Now I See, Michael Anthony Simon

Theses and Dissertations

Michael Anthony Simon’s paper addresses ideas surrounding the fluid nature of perception, time, and ideas of control, or lack there-of. Creating a symbolic relationship between paintings and sculpture. Simon both embraces and confuses the notion that understanding is never truly stable or secure.

Xxx, Samuel Tucker Claxton

Theses and Dissertations

In XXX Tucker correlates the rise in online hookup apps and the fall of queer nightlife spaces to show how the internet has affected gay cruising spaces. They relate their installation-based work to the ideas of liminal spaces and Jean Baudrillard's

hyperreal. Further, they contextualize their practice within the scope of Robert Grober's work.

How To Remain A Stranger / Encountering, In A Basement, Hannah Rotwein

Theses and Dissertations

How to Remain a Stranger / Encountering, in a Basement consists of two parallel essays. On the lefthand side of the page, How to Remain a Stranger explores the ways that the legend of the Wandering Jew, the Tradescantia genus of plants, peddlers, and exile relate to my practice of collecting, sorting, and combining found objects. On the righthand side, Encountering, in a Basement describes my thesis exhibition at the Institute for Contemporary Art at Virginia Commonwealth University. Focusing on the idea of the encounter, I detail the materials, considerations, and processes behind four of the ten sculptures in the …

Love Letter, Amy S. Duval Ms

Theses and Dissertations

I applied to graduate school to reconnect with and better understand my studio practice, acquire language, and to disrupt my known ways of making. Generally speaking, I see my practice as being about being seen, and unseen, and the pain and pleasure of being perceived. I’ve learned about my ways of being in the studio. I’ve come closer to speaking honestly about my relationship with my materials, processes, tools, how I value my own labor, and how this informs my work. I am grateful for the cascade of small epiphanies that came and left me while I worked in my …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Creatura, Carly Marie Odegard

Master's Theses or Doctor of Nursing Practice

My sculptural practice is rooted in the belief that humans and nature are not separate, but deeply interwoven. I create immersive installations that embody cycles of life, death, and transformation; spaces where spiritual and material realities coexist in tension and harmony. Through cast metal, organic materials, and fabricated forms, I channel archetypal symbols from mythology, ritual, and the collective unconscious to create environments that speak to both personal and universal experience.

During my time at Fort Hays State University, I developed a body of work grounded in installation and cast metal. I forged branches, flowers, and leaves from steel, and …

Heiniboxitittel, Harry Ritchie

All Graduate Theses, Dissertations, and Other Capstone Projects

This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.

But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …

Tenaciously Curious, Joe Mark Taylor

Graduate Student Theses, Dissertations, & Professional Papers

In this thesis paper, I will outline the journey I’ve taken throughout my graduate studies at the University of Montana and how it has culminated in my thesis exhibition, Tenaciously Curious. I’ll begin with an Introduction that speaks to the importance of finding ways to connect to nature, and the benefits we gain by recognizing our bodies as extensions of the organic world.

In the following section, Influences, Theory and Lineage, I’ll explore the themes that drive my research, highlight artists who have influenced my work, and discuss why this inquiry feels vital within our contemporary moment.

In the section …

Raisin Fingers, Sophia Hatzikos

Graduate School of Art Theses

I am a sculptor that uses site reactive interactions, video documentation, and studio-based processes to explore landscape. I investigate my multifaceted relationship of self to my sensorial memory of landscape. Through themes of memory, loss and longing intertwined with my personal connection to water. I identify the intersections of sculpture and landscape seeking ways in which environments shapes decisions in the making process.

Through case studies of two distinct landscapes, Malaki and Tyson, I look at how these environments serve as sources of inspiration and material for experimentation. By identifying the ways in which I researched at each site respectively …

Untitled, Lucia Steele

Masters Theses

.

Overlay: Language Uncovered, Cecelia A. Moseley

LSU Master's Theses

Overlay: Language Uncovered presents a series of installations that address my experience navigating learning challenges during my formative years, and strategies I have developed for thriving within those educational settings. This body of work represents three years of introspection and research, leading to a deeper acknowledgement and understanding of the obstacles I faced in learning. The installations feature large-scale sculptures made from a range of materials including, vinyl, styrofoam, acrylic, paper, silk screen mesh, metal and light. The immersive and vibrant colors within these installations invite viewers to playfully explore and interact with language, all rooted in my personal experiences …

The Illusion Of Perfect Mothering: How Society's Expectations Affect Women, Victoria Ann Del Valle

Masters Theses

This research seeks to investigate the societal stigmas and misconceptions of ideal motherhood, aka “intensive mothering,” the repercussions associated, and the support systems both in place or missing. In addition, it seeks to contribute to fostering a healthier societal perception of motherhood. Methods include a literature review of existing research, case studies and analyses of other artists’ contemporary work in the field, and a visual solution in the form of an art exhibition. This research found that intensive mothering is a pervasive idea, ingrained in current society and detrimental to mothers’ mental health and well-being. Through the research and visual …

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …

Hidden In Humor: Redefining Abjection Through Implication, Maddy Kish

Bachelor of Fine Arts Senior Papers

Abjection can whisper. It lies beneath the joke; you will find it there if you spend the time. Look at me. Come closer. Are you willing to discover? If you listen, I will confess, I will air out my dirty laundry, I will show you the inside of my body and its evidence.

My thesis is a consideration of my waste, an analysis of the bodily trail I leave behind. I explore indecency as a persistent feature of my art practice and a tactic I use to stimulate interest. My overarching unladylike sensibility is broken down into three categories – …

Good Enough, Haley Levin

Bachelor of Fine Arts Senior Papers

The seven-foot-tall sculptural painting Good Enough explores the cultural significance of trophies in contemporary American society. As an ancient object representing achievement and reward, the irony of trophies’ current junk-status pokes at absurd contradictions embedded in American culture. I offer context on the evolution of “the readymade” from Dada to Pop Art to 90s assemblage, and position Good Enough’s handmade, tender approach as a celebratory twist to that lineage of cultural critique.

Virtual Bodies: Probing Fake Flesh, Emily Elhoffer

MFA in Visual Art

This thesis explores the fluid and often elusive concept of the body as mediated through technology and art, questioning the boundaries between the physical and virtual. By investigating the interactions of cultural ideals, technological mediation, and material experimentation, the research delves into how contemporary art practices can challenge and expand our understanding of embodiment.

Central to this exploration is the use of varied mediums such as sculpture, digital imagery, and installation art to create what I term "virtual bodies"—conceptual entities that exist at the intersection of imagination and material reality. These creations often reflect and critique societal norms regarding beauty, …

Queen Of The Night, Kayla Blundell

The Agora

“Queen of the Night” was a self-directed project in my Intermediate Sculpture class taught by Professor Carissa Samaniego at New Mexico State University. The criteria I had was to address the contemporary issues of authorship, which I chose to address by including my husband as a resource. He helped me fulfill my vision for the project as I was not physically capable of doing some of the techniques without his help due to the lack of machinery available to me. He also helped with the electrical components since he is good at electrical schematics, and I am unfamiliar with electrical …

Past And Future Winds, Alicia Ehni

Theses and Dissertations

Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.

The J In Danger, Zachary Delamater

Theses and Dissertations

“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”

Feeble Transmitters, Indranil Choudhury

Theses and Dissertations

Feeble Transmitters is a series of electroacoustic sculptures made using ceramics, plexiglass, and home audio components like speakers, transducers, and amplifiers. The sculptures occupy a space between manufactured objects and organic forms. Drawing on the material culture of industrial design in audio, the series explores people’s relationships and rituals with consumer technology. When installed together in temporary installations, the sculptures activate their environment with a spatial soundscape.

Dear Dad,, Kimin Kim

Theses and Dissertations

A father-to-son relationship is often described as cold, distant, and detached. Mine was no different. A son looking for his father's approval for his entire life, realizing the approval has to be given by himself, not from his father.