Art and Design Commons^™

East Of Adams, Autumn Walter

Senior Honors Projects

East of Adams is a photography project that explores the conservationist messaging ofAnsel Adams’s historical work and translates this work into shooting the Acadia National Park in Maine. Adams is well known for his documentation of our national parks in the western United States during the 1930s and 1940s. Armed with his large format camera he created his images in order to speak to the importance of conserving the natural beauty ofAmerica’s unique wild lands. Inspired by Adams’s drive to use photography in order tomotivate conservation, East of Adams will focus on similar goals within the Eastern United States at …

Everyday Decay, Abageal Jacobs

Undergraduate Honors Theses

The medium format photographs created in conjunction with my senior thesis exhibit, Everyday Decay, use texture, line, intimate framing, warm color palettes, and layering to explore an aspect of the everyday landscape that we interact with often but generally ignore. The choice of medium and subject of decay creates a sense of the past, aided by the warm tones that imply affinity and nostalgia.

The Boricua Dialogues: Puerto Rican Identity In Conversation & Photography, Jonathan Borton

Honors Theses

[Thesis has no abstract.]

Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage

Calvert Undergraduate Research Awards

Creative Works Winner

Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Alexis Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Alternative Processes In Photography, Maria Politarhos

Open Educational Resources

Course Description:

This class introduces students to unconventional photographic processes. Students will explore historic methods and materials that allow the extension of photographic imagery beyond the standard black and white or color print. The class will experiment with handmade emulsions and papers, incorporating photographic imagery into new and varied contexts such as drawings, paintings, and made books.

Ridged Pots: A Studio Investigation, R. Preston Saunders

Bridgewater Review

No abstract provided.

The Gates Cooperative

The Tuxedo Archives

No abstract provided.

Will Wonders Never Cease: Jess’S Translations, 1959-1976, Lily Goldberg

Theses and Dissertations

This thesis examines Jess’s series of Translations paintings (1959-1976). It argues that, in subject matter, painterly technique, and conceptual approach, the works are shrewdly self-referential and grapple with many of the primary concerns of postwar American art, questions of appropriation, authorship, figuration versus abstraction, and selfhood and identity.

Francesca, Madison B. Jones

2020 Symposium Creative Works

Created using instant film, this piece was taken apart and destroyed before a new image was formed. Looking at the image from the back and scraping and sanding at the layers of chemicals was an attempt at finding some remnant of the original image. It is delving into the idea of the importance of content within an image and explores the resurrection of an image in a new way.

Noah Fidlin Senior Art Portfolio, Noah J. Fidlin

Senior Art Portfolios

An art, photography and design magazine that combines analog and digital media.

Draw Down Books, Draw Down Books, Kathleen Sleboda, Christopher Sleboda, Zak Jensen, Nejc Prah, Daniel Eatock, Maziyar Pahlevan, Benoit Bodhuin, Bráulio Amado, Jost Hochuli, Ian Lynam

UNBOUND 2020 Archive (Virtual)

Draw Down Books exhibitors. Draw Down is an independent publisher located in the northeastern corner of the United States. Created in 2012, Draw Down publishes small books about graphic design, typography, illustration, photography, art, and architecture.

Erik Gould, Erik Gould

UNBOUND 2020 Archive (Virtual)

I am a photographer and a bookmaker. I am interested in the ways that groups of images can work together and how those groups join with text, with sound and with pages, both physical and digital, held within the container of a book. The unique encounter of a reader with a book is where I wish the work to meet an audience. – Erik Gould, Senior Photographer, RISD Museum erikgouldprojects.com

Skate Or Dye | Mikaela Kautzky, Mikaela Kautzky

UNBOUND 2020 Archive (Virtual)

SKATE OR DYE is a 120-page art publication on DIY skateboarding, natural dyeing and textiles in a northern island context. This iteration comprises drawings, textile works, colour photography, short pieces of writing, and how-to’s on natural dyeing as well as skate feature assembling. Through words and visuals SKATE OR DYE investigates islands as laboratories for DIY culture and inclusive design. www.mikaelakautzky.com, mik00k instagram

Plausible Expositions With Possible Expeditions, Nikolaus D. James

College of Graduate Studies: Theses & Dissertations

Influenced by video games and cinema, in this body of work, Plausible Expositions with Possible Expeditions, I use objects to create scenarios that suggest a narrative. The scenes are then photographed and displayed through cathode-ray tube televisions and viewers use their own knowledge and ideas about the objects to create that narrative. Each of these objects has is own data set, and the most common have a universal data set—information surrounding the object that is widely recognized, much like how a crowbar is commonly associated with crime. Similar to playing a video game, an algorithm is used when viewing my …

(In)Equality., Jongin Choi

Graduate Theses and Dissertations

(in)Equality. centers around my experiences as a transnational person and those around me who have affected my current concept of equality and cultural histories. My visual methodologies cover digital photography and editing, inkjet printing, and laser engraving: multimedia in a process of new discovery, translation between analog and digital, and rearticulation. The exhibition includes portraits peering down from above, illuminated by projected patterns and manipulated messages from Nike’s “Equality.” (2017). The purpose of this thesis paper is to describe the elements of identity, marginalization, and personal reaction to advertising, as well as the and theories which have shaped this project. …

An Uncertain Line: Making Art About Photographs Of American War And Violence., Cassidy Meurer

College of Arts & Sciences Senior Theses

Photography’s power in capturing a moment in history is indisputable, but inevitably flawed. Assumptions of objectivity and truth are made that do not count for the bias of the photographer, or the bias of the viewer. These assumptions do not explain the warped effect of freezing life at a fraction of a second. Information is left outside the frame; stories are fragmented in their retelling. Certain historical photographs have become iconic over time. My interest lies in images of American battle, violence, and trauma; those that have political and propagandic weight. Coded, controversial, and inherently emotional, these photographs have become …

Non-Space: The Perception Of Reality, Carlos Limas

Theses and Dissertations

This is a formal study of real-world images that try to convey a clear approach to the way we look and relate to unexpected places that at first glance don’t exist in a metaphorical way or just don’t strike us as interesting or attractive. There’s no particular story to tell only the need to expose a different kind of beauty through my own personal subjective view and sensitivity expanding the criteria of my own esthetic values and context of a captured image in a particular scenario.

The perception of Non-Space relates directly to a well establish photography technique called Deadpan, …

Blaze, Meg Roussos

Electronic Theses and Dissertations

The photographer discusses her work in “BLAZE,” a Master of Fine Arts thesis exhibit held at the Tipton Gallery from September 16th through October 4th, 2019. The exhibition consists of 11 archival inkjet prints, two photographic artist books, a nine-channel video installation, representing the artist’s exploration of how to experience the landscape. Using non-traditional approaches to photographic imagery, experimental exhibition layout, the artist forms questions around themes of walking and landscape. The artist investigates sculptural land art installations represented through photographic documentation. A catalog of the exhibit is included at the end of this thesis.

Roussos examines formal and conceptual …

Art 400: Research Project, Katie Smith

Undergraduate Publications

No abstract provided.

“Polaroids From Heaven”: Collaboration Between The Marian Library And The Course, Alternative Photography, Jillian M. Ewalt, Carrie K. Chema

Marian Library Faculty Presentations

This presentation covers a collaborative project between the Marian Library and the Department of Art and Design at the University of Dayton.

4am 4pm 6am 8pm, Huy Nguyen

Fine Arts

This was a project where students had to take a walk and think about a Fluxus excursion.

You Want It, You Buy It, You Forget It, Mia Jones

Fine Arts

This was part of the Walking as Thinking project. Mia chose the identity of a "protester" and asked random people in Hillsboro Village to hold individual signs or her to document.

Kai Duc Luong Interview, Stuart Hutson

Asian American Art Oral History Project

Artist Bio Born in 1975 in Phnom-Penh, KAI-DUC LUONG fled the oppressive Khmer Rouge regime from Cambodia to Vietnam to France, where his family settled in Paris, in 1978. KAI-DUC operates between Chicago and Paris. His artistic projects include video (art / doc / film), photography, and mixed media installations. His unconventional path as a self-taught outsider artist, trained in digital communication & systems engineering, gives him a unique perspective, at times questioning subject matters through the understanding of transmission and systems (e.g. the primary emotions, the five senses, the stages of grief, the art industry). His works have been …

Kelvin Burzon Interview, Maya Boustany

Asian American Art Oral History Project

Kelvin Burzon is a Filipino-American artist whose work explores intersections of sexuality, race, gender and religion. He was born on March 26, 1989, in Bataan, Philippines. As a child growing up in a Filipino culture, Burzon’s initial ambition was to become a Catholic Priest. “I have always been interested in the religion’s role in culture and familial relationships and have been drawn to the religion’s traditions, imagery, theatricality, and its psychological vestige.” His work is inspired by cerebral influences growing up in and around the church. “My cultural and familial identity, my memories as a child, cannot be separated from …

Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis

Theses and Dissertations

Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.

The Standard Model, Manny Llanura

CGU MFA Theses

Photography is my medium. “The Standard Model” is a body of work created from photographs of the Los Angeles Fashion Week Spring/Summer 2019 Collection runway.

Each final work starts with over a thousand photos that become the raw materials from which I eventually produce my final piece. Deep in the final piece are the lights, shadows, hues, tones of a themed shoot.

I believe that the ability to focus on what is in front of you is not directly proportional to how detailed the image is. My goal is to incite appreciation of what humans have done or …

Out Of Sight, Mei G. Buzzell

University Scholar Projects

Out of Sight, reveals the reality of the service industry that is often camouflaged from the front of the house. Over a two year period, my discoveries are the happenings of what transpires within communities that is repeated day and night all over this country. Only the text of my thesis book is displayed, the images can be found at my website at, meibuzzell.com.

Motherhood Story Project: Transforming Societal Perception Of Mothers Through Portraiture & Storytelling, Andrea Caresse Lewis

Masters Theses

In our modern western culture, there are two drastically different views of motherhood. Society often paints mothers as women who give up on their bodies and careers to pursue a life of seemingly purposeless identity. While the reality is that women devote their entire being to the growth and development of a new human, continuing the very concept of civilization as we know it. Because of this dichotomy and plurality of worlds, mothers often feel ostracized, alone, and completely unprepared for the new journey they have embraced. The purpose of this thesis is to explore the realities of motherhood and …

Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart

Dissertations, Theses, and Capstone Projects

Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.

Construction sites, scaffolding, and …