Art and Design Commons^™

Cover

The Echo

No abstract provided.

Preface & Table Of Contents, Gabriella Williams

The Echo

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Echo 2024 - Complete Issue

The Echo

No abstract provided.

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …

[W]Hole: Journey To Fullness, Joni P. Gordon

MFA in Visual Art

My work raises critical questions about Black history, race, gender, beauty, and privilege. My practice also highlights the intersectionality of colorism and racism. I use materials such as cardboard rectangles with handwritten words, brown paper, doors defaced by scratches, fire, printed images, newspaper, and projected photographs to ask and answer those questions. I also use Work and Travel documents, broom and brush bristle, mop fiber, towels, and audio recordings of oral histories to exhibit invisible scars wrought by racist actions as physical and material manifestations.

My practice began after experiencing racial discrimination for the first time on a US work …

Skin To Skin: A Mixed-Media Exploration Of The Inheritance Of Identity, Angeline Morgan

Honors Theses

Skin to Skin is a mixed-media project that investigates the inheritance of identity through fine art and anthropological approaches. With a focus on womanhood, maganda (beauty), and Filipino-American culture, Skin to Skin reflects my deconstruction of cultural beauty practices. Growing up, proximity to lightness and darkness was a heavily emphasized metric. I witnessed family members experiment with light, water, and skin-lightening products on their skin. Now, I use alternative process photography to mirror their aesthetic experimentation.

To visually connect darkroom and beauty rituals, I created a series of unique, experimental prints where I treat paper surfaces as skin. I produced …

False Eidetic, Zach Sockol

Student Projects

Do memories still exist if they are forgotten?

Memories define the soul. They are created to outlast the experience, but what is left behind? A moment in time captured with the lens of the mind, it is intangible. These memories shape our worldview, our thoughts, our reality. It is the culmination of these experiences that makes us who we are, yet through reminiscence, those moments are viewed so clearly in your mind that to you it is the truth, only to hear someone else remember it completely differently. Does this mean our memories aren’t real? Will we ever be able …

Generations, Jayla Watkins

Student Projects

Understanding your family can be the starting point of understanding your personal identity. Coming of age, you begin to view your family members as individuals as opposed to their titles of “Mother” or “Grandmother” names that once seemed to elude that she possessed some sort of supernatural power. As Jayla Watkins looks across 3 generations of her family, she sees different versions of the same person affected by life experiences, environments, and choices. Some oddly similar and some worlds apart. Understanding the generations of woman before her helps inform the woman she is becoming.

With influences such as Deana Lawson …

Pictorial Bionomics: Santa Ana River Record And Survey, Caleb Lachelt

Student Scholar Symposium Abstracts and Posters

Intense conflict is unfolding in Southern California, and it runs right through our cities every day. It goes unnoticed by most, but its outcome will decide the future for humans and nature alike. This conflict is between human development and the natural majesty of our waterways. The foundation of Orange and surrounding areas is historic wetlands, which have caused massive flooding that destroys human lives and buildings. In response to this destruction, we have unleashed our own damage, paving entire sections of our rivers and erecting dams and levees wherever we can. Through this process we have successfully protected those …

Makeher, Maeve R. Wallace

Student Projects

Makeher is a multi-media work that grapples with the existential dilemma of creation within the context of our increasingly unreliable world. Anchored by a concern for the implications of childbirth, my art studies themes of life's genesis and the world we leave behind.

My subject matter, an amalgamation of mirrors, planets, silver, body parts, hair, and tights, are tools with which I explore these themes. Using silver fabric, I abstract the human form. By integrating disassembled body parts with mirrors, I reflect on the fragmented and multifaceted nature of the human existence. This process is not just about the creation …

10-5, Avery Taylor

Forces

No abstract provided.

2024 Forces, Collin College

Forces

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Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

[Archive] Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Molly Wardius, Senior Art Exhibition Portfolio, Amalia Wardius

Senior Art Portfolios

This is work created by Molly Wardius for the Senior Art Exhibition Portfolio 2024. The work includes graphic design, photography, and collage.

Behind The Lens, Jolie M. Adams Miss

[Archive] Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Multitudes, Madison Otter

Master's Theses or Doctor of Nursing Practice

Identity is a fluid and layered experience enriched by contradictions, the power of interpersonal relationships, and continuous growth. Recognizing oneself as a blend of opposing traits—strong and tender, contemplative and restless—reveals that humanity is anything but black and white. With each passing day, we evolve, bringing new perspectives and insights with us. As Walt Whitman wrote, "[we] contain multitudes.''

Although no single artistic medium can fully capture this for me, using multiple modes of expression allows me to explore and approximate it. This realization was the origin of my thesis.

The process of creation itself, whether quick or deliberate, is …

Anamnesis, Kristian Thacker

Graduate Theses, Dissertations, and Problem Reports (ETD)

My work examines the duality of living in Appalachia and cherishing its picturesque environment; while being complicit in its ongoing destruction via industry and resource extraction. Composed of my own photographs and selections from the Farm Security Administration archives, this body of work presents a vision of the region that’s purpose extends beyond value judgments. Rather, it considers the manmade and natural environments of Appalachia holistically, each one integral to the experience and understanding of the other. Following the same aesthetic choices I make in my professional practice as a photojournalist, I blur the boundary between art and documentation. In …

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …

Fundamentals Of Photography And Creative Practice, Jessica Labatte, Larissa K. Garcia

Faculty Books & Book Chapters

Photography has long been thought of as an accurate representation of the world. A tension, nonetheless, exists between photography as factual record and as constructed image. In this introductory digital photography text, students explore this tension by learning the basic functions of digital single-lens reflex (DSLR) cameras and how to use them to create photographic images.

Envisioning Futures: A Photovoice Study On How An Urban Afterschool Program Empowers Caregivers To Be Agents Of Change In Their Community, Ellen Mays

Antioch University Dissertations & Theses

As part of comprehensive whole-family out-of-school-time programming, parent engagement and education play an important role in addressing achievement and opportunity gaps in low-income neighborhoods. Parent groups have the potential to be a unique space of social justice work by creating supportive, innovative spaces to build social capital and organize around common action goals. This photovoice study looks specifically at “Parent University,” a parent out-of-school-time meeting group that focuses on empowerment education by providing opportunities for parents to meet, engage in rich consciousness raising dialogue, identify areas in need of change, and create and implement action for social change. This study …

Photography And 21st-Century Migration, Sarah Bassnett, Blessy Augustine

Visual Arts Publications

No abstract provided.

Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnett

Visual Arts Publications

This article examines a series of photographs by Griselda San Martin, a Spanish journalist and documentary photographer based in New York City and Mexico City. The series focuses on the experiences of people at Friendship Park, a bi-national park located in the border region of San Diego, United States, and Tijuana, Mexico. Working in Tijuana, San Martin engaged with families as they attempted to connect with loved ones across the border in San Diego. Many of the people she met at Friendship Park had become separated from family members after living as undocumented migrants in the US and then being …

Something Beautiful Is Going To Happen, Eric Neumann

The Echo

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Each Other's Nerves/Pile Of Flesh/Fuse, Emily Clancey

The Echo

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After Little Women, To Amy March, Alex Aradas

The Echo

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Winter Begin-Ter, Kayla Burrell

The Echo

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My Sister, Caroline Prewitt

The Echo

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Catch, Gabriella Williams

The Echo

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Pocket Change, Emily Clancey

The Echo

No abstract provided.