Art and Design Commons^™

Would You Believe Me If I Said I Didn't Need You, Andrew Kozlowski

Theses and Dissertations

This thesis is an attempt to expand upon the ideas that permeate the practice of art making that has developed over the past two years. Art criticism, theory, history, and practice are used to give definition to the boundaries of my ever-shifting body of work. Focusing on the elusive nature of communication in both public and private spheres, these projects range from installation and sculptural work, to web projects, photography, and drawing.

Within And Without, Shane Robert Rocheleau

Theses and Dissertations

Within and Without is a document which illustrates my personal and artistic research into the nature of the postmodern conception of the self: that self is unfixed, multiple, and reactive. It explicates my myriad and explorative approaches to photographic portraiture. Furthermore, it indicates many of my theoretical and artistic references and how I have applied my lessons both as an artist and a researcher to maximize the effect of my concepts within the formal and aesthetic confines of my photographs. Finally, this document explains my own beliefs concerning the nature of self and how a synthesis of my influences has …

Invisible Green, Amanda Sauer

Theses and Dissertations

How is nature conceived today, a generation into the environmental movement? Many contemporary artists grapple with how to reconcile our inheritance of both a precarious natural world and the culture that created it. My work investigates the subtle intricacies of our relationship with nature. I use photography to develop a way of seeing that points to the often-unnoticed nature in front of us. In particular, my work recognizes and re-imagines nature's deep connections in the context of our ecologically changed world.

The Mercury 2007

The Mercury

No abstract provided.

Lee Allen, Fruit Picker, 1982, David Versluis

Pro Rege

No abstract provided.

Excerpts From Four Portfolios, Mary Dondero

Bridgewater Review

No abstract provided.

Zephyr: The Seventh Issue, Zephyr Faculty Advisor, Jamie Thompson, Emma Bouthillette, Brittany Campbell, Alissa Ehmke, Abby Elliott, Courtney Hartelius, Brady Potter

Zephyr

This is the seventh issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Taking In: Aib Photography 2006, Aib Students

Taking In

This book is our fourth edition of Taking In:...a collection, a celebration really, of the best photography created by the students of The Art Institute of Boston at Lesley University. Students came together in the class, taught by Gretjen Hargesheimer, and dedicated themselves to all facets of this yearly publishing event...including design, fund raising, jury selection, editing, layout, and print production. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir …

The Bridge, Volume 3, 2006, Bridgewater State College

the bridge

Volume 3 Staff

Cheryl Tullis, Editor-in-Chief
Victoria Large, Editor-in-Chief
David Bevans
Christelle L. Del Prete
Derek T. Hambly
Joseph Kolczewski, Jr.
Angelique Paparella
Ryan Perry
Patricia Portanova
Christopher Rego
Georgia Savory
Shaylin Walsh

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Out Of Body, Alessandra Lee Michelle Torres

Theses and Dissertations

This thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evolve.

Investigations Into Social Game Theory, Stephen Bryce Harper

Theses and Dissertations

Investigations into Social Game Theory is a document that describes my two-year exploration of the ritual encapsulated in our societal framework. It discusses the thoughts and processes that accompanied the three bodies of work that led to the creation of my final thesis exhibition.

The Enduring Image, Michelle Lieb

Theses and Dissertations

In my work, I have chosen to pursue the antiquated, experimental, and alternative processes of photography. A digital image, a web page, an e-book all point to the current pace of a society concerned with the beauty it can access in a moment of instant gratification. It often has no regard for a process that requires personal discipline to capture a moment, a place, or an idea. I find little enjoyment in the immediate, when I can instead experience what happens when the combination of chemicals, glass, wood, and the environment turn a potential photograph into an inimitable encounter. It …

Jimmy Hit His First Home Run, Eileen N. Rafferty

Theses and Dissertations

This document begins with the end of a life and ends with the beginning of hope. It is a brief description of the artist's history, artistic and literary influences, and subsequent works produced during graduate school, specifically Dichotomy, Swan Dive, and Jimmy Hit His First Home Run. Topics discussed include Human Physiology, Transference, Buddhism, and Bubbles. This document was created in Microsoft Word 2004 for Mac, Version 11.2.

The Barbershop: A Photographic Documentation And Exhibition, Justin K. Howard

Theses and Dissertations

In this project I explore the environment that surrounds and frames my life experiences. Interests in form, architecture, vernacular typographyand community blend into a photographic documentation—communicating my perceptual experience of Richmond barbershops through public exhibition.

Foliage And Fabrication, Carrie Rosicky Garvey

Theses and Dissertations

In my photographic work, I contrast natural and man-made objects abstracted by manipulation of scale. Details of the objects are blown up to proportions larger than life. By distorting the scale, I aim to allow the audience to view the image out of context, enabling the viewer to see it for its aesthetic value rather than the object's functional purpose.

The Mercury 2006

The Mercury

No abstract provided.

Les Clementines, Anne M. Beale

The Mercury

No abstract provided.

Belts, Caleb S. Baker

The Mercury

No abstract provided.

Vision, Christopher R. Boschen

The Mercury

No abstract provided.

Innocence, Jennifer L. Lazuta

The Mercury

No abstract provided.

Cherub Chub, Maelina A. Frattaroli

The Mercury

No abstract provided.

Water Being Water, Ronald R. Geibert, Wright State University Art Galleries

Exhibition and Program Catalogs

IQ. DNA. MRI. FYI. In an ever-changing world, we find ourselves conversing with abbreviated acronyms and phrases. They drive today's economy, political agenda, and water cooler chitchat. They define our use of resources and the attention given to matters. Who we are, or think we are, are wrapped around their brevity. In our hurried attempt to sort through the complexities of life we use them to only answer the obvious-How? Unfortunately, an equally important question, Why? is often ignored. The solving of the how of things has generally been left to the scientists and the reasons as to the why …

Zephyr: The Sixth Issue, Zephyr Faculty Advisor, Catherine Giaquinto, Liz Andrews, Christine Felser, Jessica Lemire, Jamie Thompson, Rebecca Wood

Zephyr

This is the sixth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Taking In: Aib Photography 2005, Aib Students

Taking In

This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …

The Bridge, Volume 2, 2005, Bridgewater State College

the bridge

Volume 2 Staff

Stacy Cohen
David George
Beth Horka
David Mitchell
Elizabeth Redmond
Nicole Roy
Kimberly Silva
Cheryllynn Silvia
Janine Woodward

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Escape Artist, Charles F. Gustina

Theses and Dissertations

This thesis reviews the background, influences, and evolution of the body of work entitled Folia, which forms the basis for the candidate's thesis exhibition. It traces the development of the candidate's artistic inclinations from drawing to photography. Directorial and Pictorialist photography are discussed as forebears in the Influences chapter. Evolution of the Body of Work details how the current work grew from both the candidate's background and influences. A Brief Anthology of Quotations references Susan Sontag's influential work, On Photography, with quotations that have either influenced the candidate's work or reflect his perceptions of art and life. The balance of …

Posthumous, Michael K. Lease

Theses and Dissertations

This thesis reviews the background, influences, and evolution of three works that form Posthumous, an exhibit by the thesis candidate. The thesis begins with a series of vignettes that relate a number of personal experiences involving death, and photography, which have influenced the conceptual development of the work. Chapters devoted to each piece follow the vignettes. These chapters refer to the various influences that have led to the development of the following works: Obit to Self: April 10, 2005, Posthumous, and Jay. These influences range from the movie Hotel Rwanda, to handbills for punk-rock shows. The thesis ends with a …

Memories We Forget, Michael Dax Iacovone

Theses and Dissertations

I have always preferred the journey to the destination. When I was growing up, my family drove back and forth between Florida and New York every summer. My father did the driving, my mother sat next to him, and my older brother and sister sat in the back seat. This left the cavernous back of the family station wagon for me and the luggage. There was no radio, very little conversation, and I didn't sleep. I spent these summer trips staring for endless hours, out of the back window of the car, transfixed on the expanse of open road behind …

Long Walk In Flight School, William H. May Iv

Theses and Dissertations

Long Walk in Flight School is a document intended to complement a body of artwork that includes photographs, giclee prints, animation, and a twenty two page book of images. The main focus of the text is to discuss two types of exchange; my energy with tools in exchange for an object or event, which is then exchanged in the imagination of the audience for something else, a hybrid thing. These exchanges are part of the performance or presentation of the work. Beginning with a brief description of intent at the start of graduate school, it traces my development as an …

Epoch Locale., Jonathan Hounshell

Electronic Theses and Dissertations

My explorations around the world are intertwined with my excavation of the layers of art history. My discoveries about the traditions of the printmaking medium are fused with the heritage I inherit as an artist. This is what is put into my current body of work. With this supporting manuscript, I hope to inform about the technical aspects of my unique aesthetic and to entertain with the ideas behind my current body of work by making connections between my personal visions and experiences and the significance of the artists and craftsman who inspire me.