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Articles 511 - 540 of 634

Full-Text Articles in Art and Design

Light Shade And Emotions, Anukul Gurung Jan 2009

Light Shade And Emotions, Anukul Gurung

The Mercury

No abstract provided.


Dancescape: A Work In Thetranslation Of Bodies And Movement, Julia Allisson Cost Dec 2008

Dancescape: A Work In Thetranslation Of Bodies And Movement, Julia Allisson Cost

Scripps Senior Theses

Translation is inevitably challenging work. When the human body and its movement are the subjects translated, the work may be particularly difficult, as questions both technical and ethical may arise about the representation in the second medium. Yet the exercise can also be very illuminating, creating space for insights that may not have been possible without the translation. For my Scripps College art thesis, I have created a series of paintings of Western dancers and researched four artists whose work involves bodies, movement, or dance and whose approaches differ tremendously. These artists are Edgar Degas (1834-1917), an impressionist painter known …


Original Sin, Jake Van Wyk Dec 2008

Original Sin, Jake Van Wyk

Pro Rege

No abstract provided.


By The Creek, Matt Drissell Dec 2008

By The Creek, Matt Drissell

Pro Rege

No abstract provided.


Burial, Matt Drissell Dec 2008

Burial, Matt Drissell

Pro Rege

No abstract provided.


Angels And Demons: Christina Rossetti’S Goblin Market As A Social Critique Of The Victorian Ideal Of The “Angel In The House” And The Pre-Raphaelites’ Response To That Ideal, Melissa Adams Jan 2008

Angels And Demons: Christina Rossetti’S Goblin Market As A Social Critique Of The Victorian Ideal Of The “Angel In The House” And The Pre-Raphaelites’ Response To That Ideal, Melissa Adams

Theses and Dissertations

Christina Rossetti’s poem Goblin Market presents a subversive critique on the socially constructed dichotomy of Angel versus Demon as depicted in Pre-Raphaelite artwork, Dante Gabriele Rossetti’s poetry, and Coventry Patmore’s poem Angel in the House. An analysis of Goblin Market in relation to Patmore’s poem and the Pre-Raphaelite paintings The Annunciation, Ophelia, Lady Lilith, Circe Offering the Cup to Ulysses, and Sibylla Palmifera and Dante Gabriele Rossetti’s poems “Soul’s Beauty” and “Body’s Beauty” illustrate the ways in which Rossetti presents a counter-image that breaks down this socially constructed dichotomy. This is additionally supported by an exploration …


Portraiture: An Interactive Experience, Juan Lopez Jan 2008

Portraiture: An Interactive Experience, Juan Lopez

Electronic Theses and Dissertations

Linking his thematic inspiration (the strange, the bizarre, the weird and the odd) to his artistic reflection, Lopez conceives of his work as based on his fascination with human facial expressions. "It is there where it is born", he says. Like Leonardo, he believes that the eye is the superior organ. Lopez's use of form and color represents his main objective: to show emotion, humanity and elegance. For that, it is necessary for him to reveal character as well as beauty. It is again, the approach used by the great masters such as Leonardo, Velazquez, Gericault and Goya in representing …


Pitiful Creatures, Shaun Wightman Jan 2008

Pitiful Creatures, Shaun Wightman

Electronic Theses and Dissertations

By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.


Visual Identity, Ariston Sedrak Jacks Jan 2008

Visual Identity, Ariston Sedrak Jacks

Theses and Dissertations

My artwork addresses issues of identity. As an artist, I feel it is my responsibility to delineate the human condition while encouraging the viewers to recall their own experiences. My paintings attempt to serve as a catalyst to evoke emotional, social, and cultural responses by documenting my idea of significant people or events. To accomplish this visually, I explore the human figure through a formal approach addressing the elements of art. I am influenced by various philosophies that impact my artwork. I experiment with a variety of media adding unique details not defined by skilled rendering or complex abstraction, but …


Say Yes To Who You Are, Brooke Ann Inman Jan 2008

Say Yes To Who You Are, Brooke Ann Inman

Theses and Dissertations

No abstract provided.


In An Expression Of The Inexpressible: Even This Title Is Stolen, But I Chose It, Carmen Alis Mcleod Jan 2008

In An Expression Of The Inexpressible: Even This Title Is Stolen, But I Chose It, Carmen Alis Mcleod

Theses and Dissertations

This thesis provides a tour through an imaginary building that contains the work I have completed in the last two years at Virginia Commonwealth University. The body of the text provides a discussion of specific paintings as well as more general themes related to painting and art. The discussion includes thoughts on futility, desire, schism, the leap, collage, photography, materiality, painting, image, and landscape. The second part of the text is an abstract statement about the paintings included in the thesis show, Splinter Paintings.


Magic, Mystery, Illusion And Magic, Alexis Semtner Jan 2008

Magic, Mystery, Illusion And Magic, Alexis Semtner

Theses and Dissertations

This document vaguely describes what happened to me and my paintings during my time spent at VCU.


If Your Love Were A Grain Of Sand Mine Would Be A Universe Of Beaches, Valerie Anne Molnar Jan 2008

If Your Love Were A Grain Of Sand Mine Would Be A Universe Of Beaches, Valerie Anne Molnar

Theses and Dissertations

Each stitch is a piece of me that I give, a moment of my life and a unit of my love, meticulously culminated into a universal visual language. The optimist in me knits for the cause, while my formalist counterpart works to make the images that sell my thoughts. I knit for the lovers.I make these objects as a practice and a confirmation of my optimism. I make these images to communicate and persuade as a serious contender while at the same time retaining my own optimism and sanity by promising to never take myself too seriously.


The Aww, Jessica Danielle Langley Jan 2008

The Aww, Jessica Danielle Langley

Theses and Dissertations

Jessica Langley's work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small scale drawing, and various combinations of each. The work has explored narrative and emotional aspects to more mystical and ecological interpretations. The current body of work settles into banal and familiar interactions with animals, or more specifically the house cat and its accoutrements. Each element of the body of work engages specific concepts that developed out of the American landscape tradition and assimilates the banal subjects into a formal framework. The subjects are monumentalized and romanticized …


« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi Dec 2007

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …


Sky, Jake Van Wyk Dec 2007

Sky, Jake Van Wyk

Pro Rege

No abstract provided.


Laundry, Peter Sheesley Dec 2007

Laundry, Peter Sheesley

Pro Rege

No abstract provided.


Norman Turner: A Survey, Wright State University Art Galleries Nov 2007

Norman Turner: A Survey, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog discusses and showcases the works of Norman Turner in The Survey Exhibit that was shown at the Wright State University Art Galleries from November 4, 2007- January 6, 2008, the For Center For The Fine Arts, Knox College from January 11, 2008-February 8, 2008, the Cantor Fitzgerald Gallery, Haverford College from February 29-March 30, 2008, and the New York Studio School from April 10-May 24, 2008.


Albert Bierstadt's Images Of The American West: An Eco-Critical Reflection On Nature Painting, Sabine Wilke Apr 2007

Albert Bierstadt's Images Of The American West: An Eco-Critical Reflection On Nature Painting, Sabine Wilke

Reconstruction: Studies in Contemporary Culture

In the Pacific Northwest we encounter images of the American West as place of utmost grandeur, i.e., picturesque images of spectacular Western landscapes that have circulated throughout history in specific ways that I wish to explore. These images of the American West - adopted, among others, by environmental organizations and the tourist industry - were, to some extent at least, shaped artistically by German-American painter Albert Bierstadt who lived and worked in the latter half of the nineteenth century and who was one of the first artists after the first generation of expedition painters who traveled West repeatedly and transformed …


Sleep, Jewel Castro Mar 2007

Sleep, Jewel Castro

Pacific Studies

Image of a sleeping woman.


Walking With My Grandmothers #1, Jewel Castro Mar 2007

Walking With My Grandmothers #1, Jewel Castro

Pacific Studies

Image of three women, two are grandmothers


Tradition, Jewel Castro Mar 2007

Tradition, Jewel Castro

Pacific Studies

A painting of a woman's chest, opened to reveal people, perhaps her heritage.


On Island: Women Artists Of Monhegan, University Of New England Art Gallery Jan 2007

On Island: Women Artists Of Monhegan, University Of New England Art Gallery

Exhibition Catalogues

On Island: Women Artists of Monhegan is the catalogue from the University of New England Art Gallery’s July 26 - September 23, 2007 exhibition featuring works by 36 women artists who capture the essence of Monhegan Island and its role in the history of American fine art. There is a powerful sense of place, from dramatic, swift changes in light, color and nuance, to giant cliffs, swirling tide pools, and rocks that come in all sizes and hues, as well as island life and people. Their art covers the most recent 50 years on an island that has attracted artists …


Times New Roman, Jason Mckrindey Coates Jan 2007

Times New Roman, Jason Mckrindey Coates

Theses and Dissertations

It is difficult to say that anything will be proven in this thesis of mine. I think of it more as an account of some things that happened in my artwork over the course of graduate school and my earlier development as an artist. Some influences are listed, but certainly not all of them. Likewise, the work that is mentioned in this paper represents a sampling rather than an in-depth survey. I don't have any tables or charts.


Lets Make It Outback Tonight, Michael Douglas Erickson Jan 2007

Lets Make It Outback Tonight, Michael Douglas Erickson

Theses and Dissertations

When I was younger, shortly after my father died, my mother bought me a t-shirt that I loved and wore till it was worn out. On the shirt there was an image of a man, strapped into an electric chair, holding pieces of bread in each hand. A sign above him read, "Making the best of a bad situation." That statement became a mantra I held onto in the early years after my father's death. It still guides my personal philosophy---humor is key to survival. Particularly a type of humor that celebrates the fact that "shit happens", while highlighting and …


One Million Paintings 2005-2007: A Thesis, Jared Lindsay Clark Jan 2007

One Million Paintings 2005-2007: A Thesis, Jared Lindsay Clark

Theses and Dissertations

I assist discarded collectives of objects to volunteer themselves for inclusion into the privileged legacy of flatness – assuring them they can be transformed into Painting. Reducing my interventions - often to mere arrangement - respects the possibility of this transformation while frankly retaining the objects' original functional identities. Every surface of any object is a readymade painting – especially flat ones. By stacking objects and aligning their surfaces on one privileged side into a flat mega-surface, I am composing and collaging – even building – a painting. With my amateur interest in German I latch upon the double meaning …


A Fugitive Sea, Marian Brunn Smith Jan 2007

A Fugitive Sea, Marian Brunn Smith

Theses and Dissertations

I make images that are fragmented like ominous dreams. Described with sensuous marks of paint, they demand intimacy but reveal vulnerability as they threaten to break apart before the eyes. This thesis examines my journey over the past two years at VCU and describes my artistic beliefs and visions.


Seeing It Straight, Heather Harvey Jan 2007

Seeing It Straight, Heather Harvey

Theses and Dissertations

This Master of Fine Arts thesis is divided into four main sections:FAITH and DISBELIEF: In which I reckon with the implications of faith versus rationality as a secular nontheistic artist. IDEAS: The central locus of my work is a place of indeterminacy between what is known/familiar and what is just one step outside of that. This has nothing to do with mysticism, science fiction, or anything else unmoored from established fact. Section also touches on the particular vantage of a female artist with working class roots.THE WORK: Selection of work made during graduate school, and the the guiding thoughts behind …


From The Edge, Leslie Corder Rousseau Jan 2006

From The Edge, Leslie Corder Rousseau

Theses and Dissertations

Paintings and drawings are the physical representations of my dialogue with the world around me. Art is how I connect to what is too large, or too vague, or too personally meaningful to express in any other way. Space and its transformation by light and color have always been central to this dialogue. I am particularly intrigued by spatial ambiguity. Space exists for us only in how it relates to us and so, space changes. One viewpoint or state of mind might make space seem freeing, while another makes the same space feel confining. Barriers are sometimes delineated, sometimes obscured. …


The Path Is A Circle, Marylea Martin Harris Jan 2006

The Path Is A Circle, Marylea Martin Harris

Theses and Dissertations

While the pastoral environment that surrounds my studio is inspirational in itself, my treescapes and organic abstractions are reflections of referential places experienced along my life's path. Considering the constant onslaught of information in our increasingly rushed society, I hope my work, influenced by the natural world, may allow the viewer to slow down briefly and live in the moment.