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Articles 481 - 510 of 634
Full-Text Articles in Art and Design
Baa Baa Black Sheep, Olan Quattro
Baa Baa Black Sheep, Olan Quattro
SPECS journal of art and culture
No abstract provided.
The Effects Of Cancer, Mara Lapayne
The Effects Of Cancer, Mara Lapayne
A with Honors Projects
I chose to do a project related to cancer for my Painting 1 class. Using oil paint, I wanted to create a more symbolic representation of cancer. So I made a cloud-like, cancerous mass with streaks of chaotic color swirling around a central face. The face represents any person affected by cancer and has had to “shut down” their emotions in order to function. I wanted the skin texture to be almost metallic as if it is metal armor or robotic-like, to support the idea of “shutting down” one’s emotions. The blank expression also portrays this idea.
To See The World Clearly: - Painting, The Camera Obscura And The Lens Of Spinoza, Paul Uhlmann
To See The World Clearly: - Painting, The Camera Obscura And The Lens Of Spinoza, Paul Uhlmann
Research outputs 2012
My practice-led PhD research project seeks to find ways to create immersive painting installations to invoke contemplation of immanence, interconnectedness and impermanence in the mind of the viewer. In this paper I will discuss the methodology of my practice-led research as it relates to the concept of sensation (Deleuze) in relation to the body and to painting. In addition to this I will outline ways in which Spinoza’s monist concept of ‘one substance’ has illuminated and influenced my thinking and work. Central to this concept is the notion that mind and matter are not two separate things but one thing. …
Fat Rat Dreams, Jake Van Wyk
Night Jump, Matt Drissell
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry
That’S The Beauty Of It, Or, Why John Ashbery Is Not A Painter, Clark Lunberry
English Faculty Research and Scholarship
The poet John Ashbery lived in Paris from roughly 1955 to 1965. It was during this period that Ashbery began writing art reviews, often examining the work of various Americans also living in Paris at this time. Among the many painters Ashbery was to review and publish about, one was the Chicago-born, Paris-based abstract expressionist Joan Mitchell and an exhibition of hers at a Paris gallery in 1964. In this essay I examine the early, more ““abstract”” poetry that Ashbery was developing during this period, thinking about it alongside the paintings of Mitchell (and, in particular, his writings about them). …
A Matter Of Taste., Charles E. Haskins
A Matter Of Taste., Charles E. Haskins
Electronic Theses and Dissertations
This thesis paper supports the Master of Fine Arts exhibition at the Slocumb Galleries, East Tennessee State University, from March 14th through March 18th, 2011. The exhibit is composed of nine oil paintings depicting an invented story about two characters who create a soup for a cooking competition. The show A Matter of Taste chronicles an allegory concerning the evaluation of creative works. Through Gaudie and Baudie's "odd" recipe this work illustrates the ways in artists and art audiences interact and determine artistic value. The work is inspired by techniques in distortion and narrative painting. The following expands on the …
A Meditative Art, Lori White
A Meditative Art, Lori White
All Student Theses and Dissertations
My artwork symbolizes the idea of meditation through the true and organic forms. I paint a space where my mind is at ease. A place where all the chaos of the world around me stops and become beauty. In my artwork, the organic forms that I produce reflect the meditative power of natural forms. My mind sees the environment in a simple abstract appearance that mirrors a sense of peace and harmony. By painting with smooth, organic, and soft lines my artwork helps me get to a point of relaxation. Through the process of letting go of the world that …
Naked Women The Unity In Dialectic Forces, Nargges S. Albekord
Naked Women The Unity In Dialectic Forces, Nargges S. Albekord
Electronic Theses and Dissertations
This study investigates my art works, their context, content, and the process by which they were produced. The first part of the study addresses my background ideas and philosophies, their impact on my works, and the environmental and psychological context which made those ideas relevant to my paintings. I am not concerned with answering the usual questions, What is art? and Who is an artist? My intention is to find out who I choose to be and what I choose to do. The second part investigates the form and design of the art works– from the materials used to make …
Making Visual Noise, Deborah Starr Leitch
Making Visual Noise, Deborah Starr Leitch
Electronic Theses and Dissertations
Focusing on the combination of multi-cultural and historical influences from my personal life experiences, my creations of odd juxtapositions of space, complex pattern and new iconography in my paintings, reveal more than merely a representational image to a viewer. Although my subjects may vary from the anonymous to media celebrity, it is their relationship to me that influences the creation of my static animation and visual noise.
Copy Of A Sculpture, Dinesh Manandhar
Original Sin, Jake Van Wyk
Human Nature, Rachel Goble
Human Nature, Rachel Goble
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
Taft, Anne Celine (Fa 15), Manuscripts & Folklife Archives
Taft, Anne Celine (Fa 15), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 15. Interviews conducted by Anne Celine Taft with Zeleme (Brashear) Cottrell, about her weaving. Cottrell discusses the weaving process in depth and how it has affected her life.
Extra Ordinary, Lana Waldrep
Extra Ordinary, Lana Waldrep
Theses and Dissertations
The title of this thesis Extra Ordinary is intentionally ambiguous. Depending on how you read it, it can refer to either the very ordinary or to that which is outside of the ordinary.The works described within these pages functions similarly. From person to person and with time they move from the ordinary to beyond and back again. How can something be both mysterious and understood at the same time? How can I as a painter create a space where diametrically opposed forces can coexist and what is the effect of viewing such an object? This thesis addresses these issues with …
The Everyday In America, Janet Bruhn
The Everyday In America, Janet Bruhn
Theses and Dissertations
Abstract: My vanilla, Grade A, white bread, run-of-the-mill, middle-of-the-road, threadbare, well-worn, moth-eaten, potato sack, butterscotch, grass stained America: Mundane American life is an existence clinging to the ordinary, where a quilt of mass- mediated preferences and ingrained traditions define many people, specifically from north to south and east to west. Yet, the tastes and dialects of people within the mundane are complex. Ideological preferences are rooted in immigrant history and political persuasion. Various modes of realism have been used by American painters such as The Ash Can School, Regionalists of the 1930’s, and Pop Art. The notion of the real …
The Adventures Of A Young Artist, And The Promise Of The Digital Culture In Art, Jonathan Marshall
The Adventures Of A Young Artist, And The Promise Of The Digital Culture In Art, Jonathan Marshall
Theses and Dissertations
An analysis and explanation of my reasons for working in video, painting and drawing, and sculpture, considering the technological developments of the past decade; the possibility to use the internet as a distribution tool for works of art, and to shift the decision-making balance of the art-world; the ways that this approach is a democratic format for output in the arts and within communities of artists; an explanation of my studio practice while a graduate student at Virginia Commonwealth University.
Making Connections, Evan P. Petrack
Fat Rat Dreams, Jake Van Wyk
Tree On Shoreline, Jake Van Wyk
The Return To Aztlan, Eliseo Moreno
The Return To Aztlan, Eliseo Moreno
Theses and Dissertations - UTB/UTPA
With this thesis I will focus on my Chicano artistic influences as well as on my life experiences as a third-generation Chicano growing up in the barrios of Browntown, “Tejas” (Brownsville, Texas) I will also examine in my paintings the Chicano identity; its culture, traditions, beliefs, and lifestyle. In this thesis like my artwork I will depict the myth of “Atzlan” via eras of the Chicano movement. I will start my writings with the mid-nineteen forties, the “Zoot Suit” era, which I believe is the original beginning of the Chicano movement, and advance to the nineteen sixties and seventies where …
Edge Of Existence, Mack Liao
Edge Of Existence, Mack Liao
Theses and Dissertations - UTB/UTPA
The painting, Edge of Existence best describes my surreal world at its current state. The idea started with the crisis of global warming. I want to express the peril of the creatures that are on the frontier of the global warming effect. The idea for the structure of the painting came from a Magritte painting called, The Domain of Arnheim. He has transformed an undeniably grand impression of a moonlit mountain landscape by means of a mental technique related to that of Poe and his imaginary friend Ellison, who described a magnificent, complicated, and weird landscape in which the natural …
Decisive Moments In Fiction, Janae Corrado
Decisive Moments In Fiction, Janae Corrado
Electronic Theses and Dissertations
I approach artmaking with a sense of intrigue, portraying the human condition as seen through my own eyes. The results that surface are female forms combined with subliminal subjective symbolism--a fusion of my personal experiences and influences created through a partially subconscious process. I use this artistic process to help me understand myself and I dare my viewers to seek their own answers within the implied narratives I choose to paint.
Deep Within, Caberbe Joseph
Deep Within, Caberbe Joseph
Electronic Theses and Dissertations
As a contemporary photographer, I focus most on light and color to bring out the uniqueness of my images. Photography is about lighting and I manipulate lights to raise questions in my viewers. Manipulating light is my way of being curious about how it may change mood physically and emotionally. Inspired by classical paintings, I have developed a body of photographs that can be admired by anyone. Although the main focus of my work is light and color, this body of work is also intended to empower those with little confidence in themselves and those who have been rejected, abused, …
Perceptions Of Cuteness And Beauty, Danielle Jones
Perceptions Of Cuteness And Beauty, Danielle Jones
Electronic Theses and Dissertations
Upbringing and psychological make-up inspire individual norms for beauty and cuteness. The mannerist approach in my work is a product of the figural liberties found in cartooning, illustration and art history. By altering facial and bodily features, I relate the proportions of an infant to cuteness and innocence. However, I tailor the photographs to empower the subjects all the while mirroring trends in contemporary pop culture. I'm interested in themes of everyday life, vitality and emotion placed in obscure, imaginary or exaggerated venues. I fictionalize subjects of my reality to compel viewers to identify with and fancy emotions, circumstances, moods …
Capes And Diapers, Henry Schreiber
Capes And Diapers, Henry Schreiber
Electronic Theses and Dissertations
By fusing classical imagery with passions and vicissitudes of the contemporary world, I create images that are technically sound yet riddled with both overt and subtle humor. These paintings are intended to illuminate the futility of guilt and frustration we encounter in the struggle for identity and meaning by arousing laughter, indignation, curiosity, and finally recognition.
Color Psychotherapy And Painting In The Satellite-Expanded Field, Katherine Urban
Color Psychotherapy And Painting In The Satellite-Expanded Field, Katherine Urban
Electronic Theses and Dissertations
My work deals with the subconscious pairing of colors from an instinctively chosen color palette into molded forms. My emotions drive these pairings. As I visualize these different emotions, I ask the viewer to formulate their own perceptions and connections (both physical and emotional) in relation to my own. This allows the viewer to explore the emotional twists and turns of my imagination by their own unique associations in correspondence. Painting allows me to visualize the inner depth of my imagination. My work becomes concrete through the subconscious pairing of colors and shapes and evolves with viewer interaction.
Fuzzy Robots: Utopian Ideals, The Immortalization Of Youth, And The Innocence Of Childhood., Elizabeth Caps
Fuzzy Robots: Utopian Ideals, The Immortalization Of Youth, And The Innocence Of Childhood., Elizabeth Caps
Electronic Theses and Dissertations
Ideals, aesthetics, forms, and concepts have resurfaced in various cultures throughout time. I am interested in the idea of the recurring themes that exist in the collective unconscious. I create monolithic figures that exhibit these archetypal qualities. Heavily influenced by film, animation, video games, and contemporary art, I create figures and paintings that are manifestations of my subconscious. These manifestations personify utopian ideals, the immortalization of youth, and the innocence of childhood.
Kingdom Compossible, Ryan Lauterio
Kingdom Compossible, Ryan Lauterio
Theses and Dissertations
Does God exist? Can we know for sure? What might it mean to know this? Furthermore what might it look like to make works of art while also seeking to find answers to these questions? This thesis details my personal experiences growing up in a world steeped in postmodernism and my move to answer such questions while looking to develop a meaningful, clear worldview and body of work. I have turned my focus on specific episodes in my life, which significantly illuminate a progression of thinking and experience. Together these thoughts and experiences have become the impetus for both questions …
The Bird, Katherine Ann Kisicki
The Bird, Katherine Ann Kisicki
Theses and Dissertations
I have always approached my paintings with confidence. Mark making has always been my strength, particularly in drawing, and I feel this comes through in my gestural use of the paint. I also believe I approach paintings in a trial and error manner, where experimentation has precedence over concept. To remain in the moment and focused on what I am doing at that moment is a fundamental base of both my process and, interestingly what the resulting image translates to the viewer. To know this, and to remain suspended in this moment requires a foundation of trust within my capabilities …