Art and Design Commons^™

The Dark House And Its Inhabitants, Emily Bielski

MFA in Illustration & Visual Culture

From the inception of the genre, Gothic horror has been fixated on the domestic space in distress. This essay explores domestic archetypes and roles of the Gothic novel, serving as a “tour of the house”, analyzing the iconography of the dark castle, and how it externalizes and exacerbates the fears and behaviors of its inhabitants. The power dynamic of the household is starkly divided by the expectations and authority of masculine and feminine figures. In turn the “house” becomes a vehicle for the anxieties of the inhabitants—both experienced and inflicted—regarding gender, sexuality, isolation, and abuse. Exploration of the visual and …

Monster Planet Bounty Hunter, Arthur Santoro

MFA in Illustration & Visual Culture

In this paper I will be discussing my personal interest in games and art as well as my experience and process working on my original board game: Monster Planet Bounty Hunter. I will also discuss my visual influences, how I approach making games and why I think games are an important form of art.

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

Shambles & Crowley: Autobiographical Fiction In Four Panels, Shumyle Haider

MFA in Illustration & Visual Culture

This paper explores the development of Shambles & Crowley, a collection of autobiographical fiction comic strips featuring Shambles, a burnt-out boy, Crowley, a loudmouthed crow, Franz Kafka, a silent companion, Saadat Manto, a prankster, and God, an overbearing authority figure. Drawing inspiration from comic strips such as Peanuts by Charles Schulz, Calvin & Hobbes by Will Waterson, and shows such as Louie by Louis C.K, and Mr. Robot by Sam Esmail, the stories explore the inner conflicts of Shambles, which are induced by struggles with love, loneliness, depression, and faith.

Proceed With Caution: Fashion And The Case For Media Literacy, Stephanie Silva

MFA in Illustration & Visual Culture

This essay shows how one can further one’s media literacy by examining episodes of fashion as a cultural phenomenon and not an insular art practice. These episodes include Martin Margiela’s tabi boot and cultural appreciation; a Björk album cover and its potential yellowface; and the Rick Owens Spring 2014 show and the question of who gets to profit from representation in high fashion. This essay also confronts the role the Internet plays in educating the masses about fashion, both as a tool and as a distraction, and questions how a platform like Diet Prada affects fashion culture. Finally, this essay …

Personal Narratives & Their Unique Personalities, Aayesha Ejaz

MFA in Illustration & Visual Culture

This essay uncovers the motives behind memoir-writing, and explores the idea that it can serve as a gift—offering the audience some consolation by sharing one’s personal and emotional experiences. Since memoir-writing is an act of generosity, the essay also endorses the principle of crafting these narratives with love and one’s being—hands, voice, and other tangible ingredients. It focuses primarily on explicit storytelling through music, picture books, comics, et al. It also looks at some relevant terms like catharsis, misfit, vulnerability, and rigid gender roles in our world (school and society). On the whole, the essay encourages finding an outlet for …

Mothering As Feminism, Meera Patel

MFA in Illustration & Visual Culture

This critical essay proposes the concept of mothering-as-feminism, with the intention of interrogating American ideals of mothering and caregiving. Reforming the way we view mothering, as it relates to feminism, requires a re-evaluation of the American role of women and mothers—and how they are portrayed (and therefore seen and understood), valued, and supported. Focusing on the evolution of feminist theory throughout the past 70 years, as well as personal and secondary experiences, I demonstrate how political and social change occurs generationally and is dependent on the education of our children. Ultimately, I show the important role children’s literature plays …

Ambivalent Images, Beloved Objects: Building Bridges Between Picture Books And The Tangible World, Danielle Ridolfi

MFA in Illustration & Visual Culture

"Ambivalent Images, Beloved Objects" examines how pedagogical theories prioritizing objects and direct sensory experiences in early childhood can be applied to the creation of picture book illustrations. In doing so, it positions picture books as educational tools, and advocates for the importance of using them not to recreate nature, but to connect readers with the tangible world of natural and human-made objects that our digital-driven culture eclipses. It strives towards a unifying pedagogical and aesthetic philosophy that accomplishes what illustrator Eric Carle characterizes as a bridge between the tactile world of objects and the world represented in illustrations.

This exploration …

Carefree Black Girl: Trope Or Treasure?, Erin Williams

MFA in Illustration & Visual Culture

Abstract: The writing below is an experimental study on the idea of the “Carefree Black Girl,” a term coined in 2017 to define a way of life for Black women to emulate, focused on self-care and self-love. I write about its popularity and meaning, with parallels to my own life and mental health in order to define if this term is actually an attainable state of being or is more of an aspiration. I also paralleled the marriage of Meghan, Duchess of Sussex, conducted an independent poll with a small circle of Black, female contacts to learn about their knowledge …

This Is A Present From A Small, Distant World, Samantha Slone

MFA in Visual Art

I make toxic pastoral paintings in the style of the Dutch and Old Masters, and media installations which depict natural landscapes as distanced, deconstructed forms. What I explore most in my practice is our damaged relationship with land and nature, and our capitalist and media ecologies as artificial landscapes which suspend us from the natural. In a dissection of the dualisms of man and nature, and progress and sustainability, I create microcosms of our detached condition.

Dear Sycamore, Anna Schenker

MFA in Visual Art

I create paintings, sculptures, and rubbings to pay tribute to the earthly beings found within my immediate surroundings. I use indexical processes that stain, trace, and record to preserve a moment in time. The process of rubbing is a tactile and meticulous activity of excavation. It is an imprint of what was once there, a mapping of attentive contact. The works are dependent upon the physicality of the host as I engage directly with the plants, seeds, weather, and trees that surround me. The rubbing’s flatness actively constructs a new reality; a liminal space hovers between the impression and the …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

The Voice Of One Crying In The Wilderness, Megan Kenyon

MFA in Visual Art

I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on …

Every Rock Has A Soul, Karen Yung

MFA in Visual Art

My studio practice focuses on the Asian American diaspora and the feelings of displacement that arise from being away from one’s homeland. This paper traces the beginning of my journey to find a way to make art that observes and applies Buddhist philosophies, practices and acknowledges the intrinsic energy found in all things. I create sculptures inspired by the qi of rocks to explore my ongoing struggles with my bicultural identity. Through the continuous pouring of wax and plaster that create stalagmites on to domestic objects, I imbue positive qi into my artworks to pass on to whoever seeks it. …

Land | Lineage, Allena Marie Brazier

MFA in Visual Art

Land | Lineage is an in-depth text of my thoughts and tha artistic choices I make within my work. In my thesis I use tha concept of Black Ecology to understand art rooted in tha relationship between race and geography. Black culture and city spaces in proximity to natural landscapes, or edgelands, reveal tha social and physical conditions of a place where these two worlds collide and form distinct characteristics of site, sound, and human interaction.

My research also focuses on tha theory of place-based works to reconceptualize the lost stories and complexities of city trauma and joy within my …

Azul, Amarillo, Rojo, Jorge Rios Morales

MFA in Visual Art

My most recent body of work was produced out of the pleasure of exploring pure formal and processual painting. In this text—divided by sections titled like a traditional opera to highlight the mise-en-scene quality of my artwork—the reader will find clues about the context, inspirations, and desires that led to my current practice, such as my ambivalent condition as an immigrant, my exposure to post-conceptual abstraction embodied in Christopher Wool’s provocative oeuvre, and my interest in offering the viewer the experience of what I call “an aesthetic interrogation.” l have privileged in this thesis my own voice and character with …

Queering Up For Battle, Alex Davis

MFA in Visual Art

In this text, I explore the potential for interwar European art to serve as a catalyst for the contemporary Queer rights movement. Drawing on the works of Remy Jungerman, LJ Roberts, michá cardenas, and Joar Nango, alongside the insights of Queer theorists Lisa Duggan and José Esteban Muñoz, I analyze my own artwork and the way I remix elements of both Russian Constructivism and Queer culture.

Amidst the current proliferation of anti-Queer violence and legislation, I highlight the importance of safeguarding Queer spaces and communities. To this end, I collect Queer objects and organize them into an arsenal of triangular …

Forget Us Not, Jamie Harris

MFA in Visual Art

I create because I mourn, to seek comfort in the knowing and sharing of Suppressed Histories, and to find joy in the rediscovering of lost stories. I create the vessel, which for me is akin to the human body. A form containing memories, wisdom, a soul, and a space for transportation between plains. I paint to capture moments in times of joy and sorrow. To make memoriam, I pay homage to past, present, and future.

Elsewhere: In Defense Of Daydreaming, Alex Braden

MFA in Visual Art

Much like music, organic life is an absurd, improbable, and serendipitous instance. I set circular, electric, acoustic, and magnetic forces in motion and allow them to coalesce freely in the hopes of synthesizing unexpected moments of beauty, connection, and harmony.

Extracted Entities And Their Images As Spectres, Seulki Seo

MFA in Visual Art

In this paper, I propose the concept of “Extracted Entity” as a means of postcolonial and technocolonial analysis through the lens of Othering. Extracted Entity, which is a term I coined in 2019, refers to an entity that has been involuntarily removed from its place of origin and relocated elsewhere, either through force or chance. By tracing the trajectory of Extracted Entity’s migration, I explore the role of art and technology to demonstrate how the concept could be a clue to overcome Othering.

Two Drawings, Jona L. Pedersen

Floodwall Magazine

No abstract provided.

A Hidden Language, Francesca Yenovkian

Liberty University Research Week

Undergraduate

2-D

The Rowboating Row-Bot In Existential Crisis, Cassandra Poorman

Liberty University Research Week

Undergraduate

3-D

Fearfully And Wonderfully Made, Aunna Leach

Liberty University Research Week

Undergraduate

3-D

This Dance Has No Steps, Aunna Leach

Liberty University Research Week

Undergraduate

3-D

The House Of Our Gods, Reyna Collazo

Liberty University Research Week

Undergraduate

3-D

Wasteful To Useful: Investigating The Metamorphosis Of Textile For Construction Methods, Elizabeth Rodriguez

Bachelor of Architecture Theses - 5th Year

Every year, the average American generates over 80 pounds of textile waste. Since the 1990s, consumer behavior has shifted as mass production of items has become the norm. Production of clothing alone already impacts the environment as it requires immense amounts of chemicals, energy, water, and other natural resources. So, when consumers throw away clothing and brands decide to discard overproduced items, it ends up in landfills where it takes over 200+ years to decompose. Furthermore, a large percentage of unwanted clothing will be sent off to third-world countries to try to resale or recycle. Yet, the amount being imported …

Restitution: Restoration Of A Post-Colonial Identity Through Memorial Architecture, Toyin Olurebi

Bachelor of Architecture Theses - 5th Year

The Nigerian Diaspora use the Pidgin phrase, “Naija no dey carry last”, is a constant reminder to generations to succeed no matter how far you are from Nigeria and creating opportunities from the ground. The impact of colonialism has tainted the rich history of Nigeria for generations through implanting a conceptual Terra Nullius (No Man’s Land) as a right to claim land. The Europeans’ Scramble for Africa forced neighboring ethnic groups into colonies and separated generations through the Trans-Atlantic Slave Trade, growing the Diaspora. Slowing, West Africa was being exploited for its rich resources as well as its cultural identity, …

Uni_Form Space: Exploring Environment Through Fashion+Architecture, Alanzo Price

Bachelor of Architecture Theses - 5th Year

Henry Van de Velde advocated for the German concept, ‘Gesamtkunstwerk’ which translates to ‘total work of art’. This concept became popular during the Art Nouveau Movement around the 1890s when architects began utilizing their knowledge of scale to design fashion and other everyday objects like silverware. Though this concept has produced intriguing designs, architects still shy away from design processes that seem ornamental assuming that they will not produce work that is ‘architectural’. The goal of this project is to create an architectural environment by curating designed elements that use a recognizable design language present in fashion and architecture. The …

Eve Leaving The Garden, Norma L. Colby Ms.

LSU Master's Theses

This body of work serves as an investigation into the concepts and burdens that, as a female millennial, impact me regularly. As the door to my education closes, I turn to a much bigger world with endless possibilities and responsibilities. With these overwhelming prospects, I find myself reflecting on how our society has progressed and worsened to arrive here today. I continue to question the passing down of systemic burdens, politics, and gender roles of women in the 21^st century. Eve Leaving the Garden is a collection of textile works, photographs, and sculptures that serve as an exploration of …