Art and Design Commons^™

The Ethics Of Wonder(Ing) In To The Lighthouse, Eret Talviste

Virginia Woolf: Selected Papers

No abstract provided.

The Ethics Of The Ending In Virginia Woolf’S Mrs. Dalloway, Anna Lindhé

Virginia Woolf: Selected Papers

No abstract provided.

Woolfian Ethics, Heterotopias, And Nonviolence, Jeanette Mcvicker

Virginia Woolf: Selected Papers

No abstract provided.

Unsolicited/Unrepresentative: The Ethics Of Virginia Woolf’S Portrayal Of The Transgender In Orlando, As Compared To Lili Ilse Elvenes’S Man Into Woman, Gwen Rose

Virginia Woolf: Selected Papers

No abstract provided.

On The Ethics Of Teaching: Virginia Woolf’S Essays, Beth Rigel Daugherty

Virginia Woolf: Selected Papers

No abstract provided.

“The World Is A Work Of Art”: The Weaving Of Fact And Fiction In Between The Acts, Lucas Leite Borba

Virginia Woolf: Selected Papers

No abstract provided.

“As If She Wished That He Could Talk—As If She Expected Him Too To Feel What She Felt”: Cross-Species Translation In Virginia Woolf’S Flush, Oliver Case

Virginia Woolf: Selected Papers

No abstract provided.

Shakespeare’S Legacy In Virginia Woolf: A Feminist Revision, Maria Aparecida De Oliveira

Virginia Woolf: Selected Papers

No abstract provided.

The Ethics Of Representation: Woolf Writing Working Women, Aili Pettersson Peeker

Virginia Woolf: Selected Papers

No abstract provided.

Translation As Reading: Jacob’S Room, Maria Rita Drumond Viana

Virginia Woolf: Selected Papers

No abstract provided.

The Ethics Of Woolf-Centric Biofiction: Diverging Perspectives, Monica Latham

Virginia Woolf: Selected Papers

No abstract provided.

How The World Turns: Two Case Studies: The Dreadnought Hoax And Julian Bell, Peter Stansky

Virginia Woolf: Selected Papers

No abstract provided.

“Same World,” “Different Eyes”: Photography And Visual Narrative In Three Guineas, M. Giulia Laddago

Virginia Woolf: Selected Papers

No abstract provided.

Finding Shakespeare’S “Mind Of Winter”: Roses And Mulberries In Virginia Woolf’S Attitude Toward The Bard Of Avon, Elisa Kay Sparks

Virginia Woolf: Selected Papers

No abstract provided.

“‘Daddy’S Girl’: Fathers, Daughters, And Female Resistance In Virginia Woolf’S Three Guineas And Valerie Solanas’S Scum Manifesto”, Kimberly Coates

Virginia Woolf: Selected Papers

No abstract provided.

Working With Virginia Woolf’S Ethics: Reparative Psychoanalytic Literary Criticism, Marie Allègre

Virginia Woolf: Selected Papers

No abstract provided.

“The World Of The Infinitely Small”: Microbic Networks In Mrs. Dalloway, Caylee Weintraub

Virginia Woolf: Selected Papers

No abstract provided.

“Thinking Peace Into Existence”: Teaching The World War Ii–Era Work Of Virginia Woolf, Jessica Dismorr, And Elizabeth Bowen, Emily M. Hinnov

Virginia Woolf: Selected Papers

No abstract provided.

Determining American Sign Language Joint Trajectory Similarity Using Dynamic Time Warping (Dtw), Rohith Mandavilli

Computer Science Senior Theses

As American Sign Language (ASL), the language used by Deaf/Hard of Hearing (D/HH) Americans has grown in popularity in recent years, an unprecedented number of schools and organizations now offer ASL classes. Many hold misconceptions about ASL, assuming it is easily learned; however due to its rich, complex grammatical construction, it’s not mastered easily beyond a basic level. Therefore, it becomes ever more important to improve upon existing techniques to teach ASL. The Dartmouth Applied Learning Initiative (DALI) at Dartmouth college in coordination with the Robotics and Reality Lab developed an application on the Oculus Quest that helps D/HH individuals …

Bbt Side Mold Assy, Bill Hemphill

STEM Guitar Project’s BBT Acoustic Kit

This electronic document file set covers the design and fabrication information of the ETSU Guitar Building Project’s BBT (OM-sized) Side Mold Assy for use with the STEM Guitar Project’s standard acoustic guitar kit. The extended 'as built' data set contains an overview file and companion video, the 'parent' CADD drawing, CADD data for laser etching and cutting a drill &/or layout template, CADD drawings in AutoCAD .DWG and .DXF R12 formats of the centerline tool paths for creating the mold assembly pieces on an AXYZ CNC router, and support documentation for CAM applications including router bit specifications, feeds, speed, multi-pass …

Arts Vibrancy In The Mountain West, 2020, Joshua Padilla, Ally M. Beckwith, Caitlin J. Saladino, William E. Brown Jr.

Cities & Metros

This fact sheet highlights data on various arts vibrant communities in the United States from the 2020 Arts Vibrancy Index Report. The growth of arts communities across the country contributes to the increased intensity of the United States’ cultural sector. Using the original data prepared by Southern Methodist University (SMU) Data Arts, this fact sheet focuses on the arts vibrancy of communities in the Mountain West.

That Mirror Again, Kyros Barton

Masters Theses

That Mirror Again is a summary of experiences, used to pose questions about self-hood through technological metaphor and theory. Its memories are disjointed, separate, and removed from time, and are an honest attempt to recenter an identity before the end of formal education. The themes of each section, Aground, Tilt, and Threshold, are presented as isolated definitions that set the mood for the writing before it is introduced. Referencing information age technology, invoking ancient deities in prose, and brushing against the fur of monster-hood, the text holds the memory it carries softly and offers it to the reader.

What The Water Says As It Runs, Jeanette Cosentini

Masters Theses

During the last two years, I have been examining the importance of vulnerability, memory and empowerment within my work as it relates to archival silence. The archive is presumed to be an objective record but what is chosen and discarded is an inherently political act. When there is archival silence, what then becomes missing from our collective histories? My exploration has spread across many forms of media, including sound, video, textiles, sculpture and writing . I have sought to understand the ways that these different mediums embody sentiment and concept, while establishing an open-ended record within which others can explore …

Treeing: What Remains Of A Pilgrim, Sichen Liu

Masters Theses

Myths and legends have existed since the start of human civilization, but now we can only imagine a world full of wonders from our ancestor’s scripts. What if we could go back to the age of myths and magic? Would we see things differently?

In Treeing: What Remains of a Pilgrim, I propose a fictional book with 15 short myths of humans transformed into trees. The stories combine my own imagination with inspiration from real mythologies. In the annotations of each story, an unnamed person is following the myths as guidance and manuals, one by one, trying to bring them …

Everything Comes Full Circle, Lilan Yang

Masters Theses

Following Wim Wenders’ Paris, Texas (1984) filming locations from Houston, Texas to Los Angeles, California, I use a 16mm Bolex camera to capture the vastness of the American West. The footage draws me to reminisce about snippets of my everyday life. I contemplate how we perceive the world through analog optical apparatuses and how memories are multidimensional yet fragile. Our recollections of people and places can be distorted, unrecognizable, and fictitious. These memories would eventually diminish with the passing of time. By converting the filmmaking back and forth between analog and digital filmmaking, with the loss of information during the …

Generative Image Systems And Emergent Play, Travess Smalley

Masters Theses

Generative Image Systems and Emergent Play is a collection of writings around generative creative processes and the emergent outcomes that can develop from simple systems. The generative systems I utilize in my practice are explored in this writing through the lenses of Instructional Art, Generative Art, Chance and Randomness, the Xerox, Computer Programming, and Emergent Play in games. These texts are a statement about my computational art practice and research, and they explore what it means to create with generative systems inside of other designer’s programs.

Embedded Are The Embers Of Echoes, Sarah Jane Cribbs

Masters Theses

What is a haunted house? What makes it haunted? What makes it a house?

I grew up in northern Appalachia. I sat in the back seat of my father’s car for trips from the Eastern foothills to the Western foothills of Pennsylvania mountains to visit my grandmother.

When my perception of the world grew larger as I did too, I began to hide my Appalachian identity. This ended as I began my practice, beginning with a realtime performance on artificial intelligence and queerness. Art practice opened up the possibility of critical play, a method of criticism that focuses on a …

Wall, Jazzmynn Chang Hong

Masters Theses

The WALL is a mosaic-style book with a collection of personal anecdotes and reflections. Traceback from the earliest memory of mine, the instinctive exploration of a sheltered structure, to my recent art practices exploring the spatial perception when the boundary breaks. Each chapter, as I grow older, unfolds my progressive encounter and interpretation of the spatial boundaries.

As the book titled the WALL, its form references a traditional Chinese partition structure - the folding screen. It is not only an aesthetic manifestation, the screens are usually decorated with calligraphies or paintings, it also has a practical purpose as a spatial …

Abyss Without Vertigo, Jack Madden

Masters Theses

Science has difficulty changing the way we think because it takes us beyond our natural perception. To scales and phenomena that we are unaccustomed to, that are instinctively inhuman.

To fundamentally change the philosophy of our species there needs to be a bridge or, more presciently, an emergency ladder for the human mind to science.

As we are inclined to logic yet inherently emotional, the importance of the scientific cannot be understood using science alone.

Significance must be felt, feelings are the foundation of art, and validation the consequence of the artifact.

Wanderer, Yuhan Ma

Masters Theses

My thesis writings include four chapters. It begins by my self-reflection, an introduction to my liminal space and how it has become a spiritual endeavor. Building on that, the second chapter Encounters elaborates on my childhood memory; and the following two, the Non-resident alien, A Sanctuary, respectively expresses my recent concerns or situations that have greatly affected my perceptions, and a mythological idea of sanctuary that can keep me away from the chaos. These chapters have been influenced by the eastern ideology icons, such as Buddhism and the culture of reclusion. They have examined a process of me dissecting …