Photo Reference Library The Creation Of A Desperately Needed Figure Drawing Reference Library For Design And Art Students, Gregory Bean, Robert Barrett

Journal of Undergraduate Research

The idea for this project arose from the need to provide BYU Design and Art Students with an appropriate photo reference for life drawing. Solid drawing skills have always been the foundation for most visual arts. For hundreds of years, artists have learned those skills by spending countless hours drawing the human figure. Even during times when figurative art was overshadowed by more abstract forms, BYU continued the traditional teaching methods in order to help young artists gain the skills needed for more figurative pursuits like animation and illustration. That tradition continues today; however, unlike most art schools, BYU does …

Rizer, Michael C. (Fa 1186), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1186. Student paper titled “Early Toy Making” in which Michael Rizer interviews two sets of couples, the Barnes and the McKees, regarding their crafting ability as it relatesto miniature, hand-carved furniture. Rizer offers a brief description of each toy maker and details the various types of materials, models, and carving techniques used in the creation of the miniatures. Included in the paper are color photographs of the craftsmen and women along with pictures of their wooden furniture pieces and one reel-to-reel audio tape of interviews conducted by Rizer.

James Joyce: I. Am. A. Discover Dublin By Reading And Running, Barry Sheehan

Academic Articles

You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space.

James Joyce (Ulysses,p.31).

In Ulysses, on the morning of the 16th June 1904, Stephen Dedalus is striding on Sandymount strand, thinking about time and place as he moves. Later in the day, Leopold Bloom writes I. AM. A.with a stick in the sand on the same Sandymount strand. His scrubbed words will wash away with the tide but remain forever in the novel.

Using geotracking, I recreated the same ephemeral I. AM. …

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/

Rains, B. Mickey, B. 1952 (Fa 1178), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1178. Student folk studies project titled “The Crafting of Hickory Bottomed Chairs” which includes interviews and survey sheets about the process of making hickory bottomed chairs in Macon County, Tennessee. Sheets may include a brief description of a practice, a photograph, and text classification.

Mia Park Interview, Justin Fernandez

Asian American Art Oral History Project

Bio: Mia Park is a multidisciplinary artist acting, writing, playing music, producing events, teaching yoga, and volunteering in Chicago, IL. She shares her passion for discovery and self-inquiry with hope and optimism. Mia began professionally acting in 1997 hosting the cult favorite cable access dance show Chic-A-Go-Go. Her acting career has brought her on stage, in film, on television and on the radio. Mia currently plays the recurring character Nurse Beth Cole on NBC's Chicago Med. She has advocated for Asian American representation in acting since 2006 when she co-founded A-Squared Theatre and hosted educational theater workshops for the Chicago …

Kezar, Jovanna (Fa 1153), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1153. Student paper titled “Sabbathday Lake Shaker Village: The Shakers Today” in which Jovanna Kezar details her visit to the Shaker community located near Poland, Maine. Kezar gives a brief, albeit thorough, history of the Shaker experienceas it relates to spirituality, organization, and guiding principles such as mottos, beliefs and practices, forms of worship, and governmental structure. Kezar also describes her trip to the Shaker village and provides color photographs and slides of buildings and photographs along with newspaper clippings, postcards, and assorted stationery.

Morris, Brenda (Fa 1166), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1166. Student paper titled “Quilting” in which Brenda Morris explains the process of piecing together a quilt. Morris, who worked directly with long-time quilter Oma Grant, includes step-by-step instructions along with photographs at various stages throughout the course of crafting. Also included are design patterns and completed samples of handiwork.

Mitsu Salmon Interview, David Yonamine

Asian American Art Oral History Project

Artist Bio:
Mitsu Salmon creates original performance and visual works, which fuse multiple disciplines. She was born in the melting pot of Los Angeles to a Japanese mother and American father. Her creation in different mediums, the translation of one medium to another, is connected to the translation of differing cultures and languages.

Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater, studying theater and visual arts. She has lived in India, England, Germany, Amsterdam, Japan, and Bali.

She has performed solo …

Clarke, Mary Louise (Washington), 1913-1999 (Mss 634), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Collection 634. Research, correspondence and photographs relating to the scholarly study of Kentucky author Jesse Stuart by WKU English and folklore professor Mary (Washington) Clarke. Includes correspondence with Stuart, editors and other scholars in connection with her book Jesse Stuart’s Kentucky and other publications. Also includes research and correspondence relating to Clarke’s book Kentucky Quilts and Their Makers.

Convenient Camouflage, John Alleyne

LSU Master's Theses

ABSTRACT

Major influences in my work are most notably derived from the collages of Romare Bearden, paintings done by abstract expressionists Jackson Pollock and Mark Rothko, and the multidisciplinary practice of Rashid Johnson. This list of artists has been my influence for the past academic year as a result of personal research, some of which was conducted at the Museum of Modern Art, the TATE Modern in London and Musée du Louvre in Paris. My aim in my artwork and in this thesis is to change the perception of Black people, specifically Black men and boys, and to challenge stereotypes …

Moments Of Metanoia, Mariah Anne Pickett

LSU Master's Theses

The term ‘metanoia’ embodies a climactic moment on the precipice—an instance where one is confronted by the tremendous threshold between youth and maturation. Moments of Metanoia explores these experiences that create an overwhelming division between the way things were and the way things will be. They are the crystallizing moments of metamorphosis or the shattering moments of undoing. As evidenced by their thematic appearances in ancient mythology, these dramatic episodes of transformation have existed as a part of the human condition for millennia. By using Greek mythology to explore metanoia, the universality of the human experience is emphasized. Each piece …

Rudolf Laban's Dream: Re-Envisioning And Re-Scoring Ballet, Choreutics, And Simple Functional Movements With Vector Signs For Deflecting Diagonal Inclinations, Jeffrey Scott Longstaff

Journal of Movement Arts Literacy Archive (2013-2019)

Several methods of movement notation, forerunners of modern-day Labanotation/Kinetography were published by Rudolf Laban in his 1926 book Choreographie. One of these has been referred to as vector signs because they represent movement as orientations (slopes) of lines through space. This article begins by comparing Labanotation direction symbols with Laban's earlier vector signs by looking at differences when simple sequences are scored in both formats. Concepts of space within the vector signs are examined, particularly Laban's idea of deflecting inclinations where movements are categorized as mixtures of two fundamental contrasting spatial and dynamic tendencies: dimensional stability and diagonal mobility. This …

Nirmal Raja Interview, Dalton Campbell

Asian American Art Oral History Project

Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …

Leila Abdelrazaq Interview, Quest Sawyer

Asian American Art Oral History Project

Artist Bio: Leila Abdelrazaq is a Palestinian author/artist, who was born in Chicago. Her work combines art and activism, addressing topics such as diaspora, refugees, history, memory, and borders. In 2015, she graduated from DePaul University with a BFA in Theatre and BA in Arabic Studies. She is best known for her graphic novel Baddawi (April 2015)- a story about her father’s refugee experience. Her website (https://lalaleila.com) also contains comics and zines, illustrations, and prints she’s created based on self- expression and her love of activism. Leila is also the founder of a blog called Bigmouth Press and Comix, …

Tony Moy Interview, Sarah Song

Asian American Art Oral History Project

Artist Bio:
Tony Moy is a mixed media artist who focuses on watercolor and Gouache living in downtown Chicago. He has published art in books from the X-files, Dungeons and Dragons, Tome I & II, Memory Collectors and among others. In addition, Tony has over 10 years of teaching experience and currently teaches illustration and design at the School of the Art Institute. His inspiration comes from studying traditional and classic watercolorists combined with the modern influences of pop culture comics, anime and fantasy. https://www.tonymoy.art/about-me

Jeffrey Augustine Songco Interview, Yara Cruz

Asian American Art Oral History Project

Artist Bio:
Jeffrey Augustine Songco (b. 1983) is a multi-media artist. Born and raised in New Jersey to devout Catholic Filipino immigrants, his artistic identity developed at a young age with training in classical ballet, voice, and musical theater. He holds a BFA from Carnegie Mellon University and an MFA from San Francisco Art Institute. His artwork has been exhibited throughout the USA including the Asian Art Museum in San Francisco and the Urban Institute for Contemporary Arts in Grand Rapids. In 2017, he was featured in the publication Queering Contemporary Asian American Art, and he was the Installation …

Review Of Chris Ware: Conversations, Carly Diab

SANE journal: Sequential Art Narrative in Education

No abstract provided.

Review Of Pioneering Cartoonists Of Color, Carly Diab

SANE journal: Sequential Art Narrative in Education

No abstract provided.

Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge

SANE journal: Sequential Art Narrative in Education

The study presented in this article examines the use of comic books, specifically the TOON comic books during guided reading instruction. The instruction was provided to struggling readers by the Literacy Center at a comprehensive university in southeastern United States. What most pre-service teachers in this study agreed upon was that comic books served as an effective tool for getting their students interested in reading. Reading comic books with tutors as partners in conversation with the struggling readers in this study was also a powerful medium for facilitating students’ literacy skills development, particularly in the areas of reading fluency and …

Castles In The Sky, Iva Milovanović

Masters Theses

I was born and raised in the city of Belgrade. From the 1950’s till the beginning of 1990’s it was the capital city of the Socialist Federal Republic of Yugoslavia. From the 1950’s until the 1980’s Yugoslavia experienced a financial and thus architectural boom. The president Josip Broz Tito financed construction of WWII Memorials to demonstrate the strength of the socialist republic throughout the Balkans. These giant memorials, along with most of the architecture of Belgrade from that time, were built in brutalist style. Brutalism signified power, progress and a forward moving country.

However, when I was born a new …

Ouroboros, Christopher Dove Drury

Masters Theses

Art is communication.

Objects are for making and giving.

Life is to be loved with others.

I work directly and swiftly with material to mark time and labor.

This is a pathway to resolve suffering, to be present.

On The Edge Of Being, Zoe Gross

Masters Theses

On the Edge of Being represents a focused exploration of clay, craft, femininity, fragility, and self-care. The title is hopeful. It represents a certain radical gentleness with myself and with my work. It reminds me that as hard as I try, there is always room to grow and improve. It is also a bit of a joke with myself; I am rarely satisfied.

I began this body of work as a way of rejoicing in the tamped down impulses of my early artistic career. I wanted to infuse my work with magic: color, texture, pattern, flowers, frills, lace, kitsch and …

Very-Asian Variation, Nicholas Oh

Masters Theses

Nicholas Oh is a Korean American Artist currently working in Providence.

Oh graduated from San Francisco State University and he is currently a graduate student at Rhode Island School of Design.

He focuses on creating clay sculpture and mixed media installation that deals with race and identity as a Korean American in America.

Oh has done residencies at Shigaraki Ceramic Cultural Park, Japan and Anderson Ranch Arts Center, Colorado and has shown at Mills College Art Museum in California, Milwaukee Art Institute in Wisconsin, American Museum of Ceramic Art and Pence Gallery in California.

Memory.Zip, Yu-Hsing Wu

Masters Theses

I want to turn the unintentional “digital traces” we leave on the Internet into a tangible format so that we can be more aware of the traces we are making. To do this, I have created a series of physical objects that capture those digital traces. My hope is that this series will eventually reflect our relationship with these traces and how we feel connected to the people we care for today.

Wood, Diane (Fa 1155), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1155. Student folk studies project titled “Folk Art and the Pennsylvania German” which includes survey sheets with a brief description of Pennsylvania German and other folk art collected in Burton, Ohio and Warren County, Kentucky. Sheets may include an item or representation of folk art, brief description, photograph, and origin.

A Place For Plastics : Bioplastics, Bacteria And Our Thoughtless Acts, Megan Valanidas

Masters Theses

One third of all plastics end up in the ecosystem. It is time we start designing for this outcome. 311 million tons of plastics were produced in 2014 and that number is projected to more than double by 2050. Just 5% of plastics are recycled. Recycling alone is not mitigating the problem. The carbon footprint alone is massive. China’s recent announcement to no longer recycle the West’s waste promises even more challenges. We need to design for plastics to end up in the ecosystem and in the waste stream. This is where plastics go and this is where they should …

Space, Junk, Brandon Olsen

Masters Theses

Space, Junk acknowledges and embraces the world as a chaotic and uncertain place. Graphic design often directly contrasts the messiness of humanity. Clean and ordered composition can conceal the muddled nature of a subject. The designer's role isn't to force perfection, but to create an aesthetic that accurately represents content. I place value on rips, smears, blurriness, and distortion as well as feelings provoked by variability. Through works created in multiple spaces (book space, architectural space, web space, etc.) this thesis focuses on finding worth in undervalued junk, using mess as a means to represent convoluted issues, and utilizing fun …

The Bird's Eye View, Ipek Kosova

Masters Theses

How can we make sense of the borders between destruction and construction, between matter and ourselves, at the same time? How habitable is a border? How does sound echo and vibrate on the border? Are borders a space of segregation or dialogue? Where is the border between our brain and our own voice? Between the transparent and opaque? Between the paint and the floor? Between the receiver and transmitter? Between the eye and the tear? Are borders monuments of extinctions of human contact?

The self defines itself as bordered and limited. The moments where destructive events seem like a ruin …