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2017

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Articles 1351 - 1380 of 1559

Full-Text Articles in Art and Design

Monstrous Allure: Polyphemus In Pompeii, Glenda Swan Jan 2017

Monstrous Allure: Polyphemus In Pompeii, Glenda Swan

Art Inquiries

No abstract provided.


Front Matter Jan 2017

Front Matter

Art Inquiries

No abstract provided.


Cross Country: The Power Of Place In American Art, 1915-1950, Naomi Slipp Jan 2017

Cross Country: The Power Of Place In American Art, 1915-1950, Naomi Slipp

Art Inquiries

No abstract provided.


The West Virginia New Deal: Blanche Lazzell’S Mural In Morgantown, Kendall J. Martin Jan 2017

The West Virginia New Deal: Blanche Lazzell’S Mural In Morgantown, Kendall J. Martin

Art Inquiries

No abstract provided.


Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani Jan 2017

Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Jordan Amirkhani

Art Inquiries

No abstract provided.


Drawings For Paintings In The Age Of Rembrandt, Saskia Beranek Jan 2017

Drawings For Paintings In The Age Of Rembrandt, Saskia Beranek

Art Inquiries

No abstract provided.


Insecurities: Tracing Displacement And Shelter, Elizabeth Berkowitz Jan 2017

Insecurities: Tracing Displacement And Shelter, Elizabeth Berkowitz

Art Inquiries

No abstract provided.


Arts: A Guide For Conservators, Curators, And The Curious, Kari Rayner Jan 2017

Arts: A Guide For Conservators, Curators, And The Curious, Kari Rayner

Art Inquiries

Book review of Arts: A Guide for Conservators, Curators, and the Curious, by Roy S. Berns.


Artemisia Gentileschi E Il Suo Tempo (Artemisia Gentileschi And Her Times), Marjorie Och Jan 2017

Artemisia Gentileschi E Il Suo Tempo (Artemisia Gentileschi And Her Times), Marjorie Och

Art Inquiries

No abstract provided.


Marilyn Minter: Pretty/Dirty, Susan Richmond Jan 2017

Marilyn Minter: Pretty/Dirty, Susan Richmond

Art Inquiries

No abstract provided.


Dispatches, Sunny Spillane Jan 2017

Dispatches, Sunny Spillane

Art Inquiries

No abstract provided.


Shattered Landscapes: Revolutionary Ruins In The Virginian Watercolors Of Benjamin Henry Latrobe, Julia A. Sienkewicz Jan 2017

Shattered Landscapes: Revolutionary Ruins In The Virginian Watercolors Of Benjamin Henry Latrobe, Julia A. Sienkewicz

Art Inquiries

No abstract provided.


An Interview With Eloisa Guanlao, Karissa Bushman Jan 2017

An Interview With Eloisa Guanlao, Karissa Bushman

Art Inquiries

No abstract provided.


Architecture And Memory In Jacques-Louis David’S Sabine Women, Heidi E. Kraus Jan 2017

Architecture And Memory In Jacques-Louis David’S Sabine Women, Heidi E. Kraus

Art Inquiries

No abstract provided.


Back Matter Jan 2017

Back Matter

Art Inquiries

No abstract provided.


American Women Artists, 1935-1970: Gender, Culture, And Politics, Lucy Curzon Jan 2017

American Women Artists, 1935-1970: Gender, Culture, And Politics, Lucy Curzon

Art Inquiries

Book review of American Women Artists, 1935-1970: Gender, Culture, and Politics, edited by Helen Langa and Paula Wisotzki.


After Caravaggio; Caravaggio And The Creation Of Modernity, Donald Schrader Jan 2017

After Caravaggio; Caravaggio And The Creation Of Modernity, Donald Schrader

Art Inquiries

Book review of After Caravaggio, by Michael Fried, and of Caravaggio and the Creation of Modernity, by Troy Thomas.


Art Inquiries, Xvii:2, Full Issue Jan 2017

Art Inquiries, Xvii:2, Full Issue

Art Inquiries

No abstract provided.


Freshwater Migration, Zoe Yeoh Jan 2017

Freshwater Migration, Zoe Yeoh

The Mercury

No abstract provided.


Bust, Palette, And Glass Jars, Josephine Meier Jan 2017

Bust, Palette, And Glass Jars, Josephine Meier

The Mercury

No abstract provided.


Tools And Crafts, The Terminology Of Textile Manufacturing In 1st-Millennium Bc Babylonia, Louise Quillien Jan 2017

Tools And Crafts, The Terminology Of Textile Manufacturing In 1st-Millennium Bc Babylonia, Louise Quillien

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

What did sheep shears in the 1st millennium BC Babylonia look like? We are not sure. Many cuneiform texts were written about textile work in Babylonia, but it was largely about administration or accounting. There were hardly any descriptions of the actual tools and processes. In this article we go back over the words, the iconography, and the archaeology in an attempt to find these missing descriptions. This study is limited to Babylonia during the 1st millennium BC, and this period correspond to a state of the Akkadian language, called Neo-Babylonian. At these times, major evolution took place. Mesopotamia entered …


Garments, Parts Of Garments, And Textile Techniques In The Assyrian Terminology: The Neo-Assyrian Textile Lexicon In The 1st-Millennium Bc Linguistic Context, Salvatore Gaspa Jan 2017

Garments, Parts Of Garments, And Textile Techniques In The Assyrian Terminology: The Neo-Assyrian Textile Lexicon In The 1st-Millennium Bc Linguistic Context, Salvatore Gaspa

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

At its political and territorial apex in the 8th and 7th centuries BC, Assyria developed into an imperial society characterised by the coexistence of languages and cultures of various origins. The policy of deporting and resettling conquered peoples across the Empire’s territory caused the spread of the Aramaic language and alphabetic script as well as the use of Aramaic as a co-official language alongside Akkadian. The linguistic change caused by these events in the Empire’s core territory emerges from the late stage of the Assyrian dialect, which shows the impact of Aramaic on various grammatical and lexical elements of the …


Textile Terminologies, State Of The Art And New Directions, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch Jan 2017

Textile Terminologies, State Of The Art And New Directions, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The first published volume dedicated to the diachronic study of ancient textile terminologies gathered contributions on Semitic and Indo- European studies based on texts dated mainly to the 3rd and 2nd millennium BC.1 It provided a rich body of data and the first steps in elaborating a methodology of how to analyse textile terminologies and technologies according to various categories. Yet, it also highlighted the problems that were encounter in such studies. For example, some areas such as Greece, Italy, Anatolia and Italy are rich in texts providing numerous textile terms but do not yield many ancient textiles, which can …


List Of Contributors Jan 2017

List Of Contributors

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The 42 contributors include Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch, Elena Soriga, Louise Quillien, Luigi Malatacca, Nahum Ben-Yehuda, Christina Katsikadeli, Orit Shamir, Agnes Korn, Georg Warning, Birgit Anette Olsen, Stella Spantidaki, Peder Flemestad, Peter Herz, Ines Bogensperger, Herbert Graßl, Mary Harlow, Berit Hildebrandt, Magdalena Öhrman, Roland Schuhmann, Kerstin Droß-Krüpe, John Peter Wild, Maria Mossakowska-Gaubert, Julia Galliker, Anne Regourd, Fiona J. L. Handley, Götz König, Miguel Ángel Andrés-Toledo, Stefan Niederreiter, Oswald Panagl, Giovanni Fanfani, Le Wang, Feng Zhao, Mari Omura, Naoko Kizawa, Maciej Szymaszek, Francesco Meo, Felicitas Maeder, Kalliope Sarri, Susanne Lervad, and Tove Engelhardt Mathiassen.


Sha’Atnez – The Biblical Prohibition Against Wearing Mixed Wool And Linen Together And The Observance And Enforcement Of The Command In The Orthodox Jewish Communities Today, Orit Shamir Jan 2017

Sha’Atnez – The Biblical Prohibition Against Wearing Mixed Wool And Linen Together And The Observance And Enforcement Of The Command In The Orthodox Jewish Communities Today, Orit Shamir

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Jewish law forbids Sha’atnez – wearing mixed wool and linen together was forbidden for the Jewish population. The article will first explain the meaning and acronym of sha’atnez, and then review the sha’atnez textiles which were found in the Land of Israel. The possible reasons for the prohibition of sha’atnez will be presented and remarks on observance and enforcement of the law in Orthodox Jewish communities today will be made according to ethnographic investigation.2

The concept of sha’atnez: Jewish law forbids sha’atnez – wearing garments of mixed wool and linen. This is mentioned twice in the Hebrew Bible: …


Beschaffung Und Handel Mit Farbstoffen, Peter Herz Jan 2017

Beschaffung Und Handel Mit Farbstoffen, Peter Herz

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Farbstoffe sind alles andere als ein leicht zu behandelndes Thema, denn von wenigen Ausnahmen abgesehen, die die mineralischen Farben betreffen, geht die archäologische Nachweisbarkeit in der Regel fast gegen Null, was gerade für die Textilfarben sehr bedauerlich ist. Die frühesten Nachweise auf einen internationalen Handel mit Farbstoffen stammen aus dem Ägypten der 4. Dynastie. In vielen Gräbern dieser Epoche finden wir Wandgemälde aus einem ganz speziellen Blau, dem sogenannten Ägyptischen Blau. Einer der Grundstoffe war Lapislazuli oder Blaustein, ein Mineral, das noch heute in den östlichen Teilen von Afghanistan abgebaut wird. Von dort aus wurde das Rohprodukt mit Eselskarawanen bis …


Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki Jan 2017

Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The study of written sources of the Classical period (5th and 4th centuries BC) reveals the existence of a very rich vocabulary related to textile production. There are terms referring to materials, tools, manufacture and decoration techniques, colours, people and places related to textile manufacture. Many terms are quite clearly defined, while others present major difficulties in their interpretation. Usually these concern terms for tools, such as κερκίς (pin beater or shuttle) and ἡλακάτη (distaff or spindle) or terms describing fabrics with some kind of decoration. Among the decorative terms, some refer to specific decorative techniques, such as κατάστικτος (embroidered) …


Armenian Textile Terminology, Birgit Anette Olsen Jan 2017

Armenian Textile Terminology, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The part of the Armenian vocabulary that is inherited from the Indo-European protolanguage is notoriously limited, variously estimated to include between 450 and 700 stems. Otherwise, the lexicon is dominated by etymologically obscure elements and an impressive amount of Middle Iranian loanwords, reflecting the centuries of Iranian political dominance. In particular the Parthian loans, introduced during the Arsacid dynasty (247 BC-224 AD), have left their mark on the Classical Armenian language, attested from the early 5th century, to a similar extent as Old French on English or Low German on Danish, so that linguists until the late 19th century still …


Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen Jan 2017

Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Despite numerous recent studies of Italic textiles and textile production etc., no systematic study has so far been attempted regarding the textile terminology of Italic languages besides Latin. The present study seeks to remedy this, making a first step into the textile terminology of Sabellic languages, predominantly Oscan and Umbrian. There are two types of sources for Sabellic textile terminology: inscriptions and glosses in Greek and Latin literature. Both are, however, fraught with uncertainties. The glosses, as for example seen in the case of Etruscan, may have been misunderstood or misinterpreted and should be treated with due caution, and there …


Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert Jan 2017

Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …