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Pattern Research Project: An Investigation Of The Pattern And Printing Process - Volute, Abigail Deluca

Pattern Research Project

2017 Pattern Research Project

Abigail Deluca - Volute

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Abigail Deluca, VCU Interior Design BFA 2020, selected the Volute pattern for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“Volute references the design choices that reference Art Deco, …

Pattern Project - The Great Peanut Dream, Noshin Faruque

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Emily Olsen Senior Art Portfolio, Emily Olsen

Senior Art Portfolios

No abstract provided.

The Sinking Of The Abergavenny, Richard Matlak

Texts relating to the Earl of Abergavenny (ship)

This section of the screenplay Immortal Sea is a fictional representation of the sinking of the Earl of Abergevenny off the coast of England in 1805.

Strangely Dark, Unbearably Bright: From The Volto Santo To The Veronica And Beyond In The Divine Comedy, Alexa Sand

Art and Design Faculty Publications

No abstract provided.

Pattern Project - Transportation I & Ii, Grace Ditthardt

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

"Design And The Creation Of Value." Review Of Design And The Creation Of Value Written By John Heskett And Edited By Clive Dilnot And Susan Boztepe, Kenneth Fitzgerald

Art Faculty Publications

(First Paragraph) If designers have a central precept, it's that their activity creates economic value for commercial interests, which practitioners regard as their predominant purpose. Within design, even among students, this pecuniary capacity is considered self-evident. But the eternal lament among design professionals is that business isn't grasping this certainty, or only does so erratically. Design is largely regarded by the outside world as a frivolous afterthought.

Alex Velicer Senior Art Portfolio, Alex Velicer

Senior Art Portfolios

No abstract provided.

Official Rebrand And The Importance Of Queer Adornment, Mi Leggett

Honors Papers

In altering and regenerating, I strip clothes from gendered confines. This reuse explores the value of originality and reinterpretation. This action is also one of empowerment in its disregard for the typical sanctity of consumer products. Furthermore, renewing old clothing references the psychological, political, and environmental consequences of excessive accumulation and consumption.

The parallel practices of art and fashion in my work inform each other in both their material and the contemplation of fashion's function. My fascination with the meaning behind personal style derives from how what we wear signifies, particularly within the queer communities of which I am a …

Katie Vogel Senior Art Portfolio, Katie Vogel

Senior Art Portfolios

No abstract provided.

Maria Deau Senior Art Portfolio, Maria Deau

Senior Art Portfolios

No abstract provided.

Becky Ratajczyk Senior Art Show, Becky Ratajczyk

Senior Art Portfolios

No abstract provided.

Kerry Galvin Senior Art Portfolio, Kerry Galvin

Senior Art Portfolios

No abstract provided.

Rose Gilderson-Duwe Senior Art Portfolio, Elizabeth Gilderson-Duwe

Senior Art Portfolios

No abstract provided.

Posada: José Guadalupe Posada And The Mexican Penny Press, Schmucker Art Gallery

Schmucker Art Catalogs

José Guadalupe Posada (1852–1913) was one of Mexico’s most influential political printmakers and cartoonists. Posada produced an extensive body of imagery, from illustrations for children’s games to sensationalistic news stories. He is best known, however, for his popular and satirical representations of calaveras (skeletons) in lively guises, who have become associated with the Día de los Muertos (Day of the Dead) celebrations. Posada’s prints shaped generations of Mexican artists including the muralists Diego Rivera and José Clemente Orozco. This exhibition features a range of prints and print media including calaveras, chapbooks, political prints, devotional images, and representations of natural disasters …

Inspiration Versus Exploitation: Traditional Cultural Expressions At The Hem Of The Fashion Industry, Elizabeth M. Lenjo

Marquette Intellectual Property Law Review

The fashion industry is a multitrillion dollar global industry. In 2016, consumers in the United States of America alone, spent almost $380 billion on apparel and footwear. Some may deride the fashion industry as lacking substance and mere “fluff,” but the numbers validate that it is important and extremely valuable “fluff.” After all, clothing and footwear are human necessities and are the main output from this sector that spans from high-end luxury brands to low-end necessities.

Clothing and fashion help define a culture and reflect individual identity. Throughout most of human history, regional variations in style and clothing served as …

Advancing Design Thinking Towards A Better Understanding Of Self And Others: A Theoretical Framework On How Buddhism Can Offer Alternate Models For Design Thinking, Meredith James

Schnitzer School of Art + Art History + Design Faculty Publications and Presentations

In advancing the design discipline, two key themes repeatedly emerge: design's move away from materialism and augmenting better problem-solving skills through self-awareness. The first anchors design in a process rather than a product, something that is native to the concept of design thinking. The second anchors the designer in ethics. Designers who have a strong sense of self-awareness, understanding their own roles, biases and influences and the larger contexts they inhabit, are overall better equipped to solve problems. If we continue to advance design away from materialism and towards self-awareness, what models can we follow in this change?

Blanket Statements, Issue 132, Winter 2017–2018

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 132, Winter 2017–2018

Walking Code, Conor Mcgarrigle

Articles

This paper describes an early stage research project that seeks to apply Situationist concepts of psychogeography to urban walking as artistic and activist practice. The project seeks to ultimately create a syntax that can be used to describe and codify the subjective spatial practice of walking in the city. This process is a conceptual and discursive exercise to generate new knowledge about urban space as embodied data space that seeks to create a practical open framework that can be deployed to algorithmically generate walking experiences tailored toward specific desires and activities.

This will be achieved through the development of algorithmic …

Changing Face, Saving Face, Josephine Ren, Special Collections, Fleet Library

Artists' Books

6 unnumbered pages : chiefly color illustrations. Title from front and back cover. "Designed, printed, and bound by Josephine Ren at the Scripps College Press for Art135: Typography and Book Arts, Fall 2017, taught by Tia Blassingame. Accordion fold, Garamond, linoleum-cut blocks, BFK Rives & Hahnemueler paper, Vandercook."--Colophon. "Inspired by love for my culture and the immigrant & Chinese American experience."--Colophon. Edition of 15 signed and numbered copies. Pages [2]-[5] each have a single illustration of a mask which can be removed to reveal printed text. Library has copy no. 11. Instructor is RISD Alumna. Curated title for Fleet Library …

Dance Party With The Girls Of Starshaped Press, Jennifer Farrell, Special Collections, Fleet Library

Artists' Books

6 unnumbered leaves : illustrations . "Edition of 50. Fall 2017" "Printed on Mohawk paper Curious Collection Matter 'black truffle' & Curious Collection Metallics 'lustre'" Prints printed in silver and black on black paper. Liner notes/colophon page printed on silver paper. Final leaf is blank. Includes a line of song lyrics with each 'girl' print.

Ziggy Book, Sabina Futch, Fleet Library, Special Collections

4th Student Artists' Book Contest 2018

No abstract provided.

Sometimes The Thing You Want Bleeds In The Light, Travis Morehead, Fleet Library, Special Collections

4th Student Artists' Book Contest 2018

Printing History Award

Bitcoin: The Goldrush Of The 21st Century, Arjun Shah, Fleet Library, Special Collections

4th Student Artists' Book Contest 2018

No abstract provided.

Textile Terminology In Old High German Between Inherited And Loan Words, Roland Schuhmann

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

A particular language consists of course not only of words inherited from its respective parent language but contains also a certain amount of loan words (however, this amount differs depending on the respective language). This universal principle then also holds true for the speakers of the Germanic languages. The vocabulary of the Germanic languages includes not only the lexicon inherited from Proto‑Indo‑European but a range of languages later on heavily influenced it. In the times before the documentation of the Germanic languages, the two most important sources that influenced the Germanic lexicon were Celtic and (prolonged) Latin. Influence in the …

Terminology Associated With Silk In The Middle Byzantine Period (Ad 843-1204), Julia Galliker

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

During the 1st millennium AD, silk became the most desirable fibre in the Mediterranean region. While the expansion of silk production and consumption is widely acknowledged, specific features of the industry’s development are more difficult to discern. Chroniclers had little reason to document silk manufacturing processes, and producers were not inclined to record or publicise their trade secrets. Historical knowledge of silk comes mainly from accounts of its consumption in a variety of forms and contexts.

For the middle Byzantine period (AD 843-1204), the two most elaborated sources associated with silk date from the 10th century. The Book of the …

The Textile Term Gammadia, Maciej Szymaszek

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper aims to investigate the origin of the term gammadia by determining the oldest examples of its use both in source texts and secondary literature.1 For nearly four centuries this term was commonly applied to the various motifs on mantles of figures represented in art of the 1st millennium AD.2 These right-angled and letter-like signs attracted the attention of several authors who were seeking to explain their possible symbolic meaning, but they did not pay attention to the correctness of the term adapted to name such motifs.3 This approach contributed to the terminological confusion and difficulties in understanding the …

Pattern Research Project: An Investigation Of The Pattern And Printing Process - Layers Vineyard, Jasmine Zheng

Pattern Research Project

2017 Pattern Research Project

Jasmine Zheng - Layers Vineyard

The Pattern Research Project involves research and analysis of contemporary patterns found in the textiles and wallcoverings of the built interior environment. Patterns use motif, repetition, color, geometry, craft, technology, and space to communicate place, time, and concept. Through this research and analysis, built environments - their designers, occupants, construction, and context - can be better understood.

Jasmine Zheng, VCU Interior Design BFA 2020, selected the “Layers Vineyard” pattern by Hella Jongerius for Maraham for the 2017 Pattern Research Project. The text below is excerpted from the student’s work:

“This was …

Pattern Project - Days In Hong Kong, Tonyee Ng

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …

Pattern Project - Eyes, Kathleen Gardner

Pattern Project

The Pattern Project explores the process of developing visual patterns, intended for the built interior environment, through both hand and digital crafts. Inspirations evolve into pattern concepts that inform message and intention. The intended message then informs motif, color, density, composition, line, repetition, hierarchy, and texture. Drawing from history, designers assess the role of pattern within the built environment and its connection to architecture and building occupants. Traditional handcrafts have evolved and are now used in contemporary processes while new digital crafts have emerged as pattern-making tools. The patterns developed through the Pattern Project were produced to scale on paper …