Art and Design Commons^™

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor

PCAL Publications

No abstract provided.

Techno File: Pyrometric Cones, Tina M. Gebhart

Art and Art History Faculty Publications

A pyrometer measures temperature, but pyrometric cones measure heatwork. What is a cone, how does it work, and what does any of this have to do with synchronized swimmers? [excerpt]

The Lantern, 2013-2014, Isabella Esser Munera, Rayna Nunes, Blaise Laramee, Chukyi Kyaping, Bobbi Stone, Erica Gorenberg, Anne Rus, Dana Kluchinski, Arthur Robinson, Emily Duffy, Jane Lee, Leah Garrity, Brian Thomas, Michele Snead, Melanee Piskai, Chloe Kekovic, Kevin Moore, Codey Young, Dominick Knowles, Richard Schulz, Quinn Gilman-Forlini, Collin Takita, Amanda Sierzega, Mara Koren, Epiphany Summers, Caitlin Jackson, Benjamin Jones, Joshua Hopkins-Desantis, Rebecca Galarza, Kelsey Knowles, Aubrey Atkinson, Michael Heimbaugh, Sophie Zander, Kendal Conrad, Nora Sternlof, Henry Willshire, Elijah Kineg, Joshua Hoffman, Maxwell Bicking, Andrew Tran, Arthur Robinson, Nicolas Shandera, Grace Buchele Mineta, Meaghan Geatens, Nina Petry, Sean Dolan, Kayla Sallada '17, Sam Cermignano

The Lantern Literary Magazines, 1933 to Present

• Strikes
• Pietro di Venezia
• To the Lover of Small Things
• Jim's Big Day
• Akademiks
• Redamancy
• A Love Poem for Arctia Caja
• Mother River
• The Lyrics to Your Song
• Nerves
• Gemini Season
• White Interface
• The Last Time I Played with Dolls
• The Mechanic
• My Goldfish
• Put Down Your Hammer
• Strip
• Hollywood
• Identity
• The Grey Zone
• Sophia
• When I Became a Poet
• Unbroken
• The Veteran Aeronaut
• I Have Running Water but They had the Stars
• Not …

Satori 2014, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

Carrying Water: A M.F.A. Thesis Exhibition By Aaron Sober, Aaron M. Sober

School of Art, Art History, and Design: Theses and Student Creative Work

For all of us, everyday life is punctuated by moments of victory, defeat, pride, and vulnerability. The process of welcoming gain and tolerating loss is a basic lesson in proportionality. My work is a personal reckoning with the contradictions that define this very human experience. Through animal imagery, symbol, and metaphor I explore the unpredictable circumstances that form a life lived.

We engage with, and understand our own place in the world through stories. By doing so, the avatars we create reflect the scope of our experiences, both sublime and damaged. The animal protagonists who inhabit my work are placeholders …

Form In Place, Normandy Alden

School of Art, Art History, and Design: Theses and Student Creative Work

There is a 200 acre farm in central NY state where I am building a house, a business, a family, a life. My vision for these extends beyond my own capabilities and lifespan. It is a vision of elegance, simplicity and utility. My pots are reflections of this vision, and embody the qualities of the life I seek. They are both exuberant and quiet, expansive and constrained.

The landscape surrounding my farm swoops and recedes with grace. Lines of windrows curve over hayfields, beautifully articulating undulations in topography. Nothing about this agricultural landscape is incidental. The lines and textures I …

Serpentine Imagery In Nineteenth-Century Prints, Paula A. Rotschafer

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis explores images of sea serpents in nineteenth-century print culture that reflect an ongoing effort throughout the century to locate, capture, catalogue, and eventually poeticize the sea serpent. My research centers primarily on the sea serpent craze that occurred within the New England and Mid-Atlantic states between 1845 and 1880 and examines the following three prints: Albert Koch’s Hydrarchos, a fossil skeleton hoax, printed in an 1845 advertisement by Benjamin Owen, a book and job printer; an 1868 Harper’s Weekly illustration titled The Wonderful Fish; and Stephen Alonzo Schoff’s etching, The Sea Serpent from 1880, based on …

A Language In Becoming, Camille C. Hawbaker

School of Art, Art History, and Design: Theses and Student Creative Work

Words as I have known them are evolving concepts in the landscape of human language, where the meanings of words are interwoven with layers of history and culture. The boundaries of language are defined by words, and around the edges are instinctive sounds that precede and exceed meaning. These sounds are an interrupting force that unsettles the linguistic structure. We often use them for expression in the form of sobs, grunts, moans, murmurs, chants, obscenities and exclamations. They appear in times of spontaneous emotion that words cannot convey. They can also be used purposely, poetically, “…to shatter [one’s] judging consciousness …

Textile Society Of America Newsletter 26:2 — Spring 2014, Textile Society Of America

Textile Society of America: Newsletters

Special Symposium Issue
[New Directions: Examining the Past, Creating the Future, 2014 Biennial Symposium, September 10–14, 2014, Los Angeles, California]

Manual / Issue 2 / Lorem Ipsum, Amy Pickworth, Editor, S. Hollis Mickey, Editor, Sarah Ganz Blythe, Editor, James Allen, Alison W. Chang, Kenneth Goldsmith, Daniel Harkett, Cyrus Highsmith, Jan Howard, Kate Irvin, Antoine Revoy, Nancy Skolos

Journals

Manual, a journal about art and its making. Lorem Ipsum.The second issue. In potently meaningful and deliberately meaningless ways, this issue, “Lorem ipsum,” celebrates text. The standard placeholder text used by designers and printers, lorem ipsum isn’t really Latin. Mangled over centuries of use, the passage has become meaningless and untranslatable—and yet it is highly useful in that in its incomprehensibility, it occupies space. Over the centuries and across many inventions and innovations in type and printing, lorem ipsum has acted as a space filler and form shaper in conventional printing, desktop publishing, and electronic typesetting. Join us as …

A Collection: Simulations Of The Home, Liana M. Owad

School of Art, Art History, and Design: Theses and Student Creative Work

The collection of objects of which a home is comprised changes and grows over time. We inherit furniture and accumulate these pieces to create our own particular atmosphere of home. Our furniture and belongings range from handmade articles to store bought manufactured items. These items we live with everyday perform several different roles. A dining room table does not only have the function of serving food, but is also embedded with the memories of many family dinner conversations. Objects in the home have this layered purpose of utilitarian function and placeholder for memories.

After moving away from home, I drew …

Blanket Statements, Issue 115, Spring 2014

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 115, Spring 2014

In The Air Tonight: An Uncommon Interface For Common Concern, Maggie Chan, Dave Colangelo, Patricio Davila, Robert Tu

School of Film Faculty Publications and Presentations

This paper is concerned with addressing social concerns with large-scale, multi-modal media art that uses digital networks, reactive architecture, and the city as semiotic resources. As artists and designers who are involved in socially engaged practice, we see an important role in foregrounding political and social issues through networks and architecture, negotiating and furnishing access to both while shaping compelling interfaces that allow people to contribute by amplifying an area of common concern. We discuss some previous work by Davila and Colangelo and focus on our latest project, In The Air, Tonight, which aims to visualize local wind patterns combined …

Zenventures: Unwind Your Imagination With Guided Meditation, Darlene Kent

Creativity and Change Leadership Graduate Student Master's Projects

This project was designed to create guided meditation to enhance creativity. Research was done to gather information on guided imagery, meditation and storytelling to gain a strong understanding of meditation in general, and to determine the themes of the various meditations. The guided meditations for this project were called, Zenventures, a combination of peace and adventure. The guided mediations take the person on a journey where they connect to their creative potential. A success plan was created to ensure the project stayed on track. There were several outcomes from the project: seven written meditations, seven Zenventures (recorded meditations with music), …

Taking In: The Best Of Undergraduate Photography 2014, Lucad Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2014. The book in your hands is the end result of a collective effort by those in the class.

Improvisational Artistry In Live Dance Performance As Embodied And Extended Agency, Aili W. Bresnahan

Philosophy Faculty Publications

This paper provides an account of improvisational artistry in live dance performance that construes the contribution of the dance performer as a kind of agency. Andy Clark’s theory of the embodied and extended mind is used in order to consider how this account is supported by research on how a thinking-while-doing person navigates the world.

I claim here that while a dance performer’s improvisational artistry does include embodied and extended features that occur outside of the brain and nervous system, this can be construed as “agency” rather than “thought.” Further I claim that trained and individual style accounts for how …

Vern Blosum’S Fifteen Minutes, Damon Willick

Art History Faculty Works

No abstract provided.

Gloria (Love Seat Design), Lia Serapiglia

FACS Undergraduate Scholarship

My inspiration for this love seat was the beautiful mountain sunsets we see almost every day at Liberty University. I love how the dark mountains stand out against the brilliant oranges, pinks, and purples of the sky. I chose to add the curvature of the backrest to resemble the rise and fall of the mountains. While this is a fun design element it also helps to clearly define the two seats of the chair. I chose not to use legs for this piece of furniture as legs would make it easier for things to roll underneath. From my experience as …

Volume 06, Kristen Gains, Amanda Willis, Holly Backer, Monika Gutierrez, Cara O'Neal, Sara Nelson, Sasha Silberman, Jessica Beardsley, Jamie Gardner, Edward Peeples, Matthew Sakach, Tess Lione, Emily Wilkins, Kelsey Holt, Jessica Page, Jamie Clift, Charles Vancampen, Gilbert Hall, Jenny Nehrt, Kasey Dye, Amanda Tharp, Jamie Leeuwrik, Ashley Mcgee, Emily Poulin, Michael Kropf, Nick Pastore, Austin Polasky, Morgan Glasco, Laura L. Kahler, Melinda L. Edwards, Brandon C. Smith, Mariah Asbell, Cabell Edmunds, Amelia D. Perry, Alyssa Hayes, Irina Boothe, Perry Bason, James Early

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Caught Between Folklore and the Cold War: The Americanization of Russian Children's Literature by Kristen Gains

Graphic Design by Amanda Willis

Graphic Design by Holly Backer

Prejudices in Swiss German Accents by Monika Gutierrez

Photography by Cara O'Neal

Photography by Sara Nelson

Edmund Tyrone's Long Journey through Night by Sasha Silberman

Photography by Jessica Beardsley

Photography by Jamie Gardner and Edward Peeples

The Republican Razor: The Guillotine as a Symbol of Equality by Jamie Clift

Graphic Design by Matthew Sakach

Genocide: The Lasting Effects of Gender Stratification in Rwanda By Tess Lione and Emily …

Sonnet 130, Ran Zheng, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

The Art Of Survival: Bengali Pats, Patuas And The Evolution Of Folk Art In India, Pilar Jefferson

Independent Study Project (ISP) Collection

The process of becoming a part of a globalized world has made India as a nation worry about what makes it culturally unique. Since the beginning of its relationship with Britain folk artists in particular have been directly connected to cultural preservation efforts in India. The impetus to preserve this uniqueness usually falls on rural folk cultures, whose traditions change more slowly because they have less access to modernizing influences. The problem with idealizing the static nature of folk art is that it keeps the artists from improving their lives, at the risk of abandoning their work to seek out …

Leonard Knight 1931-2014, Jo Farb Hernandez

Faculty Publications

No abstract provided.

Immaterial Traditions: Evolving Values In The Practice & Preservation Of Bhutanese Calligraphy, Madeline Johnson

Independent Study Project (ISP) Collection

Lying somewhere between art, craft and document, the place of calligraphy in Bhutanese culture is difficult to singularly define: individual practice and motivation conform to the predetermined aesthetic of alphabets, and creativity serves the pragmatic end of documentation. In Bhutan's ancient history, the art of handwriting developed out of necessity, used for religious records and correspondences Bhutanese society, given the convenience of digital text. While cultural preservation has been a political imperative in Bhutan since the 1960's, the preservation of traditional crafts is mostly limited to those that appeal to increasing tourist market. While the active preservation of Bhutan's unique …

The Sacred Practice Of Patra, Rob Granfelt

Independent Study Project (ISP) Collection

This study was conducted at the National Institute for Zorig Chusum in Thimphu, Bhutan in April, 2014. The majority of the study was a full-time enrollment in the school’s carving program, meeting 6 days per week and taking classes with the second year carving students. Along with learning the techniques and methods of Bhutanese woodcarving, I sought to understand the socio-cultural importance of woodcarving in Bhutan both historically and contemporarily. In addition to a cultural analysis, this study attempts to locate the Institute within a rapidly developing Bhutan, seeking to understand the ways in which it is maintaining traditional means …

New Naturalists, Francie Latour, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

Artists Tavares Strachan 03 GL and Sophia Sobers MFA 13 DM tap into scientific authority in commenting on our evolving relationship with nature.

Revolutions In Making, David Rejeski, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

With bio- and nanotech breakthroughs radically changing how things are made, David Rejeski 73 ID asks what it means to be a designer in the 21st century.

Seductively Solar, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

Under the direction of project lead Jonathan Knowles BArch 84M, RISD is entering a prototype for a net-zero home in this summer’s Solar Decathlon Europe.

Humanimalia, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

No one paints wild animals quite like Walton Ford 82 FAV, whose unsettling twists on traditional natural history are now on view in a NYC solo show.

Risd Xyz Spring/Summer 2014: Natural Instincts | Full Issue, Liisa Silander, Risd Xyz

RISD XYZ Spring/Summer 2014: Natural Instincts

"As ANIMALS, WE'RE ALL PART OF NATURE, sharing DNA with fish, trees, rocks—everything that came to be with the big bang. We’re also dependent on nature for everything: water, oxygen, food, life. And as the animals currently at the top of the food chain, we’re responsible for respecting and caring for it, too...

So what do we do when faced with both the fury and fragility of nature? Do we shrug it off, thinking: “the planet is ruined and we’re screwed,” as Associate Professor Damian White asks (page 52)? Or do we take science seriously and recognize that …

Volume 9, Issue 2: Full Issue

Manuscripts

Full issue of the January 1942 issue of Manuscripts. Includes work by: Joan Fuller, Jack Kilgore, Fred W. Michel, Betty Murnan, Isadore Camhi, Mary Wiley, Jeanne Gass, Alfred Brown, Ione Colligan, Jack Retherford, Catherine Cunningham, R. Gordon Moores, Alice J. Fisher, Norma Jackson, Thelma De Boer, Betty Lee Snyder, John Gumerson, Richard Jowitt, William Hickson, Bob Harris, Rachel Whelan, Edward N. Redfield, Anshelm Schultzberg, Willard L. Metcalf, and John Bundy.