Art and Design Commons^™

And Not To Yield, Lisa Nowak

Manuscripts

Harry Theobald, formerly called Ulderico Theobaldi, entered the kingdom of God today at 11:02 a.m. having lived his life with all the vigor he possessed. At age 76, he died of leukemia at the Golden Hills Nursing Home, leaving three children and three granddaughters the deed to his warm spirit. Included in his will was a document citing three basic inheritances--faith, hope, and love--to be practiced with positive consideration and serious contemplation in his remembrance.

Doughnuts At Night, Michael Martone

Manuscripts

Open, it says, all night.
the tacky lights talk
flicking around the yawning O
and the open hole of the doughnut.
a planet peers through.

Indian Summer, Noel Wyatt

Manuscripts

As the blood red sun began to sink, a silhouette broke the painted scene. It approached the Apache Reservation roaring like the Father Wind on a winter day. The beast seemed to shout its name above its own voice; across its shiny hood "Lincoln" defied any opponent.

A Fourtwothreelegs Poem, Ed Shacklee

Manuscripts

The first grade teacher greeted
with simplicity the coming of the Day

Untitled, Alice Monds

Manuscripts

He took an old Barlow knife from his pocket and eased into the cane bottom chair, tipping it back on two legs against the low stone fence. Methodically, he drew the gleaming blade across a fragrant block of red and yellow cedar. His gnarled, weathered hands moved deftly. He worked intently for some time, honing the block to a soft roundness and piling thin light curls of cedar around his feet. He peered at his companion from singular eyes set below incredibly unmanageable gray brows.

Of Sap And Tears, Diane Hale

Manuscripts

I sit in the woods
and watch the stream
admiring the trees as they ripple and flow
Waves sweep us in,
lulled into dream-sleep,
carrying us away--
content to settle beneath the gentle caress
certain to end as we began

Battle, Bob Sullivan

Manuscripts

Wet from the cold March rain, the white paint glistens fresh. It is almost as if the barn has been swept by a snowstorm of Elmer's Glue. In contrast to the radiant purity of this barn, the soil of the farm is a tiring alternation of milky gray and soggy brown. Tattered stubs of once-green corn cling to the ground in haggard remnants of narrow rows. Like the littered aftermath of Gettysburg, this land is hallowed--Mother Earth. The farmer sees himself as the victor. He has tamed the cycle with civilized plastic machinery.

Avatar, Mary Harter

Manuscripts

You see her in the supermarket every day. She wears size 14, stretch pants (that advertise plainly why she needs the stretch) and a matching print blouse. She wears them with tennis shoes.

A Child's Viewpoint, Alice Monds

Manuscripts

She beckoned to me, and with much apprehension I entered the door of the shabby unpainted house. Inside, the room was small and dark and almost the entire space was taken up by a big metal-framed bed which stuck out into the middle of the room. A ragged upholstered chair in one corner and a small pot-bellied stove in the other completed the furnishings. The windows, uncurtained, were filthy and one was covered with pieces of a cardboard box where the pane had been broken out.

The Surrender, Diane Hale

Manuscripts

Light revolves
patterning grey age faces
in flashing momentary brilliance--
exposing shadow dreams
of victorious kingdoms
built in bottle caps
the shrapnel of hope's treachery--
to be swept away with
debris of belief

The Hairy Arms Poem Or The Love Song Of J. Alfred Poofrock, Mary Harter

Manuscripts

I have encountered "The Love Song of J. Alfred Poofrock" in three different college English classes taught by three different teachers. They all agree that T. S. Eliot wrote the poem. On everything else they disagree.

Heat Lightning At Night, Michael Martone

Manuscripts

mute mimic,
the splashing spark

The Fine Art Of Ineptitude, Sue Winemiller

Manuscripts

Each of us knows at least one of them. They are perched before easels duplicating the spring's emerald meadows and the autumn's turbulent skies. Clad in leotards, they pirouette and pas de buerre their souls into the "Nutcracker Suite," while their colleagues entrance the audience with skill in the orchestra pit. Not content with a monopoly of the fine arts, their type is found fashioning Christmas angels from empty toilet paper rolls, making doll houses out of old cereal boxes, and whipping together gourmet dinners from cans of Campbell's Chicken Noodle Soup. I speak of my personal nemesis, the artist--one …

Definition Of Poetry, Lynn Z. Bloom

Manuscripts

Once
I took a course in aesthetics:
Three hours credit
If I could learn
What a poem was.

Untitled, Carol Thornton

Manuscripts

The ugly, hairless, pink snout was arched skyward, head trembling in weak defiance. Rivulets of creamy, yellow mucous flowed thickly from the unseeing eyes.

An Initiation (There Are No More Somedays...), Mike Swarzman

Manuscripts

"Come on son, today's the day we find the perfect piece of wood, strong, yet easy to carve--come on."

Scott refocused his eyes on his father who stood over his bed.

"Come on son, let's go."

The brown haired blur moved again, and Scott, full of expectation, dressed quickly and hurried to the door.

Front Matter

Manuscripts

Front matter includes: front cover, table of contents, and masthead.

Bilingual Typography: Study Of The Linguistic Landscape Of Jeddah, Kingdom Of Saudi Arabia, Shayna Tova Blum

Faculty and Staff Publications

Abstract: With the rise of globalization and the spread of Western culture across the globe, the use of English as an “international” language is often represented in bilingual and multilingual typographic signage. Throughout the Middle East North Africa and the Gulf region, the integration of Arabic and Latin letterforms is commonly viewed within the signage of storefronts, street signs, advertising billboards, and informational materials. This paper explores the use of bilingual/multilingual typography within the linguistic landscape of Jeddah, Saudi Arabia.

The Land Scouts: Guide Book, Katie D. Ries

Faculty Creative and Scholarly Works

The Land Scouts promote modern land stewardship and are open to all. The Guide Book gives an overview of the scouts as well as information on getting started earning badges and hosting a troop.

Fall 2014, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

Traditional, Transitional, And Contemporary Approaches To Textile Printing In Ghana, Le’Ecia Farmer

Independent Study Project (ISP) Collection

Objectives:

• to learn the practical methods involved in traditional, transitional, and contemporary design and textile printing in Ghana
• to gain an understanding of the history and social aspects of printed textiles, design, and symbols.

Methodology: My methodology involved interviews, participatory research, observation, and literature research. I interviewed a traditional Adinkra printer, a Teaching Assistant and previous textile design student, a screen technician at KNUST and a screen technician at Ntonso.

Findings: I collected information about processes involved in traditional, transitional, and contemporary design and printing. I learned that the method of printing traditional Adinkra at Ntonso village where stamps and …

Needlecraft Encyclopedia, Kyung Won Moon, Special Collections, Fleet Library

1st Student Artists' Book Contest 2015

Undregraduate student. Year of Graduation: 2016. Major: Sculpture. Class: Drawing All to Itself. Faculty: Simonette Quamina.

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor

PCAL Publications

No abstract provided.

Ua68 Arts & Letters :The Magazine Of Potter College At Western Kentucky University, David Lee, Dean, Kelly Scott, Managing Editor

PCAL Publications

No abstract provided.

Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik

Schmucker Art Catalogs

What is art historical study and how it should be carried out are fundamental questions the exhibition Method and Meaning: Selections from the Gettysburg College Collection intends to answer. This student-curated exhibition is an exciting academic endeavor of seven students of art history majors and minors in the Art History Methods course. The seven student curators are Shannon Callahan, Ashlie Cantele, Maura D’Amico, Xiyang Duan, Devin Garnick, Allison Gross and Emily Zbehlik. As part of the class assignment, this exhibition allows the students to explore various art history methods on individual case studies. The selection of the works in the …

Wish You Were Here, Hiroshige (2014), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"As if responding to the call of the exhibition title ...(someone in the class sensed the artist’s personal invitation), a group of RISD students undertook a virtual journey through space and time to Edo period Japan. For a duration of a semester the entire class plunged directly into the midst of the Tokaido world, mixing with all kinds of travelers and local residents, learning their customs and manners, trying out various travel modes and road-side services, exploring every bend of the road, in winter and summer, at dawn and dusk, in sunshine and violent storm. ...

“Wish you were here,” …

Textile Society Of America Newsletter 26:3 — Fall 2014, Textile Society Of America

Textile Society of America: Newsletters

Letter from the President
Exciting Collaborations Lead to New Membership Benefits Valued at Over $110
Save the Date: Announcing Textiles Close Up 2015
Introductions & Welcome: New Members of the 2014–2016 Board of Directors
Symposium Highlights: Individuals' Reflections on the 14th Biennial Symposium
2013 Recipient: R. L. Shep Ethnic Textile Book Award
Founding Presidents Awardees at the 14th Biennial Symposium
Andrea Donnelly Honored with 12th Brandford/Elliott Award at Textile Symposium
Post-Symposium Tour Review: Kay Sekimachi Retrospective & Asian Textiles at the Mingei, Balboa Park, San Diego
TSA's Inaugural Juried Exhibition, Hosted by the Craft & Folk Art Museum in Los …

Manual / Issue 3 / Circus, Amy Pickworth, Editor, Sarah Ganz Blythe, Editor, S. Hollis Mickey, Editor, Gina Borromeo, Alison W. Chang, Michelle Clayton, Jim Drain, Daniel Heyman, Andrew Martinez, Ellen Mcbreen, Thangam Ravindranathan, Rebecca Schneider, Susan Smulyan, Gwen Strahle

Journals

Manual, a journal about art and its making. Circus. The third issue centers on the theme of "Circus." Includes analyses of various pieces in the museum's archive, a fold-out poster by Jim Drain, and a selection of artworks owned by the museum that loosely address said theme.

Softcover, 62 pages. Published 2014 by the RISD Museum. Manual 3 (Circus) contributors include Gina Borromeo, Alison W. Chang, Michelle Clayton, Jim Drain, Daniel Heyman, Andrew Martinez, Ellen McBreen, Thangam Ravindranathan, Rebecca Schneider, Susan Smulyan, and Gwen Strahle.

Country Living, Richard Rinehart

Other Faculty Research and Publications

This exhibition taps into the ongoing conversation between the art world and rural America and looks at country as a cultural aesthetic that flows between contemporary art and regional culture. Country Living explores how place, identity, and values are communicated in visual culture.

Richard Rinehart,

Director, Samek Art Museum

Devorah Sperber: Thread Spools, Leda Cempellin

School of Design Faculty Publications

No abstract provided.