Art and Design Commons^™

Untitled, Kelina Orozco

Calliope

No abstract provided.

White Aspens, Ann Fitzpatrick

Calliope

No abstract provided.

Burnt Out, Christian Le

Calliope

No abstract provided.

What?, Alexis Ortega

Calliope

No abstract provided.

Jazzy Blues, Morgan Andre

Calliope

No abstract provided.

Peekaboo, Christian Le

Calliope

No abstract provided.

Juices, Morgan Andre

Calliope

No abstract provided.

Ghosts Of The Horseshoe, Heidi Rae Cooley, Richard Walker, Duncan Buell

Digital Projects

Ghosts of the Horseshoe (Ghosts) is a mobile interactive application that endeavors to bring into view--literally, on mobile micro screens (iPads and iPhones at present)--the largely unknown history of slavery at South Carolina College. It deploys game mechanics (i.e., ludic methods), as well as Augmented Reality (AR) and GPS functionality to generate awareness of and questioning about what otherwise seems ordinary: a grassy space at the center of a university campus. It organizes content into distinct but overlapping themes: (1) architectural ghosts (e.g., razed outbuildings); (2) human ghosts (e.g., un/named enslaved persons); and (3) the historic Wall delimiting the Horseshoe …

Inscribed Cotton Ikat From Yemen In The Tenth Century Ce, Carol Bier

Textile Research Works

More than a thousand years ago, Baghdad was capital of the Islamic empire under the Abbasid caliphs, and Yemen was a flourishing center of agriculture and trade. Among its famous products were dyestuffs, and cotton cloth with warp stripes, patterned using techniques of compression resist. As the strength of the Abbasid caliphate declined and claims to power gained hold in the provinces, regional artistic styles began to emerge. The rulers of Yemen adopted one of the prerogatives of the Abbasid caliphs, bestowing honor by rewarding their subjects with inscribed textiles called tiraz. From burial sites in Egypt, many such textiles …

Robert Hillestad, Professor And Fiber Artist, Marilyn Delong

Department of Textiles, Merchandising and Fashion Design: Department Information

Dr. Hillestad has been a member of the Costume Society of America since 1978 and has participated in many annual Symposia. Dr. Hillestad has multi-faceted abilities—he is a superb design educator as well as an active fiber and apparel artist—and he integrates the two roles of educator and artist expressively, superbly, and elegantly. Dr. Hillestad is professor emeritus at the University of Nebraska, Lincoln. In 1997, The Robert Hillestad Textiles Gallery on the Lincoln Campus of the University of Nebraska was named in his honor upon recommendation of the faculty in the Department of Textiles, Clothing and Design and the …

Sinan’S Screens: Networks Of Intersecting Polygons In Ottoman Architecture, Carol Bier

Textile Research Works

An often overlooked characteristic of Sinan’s architectural production of the 16th century is the use of low screening walls and windows carved of marble with pierced openwork or tracery to let in light and allow for air circulation. Typically these screens display polygonal networks often with intersecting polygons. This paper explores aspects of these carved patterns, which have antecedents in earlier Islamic architecture, attributing particular significance to this architectural feature in the works of Sinan and three successors whom he had trained. These slabs (and their counterparts in forged iron) may be considered études, serving as opportunities for the training …

Rematerializing: Interviews With Emerging Artists About Physicality, Pattern And Textile Techniques, Caroline Hayes Charuk

Textile Society of America: Symposium Proceedings

This paper will be a presentation of emerging Bay Area artists who draw upon textile materials, forms, and processes, but who refuse the label of ‘textile artist’ in favor of a more ambiguous relationship. References to textiles may be foundational for the work, or brought in as a means to an end. The conceptual basis of their work is contained within its physicality, and they acknowledge (or knowingly set aside) histories of handwork. Each artist has a practice that necessarily slides on a line between the dematerialization of conceptual art and a rematerialization that recognizes haptic experience as indispensable and …

Maguey Hammock: A Weaving Of Resistance And Persistence In Puerto Rico, Soraya Serra Collazo

Textile Society of America: Symposium Proceedings

Textiles are primary technology to almost all societies. Puerto Rico and the Caribbean are no exceptions. There is an object that has been weaved in the region since pre-Columbian times and it is still passing through the fingers of local artisans. Hamaca, an invention of the American inhabitants,² is an indigenous voice incorporated into many languages. It was in the Caribbean, where Europeans saw its utility, and it was quickly incorporated as the best way of sleeping in their transatlantic voyages. Its production has spread throughout the world and today it is made in many countries. In Puerto Rico …

A Working Life, Benny A. Melton

Electronic Theses and Dissertations

In our culture, a person's profession is often made evident by the apparel worn or the tools being used. On the surface, urban scenes may convey a gentle flow and constant motion, which are characteristics of an ordered society. Beneath the visible elements are relationships which may represent a vastly different perspective. The work of artists often outlives the artist just as the result of labor may outlive the laborer. Giza's great pyramids are ancient wonders that baffle modern engineers and scientists as to how they may have been built. Though the exact techniques used may not be known there …

The Space Between, Aaron Joseph Mcelfish

Electronic Theses and Dissertations

This series of abstracted landscapes is a visual representation of a challenge to step outside of my comfort zone. The paintings are an expression of emotions never before presented in the artist's work. The series expresses the visceral sensation of isolation, anger, and solace experienced throughout the creation of the work. The abstracted landscapes are an expression of the journey from anger and frustration to a path towards understanding and enlightenment. In the early stages, there were no tangible plans, just painting on tar-paper. The work then evolved to black and white latex paints built up over joint compound and …

Review Of Isaak Levitan: Lyrical Landscape By Avril King, Wendy Salmond

Art Faculty Articles and Research

Wendy Salmond reviews Isaak Levitan: Lyrical Landscape by Avril King.

The Bridge, Volume 11, 2014, Bridgewater State University

the bridge

Volume 11 Staff

Editors-in-Chief:
Meaghan Casey
John Condry

Art Editors
Mathilda Burke
Jennifer Masterson
Bethany Matern
Tiffany Peña

Literature Editors
Sean Clifford
Brett French
Chris Lindström
Briana Mcdonald
Elizabeth Tobin

Art Or Science?, Allison Marsh

Section 3: Imaging the Fast Moving

No abstract provided.

Looking To The Future, Selling The Past: Churchill Weavers Marketing Strategies In The 1950s, Cassandra White-Fredette

Theses and Dissertations--Art and Visual Studies

This thesis explores the Churchill Weavers stereocards housed at the Kentucky Historical Society and Berea College based on visual analysis. By examining the stereocards as advertisements and comparing them to a series of short films created by the company, I will discuss how the Churchill Weavers created a brand that emphasized both an image of traditional American rural production and modern urban consumption. I will further discuss how the marketing strategies used by the Churchill Weavers exemplify a larger trend in American advertising in the years following World War Two.

Vogue As An Example Of Effective Fashion Magazine Covers, Kiefer Hackney

Graphic Communication

Abstract

In this study, my objective was to determine what cover design elements contribute to the success of Vogue, the world’s leading women’s fashion magazine. I found that color, fonts, layout, and photography all work together to make a cover that both catches the reader’s eye and gives the reader information about the magazine’s contents. I was able to narrow this down through extensive research on the background of women’s fashion magazines and, specifically, the history and future of Vogue.

In order to find out what is different about Vogue’s printed magazine covers compared to other fashion …

Untitled, Margaret Brunet

Calliope

No abstract provided.

Messy Never-Endings: Curating Inconversation As Interdisciplinary Collaborative Dialogue, Lyndall Adams, Renee Newman-Storen, Neil Ferguson, Christopher Kueh

Research outputs 2014 to 2021

This paper will explore the curation of a collaborative exhibition amongst creative higher degree by research candidates (from the School of Communications and Arts and the Western Australian Academy of Performing Arts), arts practitioners and researchers from different art forms and discipline backgrounds. It will look at the conversations between artists and researcher collaborators working together to produce a broad range of creative works, culminating in an exhibition titled In Conversation, to be staged at Edith Cowan University’s Spectrum Project Space in October 2014.

The context of the inConversation exhibition aims to inform and expand on current debates about the …

A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945, Eileen Whitehead

Theses: Doctorates and Masters

This thesis explores the contribution to the cultural life of post-war Australia by migrant artists from north-eastern Europe. It researches the lives and work not only of displaced artists arriving in the mass exodus from Europe after the Second World War, but also second and third generation artists descended from original migrant families, and much later émigré artists.

Art histories written to date about the post-war period provide little coverage of the contributionto the art and culture of Australia by migrant artists from north-eastern Europe. The coverage in the literature written about the visual art produced by established Australian artists …

Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price

Theses: Doctorates and Masters

Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holistic development in design practice. This research reflects on myself as a designer developing a response …

Calliope, Armstrong Atlantic State University

Calliope Magazine

Volume 30

Pick Up Sticks Art Teacher - Interconnectedness And Fragility: Pedagogy As An Artistic Encounter, Mark Graham

Faculty Publications

I am interested in the dilemma thatK–12 art teachers often bring up when we talk about art and teaching; the struggle to maintain their artistic identity. School is seen as a sometimes rewarding but generally time-consuming detour from the art studio.They try to keep the artist alive by making art “on the side” or in the margins of their teaching responsibilities. The conflict between teacher and artist is also apparent in the education of college art students, where the ultimate “prize” is to get the MFA and then eventually to be anointed a college teacher. The aspiration to become a …

The Meditation Collection Space, Mark Graham

Faculty Publications

At the edge of nothingness and invisibility is the materiality of collecting. These reminders of what cannot be seen include reliquaries containing the bones of saints, Buddhist shrines, and boxes designed to capture the fleeting experience of a day together. On a mountain in Nepal, I gathered green granite crystals, along with scraps of prayer flags, rusted pitons, and old coins. Later, these become a shrine to an ineffable experience of living in the clouds, which I named the Meditation Space. The Meditation Space includes natural objects, religious icons, bones, rocks and toy animals. It brings up many questions. What …

Fragmented, Max Rebel

College of Graduate Studies: Theses & Dissertations

This thesis, Fragmented, outlines Rebel’s explorations with materials and techniques that led to the creation of his current work that was presented in his MFA Exhibition. Fragmented focuses on elements of abandoned and ignored structures found in both urban and rural communities. Rebel is interested in the visual characteristics directly related to manufactured landscapes that have been reshaped by neglect, specifically, surfaces that appear old and weathered. The assemblages he makes in reference to these deserted sites do not comment on specific architectural locations. Instead, they are meant to emphasize common traits found at multiple sites. By working with …

Illustrated Tales Of Little Sister Fox: Stories About A Clever Fox From Russian Fairytales, Rachel W. Smoot

Senior Honors Theses

This thesis examines the interaction of pictures and words in children’s storybooks. The illustrations placed alongside the text of the book are just as important to understanding the story as are the words. “Illustrated Tales of Little Sister Fox” combines elements of several traditional Russian folktales into a single story. Illustrations are hand sketched and digitally painted.

Lights And Shadows - 2014, University Of North Alabama

Lights and Shadows

Art and Literature Magazine