Art and Design Commons^™

Nanotechnology In Everyday Life, Allison Marsh

Section 5: Imaging at the Nano Scale

No abstract provided.

Choosing An Instrument, Allison Marsh

Section 5: Imaging at the Nano Scale

No abstract provided.

Conclusion Panel, Allison Marsh

Section 6: Conclusion

No abstract provided.

The Mcvitty Book Of Hours; Finding A Link To The Illustrations, Ashton Little

Undergraduate Research Awards

An investigation into the identity of the artists who created the images in the McVitty Book of Hours, a manuscript contained in Hollins University's special collections. The author posits that the marginal images were created by the Master of Geneva Latini, while the main images are the work of a separate, still unknown illuminator. The PDF includes the author's entry submission essay for the 2012 Undergraduate Research Awards.

Commonthought (2012), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

From Celluloid Realities To Binary Dreamscapes: Cinema And Perceptual Experience In The Age Of Digital Immersion, Edwin Lloyd Mcguy Lohmeyer

Theses and Dissertations--Art and Visual Studies

Technologies in digital cinema are quickly changing the way contemporary filmmakers create films and how audiences currently perceive them. As we move onward into the digital turn, it becomes ever more apparent that the medium of film has been emancipated from its dependence on the photograph. Directors are no longer required to capture the objectively real as it sits before the photographic lens, but can essentially construct it via groundbreaking advancements in computer-generated imagery, motion capture technology, and digital 3D camera systems and display technologies. Since the origins of film, spectators and filmmakers have assumed an existing relationship between reality …

Come-See-Me Festival Records - Accession 1408, Come-See-Me Festival

Manuscript Collection

The Come-See-Me Festival Records consist of papers, photographs, meeting minutes, scrapbooks, media kits, publicity kits, awards, applications, invitations, bylaws, guidelines, histories, correspondence, promotions and advertisements, posters, and memorabilia from the Come-See-Me Festivals from the 1980s to 2013.

Taxidermy Of Thought, Jason Walker

Art Theses

Sculpture is how I bring to life the dark corners of my mind. There have always been images of creatures, geology, and botanical life swirling around my head. Images that often include spires of exoskeleton, creeping tendrils searching for sustenance, or something that moves in an unnatural way. After years of envisioning and automatically sketching out these "things" it is beginning to get a bit crowded in there. It was time to excise this world in my mind and bring it into existence through my hands.
Using many different materials, including plaster, wire, paper mache, epoxy, urethane resins, many different …

Design And Production Aspects Of An Electroluminescent Segment Display, Veronica Kopp, Chris Nixon

Graphic Communication

The purpose of this study was to get a better understanding of the different ways printed circuits could be constructed and then implemented into creative, visual designs for printed electroluminescent displays. A variety of circuit design variables, such as area and length, were tested that will help create solutions for printed electronics.

This study tested different variables of circuit design, such as length of silver traces and the size of the image area, to help optimize ways to build a printed circuit. Then, findings were implemented into a segmented graphic display in order to analyze innovative ways to utilize multiple …

Rebel Chick, Bernice Calvario

Calliope

No abstract provided.

The Eye Alone Is The Judge: Images And Design Patents, Rebecca Tushnet

Georgetown Law Faculty Publications and Other Works

Design patents are an area of intellectual property law focused entirely on the visual, unlike copyright, patent, trademark, trade secret, or the various sui generis protections that have occasionally been enacted for specific types of innovation. Judges and lawyers in general are highly uncomfortable with images, yet design patents force direct legal engagement with images. This short piece offers an outsider’s view of what design patent law has to say about the use of images as legal tools, why tests for design patent infringement are likely to stay unsatisfactory, and what lessons other fields of intellectual property, specifically copyright, might …

To See The World Clearly: - Painting, The Camera Obscura And The Lens Of Spinoza, Paul Uhlmann

Research outputs 2012

My practice-led PhD research project seeks to find ways to create immersive painting installations to invoke contemplation of immanence, interconnectedness and impermanence in the mind of the viewer. In this paper I will discuss the methodology of my practice-led research as it relates to the concept of sensation (Deleuze) in relation to the body and to painting. In addition to this I will outline ways in which Spinoza’s monist concept of ‘one substance’ has illuminated and influenced my thinking and work. Central to this concept is the notion that mind and matter are not two separate things but one thing. …

Calliope, Armstrong Atlantic State University

Calliope Magazine

Volume 28

Let Reality Worry, Here You Are Free, Calliope

Calliope

No abstract provided.

Building Block Tetraptych 2, Shiloh Gastello

Calliope

No abstract provided.

Bull And Wife, Bernice Calvario

Calliope

No abstract provided.

I Have This Condition, Alex Zaworski

Calliope

No abstract provided.

Diary Of The Past Five Years, 2007-2012, Harrison W. Inefuku

Calliope

No abstract provided.

Lights And Shadows - 2012, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

The Nature Drawings Of Peter Karklins, Sean Kirkland, Louise Lincoln, Malek Moazzam-Doulat, Jonathan Lahey Dronsfield, Peter Trawny, Paul B. Jaskot, Elizabeth Rottenberg, William Mcneill, Pascale-Anne Brault, Dolores Wilber, H. Peter Steeves, Ryan Feigenbaum, Andrew J. Mitchell, Karmen Mackendrick, Michael Naas, Liam Heneghan, Ashby Kinch, David Farrell Krell

DePaul Art Museum Publications

No abstract provided.

Normal Editions Workshop Newsletter, 2012, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

Plains Fascination: Artifacts Of Rural Decay, Bryan Gilligan

Master's Theses or Doctor of Nursing Practice

I believe that my creative process has always been a means of retreat and refuge, or a method for coping with anxiety and frustration in a structured manner, or some sort of amalgam. As it evolved into something more complex, my creative process still retained its connection with my past and my ability to formulate complex ideas and therapeutic responses to situations I could not control.

Bones And Roses, Natalie Hernadez

Digressions: Literary & Art Journal

No abstract provided.

War Paint Stars, Lacrima Nemulescu

Digressions: Literary & Art Journal

No abstract provided.

Tempus Fugit, Lacrima Nemulescu

Digressions: Literary & Art Journal

No abstract provided.

Moth, Natalie Hernadez

Digressions: Literary & Art Journal

No abstract provided.

Caught!, Grace Cox

Digressions: Literary & Art Journal

No abstract provided.

Opiate To The Drains, Lacrima Nemulescu

Digressions: Literary & Art Journal

No abstract provided.

"We Should Have Brought The Tank": Hypermediated Interactivity In Red Vs. Blue, Marc A. Ouellette

English Faculty Publications

Machinima, the practice of adapting recorded video game play into short films, highlights an often unacknowledged but significant shift in the consumption of video games and represents a key and underexplored intersection between the two leading theoretical camps. Considering the landmark series Red vs. Blue through the lens of Bolter and Grusin's propositions about "new" media's relationships with other forms offers an entry point for theorizing not only machinima but also the intersections between the ludology and narratology positions in games studies.

Robert Kingsley: A Retrospective (1976 - 2012), Robert Kingsley, Catherine Fruhan

Galleries at Peeler Exhibition & Program Publications

Robert Kingsley: A Retrospective (1976-2012). Catherine Fruhan, Professor of Art and Art History, DePauw University