Art and Design Commons^™

Flight, Hannah J. Sawyer

The Mercury

No abstract provided.

Mont Tremblant, Meredith Maclauchlan

The Mercury

No abstract provided.

See Through, Sara P. Levin

The Mercury

No abstract provided.

Everything Falls Apart, Preston G. Hartwick

The Mercury

No abstract provided.

Double Crossover Diamond Interchange With Frontage Roads, Jorge Alberto Martinez

Open Access Theses & Dissertations

The increase in population has generated an increase in traffic along most cities in the world. Engineers are being challenged to provide mobility to our transportation networks to ensure the delivery of our everyday goods. A new interchange design called the Double Crossover Diamond Interchange is beginning to become widely popular when considering freeway junctions. However, there has not been research about this type of design where frontage roads and through movements exist. The intent of this study is to compare the operational effects of the Conventional Diamond Interchange with a Modified Double Crossover Diamond Interchange that can accommodate through …

The Bridge, Volume 7, 2010, Bridgewater State College

the bridge

Volume 7 Staff

Nathan Clapp, Editor-in-Chief
Matthew Keogh, Editor-in-Chief
Liz Childs
Kyle J. Giacomozzi
Samantha Haapaoja
Lauren Hazirjian
Christina Hickman
Megan Hudson
Jing Liang
Justin Mantell
Jillian Moore
Stephen Plummer
Ryan Ribeiro
Shannon Rosenblat

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Portfolio, Katelyn Dewitt, '10

BA/BFA Senior Honors Book Gallery

No abstract provided.

Bfa/Ba Senior Exhibitions Catalog, Emily Cellini, '10

BA/BFA Senior Honors Book Gallery

2010 BFA/BA Senior Exhibitions poster and catalog designed by Emily Celini.

Design Portfolio, Laura K. Czys, '10

BA/BFA Senior Honors Book Gallery

Portfolio of graphic design work, from 2008-2010.

Crossroads To Jazz, Emily Cellini, '10

BA/BFA Senior Honors Book Gallery

Graphic design portfolio.

Con Esperanza En Sus Ojos, Jamie Kang, '11

BA/BFA Senior Honors Book Gallery

No abstract provided.

Emily Cellini Design Portfolio, Emily Cellini, '10

BA/BFA Senior Honors Book Gallery

No abstract provided.

Clothespin: Not Just For Your Closthes Anymore, Jamie Kang, '11

BA/BFA Senior Honors Book Gallery

No abstract provided.

Matthew Tannenbaum Design Portfolio, Matthew L. Tannenbaum, '10

BA/BFA Senior Honors Book Gallery

No abstract provided.

Parallel Starts Outsider Art Inside Collections, Sharon L. Kennedy

Sheldon Museum of Art: Catalogs and Publications

As the term implies, "outsider" artists tend to work in isolation with little interest in other artists' styles or methods. Such independence from the social and cultural norms that have shaped art history provides scholars with few clues from which to proceed.

Norman Geske, Sheldon Director Emeritus and exhibition curator, defines outsider art as follows:

Essentially, outsider art is the art that derives from the creative instinct, which is inherent in human beings who are entirely independent of any of the conventions of traditional art history. In these, works, subject matter, method, and technique are subsumed in the intrinsic impulse …

Structure And Properties Of Cocoons And Silk Fibers Produced By Hyalophora Cecropia, Narendra Reddy, Yiqi Yang

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

This paper shows that silk fibers produced by cecropia (Hyalophora cecropia) have similar tensile properties but different amino acid composition than that of mulberry (Bombyx mori) silk. The cecropia fibers are also much finer and have better strength and modulus than tasar silk, the most common non-mulberry silk. Cecropia is one of the largest silk producing moths and has similar lifecycle to that of mulberry silk but is easier to grow and produces larger cocoons than mulberry silk. In this study, we have characterized the composition, morphology, physical and tensile properties, and thermal behavior of the …

Developing Water Stable Gliadin Films Without Using Crosslinking Agents, Narendra Reddy, Yiqi Yang

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

Abstract For the first time, gliadin films with excellent strength and water stability have been developed without using any crosslinking agents. So far, it has not been possible to obtain water stable gliadin films even after crosslinking. In this research, a novel method of using aqueous urea and ethanol has been developed to obtain highly water stable gliadin films without using crosslinking chemicals. The effects of concentrations of gliadin, urea and ethanol on the strength of the films and the stability of the films in water at high temperatures and various pH conditions has been studied. Gliadin films developed in …

12th Biennial Symposium Program, Part 2: Concurrent Local Exhibitions At Participating Museums And Galleries

Textile Society of America: Symposium Proceedings

• Cooper Gallery at Morrill Hall -- A Turning Point: Navajo Weaving in the Late Twentieth Century  http://www-museum.unl.edu
• Eisentrager-Howard Gallery -- Binary Fiction: Digital Weaving 2010  http://www.unl.edu/art/facilities_eisentrager-howard.shtml
• Lentz Center for Asian Culture -- Color and Pattern: Tribal and Contemporary Ikats of India and Laos   http://www.unl.edu/lentz
• Nebraska History Museum -- Willa Cather: A Matter of Appearances  http://www.nebraskahistory.org
• Rotunda Gallery -- Fiber, Textiles, and Clothing: UNL Graduate Students in Textiles, Clothing, and Design   http://union.unl.edu/city/rotunda_gallery.php
• Sheldon Museum of Art -- New Material World: Rethreading Technology  http://www.sheldonartgallery.org
• International Quilt Study Center & Museum http://www.quiltstudy.org  -- South Asian Seams: Quilts from India, Pakistan and Bangladesh
• International …

Promoting The Tactile In A Virtual World: An Overview Of Fiberscene.Com, Susan Taber Avila, Myra Block Kaiser

Textile Society of America: Symposium Proceedings

After ten years of public service, FiberScene.com, will go offline in Spring 2011. This website, co-founded by Susan Taber Avila and Myra Block Kaiser, played a significant role in promoting fine art with a textile sensibility. Prior to creating this site, there was nothing in cyberspace devoted to Fiber Art.

FiberScene’s initial goal was to enhance visibility for fiber artists, especially those who lived in the San Francisco Bay Area, once a Mecca for fiber art. The website contained individual pages of local artists, a resource page, an event calendar, and a virtual gallery. The gallery provided a comprehensive overview …

Of Gods And Gangs: Indigo As A New Educational Model, Jenny Balfour Paul

Textile Society of America: Symposium Proceedings

In late August 2009, a multi-year educational initiative called Silk Road Connect was launched in five pilot schools in underserved neighbourhoods of New York City as part of its Department of Education’s Campaign for Middle School Success. The brainchild of cellist Yo Yo Ma and his Silk Road Project, Silk Road Connect ‘inspires passion-driven learning by empowering students and educators to seek connections across all areas of study and to follow their interests from the familiar to the foreign. In a spirit of playfulness and investigation, collaboration and creativity, this program invites students to experience learning as a continual process …

Choreographed Cartography: Translation, Feminized Labor, And Digital Literacy In Half/Angel’S The Knitting Map, Deborah Barkun, Jools Gilson

Textile Society of America: Symposium Proceedings

The Knitting Map was a large-scale, durational textile installation by the Irish-based performance production company half/angel that took place during Cork’s year as European Capital of Culture (2005). Bringing a decade of experience with emergent technologies and art practice, half/angel developed technologies to connect the physical busy-ness of Cork City (captured via a series of CCTV cameras) with correspondingly complex knitting stitches (stitches became more complex when the city was busy), and Cork weather (captured by a weather station) to yarn color. The resulting textile was an abstract documentation of a year in the life of an Irish city, in …

Conversation With Nature, Kyoung Ae Cho

Textile Society of America: Symposium Proceedings

I am engaged in a conversation with nature. Each work produced is the result of an intimate dialogue between artist and materials. The conversation may begin as I gather recycled organic matter and collect man-made objects of little value, or it may commence with a sudden discovery: of the beauty in a corn leaf, for example. Leaves and flowers that have fallen to earth are dried, ironed, flattened and stitched: processes that I view as ceremonial transitions from one stage of being to another. Through preparing the materials, I am attentive to the ways they reveal, through shape, pattern, color, …

The Fiber Of Our Lives: A Conceptual Framework For Looking At Textiles’ Meanings, Beverly Gordon

Textile Society of America: Symposium Proceedings

Based on the model explicated in my forthcoming (Thames & Hudson, Fall 2010) book, The Fiber of Our Lives: Why Textiles Matter, I will present a holistic framework that can be used to articulate and compare the meanings of textiles of any given culture or historic period. The framework considers the range of human activities and concerns, including meeting practical survival needs and securing physical, psychological and psychic protection; social interactions; the propensity to seek and wield power; the communication of ideas and aesthetic expression; and activities geared to transcending the limits of human experience—i.e., the spiritual realm. This approach …

Future Reliquaries, Barbara Heller

Textile Society of America: Symposium Proceedings

As a tapestry weaver, spinner, and dyer, I cherish the handmade. But, as a full-fledged member of the electronic age, I realize that the haptic has had a hard time maintaining its status. My Future Reliquary Series is an attempt to reconcile three apparently separate but, in my mind, connected histories: weaving, computing, and religion.

Weaving is a binary system of up/down, just as computing is a binary system of on/off. The first computer was a jacquard loom, complete with punch cards. The process of mechanization removed the human hand from weaving. In an analogous manner, today’s computers have introduced …

The Way Of Sami Duodji: From Nomadic Necessity To Trademarked Lifestyle, Desiree Koslin

Textile Society of America: Symposium Proceedings

The Sami people of Northwestern Eurasia in Norway, Sweden, Finland and Russia share historical vicissitudes brought upon them with most other First Peoples. Their languages were suppressed, their religion and culture obliterated, and their way of life ultimately condemned to marginality. In a painful process that was first given wider attention in texts of the seventeenth century, the Sami were given few options for survival but to acquiesce and adapt to the dictates issued, largely losing their cultural identity in the process.

Today, thanks to extensive advocacy of Sami activists starting in the 1960s, a reawakened Sami identity is fostered …

Invisible No More: The Embellished Abaya In Qatar, Christina Lindholm

Textile Society of America: Symposium Proceedings

Shari’a law and local custom dictate that Muslim women in Qatar wear the abaya, an all-encompassing black garment. Supposedly a deterrent to unwanted male attention and a device to protect men from lascivious thoughts, the abaya has rendered women anonymous when in public, silently moving through society as unidentified and all but invisible beings. Increased Western employment, tourism, and media in the forms of magazines, radio, television and the Internet have brought images of Euro-American lifestyles into Arab homes. Higher education for women has resulted in increased female opportunity and independence. Many women travel abroad and every year more complete …

Contemporary Interpretation Of An Unusual Navajo Weaving Technique, Connie Lippert

Textile Society of America: Symposium Proceedings

I am not Navajo and, therefore, I do not practice Navajo weaving. I do use the wedge weave technique that was practiced by the Navajo for a period in the late 1800s. A Navajo wedge weave is easily recognizable because of the colors used and the shapes consistent with other Navajo weaving. Although I use the same technique, my use of color and shape transforms wedge weave into a contemporary weave.

Wedge weave is an unusual form of tapestry. Pictorial imagery is not its goal. Instead, the weft is woven in such a way that the actual horizontal-vertical structure of …

Synthetic Fibers, Showy Cars And Sportshirts: Liberating The Fashion Spirit Of “The Man In The Gray Flannel Suit”, Diane Maglio

Textile Society of America: Symposium Proceedings

We want to sing the man at the wheel, who hurls the lance of his spirit across the earth, along the circle of its orbit. F. T. Marinetti Futurists of 1911 celebrated technology, the beauty of speed and racing cars with “great pipes, like serpents of explosive breath.” They integrated their philosophy with a Manifesto of Men’s Clothing extolling comfort, joyful practicality and illumination –light even in the rain. In the 1950s, American men followed the path of the Futurists driving dream cars with spectacular tail fins and fashionable synthetic jacquard upholstery while dressing in sport shirts of expressive fibers …

Tradition Embraces “The New”: Depictions Of Modernity On Japanese Kurume E-Gasuri Futon-Ji, Ann Marie Moeller

Textile Society of America: Symposium Proceedings

Kurume is a city on Kyushu Island in Japan known for producing dramatic hand-woven e-gasuri (picture ikat) futon-ji (bedding covers). The most famous have a single picture which runs across four or five panels. Both the warp and weft threads were resist dyed using indigo before being woven into a single long and narrow length of fabric. This cloth was then cut into the panel sections and sewn together. Extraordinary skill was required to both accurately tie the areas of thread to be resisted and to maintain a consistent tension when weaving the fabric. This precision produced complex designs with …

Cutting Through The Surface: The Use Of Laser Cutting Technology With Traditional Textile Process, Jessica Payne

Textile Society of America: Symposium Proceedings

Laser cutting technology is now widely associated with textiles, but prior to the research of designers such as Janet Stoyel, in the early 1990s, it was regarded as a non textile specific technology. Over the past ten years many contemporary designers have used laser technology in conjunction with textiles; leading to the widely seen ‘cut through’ design aesthetic, as exemplified by the work of product designer, Tord Boontje. The technology, however, has not been vigorously exploited and tested in conjunction with traditional textile processes such as flocking, foiling, and print. This paper discusses and discloses my recent research which investigates …