Art and Design Commons^™

2004; Chimes, College Of Visual And Performing Arts

Chimes

No abstract provided.

Taking In: Aib Photography 2004, Aib Students

Taking In

This book is the second edition in the Taking In: series. As was the case in Taking In: I, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir personal artistic expression.

Mind Storm: Contemporary American Folk Art From The Arient Family Collection, Kaytie Johnson, Vanessa Mallory

Galleries at Peeler Exhibition & Program Publications

March 31 - June 14, 2004, Richard E. Peeler Art Center, DePauw University. Organized by Kaytie Johnson, Director and Curator of University Galleries, Museums and Collections. A Singular Pasion: An Interview with Jim and Beth Arient (edited by Vanessa Mallory).

Mind Storm: Contemporary American Folk Art From The Arient Family Collection, Matthew Arient

Galleries at Peeler Exhibition & Program Publications

MIND STORM: Contemporary American Folk Art from the Arient Family Collection March 31 – June 14, 2004 Richard E. Peeler Art Center DePauw University

Opening reception with gallery talk by the collectors Thursday April 1, 5-7 p.m. Art for Lunch Gallery Talk Thursday April 22, 12:30 p.m. Join DePauw student Matthew Arient for a personal tour of the exhibition.

Cover image: William Dawson Marilyn McCoo and Billy Davis, 1986 painted wood and mixed media Photo: Michael Tropea

Interior image: Bessie Harvey Down in the Valley, 1988 painted wood and mixed media Photo: Michael Tropea

This exhibition and its accompanying programs …

Drs Quarterly Council Report: Issue 6, Alec Robertson

Quarterly Council Reports

This issue includes a summary report on the DRS OGM one-day event with the RCA Society in London, UK, on Saturday 20th March 2004. Appended to this QCR is the new DRS Council elected at the OGM.

Contents

International Reports

Australia (West), Terence Love
Canada, Arlene Oak
Finland, Antti Ainamo
Greece, Artemis Yagou
Thailand, Michael Mealyer

DRS New Council
DDR4 Report, Alec Robertson

Workflow 2004, Students Of Risd, Risd Archives

All Student Newspapers

Workflow was a student publication on photography. This 2004 issue was the first and possibly only issue, and featured online photography resources, news from the RISD Photography department, responses to the First International Photography and Video Triennial, graduate and undergraduate work, alumni profiles, and a brief interview with Gary Metz.

Muffin February-March 2004, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The February/March 2004 issue was the first and features highlights from a lecture on 17th century "romantic friends" the Ladies of Langollen, Brown Queer Student Alliance updates, gay bar reviews, queer social groups and websites, and a short story by Nikki Ripple "Portrait of Lover #27."

Barbara Grossman: A Survey, Wright State University Art Galleries

Exhibition and Program Catalogs

An exhibit held at the Wright State Art gallery featuring the artworks of Barbara Grossman. Wanting to depict the nature of everyday life, her subjects deal with people interacting with their environments. Grossman is acclaimed for her use of space, color, patterns, and expression that invoke "emotional resonance" with the viewer. The exhibit was held at Wright State University Art Gallery September 12th through October 17th. It was also shown at: Lafayette College, Washington and Lee University, and New York Studio School of Drawing and Painting.

Profile Of A Woman, Mike Adejumo

Morehead State University Art Collection

A 2004 color print of a woman in profile by Mike Adejumo.

Klee Pin, Ginna Sadler

Art and Design

No abstract provided.

A Linear Perspective To Art, Sarah Littler

Humanistic Mathematics Network Journal

No abstract provided.

Parnassus 2004

Parnassus

The 2004 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Patterns In Time And Space: Technologies Of Transfer And The Cultural Transmission Of Mathematical Knowledge Across The Indian Ocean, Carol Bier

Textile Research Works

This article explores the potential role of textiles in the transfer of mathematical knowledge from the Indian subcontinent to the central Islamic lands and west- ward to an emerging modern Europe through an inquiry into prospective tech- nologies of textile manufacture and pattern-making. Ikat textiles of the ninth and tenth centuries, found in Egypt but presumed to be from Yemen, serve as a means to explore possibilities of numeration and treatment of the spatial dimension. An initial attempt is made to separate patterning from the technology of textile pro- duction in an effort to treat the mathematical possibilities that patterning …

Mathematical Aspects Of Oriental Carpets, Carol Bier

Textile Research Works

When one looks at an Oriental carpet in the context of Western art, one usually perceives a richness of colors and patterns, and perhaps the contrast between central field and surrounding borders. A careful observer might notice the appearance of superimposed plane patterns in the central field and multiple linear patterns in the surrounding borders. Each of patterns, whether in the field or the borders, is composed of various design elements, which in combination are repeated according to the principles of symmetry, often with the addition of symmetry-breaking (Bier 1992, 1997, 1998, 2000a). The mathematical principles of pattern making according …

Spring 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Students And Neighbors Create Community Mosaic, College Of The Holy Cross

Civitas Branching Documentation

This article briefly describes a collaborative art project by students of the College of the Holy Cross and residents of the College Hill neighborhood in Worcester, Massachusetts. Civitas Branching is a 5-panel mosaic depicting scenes from the College Hill neighborhood. It was originally installed on the College Hill Civic Association building located at 79 Kendig Street in Worcester, Massachusetts.

In 2016, the mosaic was relocated to the east patio of Dinand Library on the campus of the College of the Holy Cross in Worcester, Massachusetts. A rededication ceremony was held April 20, 2016.

Art, Sport And The Sweet Spot, John Strassburger

Publications

This is the seventh in a series of occasional papers about the challenges confronting students and what Ursinus is doing to help them enter adult life.

Islamic Art At Doris Duke's Shangri La: Playing With Form And Pattern, Carol Bier, David K. Masunaga

Textile Research Works

Shangri La is the historic home of Doris Duke in Honolulu. It is filled with installations of Islamic tilework and other arts. Open to the public in late 2002, by reservation for tours arranged through the Honolulu Academy of Arts, today this home serves as a museum in which a walking tour can provide extraordinary visual opportunities for the study of geometry and pattern both in the arts that are installed and exhibited, and in the surrounding plantings and landscape. The house offers a plethora of educational opportunities, for which its full potential has not yet been tapped. A new …

Spanish And Mamluk Carpets: Comparisons Of Decoration And Structure, Carol Bier

Textile Research Works

Two recent exhibitions, Carpets of Andalusia and Mamluk Rugs from Egypt, at The Textile Museum afforded a rare opportunity to compare two radically different rug-weaving traditions from the perspectives of design and weave structure. While not often evident to the casual viewer, there is a significant relationship between design, pattern, and weave structure in all Oriental carpets. The opportunity to explore such differences warrants careful examination and critical viewing.

The Mamluk rugs all probably date from the last quarter of the 15th century. They comprise a cohesive group defined by color, a geometric style, and similarity of weave characteristics. The …

"Indigo" From Encyclopædia Iranica, Carol Bier

Textile Research Works

INDIGO (Pers. nil), the common name of a broad genus, Indigofera, with numerous species, widely distributed throughout Asia, Africa, and the Americas. A member of the leguminous pea family, indigo is variously classified as an herb or small shrub; its stalks are long, bearing raceme flowers. It is usually perennial, but in some areas annual. Native species are known from Arabia, including the Yemen, and around the Indian Ocean. In some sources Persia is not listed among those regions in which indigo occurs in a natural form (e.g., the website mentioned below). Hans Wulff (p. 192) mentions two local species …

Fall 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Vellum On Boards, Peter D. Verheyen

Librarian Publications

Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find …

Javanesque Effects: Appropriation Of Batik And Its Transformations In Modern Textiles, Abby Lillethun

Department of Art and Design Scholarship and Creative Works

American batik practice emerged in the early twentieth century based on traditional techniques from Java and those filtered through Dutch Nieuwe Kunst. The promotion of batik through the Arts and Crafts movement in North America fostered egalitarian endorsement from artisans, individual practitioners, and consumers, across geographic locales, social milieu, and skill levels. Encouraged by manuals, magazine articles, and exhibitions, enthusiasm for batik grew across the nation and in the avant-garde enclave of Greenwich Village. While practitioners were cautioned to avoid excessive veining or crackle in their works in emulation of fine tradition, commercial enterprises helped to transform the aesthetic …

Green Lotus Mountain, Li Shou Ting

Morehead State University Art Collection

A 2004 painting titled "Green Lotus Mountain" by Li Shou Ting.

Ronald G. Eaglin, Yang Neng Chiang

Morehead State University Art Collection

An oil painting of Ronald G. Eaglin created in 2004 by artist Yang Neng Chiang.

Beach Boxes, Judy Gelles, Special Collections, Fleet Library

Artists' Books

Pamphlet stitch variation, machine sewn, with hard cover; cover; title page; interior spread; interior pages; interior spread. Black and white photographs of beach houses with each building highlighted in color. No text. RISD Alumna.

Feed The Birds, Whitney Lauren Fong, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's Papermaking class.

Fortunes Of War, Brian M. Johnson, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.