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2002

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Articles 91 - 120 of 296

Full-Text Articles in Art and Design

Collaboration As Media, Joel Slayton Feb 2002

Collaboration As Media, Joel Slayton

SWITCH

Joel Slayton, artist, professor, and researcher discusses collaboration as a medium for art. He places emphasis in seeing collaboration as a new medium for artists, while taking into account how the world has seen communication, creativity, and labor undergo changes in the new age of technology. Slayton sees this change as a catalyst for how artists can both work and create together. There is an emphasis in both collaboration’s opposition to traditional hierarchies and repressive methods as well as its results: cultural sensibilities, models, and an open forum for diverse opinions that contribute social, economic, and political results. While corporations, …


Beauty (Essay 8 Of Seeing: When Art And Faith Intersect), Douglas G. Campbell Jan 2002

Beauty (Essay 8 Of Seeing: When Art And Faith Intersect), Douglas G. Campbell

Faculty Publications-- Department of Art and Design

Excerpt: "Beauty as a concept has given twentieth century writers, especially art critics and art historians, a great deal of difficulty. Why is this so?Answering would take several volumes--! will settle for less.

The traditional idea of beauty has all the trappings of a universal concept. For Plato, one of the earliest and most prominent supporters of such universals, beauty, along with other concepts, had the mind of the creator as its source. For much of Christianity's existence Plato's idea of beauty was accepted--with some alterations. For one, the creator became Yahweh, creator of the universe. Secondly, though spiritual beauty …


The Bookmobile, Joe Davis Jan 2002

The Bookmobile, Joe Davis

Morehead State University Art Collection

A 2002 print of a family crossing a body of water to get to a Bookmobile in Louisiana. This was done by artist Joe Davis.


Education's Gift, Stephen Tirone Jan 2002

Education's Gift, Stephen Tirone

Morehead State University Art Collection

A bronze statue of a boy holding a ball in the air with a backpack in front of him. This was created by sculptor Stephen Tirone in 2002.


The Great American Spirit, Phyllis George, Kentucky Folk Art Center Jan 2002

The Great American Spirit, Phyllis George, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2002-2003 Kentucky Folk Art Center exhibition catalog of folk art depicting the events of September 11, 2001.


2002 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives Jan 2002

2002 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 2002. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.


Enterprise Ireland: Student Creativity Day Design Competition, Peter Dee Jan 2002

Enterprise Ireland: Student Creativity Day Design Competition, Peter Dee

Other resources

Peter Dee - Strategic Design & Marketing Consultant, was responsible for the design and development of the brand identity for the Enterprise Ireland Student Creativity Day which was used on business cards, letterhead, appliction forms, information literature, large format posters, t-shirts and website. Competing in multi-disciplinary teams, students provided an innovative & creative solution to an exacting design brief. The design brief reflected the following themes: interface, learning, science, media, communications and fashion. The design jury included representatives of Irish business and IDI members.


80:80 Office Furniture System Designed By John Walsh For Tangent Furniture, 2002, John Walsh Jan 2002

80:80 Office Furniture System Designed By John Walsh For Tangent Furniture, 2002, John Walsh

Other resources

80:80 was developed against the background of a changing work environment. Advances in technology meant that work became mobile, the breaking down of walls and cubicles created large open spaces allowing for a movement towards collaborative work and “New Ways of Working”.

80:80 is an office furniture system designed in this context, to provide a foundation for new, flexible ways of working. In particular, the delineators that define territory, such as legs, vertical supports, fixed side screens, were removed or minimised to create an uninterrupted worksurface span, allowing for a flexible space where users can annex as much space as …


The Use Of Aesthetics In A Comprehensive Art Curriculum, Michelle Lynn Loudermilk Jan 2002

The Use Of Aesthetics In A Comprehensive Art Curriculum, Michelle Lynn Loudermilk

Theses, Dissertations and Capstones

This study focuses on using aesthetics in the art education curriculum. It also suggests a variety of approaches through which art educators may implement aesthetics in the classroom. Discussions of aesthetics were found in writings of Plato and Aristotle and continue to this day. Philosophers have defined aesthetics as a theory of the beautiful. Educators took this idea a step further in developing curricula and methods of educating that include aesthetics. It has been said in art education literature that aesthetics gives those who practice it a more complete understanding of art. To show the extent of benefits that aesthetics …


The Brotherhood Of Free Culture: Recent Art From St. Petersburg, Russia, Joseph C. Troncale, Richard Waller Jan 2002

The Brotherhood Of Free Culture: Recent Art From St. Petersburg, Russia, Joseph C. Troncale, Richard Waller

Exhibition Catalogs

The Brotherhood of Free Culture: Recent Art from St. Petersburg, Russia

Marsh Art Gallery, University of Richmond Museums, VA

October 11 to December 15, 2002.

We are pleased to present this exhibition of recent art from St. Petersburg, Russia, created by artists from Pushkinskaya 10. Known as the Brotherhood of Free Culture, the society was formed in 1989 as a cultural center to promote nonconformist art (often referred to as underground art during the Soviet period) in contemporary Russia. In addition to organizing exhibitions and providing performance, museum , and gallery spaces, Pushkinskaya 10 offers studio space to forty performing …


Parnassus 2002 Jan 2002

Parnassus 2002

Parnassus

The 2002 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Five Poems, Toni Morrison, Peter Rutledge Koch, Kara Walker, Special Collections, Fleet Library Jan 2002

Five Poems, Toni Morrison, Peter Rutledge Koch, Kara Walker, Special Collections, Fleet Library

Printmaking

[26] pages : illus. " ... published in a signed edition of 399 numbered and 26 lettered copies. The book was designed by Peter Rutledge Koch, and printed letterpress from digital imaging and photo-polymer plates at Peter Koch, Printers in Berkeley, California ... cover papers are Fabriano Ingres. Binding and housing by Jace Graf at Cloverleaf Studio in Austin, Texas.""--Colophon. CONTENTS: Eve remembering -- The perfect ease of grain -- Someone leans near -- It comes unadorned -- I am not seaworthy. In slipcase, paper sides with linen fabric top and bottom, mounted paper title label. Cover is decorated paper …


Fall/Winter 2002, 90.9 Wmpg Fm Jan 2002

Fall/Winter 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Spring 2002, 90.9 Wmpg Fm Jan 2002

Spring 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


80:80 Office Furniture System Designed By John Walsh For Tangent Furniture, 2002, John Walsh Jan 2002

80:80 Office Furniture System Designed By John Walsh For Tangent Furniture, 2002, John Walsh

Articles

80:80 was developed against the background of a changing work environment. Advances in technology meant that work became mobile, the breaking down of walls and cubicles created large open spaces allowing for a movement towards collaborative work and “New Ways of Working”.

80:80 is an office furniture system designed in this context, to provide a foundation for new, flexible ways of working. In particular, the delineators that define territory, such as legs, vertical supports, fixed side screens, were removed or minimised to create an uninterrupted worksurface span, allowing for a flexible space where users can annex as much space as …


Words & Images 2002, University Of Southern Maine Jan 2002

Words & Images 2002, University Of Southern Maine

Words and Images

Words & Images is an annual arts and literature publication distributed by the University of Southern Maine.

Art Editor: Jody Desjardins

Publishing Director: Sarah Gagnon

Literary Editor: Amy Cemodanovs


She Wears The Mask, Victoria Graciaa Jan 2002

She Wears The Mask, Victoria Graciaa

The Corinthian

The emergence of the so-called "primitive" masking its way into the art world of the twentieth century brought with it an alluring mystique which intrigued numerous artists and consequently provoked its appropriation. Specifically, the tribal can be seen in the works of Pablo Picasso as he imbues the geometric facades of Afro- Iberian masks, with shamanistic powers. Upon comparison, the primal found in Picasso's work adds an interesting twist to the work of the female Dadaist Hannah Hoch, who puzzles her audience both aesthetically and intellectually through her use of dense iconography.


Summer 2002, 90.9 Wmpg Fm Jan 2002

Summer 2002, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Parnassus 2002: 40th Anniversary Anthology Jan 2002

Parnassus 2002: 40th Anniversary Anthology

Parnassus

The 2002 edition 40th anniversary anthology of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.


Geometric Patterns And The Interpretation Of Meaning: Two Monuments In Iran, Carol Bier Jan 2002

Geometric Patterns And The Interpretation Of Meaning: Two Monuments In Iran, Carol Bier

Textile Research Works

The Alhambra has often served in the West as the paradigm for understanding geometric pattern in Islamic art. Constructed in Spain in the 13th century as a highly defended palace, it is a relatively late manifestation of an Islamic fascination with geometric pattern. Numerous earlier Islamic buildings, from Spain to India, exhibit extensive geometric patterning, which substantiate a mathematical interest in the spatial dimension and its manifold potential for meaning. This paper examines two monuments on the Iranian plateau, dating from the 11 th century of our era, in which more than one hundred exterior surface areas have received patterns …


Introduction To Doris Duke's Shangri La By Sharon Littlefield, Carol Bier Jan 2002

Introduction To Doris Duke's Shangri La By Sharon Littlefield, Carol Bier

Textile Research Works

SHANGRI LA, the most intimate of Doris Duke's residences, is the one that today offers the best view into the private domain of a public celebrity. What it reveals about Doris Duke presents a strong contrast to her well-publicized persona as a tobacco heiress, born to wealth, who liked to frolic. Observe the house, spilling down terraces of Ka'alawai toward the sea; contemplate its well-considered vistas and its polished black lava, white marble, and coral limestone surfaces. Admire the architectural features shipped from abroad and installed on site; experience the gardens with their towering trees, sparkling water chutes, and placid …


Education Of An Architect: Through African-American Constructions, Scott Ruff Jan 2002

Education Of An Architect: Through African-American Constructions, Scott Ruff

Proceedings of the 18th National Conference on the Beginning Design Student

No abstract provided.


A Time For Every Purpose Under Heaven (Bookcover), Abby Kagan, Sky Bergman Jan 2002

A Time For Every Purpose Under Heaven (Bookcover), Abby Kagan, Sky Bergman

Art and Design

Jacket design: Copyright © 2002 by Abby Kagan. Jacket photograph: Copyright © 2002 by Sky Bergman.


Threshold And Process: Carlos Jiménez Studio And The Making Of The Richard E. Peeler Art Center At Depauw University, Robert G. Bottoms, Mitchell B. Merback, Stephen Fox, Kaytie Johnson Jan 2002

Threshold And Process: Carlos Jiménez Studio And The Making Of The Richard E. Peeler Art Center At Depauw University, Robert G. Bottoms, Mitchell B. Merback, Stephen Fox, Kaytie Johnson

Galleries at Peeler Exhibition & Program Publications

Foreword: The Richard Earl Peeler Art Center, Home at Last: Reflections on the History of the Art Department on the Threshold of Now, Threshold and Process: Carlos Jiménezʼs Art Center for DePauw University - An Interview with Carlos Jiménez, Richard Earl Peeler (1926-98)


Post Surrealism, Michael Duncan Jan 2002

Post Surrealism, Michael Duncan

Exhibit Catalogues

No abstract provided.


The Mockingbird - 2002, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University Jan 2002

The Mockingbird - 2002, Department Of Art And Design, East Tennessee State University, Department Of Literature And Language, East Tennessee State University

The Mockingbird [magazine]

Devon Koren Asdell [Natural Bridge]; Jessica Brice [The Furrowed Field]; Amy Chartier [Through the Road and of My Heart]; Victoria Cunningham [Concealment July 2001]; Carie Dutro [A Friend of Mine Once Told Me]; Nancy Jane Earnest [Summer Ritual]; Franci Doyle [Jackass]; Mike Garrett [Game]; Spicey Gould [Passage]; Megan Jewell Kern [On Three]; Jessica Hodges [Just 2]; Gregory Marlow [Charlie’s Wife]; Shanda Miller [Affirmations]; Neli Jennifer Minthorn [Untitled]; Ouzounova [Stairway to a Sense of Place]; Alison Pack [Accessories]; James Sharp [Boones Creek]; Deborah Smith [The Game]; Kevin Stephenson [A Tale of Two Tales]; Pam Tabor [Letting Go]; Chris Vaughn [Foretold]; Rachel …


Spatial Themes In A Three Week Project, Corey Saft Jan 2002

Spatial Themes In A Three Week Project, Corey Saft

Proceedings of the 18th National Conference on the Beginning Design Student

In speaking to The Enigma of the First Assignment. the premise of this paper is explained with a studio in which a design project is addressed through sets of rules. Rules fall into three categories: for program, for site, and for assembly. These rules were left open-ended and they provided the first footholds for a student to get to work designing and not ponder the much larger problem of design itself.


The Silence Of The Studio Lambs: How To Hear Your Students' Voices In A Postmodern Design Studio, Elijah Mirochnik Jan 2002

The Silence Of The Studio Lambs: How To Hear Your Students' Voices In A Postmodern Design Studio, Elijah Mirochnik

Proceedings of the 18th National Conference on the Beginning Design Student

Ideas that underlie postmodern thoght are rarely used in conversations about archrtectural education the way that philosophers and lrterary crrtics have used it since the early 1970s: as a call to abandon that portion of modern vocabulary that sustains Plato's story that Truth is something that already exists, that our own human capacrties are not enough to get us a glimpse of Truth, and therefore, that some method that is detached from our own inadequate capacrties is needed if we are ever to extract the Real Truth from our mortal inclinations toward deceiving ourselves by believing in mere opinion, felt …


Allusion, Illusion And The Beginning Design Student, Albert C. Smith, Kendra Schank Smith Jan 2002

Allusion, Illusion And The Beginning Design Student, Albert C. Smith, Kendra Schank Smith

Proceedings of the 18th National Conference on the Beginning Design Student

This paper explores aspects of media that concern illusion and allusion. It will present some examples of beginning design student projects to question and elucidate both the inherent differences of these potentially dichotomous terms and how they might lead us in a more concordant direction for teaching beginning design and visual communications in architecture. In recent history, we have seen examples of drawings such as those published by Zaha Hadid and Daniel Libeskind that have had an inclination to place archrtecture into a greater state of allusion. These drawings are exciting and provoke the thoughtful references to the poss ibi …


Assemblies: Full Scale Construction In The Freshman Design Sequence, Aron Temkin, Scott Smith Jan 2002

Assemblies: Full Scale Construction In The Freshman Design Sequence, Aron Temkin, Scott Smith

Proceedings of the 18th National Conference on the Beginning Design Student

The first year design faculty has been running a spring semester shop project for many years: Scott Smith has influenced this work as Shop Director since 1985. The examples documented in this paper are a cross section including two examples from the I980's and several more recent examples from the last ten years. The primary objective of this paper is to document the success and variety of this work and consider the factors impacting its variation, how the particulars of the assignment contribute more or less to the project objectives, and provide some background context for other scholars who may …