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Normal Editions Workshop Newsletter, 2002, Wonsook Kim School Of Art And Design

Normal Editions Workshop Newsletter

Annual newsletter for the Normal Editions Workshop, School of Art, Illinois State University.

A Book About Sushi, Christopher Visit, Fleet Library, Special Collections, Jan Baker

Food

This book was completed for Jan Baker's artists' book class.

In A Foreign City I Remember Everything I Forgot, Hadassa Goldvicht, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class Printed Books.

Plant Deconstructions, Louise Kohrman, Fleet Library, Special Collections, Jan Baker

Nature

This book was completed for Jan Baker's artists' book class.

Black Ice And Rain: Psalms 6.6, Barbara Tetenbaum, Special Collections, Fleet Library

Artists' Books

pamphlet stitch with hard cover and silk covered boards; cover; title page; interior pages; colophon. Michael Donaghy recounts a true story of love and loss, illustrated by Tetenbaum's use of very tactile dyed and collaged handmade paper.

Look Back, Lynn Marshall-Linnemeier, Special Collections, Fleet Library

Artists' Books

32 unnumbered pages : illustrations (some color), facsimiles, map, portraits. Cover title. Collaborative response in an artists' book format to the letters of Anna Matilda Page King to her family (written between 1817 - 1859) from "Retreat", her St. Simons Island, Georgia plantation. Includes bibliographical references. Stapled. Gift of Jan Baker.

Warped Words, Bonnie Stahlecker, Special Collections, Fleet Library

Artists' Books

[1] folded sheet ([6] leaves) : color ill.. Title from cover. "Bonnie Stahlecker started this book in 1998 while she was visiting artist at Arizona State University. Using Bembo Roman and Lydian Bold Italic from their great type collection, she printed ten copies on Somerset book cover, with intaglio and paste paint providing additional layers. After four years on the shelf, it was finally finished in 2002 at the artist's Indiana studio (no lie)."--Colophon. Numbered, signed and dated in pencil by the artist. Six page accordion fold with three reversed pop-ups. Pop-up structure prevents fully extending sheet. Folded sheet mounted …

Artwork: Art At Work In The Gdso, Carolyn Louth

Honors Capstones

No abstract provided.

Urban Noise : Inner Voice, Shelly Hays, Fleet Library, Special Collections, Jan Baker

Senses

This book was completed for Jan Baker's artists' book class, Printed Books.

The Evolution Of Money, Jessica Rosenkranz, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

Power Pop, Ug, Special Collections, Fleet Library

Artists' Books

1 volume, 10 unnumbered pages. Cover title. Publisher name, copyright date, and edition number from page [4] of cover. Edition of 100. First and last pages are pastedowns. Five double-pages pop-ups, silkscreen-printed in pixilated style of the 8-bit video and arcade games of the 1980s. Illustrations depict cityscapes and robots.

Big Man On The Dot, Ken Leslie, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : color illustrations. Doughnut-shaped leaf folded to a fan shape (24 cm, folded to 7 cm), text and illustrations on both sides ; issued in a paper slipcase. Text titled "Big man" appears on one side and "Our Dot" on the verso. Cover title. Contemplates our place in the physical and metaphysical universe. Opens to reveal verso size comparison of "Our Dot" Earth, the Sun, Saturn, and Jupiter. "Brad Freeman, Director, Nexus Press"--back of slipcase. Conical accordion fold in printed paper slipcase. Gift of Jan Baker.

All On The Same Page, Abxchange, Sara Durkacs, Ann E. Gregory, Ed Hutchins, Roberta Lavadour, Sibyl Rubottom, Robyn Sassen, Alice Simpson, Shu-Ju Wang, Special Collections, Fleet Library

Artists' Books

8 folded & cut sheets : ill. (some color) + 7 folded sheets in pocket. Title from container. "Part of the 'Once in a while' series of artists' book portfolios created by the gang at Abxchange"--portfolio box. Fall 2002. Limited edition of 35 copies. "Eight artists approach the book form within the limits of one standard sheet of 8 1/2 by 11" paper, printed just on the front, or front and back and folded, cut, glued, sewn and/or fastened into a small work of art." Includes 7 pages of templates which outline the construction of seven of the 8 books. …

Untitled, Laylah Ali, Modern Museum Of Art (Moma), Nicole Parente, Special Collections, Fleet Library

Artists' Books

[30] pages : all color ill. . No title page or cover title. All publication information from colophon. Digital production: Nicole Parente. Artists' book featuring Laylah Ali's "greenheads"

All The Aldas, Daniel Kane, Special Collections, Fleet Library

Artists' Books

pamphlet stitch, some fold-out pages; cover; cover page; interior spreads and pages. Poems revealing the author's obsession with actor Alan Alda.

Florida Family Portrait, Judy Gelles, Special Collections, Fleet Library

Artists' Books

Sewn signatures with soft cover; cover; interior spread; interior page details. Black and white photographs of family taken with grandparents in Florida, 1982-2002, with notes highlighting each year.

Mutually Exclusive, Emily Martin, Special Collections, Fleet Library

Artists' Books

5 magic wallets (Jacob's ladder module), enclosed in an Asian-style cloth covered portfolio with bone clasps; portfolio cover; magic wallets open and closed. Each booklet features conflicting text from media reports following the Sept. 11th terrorist attacks. Opinions and beliefs, formed from the same information, are often opposing.

Public / Private Peace: Selections From The Swarthmore College Peace Collection, Buzz Spector, Special Collections, Fleet Library

Artists' Books

saddle stitch with plastic translucent cover and cloth covered spine; interior pages. Catalog featuring several installations of work based on photographs in the Swarthmore Peace Collection.

Saturday Afternoons, Susan Angebranndt, Harold Williams, Special Collections, Fleet Library

Artists' Books

accordion with pop-ups; cover wrap; book cover; page spreads. Edition of 25 copies. Cover title. In slipcase with mounted color illustration. "Photos: Susan Angebranndt, Harold Williams ; Illustration, story & construction: Susan Angebranndt ; Ink jet printed"--Colophon. Accordion fold book with pop-up illustrations. Library has copy 7.

View video of Saturday Afternoons.">

Where Do We Start?, Wilber Chip Schilling, Special Collections, Fleet Library

Artists' Books

maze book accordion variation with fold-out flaps, enclosed in a cloth covered portfolio with sleeves for CD's and housed in a cloth covered slipcase with foil stamped title; cover; title page; interior spreads . With drawings, photos and anecdotes, 2 men describe how they obtained an education despite the pitfalls of the educational institutions of their youth. Full stories are recorded on acompanying CD's.

The Veil, Julie Chen, Special Collections, Fleet Library

Artists' Books

1 volume, 5 pages. In box (33 x 22 cm) Title from box. "'The Veil' was written and designed by Julie Chen in the fall of 2002. It was letterpress printed using a combination of photopolymer plates and collagraphic blocks on Wyndstone Marble papers, and cut using a Universal Systems Lasercutter. The binding was done by Julie Chen and Anna Sacramento at the studios of Flying Fish Press.."--Box lining paper. Produced in an edition of 100 copies, signed & numbered by the artist. "This book can be displayed as a standing sculpture by curving the concertina into a circle, with …

2002 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Fertile Birch, Judy Hoffman, Special Collections, Fleet Library

Artists' Books

1 object. Title and production information from artist's statement sheet. "This one-of-a-kind artists' book is made of beaten, pigmented abaca fiber twisted and molded into lattice-shaped pages. It is one of a series of "Wild Books" in which the artist explores the idea of manmade objects taking on the aspects of a natural form."--Artist's statement.

The Historical Ceramics Of Camp Floyd, Jennifer L. Elsken

Theses and Dissertations

This thesis is an historical archaeological project involving the classification and analysis of the ceramics found at Camp Floyd, a 19th century military site 40 miles southwest of Salt Lake City, Utah. United States military troops were dispatched to the Utah Territory to establish a Pony Express Station and an Overland Stage Trail, to assert federal authority in the Territories, and to end the ongoing conflict between the federal government and the Church of Jesus Christ of Latter Day Saints. The primary research question concerned the ceramic usage patterns at Camp Floyd as compared to other military sites and non-residential …

The Integration Of Technology Into Home Space In The 2020s, Ying Li

Theses and Dissertations

Research on the current housing status in the United States, and the features of middle-class and high-end houses, revealed that home space consists of five spaces: living, work and study, resting, service and circulation. A meticulous look at the four-century American housing history disclosed that transformations in the five spaces were profoundly impacted by technology. To predict home space in the near future, research on future technology and lifestyle was performed. There will still be five home spaces, with new and improved components. Technology will bring greater comfort and flexibility to the home interior. Two design solutions for middle-class and …

Prints And Installations: Clinical Essence, Karla Kaye Burkhardt Oler

Dissertations and Theses @ UNI

To create images is to create the soul, opening up to the enigma within us. If the body is the container for the soul, how we navigate through life may individuate our essential nature. How we react to and utilize this awareness provides a framework for portraying our existence. With this concept in mind, I am using my scanned body image as the basis for my artwork, a type of clinical observation, both inside and out. By scanning portions of my body, cropping as a basis for a matrix, printing the image from an inkjet printer on to transparency film …