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1973

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Articles 181 - 191 of 191

Full-Text Articles in Art and Design

Art Rite, Vol. 2, Edit Deak, Walter Robinson, Joshua Cohn, Special Collections, Fleet Library Jan 1973

Art Rite, Vol. 2, Edit Deak, Walter Robinson, Joshua Cohn, Special Collections, Fleet Library

Artists' Books

Vol.2 : illustrations. Cover art: William Wegman. 16 pgs.

Vol. 8: Each cover to this issue has unique hand coloring by Pat Steir. – Printed Matter, Inc. Some issues also have a distinctive title. Editor: Edit deAk ; Photo editor: Yuri. Co-founded and edited by Walter Robinson. No. 2 cover: William Wegman ; No. 7 cover: Vito Acconci ; No. 8 cover: Pat Steir ; No. 10 cover: Joseph Beuys ; Nos. 11-12 cover: Ed Ruscha ; No. 14 cover: Carl Andre. Library has: nos. 2, 7-12 & 14 (special issue on Artists' books) No. 9 Gift of Janice Woo, …


Pulse (For My Mother) = (Pour Sa Mère), Vito Acconci, Special Collections, Fleet Library Jan 1973

Pulse (For My Mother) = (Pour Sa Mère), Vito Acconci, Special Collections, Fleet Library

Artists' Books

[24] pages : ports. Cover title. Text in English and French. Library has no. 69 of 500; signed by the author.


Quincy Book, Carl Andre, Special Collections, Fleet Library Jan 1973

Quincy Book, Carl Andre, Special Collections, Fleet Library

Artists' Books

[40] pages : all ill. Published in conjunction with two exhibitions: Carl Andre "Six alloy plains" March 16-April 8, 1973, Addison Gallery of American Art.. ; Carl Andre "Seven books", March 16-April 14, 1973, Institute of Contemporary Art, Boston, Mass. Anonymous gift.


Casting In Sterling Silver Using Models Made From Expanded Polystyrene, Ardith J. Hoff Jan 1973

Casting In Sterling Silver Using Models Made From Expanded Polystyrene, Ardith J. Hoff

Dissertations and Theses @ UNI

The purpose of this thesis was to explore some of the possibilities and limitations of casting items in sterling silver using models made of various types of expanded polystyrene. The text includes historical and background information. Uses made of similar material by sculptors and in industry was discussed. The traditional lost-wax process which was adapted for use with the expanded polystyrene models was explained. It was not the intent of this study to show that expanded polystyrene should replace wax as a model making material nor that it is in any way a superior material to work with. On the …


0158: Rena Burnett Autograph Book, 1889-1902, Marshall University Special Collections Jan 1973

0158: Rena Burnett Autograph Book, 1889-1902, Marshall University Special Collections

Guides to Manuscript Collections

Autograph book containing notes addressed to Rena Burnett. Includes hand-drawn illustrations and colored pencil notes. Also included is a newspaper clipping with a photograph that includes the Huntington High School graduating class of 1896, of which Burnett was a member.


1973 Portfolio, Risd Archives, Center For Student Involvement (Csi) Jan 1973

1973 Portfolio, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


A Study In Visual Emotional Response To Color Changes On Simplified Flat Forms, Frances Farmer Jan 1973

A Study In Visual Emotional Response To Color Changes On Simplified Flat Forms, Frances Farmer

All Master's Theses

Research has proven that the impact of two-dimensional painting and drawing occurs in the first tenth of a second on viewing. All viewing thereafter is investigative. Therefore it is of utmost important that the major response be in this period. This interest in the firm, momentary presence of visual impact has precedence in Milton Avery's work as related by Hilton Kramer in his text on Milton Avery. To make the use of color as the basic mainspring of my work seemed to be the most effective way of gaining this time response. With this in mind I intended to produce …


Sculpture And Its Environment, Eric J. Hansen Jan 1973

Sculpture And Its Environment, Eric J. Hansen

All Master's Theses

The discussion about sculpture in this paper will be limited to the following three points:

1. The incorporation of the base into a sculpture; the removal of the base from a sculpture and what effects this has on the piece and its environment.

2. Variations on similar forms, and how they relate to baselessness.

3. Completely freeing the sculpture of any structural contact with the ground plane.


The Use Of Cellular Structure As A Basic Design Motif For Creative Jewelry Making, Robert L. Neal Jan 1973

The Use Of Cellular Structure As A Basic Design Motif For Creative Jewelry Making, Robert L. Neal

All Master's Theses

This study presents an examination of microscopic plant and animal structures for the purpose of using the unique forms, colors and textures revealed as a point of departure for artistic expression.

It also delves briefly into the nature of creativity and its manifestation as it relates to art and science.

A slide-script presentation was created to be used as a stimulation device for secondary students who may wish to work in media such as painting, jewelry, batik and printmaking.


The Face As An Inspiration In Drawing, Linda Lee Stevens Jan 1973

The Face As An Inspiration In Drawing, Linda Lee Stevens

All Master's Theses

My primary concern in drawing is the human element. The face has been the inspiration which enabled me to convey this element. These faces (contrived from photographic media) became individuals with the ability to transmit emotions (which are triggered by their human forces). This power of the face has inspired the utilization of spatial relationships and imagery which becomes the total drawing. The magical quality in drawing is similar to the mystical quality of the face - they both provide a spiritual challenge.


Costume Design And Construction For She Stoops To Conquer, Beverly Twing Sullivan Jan 1973

Costume Design And Construction For She Stoops To Conquer, Beverly Twing Sullivan

All Master's Theses

This interdisciplinary thesis between the Home Economics Department and the Speech and Drama Department presents a detailed study of Eighteenth Century English costume. Stage costumes were designed and constructed for a production of Oliver Goldsmith's She Stoops to Conquer at Central Washington State College. Patterns, fabric selection, and total costs are considered for the project.

Recommendations include double listing of classes to promote continued cooperation between the two departments.