Art and Design Commons^™

Comic Vision, Gale Acuff

SANE journal: Sequential Art Narrative in Education

A narrative, rhetorical poem

Parallel Starts Outsider Art Inside Collections, Sharon L. Kennedy

Sheldon Museum of Art: Catalogs and Publications

As the term implies, "outsider" artists tend to work in isolation with little interest in other artists' styles or methods. Such independence from the social and cultural norms that have shaped art history provides scholars with few clues from which to proceed.

Norman Geske, Sheldon Director Emeritus and exhibition curator, defines outsider art as follows:

Essentially, outsider art is the art that derives from the creative instinct, which is inherent in human beings who are entirely independent of any of the conventions of traditional art history. In these, works, subject matter, method, and technique are subsumed in the intrinsic impulse …

Structure And Properties Of Cocoons And Silk Fibers Produced By Hyalophora Cecropia, Narendra Reddy, Yiqi Yang

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

This paper shows that silk fibers produced by cecropia (Hyalophora cecropia) have similar tensile properties but different amino acid composition than that of mulberry (Bombyx mori) silk. The cecropia fibers are also much finer and have better strength and modulus than tasar silk, the most common non-mulberry silk. Cecropia is one of the largest silk producing moths and has similar lifecycle to that of mulberry silk but is easier to grow and produces larger cocoons than mulberry silk. In this study, we have characterized the composition, morphology, physical and tensile properties, and thermal behavior of the …

Developing Water Stable Gliadin Films Without Using Crosslinking Agents, Narendra Reddy, Yiqi Yang

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

Abstract For the first time, gliadin films with excellent strength and water stability have been developed without using any crosslinking agents. So far, it has not been possible to obtain water stable gliadin films even after crosslinking. In this research, a novel method of using aqueous urea and ethanol has been developed to obtain highly water stable gliadin films without using crosslinking chemicals. The effects of concentrations of gliadin, urea and ethanol on the strength of the films and the stability of the films in water at high temperatures and various pH conditions has been studied. Gliadin films developed in …

12th Biennial Symposium Program, Part 2: Concurrent Local Exhibitions At Participating Museums And Galleries

Textile Society of America: Symposium Proceedings

• Cooper Gallery at Morrill Hall -- A Turning Point: Navajo Weaving in the Late Twentieth Century  http://www-museum.unl.edu
• Eisentrager-Howard Gallery -- Binary Fiction: Digital Weaving 2010  http://www.unl.edu/art/facilities_eisentrager-howard.shtml
• Lentz Center for Asian Culture -- Color and Pattern: Tribal and Contemporary Ikats of India and Laos   http://www.unl.edu/lentz
• Nebraska History Museum -- Willa Cather: A Matter of Appearances  http://www.nebraskahistory.org
• Rotunda Gallery -- Fiber, Textiles, and Clothing: UNL Graduate Students in Textiles, Clothing, and Design   http://union.unl.edu/city/rotunda_gallery.php
• Sheldon Museum of Art -- New Material World: Rethreading Technology  http://www.sheldonartgallery.org
• International Quilt Study Center & Museum http://www.quiltstudy.org  -- South Asian Seams: Quilts from India, Pakistan and Bangladesh
• International …

Promoting The Tactile In A Virtual World: An Overview Of Fiberscene.Com, Susan Taber Avila, Myra Block Kaiser

Textile Society of America: Symposium Proceedings

After ten years of public service, FiberScene.com, will go offline in Spring 2011. This website, co-founded by Susan Taber Avila and Myra Block Kaiser, played a significant role in promoting fine art with a textile sensibility. Prior to creating this site, there was nothing in cyberspace devoted to Fiber Art.

FiberScene’s initial goal was to enhance visibility for fiber artists, especially those who lived in the San Francisco Bay Area, once a Mecca for fiber art. The website contained individual pages of local artists, a resource page, an event calendar, and a virtual gallery. The gallery provided a comprehensive overview …

Of Gods And Gangs: Indigo As A New Educational Model, Jenny Balfour Paul

Textile Society of America: Symposium Proceedings

In late August 2009, a multi-year educational initiative called Silk Road Connect was launched in five pilot schools in underserved neighbourhoods of New York City as part of its Department of Education’s Campaign for Middle School Success. The brainchild of cellist Yo Yo Ma and his Silk Road Project, Silk Road Connect ‘inspires passion-driven learning by empowering students and educators to seek connections across all areas of study and to follow their interests from the familiar to the foreign. In a spirit of playfulness and investigation, collaboration and creativity, this program invites students to experience learning as a continual process …

Choreographed Cartography: Translation, Feminized Labor, And Digital Literacy In Half/Angel’S The Knitting Map, Deborah Barkun, Jools Gilson

Textile Society of America: Symposium Proceedings

The Knitting Map was a large-scale, durational textile installation by the Irish-based performance production company half/angel that took place during Cork’s year as European Capital of Culture (2005). Bringing a decade of experience with emergent technologies and art practice, half/angel developed technologies to connect the physical busy-ness of Cork City (captured via a series of CCTV cameras) with correspondingly complex knitting stitches (stitches became more complex when the city was busy), and Cork weather (captured by a weather station) to yarn color. The resulting textile was an abstract documentation of a year in the life of an Irish city, in …

Conversation With Nature, Kyoung Ae Cho

Textile Society of America: Symposium Proceedings

I am engaged in a conversation with nature. Each work produced is the result of an intimate dialogue between artist and materials. The conversation may begin as I gather recycled organic matter and collect man-made objects of little value, or it may commence with a sudden discovery: of the beauty in a corn leaf, for example. Leaves and flowers that have fallen to earth are dried, ironed, flattened and stitched: processes that I view as ceremonial transitions from one stage of being to another. Through preparing the materials, I am attentive to the ways they reveal, through shape, pattern, color, …

The Fiber Of Our Lives: A Conceptual Framework For Looking At Textiles’ Meanings, Beverly Gordon

Textile Society of America: Symposium Proceedings

Based on the model explicated in my forthcoming (Thames & Hudson, Fall 2010) book, The Fiber of Our Lives: Why Textiles Matter, I will present a holistic framework that can be used to articulate and compare the meanings of textiles of any given culture or historic period. The framework considers the range of human activities and concerns, including meeting practical survival needs and securing physical, psychological and psychic protection; social interactions; the propensity to seek and wield power; the communication of ideas and aesthetic expression; and activities geared to transcending the limits of human experience—i.e., the spiritual realm. This approach …

Future Reliquaries, Barbara Heller

Textile Society of America: Symposium Proceedings

As a tapestry weaver, spinner, and dyer, I cherish the handmade. But, as a full-fledged member of the electronic age, I realize that the haptic has had a hard time maintaining its status. My Future Reliquary Series is an attempt to reconcile three apparently separate but, in my mind, connected histories: weaving, computing, and religion.

Weaving is a binary system of up/down, just as computing is a binary system of on/off. The first computer was a jacquard loom, complete with punch cards. The process of mechanization removed the human hand from weaving. In an analogous manner, today’s computers have introduced …

The Way Of Sami Duodji: From Nomadic Necessity To Trademarked Lifestyle, Desiree Koslin

Textile Society of America: Symposium Proceedings

The Sami people of Northwestern Eurasia in Norway, Sweden, Finland and Russia share historical vicissitudes brought upon them with most other First Peoples. Their languages were suppressed, their religion and culture obliterated, and their way of life ultimately condemned to marginality. In a painful process that was first given wider attention in texts of the seventeenth century, the Sami were given few options for survival but to acquiesce and adapt to the dictates issued, largely losing their cultural identity in the process.

Today, thanks to extensive advocacy of Sami activists starting in the 1960s, a reawakened Sami identity is fostered …

Invisible No More: The Embellished Abaya In Qatar, Christina Lindholm

Textile Society of America: Symposium Proceedings

Shari’a law and local custom dictate that Muslim women in Qatar wear the abaya, an all-encompassing black garment. Supposedly a deterrent to unwanted male attention and a device to protect men from lascivious thoughts, the abaya has rendered women anonymous when in public, silently moving through society as unidentified and all but invisible beings. Increased Western employment, tourism, and media in the forms of magazines, radio, television and the Internet have brought images of Euro-American lifestyles into Arab homes. Higher education for women has resulted in increased female opportunity and independence. Many women travel abroad and every year more complete …

Contemporary Interpretation Of An Unusual Navajo Weaving Technique, Connie Lippert

Textile Society of America: Symposium Proceedings

I am not Navajo and, therefore, I do not practice Navajo weaving. I do use the wedge weave technique that was practiced by the Navajo for a period in the late 1800s. A Navajo wedge weave is easily recognizable because of the colors used and the shapes consistent with other Navajo weaving. Although I use the same technique, my use of color and shape transforms wedge weave into a contemporary weave.

Wedge weave is an unusual form of tapestry. Pictorial imagery is not its goal. Instead, the weft is woven in such a way that the actual horizontal-vertical structure of …

Synthetic Fibers, Showy Cars And Sportshirts: Liberating The Fashion Spirit Of “The Man In The Gray Flannel Suit”, Diane Maglio

Textile Society of America: Symposium Proceedings

We want to sing the man at the wheel, who hurls the lance of his spirit across the earth, along the circle of its orbit. F. T. Marinetti Futurists of 1911 celebrated technology, the beauty of speed and racing cars with “great pipes, like serpents of explosive breath.” They integrated their philosophy with a Manifesto of Men’s Clothing extolling comfort, joyful practicality and illumination –light even in the rain. In the 1950s, American men followed the path of the Futurists driving dream cars with spectacular tail fins and fashionable synthetic jacquard upholstery while dressing in sport shirts of expressive fibers …

Tradition Embraces “The New”: Depictions Of Modernity On Japanese Kurume E-Gasuri Futon-Ji, Ann Marie Moeller

Textile Society of America: Symposium Proceedings

Kurume is a city on Kyushu Island in Japan known for producing dramatic hand-woven e-gasuri (picture ikat) futon-ji (bedding covers). The most famous have a single picture which runs across four or five panels. Both the warp and weft threads were resist dyed using indigo before being woven into a single long and narrow length of fabric. This cloth was then cut into the panel sections and sewn together. Extraordinary skill was required to both accurately tie the areas of thread to be resisted and to maintain a consistent tension when weaving the fabric. This precision produced complex designs with …

Cutting Through The Surface: The Use Of Laser Cutting Technology With Traditional Textile Process, Jessica Payne

Textile Society of America: Symposium Proceedings

Laser cutting technology is now widely associated with textiles, but prior to the research of designers such as Janet Stoyel, in the early 1990s, it was regarded as a non textile specific technology. Over the past ten years many contemporary designers have used laser technology in conjunction with textiles; leading to the widely seen ‘cut through’ design aesthetic, as exemplified by the work of product designer, Tord Boontje. The technology, however, has not been vigorously exploited and tested in conjunction with traditional textile processes such as flocking, foiling, and print. This paper discusses and discloses my recent research which investigates …

Tracing Cochineal Through The Collection Of The Metropolitan Museum, Elena Phipps, Nobuko Shibayama

Textile Society of America: Symposium Proceedings

Cochineal, with its origin in the Americas, by the 16th century was exported throughout the world. From the time of the Spanish encounter with the Americas in the late 15th and early 16th century, a dyestuff for a strong, fast, red color was in high demand. While many archival documents and scholarly writing exist on the use and shipment of cochineal throughout the world, and on its impact on the textile industry, this paper traces the pathway of its use through an examination of artworks in the Metropolitan Museum. Scientific analysis aids the study in the identification of cochineal (and …

Velvetweaving Today: A Worldwide Overview, Barbara Setsu Pickett

Textile Society of America: Symposium Proceedings

Velvet is a luxury cloth. Fashioned into garments, it dresses the elite. In interiors, it covers walls and upholsters furniture. Its sumptuous display denotes status, power, privilege and wealth. For the past twenty-eight years, my research and art has focused on learning its traditions and handweaving practice.

Besides studying textile archives, I have more importantly visited the few remaining ateliers and have interviewed the artisans to learned about their training, methods and activities.

How do they control the tension of the pile warp?
How do they prevent crushing the woven velvet while it is on the loom?
How do they …

What’S Old Is New Again: Carved Board Clamped Resist Dyeing, Jay Rich, Ana Lisa Hedstrom, Yoshiko Iwamoto Wada, Elin Noble

Textile Society of America: Symposium Proceedings

This panel of textile artists comes together to discuss current replication studies and design application of an ancient resist dyeing technique that involves carved board clamped resist dyeing on fabric. The inspiration pushing the panelists comes from 6-7th century jia xie in China and kyokechi in Japan and work from the Calico Museum in India as well as the important work of contemporary researchers, Tomoko Torimaru and Masanoa Arai.

The idea of creating patterns by tightly clamping folded fabric between mirrored carved board pairs is simple. The contemporary artistry is in finessing and manipulating dye penetration, choice of contemporary fabrics …

Urban Textiles: From Yarn Bombing To Crochet Ivy Chains, Ruth Scheuing

Textile Society of America: Symposium Proceedings

Small hand-knitted little cozies appear in my local neighborhood; overgrown weeds in an urban community garden become a source for materials and inspiration.

These new approaches to textiles by emerging artists explore new aesthetics and explode relationships between process and material and ideas about the use for handmade objects. These artists question the use of galleries as exhibition venues, curators, and juries as judges, and commerce/consumerism around finished objects. Instead they use the street as exhibition space and blogs or flickr sites as venues to create local and global communities.

KnitGirl’s work consists of knitted patches attached to telephone poles, …

From Traditional To Digital Tools, Grethe Sorensen

Textile Society of America: Symposium Proceedings

By the invention of digital thread control and digital subject processing programs, quite new possibilities for creating woven textiles have come into existence.

I will describe my way from the traditional to the digital tools. A development that over the last ten years has lead me to new expressions in woven textiles—elusive optical phenomena, color gradations and a new weave-construction based on digital technology.

It was the absorption in digital subject processing that inspired me to explore the possibilities of developing new methods for creating weave-constructions.

The similarity between pixelated pictures and the graphic expression for a weave-construction gave the …

Traversing Locality/Navigating Borders, Kelly Thompson

Textile Society of America: Symposium Proceedings

What is it to be located? What are the markers of communication that travel with us, or that we seek locally? Recent art practices that address notions of geography, migration, settlement and travel in an increasingly ‘globalized’ and mediatized world are presented in this paper. With Montreal, Canada as the site of location, this research explores ways in which experience intermingles in the poetics of visual translation of ‘real world’ imagery into textile-based responses. Travel and ‘the local’ suggests a map, a rhizome, consisting of multiple entry points “entirely oriented toward an experimentation in contact with the real”, as Deleuze …

Performing The Quilt: The Block To The Blog And Back Again, Sarah E. Tucker

Textile Society of America: Symposium Proceedings

This paper will examine the work of three contemporary Australian quiltmakers in terms of a Deleuzian ‘smooth space’. It will be argued that the patchwork quilt represents a material manifestation of a concept which marks out networked, relational and transversal thought and, has the potential to link both the most similar and the most disparate of ideas. A weblog (hhtp://quilted-out-ofspace.blogspot.com) will document the process and in turn be analysed to explore parallels with the processes of making a quilt— including the potential for alternative social networks such as ‘cybermovements’, ‘submerged networks’, and ‘counterpublics’.

The quilts of Emma Rowden, Judy McDermott, …

Zaher Va Baten: Outer Form And Inner Meaning In Iranian Textile Designs, James Turner

Textile Society of America: Symposium Proceedings

The distinction between zaher and baten, outer and inner, is a fundamental duality encountered in the philosophical, psychological, religious and mystical aspects of Iranian thought. The metaphysical desire to go beyond sensory apprehension of transient external forms to intellectual comprehension of their lasting inner significance may be considered the central theme of Iranian visual art including textile designs. A close examination of four textiles from the modern period reveals some of the concealed personal motivations and cultural meanings embodied in their patterns. Beyond all practical concerns, these weavings have in common the aim of unifying the duality of ordinary sight …

Coast Salish Textiles: From ‘Stilled Fingers’ To Spinning An Identity, Eileen Wheeler

Textile Society of America: Symposium Proceedings

When aboriginal women of south western British Columbia, Canada undertook to revisit their once prolific and esteemed ancient textile practices, the strand of cultural knowledge and expertise linking this heritage to contemporary life had become extremely tenuous. Through an engagement with cultural memory, painstakingly reclaimed, Coast Salish women began a revival in the 1980s that includes historically resonant weaving and basketry, as well as the more recent adaptive and expedient practice of knitting. This revitalization faces continuing cultural challenges as a new generation is presented with the opportunity to engage its heritage.

Through interviews with principals in this movement plus …

The Grid, Weaving, Body And Mind, Syniva Whitney

Textile Society of America: Symposium Proceedings

The modernist grid continues to influence contemporary art. The grid and the evolution of this visual idea, the matrix, have become essential in understanding the conceptual relevance of work that explores the connection between the hand and the digital and the seen and invisible. The structured simplicity of the floor loom weavings of Ruth Laskey, the Internet based work of Eduardo Navasse, the industrially produced weavings and digital sound installations of Christy Matson and the digital installation work of Julius Popp are used as examples to trace the influence of the ideas that Rosalind Krauss and other art theorists began …

Capturing The Landscape : Textiles For The Australian Fashion Industry, Liz Williamson

Textile Society of America: Symposium Proceedings

Textiles are intricately interlaced with fashion, giving texture, drape, feel, detail and color to garments. In Australia, tracing the place of textiles in the fashion industry presents a complex story of materials, individual designers, studio practices, commercial production, textiles, art, craft and design. Overwhelmingly, makers of textiles for fashion have shown a desire to represent Australia, its character and spirit in cloth.

This paper documents research into how textiles have been designed and made for fashion over the last six decades, focusing on designers whose practice specializes in fashion fabrics. Many of these artists and designers gained experience overseas, returning …

Cloth Settlers: Fine Art Dolls Populating The Textile Art Landscape, Shelley Thornton

Textile Society of America: Symposium Proceedings

This presentation will offer a view of the work of a group of renowned world-class artists who have chosen dollmaking as their mode of expression and textiles as their medium. Art-quality images will portray work by contemporary artists creating cutting-edge textile dolls today as well as some earlier artists active as far back as the nineteen forties who, working in a more traditional vein, helped set high standards for doll artistry and built the foundation for the current state of the art form. Dolls of this caliber have found their way into the collections of the Smithsonian Institution and the …

Anna Von Mertens: Azmt & Aura, Concurrent Exhibitions, The Project Room

Textile Society of America: Symposium Proceedings

Project Room & Dushan Creative
www.projectroom.us www.dushancreative.com
(402) 617-8365 (402) 420-0941

Anna Von Mertens: AZMT & Aura
Oct. 1st, First Friday: 7 to 10:00 p.m.
Saturday, Oct. 2nd: noon to 4:00
Special open hours: Friday and Saturday, Oct. 8th and 9th: noon to 4

Anna Von Mertens pays tribute to a pioneer quilter, Anna Zerissa Morse Thurston, who traveled from Maine to California in the 1880s, almost certainly going through Nebraska on the Oregon Trail. Using computer technology to chart the star pattern at dawn on the day the woman was born in Maine and at dusk the day she …