Art and Design Commons^™

Basic Space, Sean P. Morrissey

School of Art, Art History, and Design: Theses and Student Creative Work

The American suburban landscape and lifestyle incites my investigation of land use, development and consumerism.  Our cultural obsession with the “dream home” and the act of displaying a social identity through popular architectural enhancements is what attracts me to this landscape.  In my work I emphasize banal architecture and ornamentation to accentuate issues of sameness and draw attention to the loss of individuality.  The information is distilled into a visual language inspired by my personal histories with zoning, geography, and land use, borrowing from the flatness and simplicity of cartographic design, informational graphics and architectural illustration.  In my own work …

A Memory Forgotten: Representation Of Women And The Washington D.C. Arsenal Monument, Melissa Sheets

School of Art, Art History, and Design: Theses and Student Creative Work

The Arsenal Monument in the Congressional Cemetery in Washington D.C. commemorates the twenty-one women who died while working as cartridge makers in the Washington Arsenal on June 17th, 1864. It utilizes both traditional and idealized memorial imagery, represented by an allegorical figure of Grief who stands atop the Monument’s shaft, as well as a realistic representation of the Arsenal explosion carved into the base. Erected only a year after the incident, the Monument can be interpreted as commemorating all twenty-one women by the inclusion of their names on the sides of the base. From this listing of names and the …

Taking Sides, But Who’S Counting? The Decagonal Tomb Tower At Maragha

Textile Research Works

Lu and Steinhardt introduced the term “girih tiles” to describe the set of equilateral polygons that structures a colorful two-dimensional decagonal tiling on the Darb-e Imam in Isfahan, Iran (1453 CE) with distant roots in the five-fold symmetries articulated in brick on the Gonbad-e Qabud, a tomb tower dated to the late 12th century CE located at Maragha in western Iran. Their work seeks to establish the early existence of quasi-crystalline tilings long before such means of covering the plane were understood mathematically in the West. Questions remained unanswered as to whether those who constructed these monuments were aware of …

Stealing Horses And Hostile Conflict: 1833-1834 Drawings Of Mato-Tope And Sih-Chida, Kimberly Minor

School of Art, Art History, and Design: Theses and Student Creative Work

The first documented Native American art on paper includes the following drawings at the Joslyn Art Museum in Omaha, Nebraska: In the Winter, 1833-1834 (two versions) by Sih-Chida (Yellow Feather) and Mato-Tope Battling a Cheyenne Chief with a Hatchet (1834) by Mato-Tope (Four Bears) as well as an untitled drawing not previously attributed to the latter. These images were produced and collected during the winter of 1833-1834 when the German Prince Maximilian of Wied and artist Karl Bodmer resided at Fort Clark in North Dakota. These drawings remained with Prince Maximilian’s estate until they were placed on long term loan …

An American Taste: The Rohman Collection

Sheldon Museum of Art: Catalogs and Publications

The Rohman name has been synonymous with the artistic an cultural life of Lincoln and greater Nebraska for decades. It can be seen on buildings and projects throughout the city and state, from Opera Omaha and the University of Nebraska- Lincoln opera program to the Museum of Nebraska Art in Kearney and Lincoln's own Meadowlark Music Festival. In summer 2005, the Rohman's were the first family to be honored with a named gallery at the Sheldon Museum of Art. But the Rohman's have also enriched the region's cultural heritage in less visible ways too numerous to count. An American Taste: …

Textile Society Of America Newsletter 23:1 — Winter 2011, Textile Society Of America

Textile Society of America: Newsletters

Lillian Elliott Award Recipient: Sharon Kallis
Symposium 2010: TSA Award and Scholarship Winners
From the President
TSA Study Tours
Symposium 2010 Photos
TSA Member News
Symposium 2010: Reports by TSA Award Recipients
Book Reviews
Conference Reviews
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops, Tours

Poetical Fire: Three Centuries Of Still Lifes, Brandon K. Ruud, Wendy J. Katz, Randall R. Griffey, Janet L. Farber, Jorge Daniel Veneciano, Sarah E. Feit

Sheldon Museum of Art: Catalogs and Publications

No abstract provided.

Decisive Line Drawings By Dan Howard, Christin J. Mamiya

Sheldon Museum of Art: Catalogs and Publications

In mathematics, a line is the geometric figure formed by a point moving along a fixed direction, and its major property is that it is one-dimensional. In art, however, line has much more than a single dimension. Lines are mutable and chameleon-like in character-they can be soft and seductively flowing, agitated and emotionally loud, or passively descriptive. Line also serves as the fundamental element of most drawings. In this exhibition, Dan Howard reveals his continuing fascination with, and mastery of, line. Composed not only of charcoal, graphite, and pen-and-ink drawings, but also of oil paintings, this array of works showcases …

Messaging: Text And Visual Art, Sarah Feit, Jorge Daniel Veneciano

Sheldon Museum of Art: Catalogs and Publications

Messaging: Text and Visual Art explores the use of language in art. Text in art mirrors the language of our daily lives, drawing on newspapers, advertisements, and personal stories. This exhibition focuses on how artists since the 1960s have used text in their work The term "messaging" in the title evokes changes in communications that have occurred in recent years. The technological advances that have been underway since the 1990s not only brought about unprecedented changes in the fields of science and industry, but they are also transforming our language.

"Messaging" has become synonymous with technology-a term used to describe …

New Material World: Rethreading Technology, Sharon L. Kennedy

Sheldon Museum of Art: Catalogs and Publications

New Material World: Rethreading Technology highlights ten contemporary textile artists from Canada, Denmark, Japan, South Korea, and the United States, who engage modern technology either by employing or studiously resisting it in their work. The exhibition explores ways in which some artists utilize technology as a tool to expand their design capabilities and others use it to further their cultural, political, scientific, or social interests. Technology aids in planning and implementing artwork, allowing artists more time to explore new creative ventures. Modern exchanges of information facilitate collaborations between artists and industry. Although technology has benefited many textile artists, others find …

Better Half, Better Twelfth: Women In The Arts Collection- Part Ii

Sheldon Museum of Art: Catalogs and Publications

This reinstallation of the permanent collection galleries continues Sheldon's focus on American women artists, The fact of women's historical exclusion from the art world provides a basis for our exploration, In a 1971 essay, art historian Linda Nochlin famously asked, "Why have there been no great women artists)" She detailed various exclusions women suffered-from working with male nude models, hence from apprenticeships, then art professions and academies, to which we add commercial gallery exhibitions, art criticism, and art history. Over the centuries, this vicious cycle has shaped the current phenomenon: the predominance of male artists in museum collections.

The expression …

"Introduction" To Conjuring The Real: The Role Of Architecture In Eighteenth- And Nineteenth-Century Fiction, Rumiko Handa, James Potter

Architecture Program: Faculty Scholarly and Creative Activity

Buildings give an immediate presence to the historical or fictional world, which otherwise is unknown or unfamiliar to the audience. The portrayal of a building’s concrete and specific substance makes the world come alive, although the building itself is a mere segment of the world that it represents. This book will trace the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater, and identify its pedigree in the nineteenth century, where authors, artists, and stage managers used thorough depictions of buildings to effectively feed the audience’s historical …

Blanket Statements, Issue 106, Winter 2011–2012

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 106, Winter 2011–2012

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 32 (2011), Laurel Horton, Loretta B. Chase, Jan Coor-Pender Dodge, Aimee E. Newell, Phyllis S. Herda, Margaret M. Bingham, Valerie J. Davis, Jackie (Jacqueline) Schweitzer, Carolyn K. Ducey, Deborah E. Kraak

Uncoverings Journal

Preface by Laurel Horton

The Dublin Quilt: A Civil War Textile Document by Loretta B. Chase and Jan Coor-Pender

Dodge Seeking Enlightenment: A Quilt Historian's Guide to Freemasonry Aimee E. Newell Tivaevae: Women's Quilting in the Cook Islands by Phyllis Herda

The Collaborative Relationship between Professional Machine Quilters and Their Customers in the Contemporary Quilt Movement by Margaret M. Bingham

The Policy of Good Design: Quilt Designs and Designers from the WPA Milwaukee Handicrafts Project, 1935-1942 by Valerie J. Davis and Jackie Schweitzer

Reminiscences of Women's Work: Chintz Applique Album Quilts of the First Baptist Church of Philadelphia by Carolyn …

Blanket Statements, Issue 101, Fall 2010

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 101, Fall 2010

Textile Society Of America Newsletter 22:3 — Fall 2010, Textile Society Of America

Textile Society of America: Newsletters

Reflections of a Symposium Co-Chair [Textiles and Settlement: From Plains Space to Cyber Space, 12th Biennial Symposium, Lincoln, Nebraska, October 6–9, 2010]
From the President
TSA News
TSA Member News
In Memoriam: Elayne Zorn, 1952–2010
Symposium Exhibition: Binary Fiction: Digital Weaving 2010
Conference Reviews
Exhibition Reviews
Book Reviews
Featured Collection [Bowes Museum, Barnard Castle, Durham, England]
Collection News
Textile Community News
Publication News
Calendar-Conferences & Symposia, Exhibitions, Lectures
Call for Papers

Non-Traditional Lightweight Polypropylene Composites Reinforced With Milkweed Floss, Narendra Reddy, Yiqi Yang

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

Lightweight composites are preferred for automotive applications due to the weight restrictions and also due to the presence of inherent voids that can enhance the sound absorption of these composites. The density of the reinforcing materials plays a crucial role in such lightweight composites. Milkweed is a unique natural cellulose fiber that has a completely hollow center and low density (0.9 g cm−3) unlike any other natural cellulose fiber. The low density of milkweed fibers will allow the incorporation of higher amounts of fiber per unit weight of a composite, which is expected to lead to lightweight composites with better …

Blanket Statements, Issue 100, Summer 2010

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 100, Summer 2010

Lost Channels, Joshua P. Johnson

School of Art, Art History, and Design: Theses and Student Creative Work

LOST CHANNELS Josh Johnson, M.F.A University of Nebraska, 2010 Adviser: Mo Neal My current body of work derives from notions of an inward nature. Things that are difficult to put your finger on for very long are my focus. Sensations as obscure as the lump in the pit of your stomach or the itch in the back of your mind that turns sleep into a game, conditions that both stifle and propel an individual. These hazy passengers churn within, coating themselves with the residue of memories, concerns, desires and other intangible features of the body; waiting to be released from …

Be: Bookstore, Cafe, And Lounge, Melanie Boone

Interior Design Program: Terminal Projects

The re-design of the P.E. lier building located in downtown Omaha, Nebraska at 1113 Howard Street will challenge the way that a bookstore is typically portrayed. My goal is to create a unique and interesting space combining the bookstore with a cafe and bar/ lounge space.

Typically a bookstore is designed for experiences for single individuals, unlike lounge spaces that are designed for interaction between multiple people.

This space will create a connection between various artistic aspects of Omaha including: art, literature, music, dance, etc. The first level will be a combined bookstore and cafe. The second level will be …

Once-Removed (And Other Familiar Relations), Emily Newman

School of Art, Art History, and Design: Theses and Student Creative Work

Conventional perceptions of space rouse my investigation of images as stand-ins for an objects reference. Removing the context of an object changes the once tangible form. No longer able to be touched, used or relate to its original environment, an object transformed into an image exists solely for our visual and psychological perceptions.

In substituting one for the other, image for object and vise versa, a hierarchy occurs. Its previous existence now establishes a mental presence, shifting the future recollection of such an image to precede or replace the actual object in memory. Proxy of image for object and object …

Uova, Elisa N. Di Feo

School of Art, Art History, and Design: Theses and Student Creative Work

UOVA

Elisa N. Di Feo, MFA

University of Nebraska, 2010

Adviser: Peter Pinnell

The word uova is the plural form for “egg,” in Italian. Eggs represent potential for new life and growth, as well as being vessels themselves. Uova, as a word, functions well in the exhibition for the relationship of its sound to the pieces. The sound gives the word a broader sensibility and significance beyond its definition. There are also formal and surface relationships between this work and eggs, including the satin surfaces and rounded curves of the forms.

I have always been attracted to volume, and its …

From Baa To Eye: Language As Images, Yinghua Zhu

School of Art, Art History, and Design: Theses and Student Creative Work

From Baa to Eye: Language as Images

Languages, as I understood, are the most direct confrontation of cultures because of their inherent culture iconicity. My approach to employ the English language as a subject matter is to interpret the culture it represents. I use language as a metaphor to address the boundary, the inadequacy, the longing, the contradiction, the adaptation, the curiosity, and the frustration that one encounters when different cultures clash. These clashes are valuable because they help me recognize and appreciate the differences, or in other words, the otherness. Otherness is a fundamental category of human thought. It …

Maelstrom, Gertrude L. Teijink

School of Art, Art History, and Design: Theses and Student Creative Work

My work is a confrontation with the conflict between our everyday activities, and the fleetingness of our existence. We are dragged through time and through space, but ultimately we are unavoidably lost in a swirl of oblivion. Given this dissonance, I question the meaning of our everyday activities. Can we find satisfaction with what we do? And why are we compelled to do it? The case I try to make for the meaning of life’s repetitive or renewal actions is made largely in reference to myself, which gives my work an undeniable autobiographical component.

For my thesis work, I photograph …

Breathe... Keep Breathing., Shaun C. Kiel

School of Art, Art History, and Design: Theses and Student Creative Work

I work with short-duration seamless video loops. My work simultaneously depicts and emulates the material composition of time, specifically how action composes time and how time can compose or construct objects.

My work is self-reflexive. Self-reflexive means that a product actively considers or examines its own production. In video this means breaking either the illusion of depicted time as real time or the illusion of the depicted image as real space. Video loops are self-reflexive by function. Their periodic recurrence points out the artifact of the medium.

The periodic recurrence of video loops also changes the narrative quality of the …

Abstention And Opposition, Ryan D. Labar

School of Art, Art History, and Design: Theses and Student Creative Work

ABSTENTION AND OPPOSITION Ryan LaBar, M.F.A. University of Nebraska, 2010 Adviser: Peter Pinnell

Working with clay, I fabricate individual wheel thrown elements, these, together with other clay parts, are carefully stacked on top of each other to compose a layered and woven structure. Each element counterbalances the position of another. These precarious constructs are placed in a kiln, and the heat of the kiln melts and moves the clay and glaze. The clay parts deform as the material softens. Tensions are released, causing the system to undergo a domino effect best described as a cascading failure where the failure of …

Cut, Bryan Drew

School of Art, Art History, and Design: Theses and Student Creative Work

The act of cutting is to sever, to divide an object or even an idea into separate parts of its original state. Non-tangibles can also in a sense be ‘cut’, like gaps in memories or modifications of beliefs or ideas. My work encompasses these definitions of cutting. Working mostly from photos, I use imagery from personal experience, such as meat from my hunting experience, patterns from nostalgic blankets, or photos of people in my life. Other times, I choose imagery simply because I feel compelled to paint it, or it feels somehow needed within the composition. My process begins by …

Blanket Statements, Issue 99, Spring 2010

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 99, Spring 2010

Black, White, Brown, Aisha S. Harrison

School of Art, Art History, and Design: Theses and Student Creative Work

BLACK, WHITE, BROWN Aisha Shani Harrison, M.F.A University of Nebraska, 2010

Adviser: Gail Kendall

I address emotions and perceptions that are complex and multifaceted. My goal is for the work to communicate these emotions in a way that makes them accessible to others. Most people have felt disconnected, longing, anticipation, relief, anger, frustration and have experienced internal conflict. While this work touches on these emotions, there is, because of who I am, a set of questions I am asking regarding racial identity.

This autobiographical work is a series of ceramic figures that are engaged with symbolic objects which together form …

Textile Society Of America Newsletter 22:2 — Spring/Summer 2010, Textile Society Of America

Textile Society of America: Newsletters

A Feast of Options Awaits Symposium Attendees in October [Textiles and Settlement: From Plains Space to Cyber Space, 12th Biennial Symposium, Lincoln, Nebraska, October 6–9, 2010]
From the President
TSA News
TSA Member News
In Memoriam: Natalie K. A. Rothstein, 1930–2010; Patricia J. Williams, 1944–2010; Stephen M. Beal, 1939–2010
Collections News
Textile Community News
Exhibition Reviews
Book Reviews
Publication News
Calls for Papers
Calendar-Conferences & Symposia, Exhibitions, Tours, Lectures & Workshops