Art and Design Commons^™

A Glimpse Of Japanese Dyeing Workshops, Mary V. Hays, Ralph E. Hays

Textile Society of America: Symposium Proceedings

While in Japan in September 1991 we were fortunate to be taken to several small dyeing establishments that make fukusa, furoshiki and kosode. We were most fortunate to have an entre into these establishments because without the proper introduction we would never have been able to make the contacts necessary for an invitation to observe their operation. We were fortunate also in being able to attend a special exhibition of kimono produced by contemporary textile artists. We could not help but be impressed by the cost of these kimono, which are one of a kind works of art. Those …

Blanket Statements, Issue 26, Fall 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 26, Fall 1991

Textile Society Of America Newsletter 3:8 – October 1991, Textile Society Of America

Textile Society of America: Newsletters

From the President
Plans Progressing for an Exciting Conference in Seattle ‘92
Notices
Publications
Exhibits

Climate For Change In Extension: Different Perspectives Make A Difference, Rose Marie Tondl

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

The 1990s are ushering in major changes for Cooperative Extension as National Initiatives become the foundation for program planning, replacing some of the traditional discipline-based programs. As new ideas for program operations are introduced, a natural consequence is human resistance to change. Throughout the system, we're being forced to cope with fundamental changes in the way we do business. The possibility of upsetting the balance of power exists. Individuals will take action based on their perception of how changes will affect their relative power position in the organization. New knowledge, varying economic conditions, pressures of competition, evolution of new cultural …

Zami: A Portrait Of An Artist As A Black Lesbian, Barbara Dibernard

Department of English: Faculty Publications

As feminist critics, we cannot continue to ignore differences in race, sexuality, and class when we write about women; we should heed Adrienne Rich's critique of her own earlier work, that she will never again write of the "faceless, raceless, classless category of 'all women.'" Aware that my work will be partial and limited, I would like to explore Audre Lorde's Zami as a portrait of an artist as a black lesbian. In doing so, I hope to suggest areas where we must open up our conception of the female Kunstlerroman so that we are taking account of Lorde's black …

Blanket Statements, Issue 25, Summer 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 25, Summer 1991

Textile Society Of America Newsletter 3:6 – June 1991, Textile Society Of America

Textile Society of America: Newsletters

From the President
Classes, Conferences, Lectures, Symposia
Competition
Publication Venue
Publications
Exhibitions
Pertinent Names and Addresses
Private Grants for Field Research on Textiles and Costumes

Evaluation Of Milkweed Floss As An Insulative Fill Material&#;, Patricia Cox Crews, Shiela A. Sievert, Lisa T. Woeppel, Elizabeth A. Mccullough

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

Milkweed, a perennial plant that can adapt to adverse soil conditions, is being developed as an alternative crop. Fiber characterization and potential market identification are critical to its development. The most promising commercial use for milkweed floss is as a loose fill for jackets and comforters. The purpose of this research was to evaluate milkweed floss as an insulative fill material and to compare its performance to other insulators. Seven identical jackets were constructed using different fill materials matched on a per unit weight basis. The insulation (clo) values for the jackets were measured using a standing, heated manikin in …

Blanket Statements, Issue 24, Spring 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 24, Spring 1991

Textile Society Of America Newsletter 3:6 – February 1991, Textile Society Of America

Textile Society of America: Newsletters

From the President
Notices
Books
Classes, Conferences, Lectures, Symposia
Exhibitions
Research in Progress
Third Biennial Symposium: “Textiles in Daily Life”

Blanket Statements, Issue 27, Winter 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 27, Winter 1991

The Eternal Horizon: Landscapes From The Sheldon Memorial Art Gallery, Daphne A. Deeds

Sheldon Museum of Art: Catalogs and Publications

It is significant that the earliest recorded historical documentation of landscape, as such, occurred in the same quarter century as the Europeans' discovery of the New World. In 1494 the German painter and printmaker, Albrecht Durer, produced watercolor landscapes, probably on site, in single sittings. Even though Renaissance characteristics such as new techniques in the handling of light, atmospheric perspective and space are present in his work, Durer's watercolor sketches of pure landscapes did not influence the art of his time. It was another German, Albrecht Altdorfer, who "is credited with the first pure landscapes--both in painting and in prints. …

Beyond The Pyramids: Geometry And Design In The Carpets Of Egypt, 1450-1750, Carol Bier

Textile Research Works

Mamluk carpets present a paradox. For although they are among the most tantalizingly beautiful of all Oriental carpets, they are also the least understood. The answers to such questions as who made them, why they were made and for whom, and how they were used, are virtually unknown. These carpets, produced during the rule of the Mamluk sultans in Egypt in the late 15th century are arguably the finest ever produced anywhere. Mamluk carpets are distinguished from all other carpet-weaving traditions. In part, this distinction derives from the dominance and simplicity of geometric form (#R34.32.1): squares and rectangles, octagons and …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 12 (1991), Laurel Horton, Michael Kile, Rod Kiracofe, Lawrence Howe, Catherine E. Cerny, Vista Anne Mahan, William J. Riffe, Pat L. Nickols, Clover Nolan Williams, Valerie Wilson, Varyn M. Kendra, Kyle Emily Ciani

Uncoverings Journal

Dedication:Michael Kile (1947-1991) by Rod Kiracofe

Preface by Laurel Horton

Research Papers

A Text of the Times: The NAMES Project by Lawrence Howe

A Quilt Guild: Its Role in the Elaboration of Female Identity by Catherine A. Cerny

Quilts used as Backdrops in Old Photographs by Vista Anne Mahan

Brain Dominance and Quilters: A Small Group Study by William J. Riffe

Mary A. McElwain: Quilter and Quilt Businesswoman by Pat L. Nickols

Tradition and Art: Two Layers of Meaning in the Bloomington Quilters Guild by Clover Nolan Williams

Quiltmaking in Counties Antrim and Down: Preliminary Findings from the Ulster Quilt …

Textile Society Of America Newsletter 2:3 – November 1990, Textile Society Of America

Textile Society of America: Newsletters

From the President
Notices
Books
Classes, Conferences, Lectures, Symposia
Exhibitions
Pertinent Names and Addresses

Blanket Statements, Issue 22, Fall 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 22, Fall 1990

Blanket Statements, Issue 21, Summer 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 21, Summer 1990

Textile Society Of America Newsletter 2:2 – June 1990, Textile Society Of America

Textile Society of America: Newsletters

From the President
Late News Flash
The Symposium: Textiles in Trade
Pertinent Names and Addresses
What’s New
Calls for Manuscripts and Papers
Fellowships
Employment Opportunities
Exhibitions
The Network: An International Directory of Textile Scholars

Challenging Patterns, Rose Marie Tondl

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

In "Challenging Patterns" you can build on basic construction skills you learned in Sewing for Fun and Clothing Level 1 and Clothing Level 2. You will practice new skills by working with more detailed and intricate pattern designs. You will learn more about:
* Wardrobe building
* Selecting challenging patterns
* Coordinating pattern and fabric
* Design elements - line, color, texture
* Design principles - proportion, balance, rhythm, emphasis and harmony
* Face shapes - hair styles, necklines and accessories
* Selecting accessories
* Serger sewing
* Western wear
* Careers in textiles and clothing

Blanket Statements, Issue 20, Spring 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 20, Spring 1990

Evaluating Uv Absorbers , Patricia Cox Crews, David J. Clark

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

UV absorbers and antioxidants topically applied to upholstery fabrics to reduce fading, separately and in conjunction with soil repellent finish formulations containing UV absorbers, were evaluated in this study. Over fifty upholstery fabrics were initially evaluated and fourteen were selected for further study. The fabrics were then topically treated with commercially available soil repellent finishes (a fluorocarbon and a silicone finish) containing UV absorbers or immersion-treated with one of thirteen UV absorbers or antioxidants. Following light exposure, color changes were evaluated visually and instrumentally. The results showed that neither the fluorocarbon nor silicone-based soil repellent finishes containing UV absorbers significantly …

Textile Society Of America Newsletter 2:3 – February 1990, Textile Society Of America

Textile Society of America: Newsletters

From the President
A Call for Papers
What’s New
Exhibition
Fellowships
Lectures, Symposia, Seminars, Workshops
Study Tours
The Network: An International Directory of Textile Scholars

Carpet Condition: A Curator's Perception Of "The Hole", Carol Bier

Textile Research Works

Twenty years ago when I set out on the course of a professional life in archaeology, I thought my future lay in ruins. Preparing this paper has given me an opportunity to review my experiences and reassess my perception of condition in general. And, specifically with respect to carpets, it has enabled me to develop a heightened sense of self-awareness and perception of "the hole." I have found upon introspective analysis two key aspects of my own training and experience that have profoundly affected my response as curator to the condition of carpets: The first is a background, prior to …

Visions Of Infinity: Design And Pattern In Oriental Carpets, Carol Bier

Textile Research Works

A fascination with color and geometric pattern is expressed in Islamic art. In many areas of the Islamic world, historically from Spain to Indonesia, twodimensional repeat patterns provide the primary means for organizing color and space. Ornamentation of architecture, ceramics, metalwork, book illumination, textiles, and Oriental carpets relies upon the repetition of complex or simple designs, creating overall surface patterns of apparent complexity and intricacy. Patterns may consist of geometric, floral, calligraphic, or figural forms. The majority of patterns in Oriental carpets consist of geometric and stylized floral designs, arranged in a system of repeats within an oblong central field …

Blanket Statements, Issue 23, Winter 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 23, Winter 1990

A "Little Book Of Samples": Evidence Of Textiles Traded To The American Indians, Rita J. Adrosko

Textile Society of America: Symposium Proceedings

The original inhabitants of the United States were hunters and farmers, who used the produce of the hunt and of their gardens for food, clothing and shelter, for ritual purposes and pleasure. While some textiles were produced by Indians before the arrival of Europeans, the colorful yardgoods, blankets, kerchiefs, ribbons, and tapes introduced by the Europeans quickly became popular items of trade.

As early as 1685 wool fabrics such as matchcoat (a cloak material), stroudwaters, blankets, and stocking were listed among goods traded by William Perm's agents for lands west of the Delaware River. Two years earlier in a similar …

A Documentation Of African Trade Cloths In The Philadelphia Port Of History Museum, Lisa Aronson

Textile Society of America: Symposium Proceedings

The Port of History Museum in Philadelphia houses a collection of textiles characteristic of the types the French were trading with Africa between 1880 and 1900 in the early stages of European colonial rule within that continent.¹ The collection emerged in the era of "cotton imperialism1 when Europeans began competing with African cloth industries by importing their own cloths to Africa. (Johnson) The economic historian Hopkins reports that by the turn of the century textiles constituted "about a third of the value of total imports into French West Africa and about a quarter of total imports in British West …

Trade In Hispanic Weavings Of Northern New Mexico And The Social Construction Of Tradition!, Suzanne Baizerman

Textile Society of America: Symposium Proceedings

No discussion of late 20th century trade in textiles - particularly trade in what has been called "regional" or "ethnic" textiles - would be complete without a discussion of the terms "traditional" and "authentic" for these terms inform even a lay person's evaluation of textiles on the market today.

As textile professionals, we encounter terms like "textile tradition," "traditional textiles" or even "authentic traditional textiles" in our everyday experience: a textile brought back by a collector from travel to a Third World nation or a textile on display in a museum. These textiles are subjected to discussions of their authenticity, …

Reconstructing The Ancient Aegean/Egyptian Textile Trade, Elizabeth Barber

Textile Society of America: Symposium Proceedings

For years archaeologists have commented on the occurrence of typically Aegean patterns on the ceilings of a fair number of Egyptian tombs, while musing that they could not see how such patterns were reaching Egypt. Certainly Minoan and Mycenaean potsherds had been found in fair numbers in Egypt; but the designs on the Egyptian ceilings were not the ones used by Aegean potters. To me, however, the particular patterns and layouts seemed strongly reminiscent of weaving —a craft I was quite familiar with, unlike most archaeologists, because my mother was a weaver. If the source of these ceiling patterns were …

Indian Trade Cloth In Egypt: The Newberry Collection, Ruth Barnes

Textile Society of America: Symposium Proceedings

The Department of Eastern Art in the Ashmolean Museum, Oxford, holds what is undoubtedly one of the largest single collections of block-printed textiles produced in India, but exported to Egypt as part of the medieval Islamic Indian Ocean trade. These textiles, all now mere fragments, are of particular interest for two reasons. Firstly, fabrics of this type give us the earliest surviving examples of Indian weaving, although single fibre fragments have been found at the Indus Valley site of Mohenjo-Daro, dating to the second millenium B.C. , and we have numerous Vedic references to dress and textiles, as well as …