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Textile Society Of America Newsletter 8:19 – Summer 1995, Textile Society Of America

Textile Society of America: Newsletters

Introducing…The Textile and Costume Collections at the Museum of Fine Arts, Boston
Board of Directors
Letter from the President
Info-Xchange
Regional Activities East
Acknowledgment
Letter from the Editor
New Newsletter Editor
Announcements
Symposia/Conferences/Seminars/Workshops
Classes/Lectures/Workshops
Exhibitions – Past, Present, and Future

Blanket Statements, Issue 40, Spring 1995

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 40, Spring 1995

Blanket Statements, Issue 43, Winter 1995

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 43, Winter 1995

Dislocated Emblems: Recent Work By Warren Rosser, Daphne A. Deeds

Sheldon Museum of Art: Catalogs and Publications

Though emerging artists often dazzle us with brash or daring work, the artist at mid-career has reached a level of consistency and retrospection that delivers the work from facile solutions. With a career that now spans more than twenty-five years, Warren Rosser's work has evolved into the kind of subtle dialogue between carefully honed technique and highly articulated personal vocabulary that is achieved only with the diligence and insight of maturity. "Dislocated Emblems" is a watershed of Rosser's long commitment to his art. These new works are the culmination of an intensely productive year when Rosser's aesthetic, philosophical, and emotional …

From Statues To Sculpture: Selections From The Collection Of The Sheldon Memorial Art Gallery And Sculpture Garden, Daphne A. Deeds

Sheldon Museum of Art: Catalogs and Publications

The title of this exhibition, From Statues to Sculpture, su~gests the evolution of three-dimensional art, from 19th-century statues that inspire moral fortitude, celebrate historic events and evoke spiritual enlightenment, to sculpture that questions those verities and poses new definitions of reality. From Statues to Sculpture comprises 20 works dating from 1860 to 1988. This selection from the permanent collection of the Sheldon Memorial Art Gallery represents a diversity of issues and developments in American sculptural history, from historic monuments to abstract figuration, from images of landscape to architectural forms.

Sculpture is one of the oldest visual art media. It …

Textile Society Of America Newsletter 7:18 – Winter 1995, Textile Society Of America

Textile Society of America: Newsletters

Introducing…The Smithsonian Institution’s Division of Textiles Collection
Profile: Rita J. Adrosko
Board of Directors
Letter from the Editor
Info-Xchange
Boston Textile Department Restructured
Recent Acquisitions at Cleveland and Indianapolis
Announcements
Symposia/Conferences/Seminars/Workshops
Classes/Lectures/Workshops
Exhibitions – Past, Present, and Future

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 16 (1995), Virginia Gunn, Kathryn W. Berenson, Ricky Clark, Naida Treadway Patterson, Merikay Waldvogel, Xenia E. Cord, Marlene O'Bryant-Seabrook, Carol Williams Gebel, Judy Elsley

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

Origins and Traditions of Marseilles Needlework by Kathryn W. Berenson

Ruth Finley and the Colonial Revival Era by Ricky Clark

Marion Cheever Whiteside Newton: Designer of Story Book Quilts, 1940-1965 by Naida Treadway Patterson

The Origin of Mountain Mist Patterns by Merikay Waldvogel

Marketing Quilt Kits in the 1920s and 1930s by Xenia E. Cord

Symbiotic Stitches: The Quilts of Maggie McFarland Gillispie and John Gillispie, Jr. by Marlene O'Bryant-Seabrook

Quilts in the Final Rite of Passage: A Multicultural Study by Carol Williams Gebel

Making Critical Connections in Quilt Scholarship by Judy Eisley

Authors …

Blanket Statements, Issue 38, Fall 1994

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 38, Fall 1994

Textile Society Of America Newsletter 6:17 – Fall 1994, Textile Society Of America

Textile Society of America: Newsletters

Our New President: Mattiebelle Gittinger
Expanding TSA Membership Goals
Board of Directors
Letter from the President
Symposium Highlights
Special Interest Group Meetings in Los Angeles
Letter from the Editor
Announcements
Calls for Papers
Electronic Communication
National Museum of the American Indian
Pacific Textile Arts
The Medieval Dress and Textile Society
Complex Weavers
Philadelphia College of Textiles and Science
Positions Available
Study Tour to Morocco
Travel
Study Tour to Japan
Weaving Tour of Bolivia
Lectures/Symposia/Conferences/Seminars
Exhibitions- Past, Present, and Future

An Investigation Of Small Apparel Retailers’ Definition Of Customer Satisfaction Using A Naturalistic Approach, Sandra L. Cardillo

Open Access Master's Theses (through 2010)

This study uses an inductive research design to approach customer satisfaction from the perspective of the small apparel retailer. Social exchange theory served as a theoretical framework. The small apparel retailers interviewed in this study had businesses in non-metropolitan communities located in counties with an agricultural, trade, or diversified economic base. Using a qualitative methodology, hypotheses were generated for future study of small apparel retailers’ definition of customer satisfaction. The work done in this study proposes that customer satisfaction, from small apparel retailers’ perspective is a dynamic, multidimensional process requiring the constant evaluation of exchanges that take place between the …

Blanket Statements, Issue 37, Summer 1994

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 37, Summer 1994

Conservation Of Textile Items, Shirley Niemeyer, Patricia Cox Crews

Department of Textiles, Merchandising and Fashion Design: Faculty Publications

Textile heirlooms and keepsakes require special care to preserve them for future use. Conserving textile keepsakes and heirlooms involves an understanding of light, temperature, humidity, insects, storage, display, and cleaning.

Blanket Statements, Issue 36, Spring 1994

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 36, Spring 1994

Textile Society Of America Newsletter 6 – Spring 1994, Textile Society Of America

Textile Society of America: Newsletters

TSA’s Fall Symposium
Letter from the President
1994 Nominees Approved by the Board
In Memoriam
Letter from the Editor
Lillian Elliott: A Profile
Joanne Segal Brandford: A Profile
Announcements
Calls for Papers
Memorial Fund Established
Symposia/Conferences/Seminars – Past/Present/Future
The Eastern Region’s Late Spring Tour of the Renwick Gallery’s Exhibition of Contemporary Navajo Weaving
TSA Bibliography Announced

Ornament And Islamic Art, Carol Bier

Textile Research Works

Review of: The Mediation of Ornament, by OLEG GRABAR & Problems of Style: Foundations for a History of Ornament, by ALOIS RIEGL.

TWO MAJOR WORKS addressing the nature of art, published in the same year but written a century apart, are each based, in part, upon analyses of Islamic monuments. Both derive from series of lectures on the history of ornament, and each offers a perspective explicitly countering the author's own intellectual milieu in the study of art focused on Western tradition.

Problems of Style is an impressive translation of Stilfragen, a broadly-based and wide-ranging inquiry by Alois …

Preface - Contact, Crossover, Continuity - 1994, Louise W. Mackie, Patricia R. Anawalt

Textile Society of America: Symposium Proceedings

The Fourth Biennial Symposium of the Textile Society of America, Inc., was hosted by the Fowler Museum of Cultural History, University of California, Los Angeles, California, September 22–24, 1994. The papers addressed a broad theme which was chosen in order to accommodate the diverse interests of members. The proceedings contains the thirty papers and two abstracts of papers presented at the symposium, plus a video script, and a list of the two hundred and forty participants.

Contact, Crossover, Continuity highlights the causes and effects of change on textiles around the world. The proceedings provides an opportunity to identify and evaluate …

Table Of Contents - Contact, Crossover, Continuity - 1994

Textile Society of America: Symposium Proceedings

Table of contents from Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994

What’S In A Name: The Domestication Of Factory Produced Wax Textiles In Cote D’Ivoire, Kathleen E. Bickford

Textile Society of America: Symposium Proceedings

In a frequently evoked passage from Romeo and Juliet, William Shakespeare asks "What's in a name? That which we call a rose by any other name would smell as sweet." Yet, as Romeo and Juliet tragically come to learn, human beings make much of names. Indeed, one's name is a significant part of one's social persona; it can describe who we are, it can join us and separate us from others, and it can link us to the past. In a sense, when we are named we are given an identity. Describing the complexities of naming for the Wamakua …

Continuity Of Culture: A Reenactor’S Goal, Elizabeth Mcclure

Textile Society of America: Symposium Proceedings

This paper examines the maintenance of cultural continuity through historical reenactment. It is the reenactor's goal, in this case, to portray and maintain the culture of Ireland and Scotland. They are holding on to this culture and presenting it to others by maintaining the dress, crafts, and lifestyles of sixteenth-century Scotland and Ireland.

The methods of data collection for this study were ethnographic in nature. Interviews with key informants were conducted. In addition, there was a questionnaire distributed to members of the group This method of data collection provided the insight to see how a member of this group achieved …

Green Labels With Golden Elephants: Western European Printed Cottons For Malaysia And Indonesia, Frieda Sorber

Textile Society of America: Symposium Proceedings

In the second half of the 19th century, several Belgian cotton printing firms were involved in the production of imitations of African and Southeast Asian textiles for markets in West-Africa, the Dutch East Indies, and Malaysia. Extensive records of one firm, the Societe Anonyme Texas, owned by the Voortman family in Ghent, have been preserved in the Ghent public records office and the Vrieselhof Textile Museum (Oelegem, near Antwerp). Frans de Vos and Abraham Voortman started a cotton printing establishment in Ghent in 1790. At that time cotton printing was a relatively new type of enterprise in Flanders. The first …

Bolong-Bolong And Tirtanadi: An Unknown Group Of Balinese Textiles, Marie-Louise Nabholz-Kartaschoff, Monika Palm-Nadolny

Textile Society of America: Symposium Proceedings

On late 19th- and early 20th-century photographs, South and East Balinese people clad in traditional adat wardrobe for rituals, temple ceremonies, and dances often wear transparent, netlike open-work textiles as breastcloth (anteng), shouldercloth (cerik) girdle (selendang), or headcloth (destar, lelunakan). Information given by elderly Balinese concerning the situation before World War II confirm their use as part of their ceremonial wardrobe but also as important items in offerings and rituals. Such textiles could be laid over several fabrics, covering the body of a toothfiling candidate, or serve as curtains (langse …

Micronesian Textiles In Transition: The Woven Tol Of Kosrae, Ann Deegan, Ross Cordy

Textile Society of America: Symposium Proceedings

This paper presents findings on the major steps in the transition of the Kosraen tol from traditional clothing, to tourist souvenir, to the end of tol manufacture. An extensive study of the German, French, and English literature of the 19th and 20th centuries was done to piece together the history of the Kosraen tol.

The island of Kosrae, located in the Pacific (4–10°N latitude, 140–163°E longitude), is part of the Federated States of Micronesia. Since earliest European contact it has seen numerous changes in its traditional culture. One of its most beautiful and complex traditional crafts is the woven …

The "Severed Shroud": Local And Imported Textiles In The Mortuary Rites Of An Indonesian People, Penelope Graham

Textile Society of America: Symposium Proceedings

This paper explores the significance of local and imported textiles as these interact forming complex categories in the mortuary rites of the Lamaholot-speaking people of the traditional district Lewolema in eastern Flores, Indonesia. Within this regional framework, my account draws primarily on field work in the village of Lewotala. There a person's physical demise elicits diverse social and ritual practices, depending on the deceased's achievements during his or her lifetime and the circumstances surrounding the death. As regards the mortuary sequence that commonly occurs, I will argue that various uses of cloth for exchange purposes mark both the severence—consequent on …

Supplementary Weft On An "Ikat" Isle: The Weaving Communities Of Northwestern Flores, Roy W. Hamilton

Textile Society of America: Symposium Proceedings

Among textile enthusiasts, the island of Flores is known primarily for its beautiful warp-ikat cloths. Most of the island's numerous ethno-linguistic groups, including the Ngadha, Nage, Endenese, Lio, Palu'e, Sikkanese, and Lamaholot, produce related yet distinctive textiles within this tradition. It is therefore surprising to find a series of weaving districts, stretching along the northwest coast of the island, where the ikat technique is not used. Instead, weavers in this region produce indigo-dyed textiles decorated with colorful supplementary-weft motifs.

In the ikat districts, sarongs for men and women differ in their patterning and in the names applied to them. In …

The Influence Of Computer Technologies On Contemporary Woven Fiber Art, Cynthia Schira

Textile Society of America: Symposium Proceedings

It is generally agreed upon, by both the participants in the field and those few who have chronicled it, that the fiber art movement as we know it today began with Jean Lurcat in France in the late 1950s. He was among the first, if not the first, to make designs or cartoons specifically for the medium of tapestry. Previously, paintings were translated into the medium of tapestry. As well as creating the design or cartoon, he personally oversaw the actual weaving process. This direct connection between the process and the concept or image, the manual and the mind, laid …

Byzantine Influences Along The Silk Route: Central Asian Silks Transformed, Anna Maria Muthesius

Textile Society of America: Symposium Proceedings

Silks traded along the ancient Silk Route were precious, light, and easily transportable commodities that served as ideal vehicles for cross-cultural exchange. The survival of several hundred Central Asian silks, variously datable between the seventh and the eleventh centuries, presents an opportunity to trace patterns of trade, diplomacy and cross-cultural developments at the heart of the Silk Road. These silks perfectly mirror contact, cross over, and change fostered under the auspices of Mediterranean/Near Eastern economic and diplomatic exchange.

This paper will ask three questions:

1. What lay behind Byzantine influence in Central Asia along the ancient Silk Route?

2. What …

Cloth As Marriage Gifts: Change In Exchange Among The Lio Of Flores, Willemijn De Jong

Textile Society of America: Symposium Proceedings

The exchange of gifts at life cycle ceremonies is one of the most important institutions in Lio society, as in many other societies in Oceania. The life cycle event of marriage and its exchange of gifts is often significant, because important sociopolitical alliances between kin groups are initiated or renewed. In these exchanges, cloth wealth may play a crucial role, especially in ranked societies. Weiner contends that in Samoa "each distribution [of fine mats] is an example of the negotiation and validation of rank and power." Gittinger has pointed out the economic and symbolic value of cloth gifts at marriage …

From The Ancestors Or The Portuguese: Exotic Textiles In Flores And The Solor Archipelago, Robyn Maxwell

Textile Society of America: Symposium Proceedings

Throughout the eastern Indonesian island of Flores and the neighbouring Solor archipelago, village treasuries usually contain considerable numbers of highly valued textiles and some items of costume. These consist predominantly of important local products clearly made within the particular village or district.

Other heirloom textiles have been acquired from outside the local regions in the distant or not-so-distant past. These exotic heirlooms are often awarded a special place in the hierarchy of textiles found throughout Flores, Solor, and Lembata and, where possible, examines local histories and myths associated with the origins of particular objects or types of cloth.

Further, an …

Market Effects On The Design And Construction Of Carpets In The Milas Region Of Southwestern Turkey, 1963–1993, Charlotte A. Jirousek

Textile Society of America: Symposium Proceedings

Beginning in 1964 my husband and I were involved in the development of a village carpet weaving cooperative in Southwestern Turkey. We lived with the weavers of Çömlekçi from 1964 to 1966, as part of the first Peace Corps rural community development program in Turkey. Between 1966 and 1969 we continued to work with the cooperative in its efforts to develop markets and quality control standards while working as Peace Corps staff. Since leaving Turkey in 1969, I have visited Çömlekçi periodically, most recently in 1992 and 1994.

The success of the Çömlekçi cooperative in tum generated carpet cooperatives throughout …

The Assimilation Of European Designs Into Twentieth Century Indian Saris, Linda Lynton

Textile Society of America: Symposium Proceedings

Although so-called "Indian" designs of seventeenth- and eighteenth-century chintzes influenced Western European [Western] textiles almost from their introduction, Western patterns did not impinge on indigenous Indian fabrics, such as saris, until the last half of the nineteenth century.

They were superimposed upon an already complex mix of textile ornamental styles, which can be briefly categorized as: (i) Mughal, (ii) Hindu, and (iii) adivasi (aboriginal). The Mughal style consists of the elaborately patterned prints and brocades typical of western India. It shows strong Persian influences, such as the kalga (Paisley motif); intertwining floral vines (bel); and life-like depictions of …