Art and Design Commons^™

Japanese Kimono Fashion Of The Early Twentieth Century, Annie Van Asche

Textile Society of America: Symposium Proceedings

This paper examines the development of popular kimono fashion from the late 19th century through the mid-20th century. I focus on kimono worn by modem-thinking young women whose wardrobes, by the 1920's, included both new Western and recreated Japanese garments and accessories. The meisen kasuri kimono, the most popular new style of kimono among women living in the growing urban metropolitan centers, is highlighted. It covers an unprecedented historical period of rapid modernization and Westernization of Japan, which brought about societal changes that dramatically--and positively--transformed the lives of Japanese women. I begin with a historical sketch of the industrialization of …

Textiles, Scholarship, And Art Education: An Art College Perspective, Wendy Landry

Textile Society of America: Symposium Proceedings

In many communities the art college is the last formal refuge of active textile-making knowledge and heritage. This location appears to value playful, risky, or challenging material explorations which might result in creative design or meaningful visual expression. This should be the best environment for cultivating adventurous students able to integrate a wide range of experience and resources towards generating new ideas for interesting contemporary textiles. It could be a good place in which to discover how textiles contribute to human experience and history, and how they are meaningful. However, I submit that this art environment is still detrimental to …

Textile Society Of America Newsletter 12:1 – Winter 2000, Textile Society Of America

Textile Society of America: Newsletters

Santa Fe to Host TSA 2000 Symposium
TSA Calendar
TSA News
Letter from the President
Collections News
Member News
Exhibition/Conference Reviews
Conferences and Symposia
Exhibits
Lectures and Workshops
Publication Opportunities
Tours and Courses
Info Exchange

Black Image And Identity African-American Art From The Permanent Collection, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

T he presentation of Robert Colescott's groundbreaking solo exhibition, which represented the American Pavilion at the 1997 Venice Biennale, offers a unique opportunity for the Sheldon Memorial Art Gallery and Sculpture Garden to display a selection of African-American art from its permanent collection. This exhibition, entitled Black Image and Identity, serves several important purposes. First, it locates Robert Colescott, one of the most important and influential African-American artists of the twentieth century, within the broader historical context of a dynamic and diverse African-American visual arts tradition. Second, it focuses attention on the important influence that Colescott has exerted on younger …

Conrad Bakker: Art And Objecthood, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Conrad Bakker: Art and Objecthood, an installation that engages many of the most important aesthetic and cultural issues in the contemporary artworld. This exhibition is part of a semesterlong focus at the Sheldon Art Gallery on the significance and influence of Marcel Duchamp, one of the most influential artists of the twentieth century. In addition to this exhibition, the permanent collection galleries of the Sheldon Art Gallery include Duchamp's famous Boite-en-Valise, an etching of his infamous Fountain, and the work of other artists, both historical and contemporary, who …

Food For Thought, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Food for Thought, the thirteenth annual Sheldon Statewide exhibition. Sheldon Statewide is a unique collaboration between the Sheldon Gallery, the Nebraska Art Association (a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska) and the efforts and cooperation of the many Nebraska communities that serve as exhibition venues. The mission of the Sheldon Gallery is the acquisition, exhibition, and interpretation of 19th-20th-century American art. Sheldon Gallery has achieved a national reputation for this collection. Each year twenty works from this collection are …

Judith Burton: Visual Nuances, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The history and development of the pictorial tradition in the West is punctuated by many formal and conceptual tensions, among them the tension between representation and abstraction, between mimesis and personal expression, between objectivity and subjectivity, between the artist and the viewer. The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Judith Burton: Visual Nuances, a solo exhibition featuring twenty-four paintings and two monotypes by an important Nebraska artist whose aesthetic expression succeeds in celebrating these many tensions and formal subtleties that are such an important part of our visual arts tradition.

However, much attention-perhaps too …

Trains That Passed In The Night, Thomas A. Garver

Sheldon Museum of Art: Catalogs and Publications

Winston Link was a young practitioner of an old photographic tradition, one still much used, but which now commands little public notice. He developed a strong personal style within the technique of using cameras that were usually fixed in place, mounted on heavy tripods and using large negatives, typically 4 x 5 inches in size. The dynamic qualities of photographs made this way came through their careful planning: the precise placement of the camera, and equally careful placement of the lighting sources, with people and objects also being arranged with an eye for the final effect. Photographs using this technique …

Embodying Embroidery: Researching Women's Folk Art In Western India, Michele Hardy

Textile Society of America: Symposium Proceedings

South Asia is home to an incredibly rich variety of embroideries that include folk, courtly, ritual, and commercial traditions. The scholarly literature on South Asian embroidery has been meagre however and historically emphasized professional embroideries at the expense of the folk^l. With few recent exceptions² folk embroidery in the Sub-Continent has most often been described and classified without reference to the women who make it or the specific cultural traditions that support and give meaning to it³. These 'characterising' accounts of folk embroidery are likely the result of historic circumstance and ancient bias⁴ but …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 21 (2000), Virginia Gunn, Laurel Horton, Xenia E. Cord, Phyllis S. Herda, Ethel Ewert Abrahams, Rachel K. Pannabecker, Susan Price Miller, Lisa Gabbert, Marsha Macdowell

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

An "Old-Fashioned Quilting" in 1910 by Laurel Horton

Textiles and Cooperative Commerce in Colonial America: The Example of William McCormick by Xenia E. Cord

Creating a New Tradition: Quilting in Tonga by Phyllis S. Herda

"Better Choose Me": Addictions to Tobacco, Collecting, and Quilting, 1880-1920 by Ethel Ewert Abrahams and Rachel K. Pannabecker

Hubert Ver Mehren and Home Art Studios by Susan Price Miller

"Petting the Fabric": Medium and the Creative Process by Lisa Gabbert

Quilts and Their Stories: Revealing a Hidden History by Marsha MacDowell

Authors and editor

In memoriam: Bill Charles Garoutte …

Circles And Centers: A Review Article, Carol Bier

Textile Research Works

Review of: Geometric Patterns from Islamic Art & Architecture, by Robert Field. Tarquin Publications, Norfolk, UK, c1998. AND "The Nature of Islamic Ornament, Part III: Geometric Patterns," exhibition on view March 17-July 18, 1999 in the Hagop Kevorkian Fund Special Exhibitions Gallery at The Metropolitan Museum of Art.

Circles of equal radius, when tight-packed, naturally combine in two ways. One method yields centers that form a triangular grid; the other method yields centers that form a square grid. These basic mathematical considerations underlie the play of pattern in Islamic art. By selecting centers in a triangular grid, one may establish …

Textile Society Of America Newsletter 11:2 – Fall 1999, Textile Society Of America

Textile Society of America: Newsletters

Three Institutions Share Larsen Design Archives by Karen Searle
Textile Study at the University of Nebraska - Lincoln
TSA News
Letter from the President
People in the News
Exhibition/Conference Reviews
Fellowship/Publication Opportunities
Conferences
Exhibitions
Lectures/Workshops
Tours/Courses
Membership Application
Board Nomination Form

Blanket Statements, Issue 58, Fall 1999

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 58, Fall 1999

Review Of Textiles Of Late Antiquity, By Annemarie Stauffer Et Al., Carol Bier

Textile Research Works

This publication presents twenty-nine superb photographs of a selection of outstanding Late Antique textiles from among more than fifteen hundred classified as Coptic in the collections of the Metropolitan Museum of Art. Accompanying an exhibition of sixty-one textiles (on view 4 December 1995-7 April 1996), this booklet celebrates the "new, accessible storage and ex- tensive visual and documentary archives" (p. 4) of the Antonio Ratti Textile Center at the Metro politan Museum of Art. ...

The study of textiles can tell us so much more about the societies from which they came, about the cultures that produced them--information concerning environmental …

Textile Society Of America Newsletter 11:2 – Summer 1999, Textile Society Of America

Textile Society of America: Newsletters

Textiles in Tucson
TSA Board Members
TSA News
Letter from the President
Letter from the Editor
People in the News
TSA Call for Papers: 7th Biennial Symposium
Career/Research Opportunities
Grants/Fellowships
Info Xchange
Exhibition Reviews
Conferences
Exhibitions
Lectures/Workshops
Tours/Courses
Membership Application

Blanket Statements, Issue 57, Summer 1999

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 57, Summer 1999

Blanket Statements, Issue 56, Spring 1999

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 56, Spring 1999

Blanket Statements, Issue 59, Winter 1999

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 59, Winter 1999

Evolution By Numbers: An Exploration Of Functional Pottery, Chad W. Wolf

School of Art, Art History, and Design: Theses and Student Creative Work

The functional pottery I make is work which is profoundly influenced by the groupings of objects that I have both consciously and unconsciously looked at in my eleven years of retail experience at Menards. Most of these objects are unaesthetic individually, but when stacked and grouped together, become unusually compelling when seen from a distance, or in the field of peripheral vision. When I understood that this aspect of my life was informing my work, I became more attentive to the details like the negative spaces created around and between objects, and the intervals and spacings in and around objects. …

Circumstantial Evidence, Paula Day

School of Art, Art History, and Design: Theses and Student Creative Work

The American Heritage Dictionary defines the relevant terms as follows: Circumstantial: 1. Of, relating to, or dependent on circumstances. 2. Of no primary significance; incidental. 3. Complete and particular; full of detail. 4. Full of ceremonial display. Pomp and circumstance.

Circumstantial evidence: n. Law. Evidence not bearing directly on the fact in dispute but on various attendant circumstances from which the judge or jury might infer the occurrence of the fact in dispute.

Evidence: 1. A thing or things helpful in forming a conclusion or judgement. 2. Something indicative; an outward sign. ~videnced, -dencing, -dences. 1. To indicate • clearly; …

The Well Considered Pot, Matthew Lee Kelleher

School of Art, Art History, and Design: Theses and Student Creative Work

Utilitarian objects are accessible and universal. Their forms are recognizable and their utility makes them inclusive. I choose to make utilitarian objects in order to use these characteristics as a foundation for my ideas. This decision invites the viewer to discover my visual and tactile interests.

Process is the vehicle I use for expression. When I use the wheel to create form, I respond to the clay as it passes through my fingers and tools. I search for a clean line that displays a balance of volume pushing out and a force squeezing in. When I work with molds, I …

Maps To Places You Couldn't Find, Michael J. Strand

School of Art, Art History, and Design: Theses and Student Creative Work

I have been searching for a common ground. A place where my ideas, in all their diversity exist in harmony. I am compelled by memory and its relation to history. In Minnesota there is a group of rune-stones that are said to bear the inscription of ancient people from Northern Europe. They exist in a wonderful state. Part mythical and part historical, their authenticity is uncertain. With these rune-stones as inspiration my work acts as a transmitter of infonnation lost, or memories forgotten.

Over the past 18 months I have made work that exists outside of categories, merging image and …

Storytelling: Artist's Books, Nancy Jo Ann Steele

School of Art, Art History, and Design: Theses and Student Creative Work

My thesis exhibition presents mixed media artist's books inspired by autobiographical stOlies originating from my family. These stories relate to the lives of my family and the natural environment of my home in a small-town farming community with deep Appalachian roots. With a sense of humor and solemnity, I make artist's books about the events and stories related to our religion, work, animals, neighbors, land and superstitions .

I mournfully watch the slow disintegration of our way of life. Vital aspects of our lives, such as working on the farm as a family, speaking with an accent, and making much …

Rest For The Eye, Jason L. Briggs

School of Art, Art History, and Design: Theses and Student Creative Work

My work is the product of two chief motivations: a desire to touch and a compulsion to create. Beyond any external inspiration lie these two gut-level responses. The obsessive character of these drives is reflected through an extravagant covering of surface with minute, repetitive markings. The result is intensely focused, highly articulated work that combines passion, beauty, and diverse content.

The very nature of the surfaces--pushed, poked, scored, marked, indented, smoothed, carved, wiped, and sanded--are taken to extremes. As the maker, I am both captivated and at ease; it is just me and the clay. The act of texturing becomes …

Necessary Fictions, Yvonne M. Meyer

School of Art, Art History, and Design: Theses and Student Creative Work

Photography is a compelling process for exploring, editing, and clarifying. It acts as an increasingly fine sifter of experience. Life is vast 3-D motion full of colors, sounds, expectations, intensities, temperatures, textures, and so many constant sensations. Simplify. Squinting through the viewfinder, I frame visual segments and record their rectangular impressions in black and white. Light and the chemistry of the darkroom transform pieces of what had been in dynamic flow to pauses lying flat on paper. Time, color, and motion now suspended in the print are quiet to allow consideration and sometimes insight.

I leave the darkroom with another …

Textile Society Of America Newsletter 11:1 – Winter 1999, Textile Society Of America

Textile Society of America: Newsletters

TSA ’98: Wrapping up the New York Symposium
Studying Textiles at the University of Wisconsin - Madison
TSA News
Letter from the President
Career and Research Opportunities
Exhibition Reviews
Publication Opportunities
Calls for Papers
Conferences
Exhibitions
Lectures/Workshops
Tours/Courses
Membership Application
Membership Survey

Robert Henri: A Nebraska Legend, Nancy H. Dawson

Sheldon Museum of Art: Catalogs and Publications

Robert Henri: a Nebraska Legend, the twelfth in a series of Sheldon Statewide exhibitions, is a result of the uniquely successful partnership between the staff of the Sheldon Memorial Art Gallery and Sculpture Garden and our principal funding support group, the Nebraska Art Association, a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska, and twenty-two Nebraska communities that have served as exhibition venues since the inception of the program in 1987. Local sponsors who support the exhibition in their communities, and volunteer docents who disseminate important information to the school children and adults …

The Visual Culture Of Robert Rauschenberg, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The importance of Robert Rauschenberg to the history and development of 20th-century American art has been firmly established for well over three decades. It is, however, the nature of his importance that remains, in large part, unresolved. The recent retrospective exhibition of the artist's work at the Solomon R. Guggenheim Museum in New York in 1997- 98 represents to date the most ambitious attempt to document comprehensively the multiple aesthetic activities of one of the most complex and diverse artists in the history of modern art. By focusing on his involvement in performances, sculpture, and unique and creative engagement with …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 20 (1999), Virginia Gunn, Molly Miles, Valerie S. Rake, Jenna Tedrick Kuttruff, Zöe C. Smith, Carolyn O'Bagy Davis, Cynthia Dimock-Quaglia

Uncoverings Journal

Preface by Virginia Gunn

Research Papers

The Kezia D. Benton Quilt: A Life Uncovered by Molly Miles

A Thread of Continuity: Quiltmaking in Wayne County, Ohio, Mennonite Churches, 1890s-1990s by Valerie S. Rake

Three Louisiana Acadian Colonnade Quilts: Adding Pieces to a Puzzle by Jenna Tedrick Kuttruff

Between Two Worlds: The Quilts and Life of Caroline Hoffman Christman Chew by Zoe C. Smith

Goldie Tracy Richmond: Indian Trader and Quiltmaker by Carolyn O'Bagy Davis

The "Vampire" Quilt: A Material-Culture Study by Cynthia Dimock-Quaglia

Authors and editor

In memoriam: Alma Wallace Lesch (1917-1999)

Indez

Paintings, Susan L. Arthur

School of Art, Art History, and Design: Theses and Student Creative Work

This body of work is an endeavor to explore the connection of form to environment that mirrors my interaction with the external. In painting, I limit means in terms of subject and range of color in order to allow deeper examination of my perceptions. By imposing such external restrictions, a new awareness in painting emerges.

The insistence on the connection of the form to its surroundings is key to the formal and emotional content of the paintings. Form- frequently a chair- is found in relation to the color, intensity, and temperature of space and other forms . In finding incremental …