Art and Design Commons^™

Geography Of Lost, Emma Sheffield, Special Collections, Fleet Library

Artists' Books

12 leaves (interleaved) : color illustrations. "Edition of 18"--Colophon Unryu white paper and Strathmore tracing paper pages with Haijiro cover paper. Digital images and letterpress text on two overlapping pamphlet stitched signatures in a trifold cover inside a Khadi paper phase box enclosure. Letterpress printing completed at a residency at In Cahoots, Petaluma, CA. "The text is a poem inspired by an article on Lost Person Behavior, the science of knowing where to search for someone based on which of 41 profiles applies. Implicit in my poem are hard things, feeling forlorn when contemplating a family history of depression, substance …

Fairmont Color Card: Fcc, Sarah Bryant, Special Collections, Fleet Library

Artists' Books

1 box (8 folded sheets, 1 sheet) : color illustrations, mounted fabrics Title from front of folded sheets. Limited edition of 20 copies. "Fairmont Color Card is an exploration of the roles of textile, color, and fashion in the origin story of landfill culture. Text for the project was culled from 1977-1978 Home Furnishing Color Card, produced by The Color Association of the United States, Inc. and The Wastemakers, written by Vance Packard in 1960. Designed and produced between 2019 and 2021, the project began in one place and ended in another. Materials for this project include my sheets, my …

Parade Of The Old New : Panorama ; The Troublemakers : History Painting In The Real World, Zoe Beloff, Leeemma Running

Artists' Books

76 unnumbered pages : color illustrations Held closed by red elastic band Includes bibliographical references "An accordion book that reproduces Parade of the Old New, a panoramic painting on cardboard by Zoe Beloff. Created between 2017 and 2021, the picture is an allegory of the American body politic in dark times inspired by Bertolt Brecht's poem. On the reverse of the accordion you will find Beloff's essay The Troublemakers: History Painting in the Real World"--new.booklyn.org 40-panel accordion book. SEI

Water Jokes, Adriana Gallo, Special Collections, Fleet Library

Artists' Books

122 unnumbered pages : chiefly color illustrations "First Edition of 200, First Printing"--colophon. "'Water Jokes' is a collaboration with lucky risograph for the 2021 Printed Matter Virtual Art Book Fair. It contains a collection of photographs and found images with an accompanying text by the artist on Giochi d'acqua or 'water games' or water jokes', the term originally referring to the (often hidden) water automata of Italian Mannerist gardens."--artist's webpage. "Risograph printed on Sky Parchtone and Bright White Via Vellum. The book utilizes 5 distinct blue inks in various combinations."--artist's webpage. Plastic spiral binding. Velvet cover.

Silty Loam, Sara Nicholls, Special Collections, Fleet Library

Artists' Books

1 volume (unnumbered) : illustrations "Brain Washing from Phone Towers" informational pamphlets series. Cover title. Edition of 250. Limited edition statement from artist's website, viewed May 9, 2023. Letterpress and relief printing on paper. Pamphlet stitch binding; accordion fold out; printed paper covers. "Silty Loam looks at all the different ways food can be grown in an urban environment, and why one might want to. Today, agriculture largely is practiced in isolation from the places where the majority of the population lives and works, and there is very little direct engagement of people with the land that provides the means …

Reminders To Myself : To Act From The Contradictions Of How I Feel About My Vaccination, And, Society In Transition, Rachael Schragis, Special Collections, Fleet Library

Artists' Books

1 poster. "Spring 2021 event diagram" A series of post-it notes with contradictions related to the COVID-19 Pandemic and vaccination. Offset printing.

Los Zapatos De Tacón / Magali, Magali Lara, Special Collections, Fleet Library

Artists' Books

44 unnumbered pages : color illustrations . "Este libro se terminó de duplicar en marzo 2021. Su realización estar a cargo de Emmanuel García y Vanessa López. La encuadernación es de Su Yin Wong. El tiraje consta de 250 ejemplares impreso con una Risograph GR1750."--Colophon. Limited edition of 250.

Parade Of The Old New : Panorama ; The Troublemakers : History Painting In The Real World, Zoe Beloff, Special Collections, Fleet Library

Artists' Books

76 unnumbered pages : color illustrations. Held closed by red elastic band Includes bibliographical references "An accordion book that reproduces Parade of the Old New, a panoramic painting on cardboard by Zoe Beloff. Created between 2017 and 2021, the picture is an allegory of the American body politic in dark times inspired by Bertolt Brecht's poem. On the reverse of the accordion you will find Beloff's essay The Troublemakers: History Painting in the Real World"--new.booklyn.org 40-panel accordion book. SEI

Br/Leach Montage, Damisa Vanaswas, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Zone: Apollinaire, Simpson, Chang, Naya Lee Chang, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Ozzi Box, Jessica Ruan, Special Collections, Fleet Library

8th Baker & Whitehill Student Artists' Book Contest 2022

No abstract provided.

Nee Ner Noo (Travel Sounds), Sophia Brown, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

It's In Our Hands, Himangi Kanoi, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

If We Could Make It Out Alive, Jonathan Dewanto, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Tale Of Two: The Visual Mixtape, Emma Noel, Special Collections, Fleet Library

7th Baker & Whitehill Student Artists' Book Contest 2021

No abstract provided.

Ramen With White Privilege, Sarah Park, Special Collections, Fleet Library

7th Baker & Whitehill Student Artists' Book Contest 2021

HONORABLE MENTION

Zone: Apollinaire, Simpson, Chang, Naya Chang, Special Collections, Fleet Library

8th Baker & Whitehill Student Artists' Book Contest 2022

HONORABLE MENTION | $100

Untitled, Ashna Reddy, Special Collections, Fleet Library

8th Baker & Whitehill Student Artists' Book Contest 2022

No abstract provided.

Story Of The Sea, Kate Tsai, Special Collections, Fleet Library

8th Baker & Whitehill Student Artists' Book Contest 2022

No abstract provided.

How To Be A Cannibal In The 21st Century?, Vidhi Nayyar, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Zone: Apollinaire, Simpson, Chang, Naya Lee Chang, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Manual / Issue 14 / Shadows, Sarah Ganz Blythe, Editor-In-Chief, Amy Pickworth, Editor, Andrea Achi, Emanuel Admassu, Anita N. Bateman, Makeda Best, Gina Borromeo, Rashayla Marie Brown, Shuriya Davis, Akwaeke Emezi, Tayana Fincher, Melanee C. Harvey, Kate Irvin, Sade Lanay, Dominic Molon, Oluremi C. Onabanjo, Kevin Quashie, Matthew Shenoda, Kelly Taylor Mitchell, Leslie Wilson

Journals

Manual, a journal about art and its making. Shadows. This anti-visibility is not the same as being invisible, rather it is the power to operate against systems of imperial domination, including the gaze. It asks: How do we force the gaze to surrender? What if explanation were off the table? By enabling a petit marronage that can be expressed in the visual and symbolic use of shadow, the gaze is challenged. This issue of Manual and the accompanying exhibition (opening at the RISD Museum Fall 2020) posit that the right to opacity de-burdens contemporary work by artists who identify as …

Marching Through The Floating World: Processions In Ukiyo-E Prints (2020), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"Marching through the Floating World is a book that accompanies a student curated virtual exhibition of the same title. This exhibition is dedicated to images of processions in ukiyo-e woodblock prints.

Ukiyo-e or “pictures of the floating world” was a vibrant style of urban art that flourished in Japan in the 17th- 19th century, predominantly in the form of mass-produced woodcuts. Steeped in everyday pleasurable pastimes of townspeople, ukiyo-e prints reflected contemporary culture to its fullest, whether fact or fiction, often the two amalgamated in a witty way.

Processions constituted a noticeable theme in ukiyo-e prints as they were an …

Defining Montréal: An Exploration On The Evolution Of Montréal’S Brand And Cultural Representations Since 1930, Liliane Lai

Masters Theses

Spaces contain and create meanings through the interplay of their surrounding physical and mental landscape i.e., geography, social activity, and representation. Like many defined spaces, Montréal is not only a social and spatial manifestation of a singular community, but an ideal conceived and constructed through interpretation, objectives, and media portrayal— a mosaic or assemblage. Conceptualising Montréal as a brand being one of the cultural capitals of Canada is deeply tied to an assemblage of its diverse roots and identity beyond its history. This thesis explores the notion of city branding to understand how a city’s image and reputation evolves in …

Waiting For Democracy, Naya Lee Chang, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Float I;, Zihan Iris Li

Masters Theses

The digital world is just another reality, alongside all the other parallel universes. It is similar to dreams, reflect- ing our fear and desire. When we are not conscious, the particles from our mind will travel freely and construct dreams. While in virtual space, digits are those wandering particles which form the world and are partially controlled by our minds. What is interesting is that no one in those realities will question the logic and behaviours, even though some of them are ridiculous, if you think carefully when you are awake in this physical world. We do find things go …

Silence Is A Luxury, Elise Stephens

Masters Theses

We are beings with at once fragile and resilient senses. Each of us have a threshold that is tested by auditory and visual stimuli that are seemingly constant.

This can lead to discord driving poor choices in resource allotment on a global and for some, a personal scale.

On a global scale, frenzied and misguided journeys to capitalize on the earth’s riches has led to exploitation of both nature and in some cases, societies. At the time of writing, the negative effects of these choices are at the forefront of policy makers’ agendas. In the United States, there are areas …

To Make Atmosphere, Gonzalo Galetto

Masters Theses

My artistic practice explores the possibility of shifting anthropocentric perspectives through media installations. These perspectives exist in the positions we hold in relation to the environment: they continue to exteriorize and distance humans from the environment. To reorient our attention in its direction, and the other-than-human life forms that sustain it, is a social imperative of our times. Reevaluating our engagement with the other, meaning other beings or selves, including other-than-human selves and landscapes, is to readjust our relationship with the environment. It is a way to reposition how to be and to act in the world, but to do …

, Nevertheless,, Ji Yoon Chung

Masters Theses

Derived from transitions, my artistic practice is an act of condolence for the transient presence that takes time and indulges every process as an acceptance of loss.

Over the years, I have moved between distinctive regions and cultures, only to be disoriented by mementos that are residues of a seemingly in- accessible past. What remains is to witness the vanished moments that evoke associated memories. I tend to solidify the volatile condition of transition by carving a temporary fragment on a permanent surface to make the ephemeral, eternal. The attempt to preserve a transitory phenomenon through archives by utilizing digital …

Finding Identity In Memories, Hyejun Youn

Masters Theses

What are the ways in which we form and build our identities and habits in both physical and digital spaces? How can our different uses of the digital expression which evolved from analog forms reveal traits and memories that we have forgotten or overlooked?

The way I define my identity through the analog media I collect correlates with the quality of the memories within my current schema, knowledge structures that represent typical instances of categories.

We interact with an infinity of objects from birth to death. Our collection of objects resonates more and more with memory and nostalgia as the …