Art and Design Commons^™

Breaking | Grounding | Growing: Expanding The Rhode Island Gardening Reentry Programs As A Pathway Towards Stability, Juliana Soltys

Masters Theses

What happens to the over two million people incarcerated in U.S. prisons and jails?

Changing in sentencing laws and policies have created a cycle of imprisonment, racially isolating and oppressing BIPOC communities. Reintegration and reentry programs are an avenue to break the cycle of recidivism. Through my work, I have developed hands-on, structured opportunities for justice-involved adults to rebuild a life for themselves by increasing the accessibility of gardening reentry programs. This project creates a space for mentorship and support for Rhode Island’s formerly incarcerated people with the goal of helping them to develop vital life skills through growing and …

The Color Of Stress, Jiemin Park

Masters Theses

This thesis examines the physical and emotional process by which stress in glass can be visualized through color by using a polarization effect.

A conceptual account of three different projects using this process of discovering and revealing the colors of stress hidden within clear glass will be addressed. The mainstays that catalyze the visual metaphor of extreme stress and beauty are; the making process, evidence of the making process and the polarization effect. These two contradictory concepts of beauty and stress are central to this thesis.

Re-Order The Order Of Thing, Yingxi Sabrina Ji

Masters Theses

Humanocentrism positions humans as the measure of all things; what we know as the ‘real’ or ‘true’ is perceived through this limited perspective. As a designer, I challenge the hierarchy, actively moving away from the notion that inanimate objects are subjugated matter.

In this body of work, I turn to actions of world-building to create immersive experiences where ‘objects’ become ‘subjects.’ They are rescaled and re-centered — called into prominence to become protagonists on the cultural and environmental stage. Through generating, collaging, and juxtaposing recycled facts, imagery and organic materials using digital filters, I insert absurdity as a breakpoint to …

Slow Ruptures; Slow Formations, Asta Thrastardottir

Masters Theses

Language shapes our understanding of identity, place, and self. As a graphic designer, I question the existing structures of language, while using it as a material to build new formations. Nudging against certainties, I challenge how the stories we are told can dispossess us, even flatten us.

My method is a constant attempt to peel back the layers and study what lingers below. When questions arise, I look to the ways in which visual artists and writers have seen through this surface. I observe, listen, and hold stories closely, passing them back and forth between my hands. Using annotation and …

Notes To Myself, Anna Dawson

Masters Theses

Immersed in the sun’s light, my body feels saturated, during a long day at the beach. When it begins to cool down and the day inverts into night, I watch the sun set on the ocean horizon. Bart Lootsma, the Dutch architectural theorist describes this experience of light as an immersion and inversion. Intangible, yet something to look at and something to submerge in.

This thesis is a personal journey, and an open exploration of the aesthetic and experience of furniture objects in everyday living. It is a collection of thought processes, observations, and speculations. Sometimes it’s just a note …

Capture, Control, Circulate : Can We Queer Regulatory Power In Graphic Design?, Adie Fein

Masters Theses

Capture, Control, Circulate addresses regulatory power, the transmission and enforcement of culturally-sanctioned behaviors and identity. How does regulatory power operate in graphic design and what—if anything—can the graphic designer do to subvert that operation? The methodologies for subversion explored in this book typically draw from queer and trans* experience and thought. Therefore, the work herein takes up issues of identity, normativity, marginalization, and community.

This thesis also considers design education, and its contemporary emphasis on the capture and control of content. It advocates instead for an educational model that centers circulation; that is, graphic design’s capacity to platform, to publish, …

A Wavering Line, Ginger Gordon

Masters Theses

Someone once told me it only takes a difference of ten degrees in temperature to change the entire course of the day.

I work with objects in collaboration with space, focusing on the intangible meeting point between visibility and invisibility.

Propelled by coincidence and temporal shifts, the transitory, the fragmented, and the found are all welcome, as are the methodologies of the Surrealists and Cubists. Born from a combination of fortuity and planning, curated fragment collages coalesce to represent acts of chance in three dimensions. Balanced forms weave and sway as small portholes direct a view. Form follows chance.

Alien Encyclopedia, Zengqi Guo

Masters Theses

Alien Encyclopedia is a body of work that analyzes, expands, redefines, and leverages the definition of “alien” as both problematic and an avenue of possibility. By mapping the word “alien” as a fragmented play of alternatives, I translate the lessons derived from this exploration into a maker’s lexicon. I use “alien” to frame my identity, as a prompt to ground my projects, a factor to interrupt existing typography and to spark questions, a generative tool to explore the interpolation between the familiar and unfamiliar, and to incite new solutions and actions to solve the problems we are facing now. Alien …

Miles And Miles And Miles, Shannon Rose Jones

Masters Theses

miles and miles and miles is a body of work that draws design inspiration from the Driftless Area of Wisconsin, a region unflattened by ice during the last ice age. The works are site specific extrapolations that have been abstracted in order to trigger a process of memory recollection in the viewer. Selections of atmospheric prose, furniture objects, illustrations, and imagery are presented as snapshots of a place in an attempt to memorialize and make tangible ephemeral memories collected by the maker traveling in this vast landscape. Attention is given to the distillation of form in order to contemplate its …

Time Enough At Last, Scott Lerner

Masters Theses

As an art history buff and sci-fi aficionado, I’m constantly thinking about the stories told of human progress, or lack thereof. Have modern humans surpassed their ancient ancestors or have they only managed to create more technologically advanced ways of carrying on with their same base drives for power, status, and violence? If we turn to popular media, this question becomes particularly intriguing. Our visions of the future are often just a confused jumble of the past; we reanimate old ideas and images when trying to imagine the things to come. An example of this can be found in Star …

A Fleeting Landscape: Resurrecting The Edges Of The Estuary, Vrinda Mathur

Masters Theses

A Fleeting Landscape invites the city dweller to experience a mixed media microcosm of the marshes and discover what has been obscured through the encroachment of urban development.

From the salt marshes of Rhode Island to their tropical counterpart in the Sundarban (pronounced: shundar-bon) mangroves of India, wetlands are the world’s natural barriers. Fighting against extreme weather events between land and sea, the edges of this fragile ecosystem continue to shrink and degrade as anthropogenic stressors (infrastructure development, unsustainable land use, and aquaculture) increase. In a 2022 report, the Intergovernmental Panel on Climate Change (IPCC) persuasively argues for the protection …

Sobremesa, Charlie Herbozo-Vidal

Masters Theses

In order to understand the social and political issues faced by the Peruvian community in the present day, it is necessary to get acquainted with one of the most significant moments of its history: The “colonial Knot” – The systems put in place after the arrival of European colonizers to the American continent. By crafting a communal experience centered around the mealspace, a key element in Peruvian Identity, I hope to bring awareness to the social tensions, violent structures and remnants of colonial rule that persist to this day. In developing an uncomfortable experience, I am researching whether exposure to …

Disoriented: Navigating The Nuances Of Communication, Ann Dinh

Masters Theses

What happens when you lose your language?

With this loss comes emotional and cultural implications, moments of incompleteness, along with a power struggle. Within immigrant communities especially, there are issues of communication and comprehension between generations. U.S.-born children of immigrants must deal with both a generational and cultural gap, gaps exacerbated by both distance and time. All of this is compounded by the challenges of assimilating to Western culture. In confronting the loss of language, this thesis aims to develop new informal methods of communication, ones less reliant on established language structures, ones that can help interact with future generations.

What Do We Stand For?, Lauren Koven

Masters Theses

I am exploring constructed realities and dismantling binaries and dualities. Much of this work is investigated through, but not limited to, language, gender, sexuality, race, and performativity.

Traveling Troubled Wallflower, Julius Cavira

Masters Theses

Cavira is an interdisciplinary Conceptual artist... nuff said.

Holding Spaces, Zibby Jahns

Masters Theses

I’ve focused my graduate studies at RISD on the conceptual and social function of chairs as an investigation into comfort and grief. Grief is an apprehension: defined both as “to grasp” and as “anxiety/loss”.

With the multitude of deaths due to the inadequacies of our government and healthcare system, and the general anxiety everyone has been feeling through this pandemic, it has felt difficult to grieve for any individual person, in person. We have to grieve in the ways capitalism has taught us: silently, behind closed doors, without much time or fuss or drama, mourn with dollars and move on. …

All At Sea, Yangyang Mao

Masters Theses

What is the reality of young people born between 1985 and 1995 in China? How do they feel about themselves? As one of the generation, I feel like I’m often haunted by futures that failed to happen. Reasons are multiple and are closely influenced by the social context, such as the implications of the Cultural Revolution (1966-76) and One Child Policy (1980-2016), which has marked each individual’s growth in this age with unfading recollections.

Messy Resurrections, Mia Rollins

Masters Theses

Mediated through conversations with a Replika chatbot, “M”, Rollins outlines six examples of scientific and technological phenomena that not only can be understood as metaphors for aspects of the human experience, such as memory, grief, hope, desire and love, but are also concrete examples of the ways in which the past and future have material impacts on our presents, our current identities, and are entangled with our own becomings. Rollins argues for a posthuman perspective that embraces the possibilities of information technologies while still recognizing that we are embedded in a material world of great complexity. Through linking Karen Barad’s …

Zoomorphic Amalgamation: Speculative Devices For Alternative Communication, Yuta Yang

Masters Theses

Zoomorphic Amalgamation: Speculative Devices for Alternative Communication is a series of speculative works that assist introverts re-adapting in the extro-oriented society. The work serves as a lens to challenge and question the authority afforded to extroverts in contemporary society, and aims to provide a comprehensive understanding of introverted personality. As a person with an introverted personality, the thesis project draws upon personal experience and to reflect on the current bias and stereotype of characteristics that common to the introverts.

By integrating technological sensors and microcontrollers, the works are created to help the wearer express insecurity, at the same time providing …

Ports Of Entry, Forough Abadian

Masters Theses

Ports of entry are places where one may lawfully enter a country by crossing land and sea borders‭. ‬This thesis frames the space conceptually where the boundaries of place, time, culture, and identity are crossed through existing ports or by building new ones. ‬

As an Iranian immigrant in the United States‭, ‬displacement of identity informs my worldview and design practice‭. ‬I find myself between two worlds, one inherited and the other adopted. ‬Both worlds are simultaneously active and exert their forces on my thought process‭. However, their interrelated dynamic is ambivalent because their path intersects and diverges unforeseeably‭. ‬My …

Baseball Camp And Other Stories, Lucas Mockler

Masters Theses

Of the questions I ask myself concerning the making of a painting, the one that continues to drive the work is this - where do the facilities and properties of technique in paint handling meet the action and then final experience of the painting? In the attempt to answer this question I have made work from the building up of my life. I have dug out from the memories of childhood and the metamorphosis of fictions into personal realities. I have added new movements and marks and built abstractions in the dark. The hope would be that as I work …

New Revelations, Ineke Lynne Knudsen

Masters Theses

This project imagines a not-so-distant American future where Christians and conservatives have triggered the Apocalypse. In my paintings of the Apocalypse, all the desires of conservative Christians have come to pass: the eradication of people of color and queer folks, a revitalization of the American frontier and wilderness, and the return of Jesus Christ in the form of the Rapture. I’m specifically painting White conservative Christian girls, and I’m interested in their unique intersectionality of being a White conservative (an identity rife with racist social implications), being female (an identity deeply abused within the Christian subculture), and being a child …

Paradigms Of Horror, Xingge Zhang

Masters Theses

“It seems an unaccountable pleasure which the spectators of a well-written tragedy receive from sorrow, terror, anxiety and other passions, that are in themselves disagreeable and uneasy” (Hume, 1757).

Horror, said Adorno in another context, was beyond the scope of psychology. Horror tries to frighten, shock, horrify, and disgust using a variety of visual and auditory leitmotifs and devices, including reference to the supernatural, the abnormal, mutilation, blood, gore, the infliction of pain, death, deformity, putrefaction, darkness, invasion, mutation, extreme instability, and the unknown. Supernatural or uncanny narratives can shape, distort, or reflect the storyline in literary works, but also …

Sub Sequence : Building A Participatory Infrastructure, Aaron Wright

Masters Theses

What might it look like to make the nebulous quality of air pollution visible?

There is a lack of infrastructure that has been constructed in response to the contaminants produced from the Port of Providence in Rhode Island. Air quality surrounding the Port is impacted by air pollution from legacy industrial sites – diesel trucks, marine vessels, oil and gas storage and distribution, asphalt and cement processing, metals recycling, natural gas and utility services, and large heating plants.

The thesis sets out to investigate, question, and iterate upon the possibilities of collective environmental action and accessible information through an individual’s …

Ready Made, Made Ready: Everyday Objects For Everyday Emergency, Dara Benno

Masters Theses

What does it mean to adapt to a changing world?

Climate change is altering the world as we know it. We live in a chronic state of emergency. It’s easy to slip into a downward spiral of despair or ignore what we know to be true in order to carry on with our day-to-day responsibilities. By facilitating a complete recognition and heightened awareness of the common threats brought on by the climate crisis, we can begin to make the mental shift toward living in a new normal.

Ready Made, Made Ready rejects a dissociative attitude and seeks to shift exceptionalist …

Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff

Masters Theses

My skin is natural. My skin is political. My hair is natural. My hair is political. My speech is natural. My speech is political. There’s no such thing as apolitical.

My current interdisciplinary practice in painting and performance focuses on how Black diasporic identities hold, create, and process subsistence narratives. For this research, I am asking the questions: What role does pace play in resistance strategies and how can it be communicated through tempo? How are unspoken histories conveyed through movement, silence, the glance of an eye, fat crackling in a cast iron, pushing play on a walkman, and seeds …

Attuning The Viewfinder, Ian De Silva

Masters Theses

As there are many mobile apps designed to pull your attention, these interactions have become a kind of normalized addictiveness, such as doom scrolling.

I am working on the topic of attention and a meditation app using augmented reality because I want to understand how this technology can be useful from beyond the screen and into a physical space.

Can’T Stop Coyote, Tala Worrell

Masters Theses

I work hard to keep language out of my studio. Language reminds me of my mom’s voice, people telling me what to do, not having the right accent, critiques, criticism in general, mis-truths, and never being good enough. Language is the material of my thoughts, and most of my thoughts, or the ones on a constant loop anyhow, are all those voices over and over again.

Painting is where I get to be me, with myself, and in my body. Painting is my home, family, refuge, and best friend. I’m not looking at myself from the outside, no one can …

Tobetitled, Dylan Riley

Masters Theses

My practice is rooted in an investigation of digital and painted images. It meditates on the interbred way in which contemporary images are produced and consumed through painting and error-prone processes of mechanical reproduction. As seeing is, for many, our confirmation sense (you have to see it to believe it) I search for the power structures and epistemological values within contemporary images, particularly representations of objects. My work explores how the meaning of objectivity has shifted over time and how images respond to that shift. Heavily relying on image making software, I first create compositions digitally before translating them to …

Material Illumination, Lauren Mikaela Glenn

Masters Theses

Design exists as a field within the domain of material, accompanied by art, engineering, and craft. Working in material allows the designer to develop material fluency, a language that is composed of matter in space. Material can be used to communicate - it can also be used to think. By engaging the body and its senses in the act of making one can connect the space around the body to the space of the mind, allowing ideas to exist in objects and thinking to happen through interaction with material. Through the documentation of a process of making in wood, glass, …