Art and Design Commons^™

80064, Hyeonsoo Jeong, Special Collections, Fleet Library

9th Baker & Whitehill Student Artists' Book Contest 2023

Entry for the 9th Annual Baker & Whitehill Student Artists' Book Contest. Opening Reception Thursday, March 02, 2023, Fleet Library, Main Reading Room. Juror: Andre Lee Bassuet.

V.1 Fall 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2022 issue centers on the theme "what do you see?" and contains articles on a lecture by Camille Norment, the curator for the student exhibition "No Longer Transparent," the new RISD identity, elevators at RISD, various objects, crabs, the Prov-Wash bathrooms, the history of the drinking straw, drawing, Charles Mingus, and the 2022 grad show, along with other student creative writing.

The Perfect, Qiyang Peng, Special Collections, Fleet Library

9th Baker & Whitehill Student Artists' Book Contest 2023

Entry for the 9th Annual Baker & Whitehill Student Artists' Book Contest. Opening Reception Thursday, March 02, 2023, Fleet Library, Main Reading Room. Juror: Andre Lee Bassuet.

Grandpa And Fishing Village, Cara Wang, Special Collections, Fleet Library

9th Baker & Whitehill Student Artists' Book Contest 2023

Entry for the 9th Annual Baker & Whitehill Student Artists' Book Contest. Opening Reception Thursday, March 02, 2023, Fleet Library, Main Reading Room. Juror: Andre Lee Bassuet.

A Cat's Busy Day, Lana Wang, Special Collections, Fleet Library

9th Baker & Whitehill Student Artists' Book Contest 2023

Entry for the 9th Annual Baker & Whitehill Student Artists' Book Contest. Opening Reception Thursday, March 02, 2023, Fleet Library, Main Reading Room. Juror: Andre Lee Bassuet.

Maybe We Are Eachother's Replica, Yirui Rita Wang, Special Collections, Fleet Library

9th Baker & Whitehill Student Artists' Book Contest 2023

Entry for the 9th Annual Baker & Whitehill Student Artists' Book Contest. Opening Reception Thursday, March 02, 2023, Fleet Library, Main Reading Room. Juror: Andre Lee Bassuet.

The Running Of The Tide, Jan Baker, Special Collections, Fleet Library

Artists' Books

Altered book created by Jan Baker (1950-2018). Jan Baker was an accomplished artist and RISD Professor of Graphic Design (1981-2017) guiding students through book arts, letterpress, papermaking, bookbinding, and visual poetry in the Graphic Design department. For 37 years, she infused her classes and the campus community with the magic and meaning that comes from the handmade. Lettering, cutting, folding, binding, inventing, collecting - these were some of Jan's favorite things. Read more">. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

The Little Poems Of Barbara Erskine, Jan Baker, Special Collections, Fleet Library

Artists' Books

Altered book created by Jan Baker (1950-2018). Jan Baker was an accomplished artist and RISD Professor of Graphic Design (1981-2017) guiding students through book arts, letterpress, papermaking, bookbinding, and visual poetry in the Graphic Design department. For 37 years, she infused her classes and the campus community with the magic and meaning that comes from the handmade. Lettering, cutting, folding, binding, inventing, collecting - these were some of Jan's favorite things. Read more">. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

The Inner Shrine, Jan Baker, Special Collections, Fleet Library

Artists' Books

Altered book created by Jan Baker (1950-2018). Jan Baker was an accomplished artist and RISD Professor of Graphic Design (1981-2017) guiding students through book arts, letterpress, papermaking, bookbinding, and visual poetry in the Graphic Design department. For 37 years, she infused her classes and the campus community with the magic and meaning that comes from the handmade. Lettering, cutting, folding, binding, inventing, collecting - these were some of Jan's favorite things. Read more. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.

That Mirror Again, Kyros Barton

Masters Theses

That Mirror Again is a summary of experiences, used to pose questions about self-hood through technological metaphor and theory. Its memories are disjointed, separate, and removed from time, and are an honest attempt to recenter an identity before the end of formal education. The themes of each section, Aground, Tilt, and Threshold, are presented as isolated definitions that set the mood for the writing before it is introduced. Referencing information age technology, invoking ancient deities in prose, and brushing against the fur of monster-hood, the text holds the memory it carries softly and offers it to the reader.

What The Water Says As It Runs, Jeanette Cosentini

Masters Theses

During the last two years, I have been examining the importance of vulnerability, memory and empowerment within my work as it relates to archival silence. The archive is presumed to be an objective record but what is chosen and discarded is an inherently political act. When there is archival silence, what then becomes missing from our collective histories? My exploration has spread across many forms of media, including sound, video, textiles, sculpture and writing . I have sought to understand the ways that these different mediums embody sentiment and concept, while establishing an open-ended record within which others can explore …

Treeing: What Remains Of A Pilgrim, Sichen Liu

Masters Theses

Myths and legends have existed since the start of human civilization, but now we can only imagine a world full of wonders from our ancestor’s scripts. What if we could go back to the age of myths and magic? Would we see things differently?

In Treeing: What Remains of a Pilgrim, I propose a fictional book with 15 short myths of humans transformed into trees. The stories combine my own imagination with inspiration from real mythologies. In the annotations of each story, an unnamed person is following the myths as guidance and manuals, one by one, trying to bring them …

Everything Comes Full Circle, Lilan Yang

Masters Theses

Following Wim Wenders’ Paris, Texas (1984) filming locations from Houston, Texas to Los Angeles, California, I use a 16mm Bolex camera to capture the vastness of the American West. The footage draws me to reminisce about snippets of my everyday life. I contemplate how we perceive the world through analog optical apparatuses and how memories are multidimensional yet fragile. Our recollections of people and places can be distorted, unrecognizable, and fictitious. These memories would eventually diminish with the passing of time. By converting the filmmaking back and forth between analog and digital filmmaking, with the loss of information during the …

Generative Image Systems And Emergent Play, Travess Smalley

Masters Theses

Generative Image Systems and Emergent Play is a collection of writings around generative creative processes and the emergent outcomes that can develop from simple systems. The generative systems I utilize in my practice are explored in this writing through the lenses of Instructional Art, Generative Art, Chance and Randomness, the Xerox, Computer Programming, and Emergent Play in games. These texts are a statement about my computational art practice and research, and they explore what it means to create with generative systems inside of other designer’s programs.

Embedded Are The Embers Of Echoes, Sarah Jane Cribbs

Masters Theses

What is a haunted house? What makes it haunted? What makes it a house?

I grew up in northern Appalachia. I sat in the back seat of my father’s car for trips from the Eastern foothills to the Western foothills of Pennsylvania mountains to visit my grandmother.

When my perception of the world grew larger as I did too, I began to hide my Appalachian identity. This ended as I began my practice, beginning with a realtime performance on artificial intelligence and queerness. Art practice opened up the possibility of critical play, a method of criticism that focuses on a …

Wall, Jazzmynn Chang Hong

Masters Theses

The WALL is a mosaic-style book with a collection of personal anecdotes and reflections. Traceback from the earliest memory of mine, the instinctive exploration of a sheltered structure, to my recent art practices exploring the spatial perception when the boundary breaks. Each chapter, as I grow older, unfolds my progressive encounter and interpretation of the spatial boundaries.

As the book titled the WALL, its form references a traditional Chinese partition structure - the folding screen. It is not only an aesthetic manifestation, the screens are usually decorated with calligraphies or paintings, it also has a practical purpose as a spatial …

Abyss Without Vertigo, Jack Madden

Masters Theses

Science has difficulty changing the way we think because it takes us beyond our natural perception. To scales and phenomena that we are unaccustomed to, that are instinctively inhuman.

To fundamentally change the philosophy of our species there needs to be a bridge or, more presciently, an emergency ladder for the human mind to science.

As we are inclined to logic yet inherently emotional, the importance of the scientific cannot be understood using science alone.

Significance must be felt, feelings are the foundation of art, and validation the consequence of the artifact.

Wanderer, Yuhan Ma

Masters Theses

My thesis writings include four chapters. It begins by my self-reflection, an introduction to my liminal space and how it has become a spiritual endeavor. Building on that, the second chapter Encounters elaborates on my childhood memory; and the following two, the Non-resident alien, A Sanctuary, respectively expresses my recent concerns or situations that have greatly affected my perceptions, and a mythological idea of sanctuary that can keep me away from the chaos. These chapters have been influenced by the eastern ideology icons, such as Buddhism and the culture of reclusion. They have examined a process of me dissecting …

I Don't Quite Remember It That Way, Margaret Lindon

Masters Theses

In the fall of 2020, during the first week of graduate school, I crashed on my road bike and suffered a big-time concussion. Like, lost-consciousness-and-forgot-the-whole-day kinda big. I became obsessed with this permanent memory deletion. Trying to remember the event was like trying to remember the first time I saw the color blue. Impossible without supplementary data or second-person observation.

Memory recall can operate like a game of telephone. When we remember something, we’re really just remembering the last time we remembered it. We accrue subtle adjustments to our memories that result in gradual omissions and distillations.

This process lost …

Extended Reality Interface, Neil Nelson

Masters Theses

My thesis project at Rhode Island School of Design looks at how we interact with technology, specifically augmented and virtual reality. I explore these ideas through the development of novel hardware. I am interested in human centered design and specialize in ideation and rapid prototyping.

Vulva Gazing: Power And The Gendered Body, Aaliya Jamal Zaidi

Masters Theses

How does a gendered gaze determine what we feel shame about?

In patriarchal society, the male gaze is normal. Within its sights, the vulva, the external female sexual and reproductive organs, is viewed negatively — censored and ignored, or labeled with euphemisms and slurs across cultures. The modern western medical canon upholds and reinforces this view of the vulva, through a combination of disinterest and omission. This cultural aversion leads to a personal aversion. For people with vulvas this manifests in a lack of information about their own bodies which leads to shame, pain and even death.

Vulva Gazing is …

In This Form, Together, Elana Shvalbe

Masters Theses

Most of my memories consist of lively dinner parties. Hands moving in every direction when the food is brought out. The piano bench for the kids to sit on, the fold out table necessary to fit everyone around the meal, and always endless stacks of plates. These experiences and traditions were curated by my heritage and have a strong presence in the work I design. I intend to understand and create interlocking relationships of care, where ritual and romance lead the way to form a community; designing and making furniture and objects that reassert hospitality within the home.

Hospitality is …

To Be Seen To Be Heard: Embracing Social Anxiety In The Workplace, Jingxuan Chen

Masters Theses

Social anxiety has become the third most common mental illness in the U.S, but there still is a lack of public understanding of this issue as it often goes unspoken. Through my research, I found that social anxiety is deeply entangled with environments, situations, and interpersonal interactions; especially within unfamiliar, uncomfortable, and unsafe situations.

Workplace exacerbates social anxiety as people are constantly being evaluated by others, exposed to new situations, and required to perform well, which leaves no room for people to share the unspoken and seek support. Guided by the questions of what social anxiety is and how it …

Mood Follows Matter, Maxwell Taylor-Milner

Masters Theses

Function is an invisible thing - what disappears when an object is used? Ornament has long been considered an obstacle, a roadblock to forgetting. Capitalist logics of speed, efficiency, and distraction militate against a material culture that might require patient observation, against acquiring the skill to make thoughtful objects or the knowledge to read and appreciate them. The result is the impenetrable trash mishmash spectacle of virtual flea markets like Amazon and Alibaba, of trackable yet traceless objects whose visual identity is algorithmically generated - commodity mystification as pure capitalist abstraction.

While I bow to the quixotic nature of yearning …

Just Enough, Amelia Greteman

Masters Theses

As a child, I never answered the question “What do you want to be when you grow up?” with “a furniture designer.” Even though both of my parents are artists, making things never seemed like a job; it just seemed like something we all loved to do. Some of my best memories are of working in the studio alongside them - painting, smearing, building, and destroying, but always vigilantly coloring within the lines.

This thesis investigates my past and current relationship to making and the urge I have to simplify and reduce. It takes place in the form of furniture …

Slow Puzzle, Tzyy Yi Young

Masters Theses

One may argue that we all observe. It is this finely tuned capacity that allows designers to read context and to identify patterns. Since I was a child, I’ve been a carefully tuned explorer of the world, observing the world around me. Yet as a designer, I take this observational impulse to another level by recording my observations and then translating these impressions into form. What is seen, felt, and gathered is then edited, nuanced, and reformed. This act of translation becomes a slow puzzle as I look for cues, acknowledge every facet, and conceive of forms in such a …

Military, Art & The Inbetween, Andrew Storck

Masters Theses

I find myself navigating life from the perspective of both a civilian and military service member. Everyday, I am between domestic, civilian spaces and military memories as my military service has impacted every aspect of my adult life. Serving in the United States Air Force allowed me to travel the globe while working alongside people from every class and race, on missions focused on tasks greater than ourselves.

My artistic practice explores how my time in the military has affected my transition back into civilian life by using sculpture and installation to express a variety of emotions. I hope my …

Retelling A Landscape Through The Alchemy Of Recasting, Amanda Lee

Masters Theses

This project is an acknowledgment of reshaped landscapes while also understanding that this moment of time is only relevant to my own human lifespan and perspective. The work embodies unmet expectations when one confronts a memory landscape of their, or my, childhood. Specifically, I am discussing the chasm between reality and memory through a recent return to my childhood home in Colorado, and was met by two of the largest wildfires in the state’s history. This project takes a moment to digest that loss, of what was known, what was not, and can no longer be known: forests, trees, and …

The Sky Is Falling, Alexis Tingey

Masters Theses

The ceiling would fall apart in my childhood home, it was an old house. Occasionally a piece of ceiling would clomp down on my head. In these moments, I would pause, and close my eyes until an image of some fabulous, beautiful interior came into my mind, and then I would open my eyes and continue. Sometimes to escape a falling ceiling, I would find respite in my first ideal sitting spot, a post on our back fence; I would sit with the sky and think. Looking back, I believe these are the moments where I caught glimpses of the …

Matingkad - Flamboyant, Bhen Alan

Masters Theses

In the Tagalog language, matingkad is used when describing colors or light. Its English translation, flamboyant, usually describes a character of a person - a queer, performer, drag?

People have called me flamboyant due to the way I dress, my gestures, and how I approach my work. Because of this, I have experience discrimination and abuse towards my race and gender, as well as my citizenship status. Therefore I have learned to begin employing flamboyance to be opaque (matingkad na kulay).

With this experience, I had to adjust the opacity of my body as a way of survival …