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Articles 631 - 660 of 680
Full-Text Articles in Art and Design
Id, Shannon Egan
Id, Shannon Egan
Schmucker Art Catalogs
The five sculptors in ID challenge the conventions of representational self-portraiture. In their selective and often abstract use of figuration, these artists engage the identification of self as it is situated socially and institutionally—one’s “I.D.”—as well as the psychoanalytic dimensions of the “id.”
The exhibition’s title introduces a kind of paradoxical conflict between public identification, found in various bureaucratic forms of I.D. (passports, drivers’ licenses, and Social Security numbers, for example), and the id, a Freudian classification for the most basic and unconscious physical drives (sex, food, aggression).
All of these artists respond to the seeming incongruities of I.D. and …
Embodiment And Emptiness: Alison Rector’S Interior Spaces, Shannon Egan
Embodiment And Emptiness: Alison Rector’S Interior Spaces, Shannon Egan
Art and Art History Faculty Publications
Alison Rector’s painting Green Kitchen (2002) depicts a seemingly ordinary domestic interior: a flight of stairs ascends to the right, and a foyer, furnished simply with a wooden table and chairs, leads to a kitchen and, further still, to a broom closet. The old-fashioned wood-burning stove, muted and patterned wallpaper, antiqued furniture, brass sconce, and wide-planked hardwood floor characterize this home as possibly from the late nineteenth or early twentieth century, but the lack of figures and personal effects makes the definitive time of occupancy ambiguous. Rector’s unoccupied interiors, however, do not appear abandoned. Even in the quietest of her …
Flawless Poise, Desiree M. Koser
Inside The Artist's Studio, Marilyn S. Springer
Dirty Bath, Kelly Bennett
Bowls, Cassandra S. Destefano
Southstreet Seaport Boats, Allison P. Schofield
Rainy, Sara M. Thomas
Ancient Modernity, Victoria L. West
Self-Portrait, Thomas C. Hanvey
Geisha At The Festival Of Ages, Amanda Ward
Sit And Watch Life Roll By, Andrew P. Maturo
Dylan In A Gesture, Chelsea R. Kasten
Still Life With Chair, Shirt, Jacket, Shoes And Umbrella, Anukul Gurung
Still Life With Chair, Shirt, Jacket, Shoes And Umbrella, Anukul Gurung
The Mercury
No abstract provided.
The Bike, Meredith C. Mcentee
Foggy Sunrise, Christopher A. Merkle
War And "Equality", Brian P. Menna
Multiple Mac Perspectives, Victoria L. West
A Quiet Absorption: Paul Fenniak’S Realism, Shannon Egan
A Quiet Absorption: Paul Fenniak’S Realism, Shannon Egan
Art and Art History Faculty Publications
The cool early morning light casts an eerie stillness over the swimming pool in Paul Fenniak’s painting Short Cut (2006). The protagonist, a young woman with mousy brown hair and a sturdy build, carries a satchel and hunches forward midstride along the right edge of the pool. She looks toward the background of the painting, away from the viewer and across the water. Perhaps she is taking a surreptitious detour through this closed and empty space on her way to school. Fenniak skillfully captures the bluish dawn, the sun raking across clean, calm water, the gentle hint of breeze waving …
Face 2, Geoffrey D. Gaenslen
Unfinished Business, Marilyn S. Springer
Skeleton, Luis Alberto Ruiz Quintero
Bermuda Sunset, Sarah B. Fagan
Jasmine, Makenzie M. Seiple
Lemons, Erica J. Wiles
David, Brian P. Menna
The Old Familiar Sting, Jaimie N. Schock
Jazz Club, Jennifer M. Kuzmik